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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39E7ED it is the complementary color #C61812. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39E7ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39E7ED shade: #3EE7E8, #4FF9FB, #60FFFF, #71FFFF and #82FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39E7ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39E7ED shade: #39E7ED, #28D5DA, #17C3C7, #06B1B4 and #009FA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39E7ED shade: #3BE6EC, #3BB6EC, #3B86EC, #3B57EC and #4E3BEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39E7ED shade: #3BE6EC, #3BB6EC, #3B86EC, #3B57EC and #3B3BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39E7ED shade matches the following richer shades: #3BE6EC and #29F7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39E7ED shade: #3BE6EC, #4CD6DB, #5DC6CA, #6EB6B8 and #80A6A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39E7ED shade: #3BEC93, #3BECC3, #3BE6EC, #3BB7EC and #3B88EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39E7ED shade: #12BDC3, #15E1E8, #3BE6EC, #60EBF0 and #86F0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39E7ED shade: #39E7ED, #643BEC and #ECAB3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39E7ED shade: #39E7ED, #EC3BE6 and #E6EC3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39E7ED shade: #39E7ED, #643BEC, #EC403B and #C3EC3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39E7ED shade: #39E7ED, #993BEC, #EC403B and #8DEC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 3 / 0 / 7

HEX #39E7ED

RGB 57 231 237

HSL 182, 0.83%, 0.58%

LAB 84.04, -39.92, -15.29

 

Complementary color

CMYK 0 / 88 / 91 / 22

HEX #C61812

RGB 198 24 18

HSL 2, 0.83%, 0.42%

LAB 42.31, 63.47, 49.84

 

CMYK 73 / 0 / 0 / 9

HEX #3EE7E8

RGB 62 231 232

HSL 180.35, 0.79%, 0.58%

LAB 83.97, -40.82, -12.75

 

CMYK 69 / 1 / 0 / 2

HEX #4FF9FB

RGB 79 249 251

HSL 180.7, 0.96%, 0.65%

LAB 90.03, -41.62, -13.6

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 76 / 3 / 0 / 7

HEX #39E7ED

RGB 57 231 237

HSL 182, 0.83%, 0.58%

LAB 84.04, -39.92, -15.29

 

CMYK 82 / 2 / 0 / 15

HEX #28D5DA

RGB 40 213 218

HSL 181.69, 0.71%, 0.51%

LAB 77.93, -38.75, -14.37

 

CMYK 88 / 2 / 0 / 22

HEX #17C3C7

RGB 23 195 199

HSL 181.36, 0.79%, 0.44%

LAB 71.78, -37.27, -13.35

 

CMYK 97 / 2 / 0 / 29

HEX #06B1B4

RGB 6 177 180

HSL 181.03, 0.94%, 0.36%

LAB 65.58, -35.43, -12.23

 

CMYK 100 / 1 / 0 / 37

HEX #009FA1

RGB 0 159 161

HSL 180.75, 1%, 0.32%

LAB 59.31, -33.15, -10.97

 

CMYK 75 / 3 / 0 / 7

HEX #3BE6EC

RGB 59 230 236

HSL 182.03, 0.82%, 0.58%

LAB 83.75, -39.55, -15.19

 

CMYK 75 / 23 / 0 / 7

HEX #3BB6EC

RGB 59 182 236

HSL 198.31, 0.82%, 0.58%

LAB 69.78, -15.96, -36.53

 

CMYK 75 / 43 / 0 / 7

HEX #3B86EC

RGB 59 134 236

HSL 214.58, 0.82%, 0.58%

LAB 56.12, 11.47, -58.09

 

CMYK 75 / 63 / 0 / 7

HEX #3B57EC

RGB 59 87 236

HSL 230.51, 0.82%, 0.58%

LAB 43.95, 40.73, -77.82

 

CMYK 67 / 75 / 0 / 7

HEX #4E3BEC

RGB 78 59 236

HSL 246.44, 0.82%, 0.58%

LAB 39.25, 58.49, -85.51

 

CMYK 75 / 3 / 0 / 7

HEX #3BE6EC

RGB 59 230 236

HSL 182.03, 0.82%, 0.58%

LAB 83.75, -39.55, -15.19

 

CMYK 75 / 23 / 0 / 7

HEX #3BB6EC

RGB 59 182 236

HSL 198.31, 0.82%, 0.58%

LAB 69.78, -15.96, -36.53

 

CMYK 75 / 43 / 0 / 7

HEX #3B86EC

RGB 59 134 236

HSL 214.58, 0.82%, 0.58%

LAB 56.12, 11.47, -58.09

 

CMYK 75 / 63 / 0 / 7

HEX #3B57EC

RGB 59 87 236

HSL 230.51, 0.82%, 0.58%

LAB 43.95, 40.73, -77.82

 

CMYK 75 / 75 / 0 / 7

HEX #3B3BEC

RGB 59 59 236

HSL 240, 0.82%, 0.58%

LAB 38.05, 56.85, -87.54

 

CMYK 75 / 3 / 0 / 7

HEX #3BE6EC

RGB 59 230 236

HSL 182.03, 0.82%, 0.58%

LAB 83.75, -39.55, -15.19

 

CMYK 84 / 3 / 0 / 0

HEX #29F7FE

RGB 41 247 254

HSL 181.97, 0.99%, 0.58%

LAB 88.99, -43.45, -16.78

 

CMYK 75 / 3 / 0 / 7

HEX #3BE6EC

RGB 59 230 236

HSL 182.03, 0.82%, 0.58%

LAB 83.75, -39.55, -15.19

 

CMYK 65 / 2 / 0 / 14

HEX #4CD6DB

RGB 76 214 219

HSL 182.1, 0.67%, 0.58%

LAB 78.89, -34.91, -13.4

 

CMYK 54 / 2 / 0 / 21

HEX #5DC6CA

RGB 93 198 202

HSL 182.2, 0.51%, 0.58%

LAB 74.18, -29.06, -11.25

 

CMYK 40 / 1 / 0 / 28

HEX #6EB6B8

RGB 110 182 184

HSL 181.62, 0.34%, 0.58%

LAB 69.63, -21.97, -8.12

 

CMYK 23 / 1 / 0 / 35

HEX #80A6A7

RGB 128 166 167

HSL 181.54, 0.18%, 0.58%

LAB 65.48, -12.61, -4.75

 

CMYK 75 / 0 / 38 / 7

HEX #3BEC93

RGB 59 236 147

HSL 149.83, 0.82%, 0.58%

LAB 83.46, -63.39, 30.89

 

CMYK 75 / 0 / 17 / 7

HEX #3BECC3

RGB 59 236 195

HSL 166.1, 0.82%, 0.58%

LAB 84.41, -53.03, 7.39

 

CMYK 75 / 3 / 0 / 7

HEX #3BE6EC

RGB 59 230 236

HSL 182.03, 0.82%, 0.58%

LAB 83.75, -39.55, -15.19

 

CMYK 75 / 22 / 0 / 7

HEX #3BB7EC

RGB 59 183 236

HSL 197.97, 0.82%, 0.58%

LAB 70.07, -16.49, -36.08

 

CMYK 75 / 42 / 0 / 7

HEX #3B88EC

RGB 59 136 236

HSL 213.9, 0.82%, 0.58%

LAB 56.68, 10.26, -57.21

 

CMYK 91 / 3 / 0 / 24

HEX #12BDC3

RGB 18 189 195

HSL 182.03, 0.83%, 0.42%

LAB 69.8, -35.96, -14.15

 

CMYK 91 / 3 / 0 / 9

HEX #15E1E8

RGB 21 225 232

HSL 181.99, 0.83%, 0.5%

LAB 81.75, -41.1, -16.12

 

CMYK 75 / 3 / 0 / 7

HEX #3BE6EC

RGB 59 230 236

HSL 182.03, 0.82%, 0.58%

LAB 83.75, -39.55, -15.19

 

CMYK 60 / 2 / 0 / 6

HEX #60EBF0

RGB 96 235 240

HSL 182.08, 0.83%, 0.66%

LAB 86.1, -35.78, -13.69

 

CMYK 45 / 1 / 0 / 5

HEX #86F0F3

RGB 134 240 243

HSL 181.65, 0.82%, 0.74%

LAB 88.86, -29.9, -11.02

 

CMYK 76 / 3 / 0 / 7

HEX #39E7ED

RGB 57 231 237

HSL 182, 0.83%, 0.58%

LAB 84.04, -39.92, -15.29

 

CMYK 58 / 75 / 0 / 7

HEX #643BEC

RGB 100 59 236

HSL 253.9, 0.82%, 0.58%

LAB 41.05, 60.92, -82.49

 

CMYK 0 / 28 / 75 / 7

HEX #ECAB3B

RGB 236 171 59

HSL 37.97, 0.82%, 0.58%

LAB 74.36, 13.97, 63.71

 

CMYK 76 / 3 / 0 / 7

HEX #39E7ED

RGB 57 231 237

HSL 182, 0.83%, 0.58%

LAB 84.04, -39.92, -15.29

 

CMYK 0 / 75 / 3 / 7

HEX #EC3BE6

RGB 236 59 230

HSL 302.03, 0.82%, 0.58%

LAB 58.67, 82.95, -49.71

 

CMYK 3 / 0 / 75 / 7

HEX #E6EC3B

RGB 230 236 59

HSL 62.03, 0.82%, 0.58%

LAB 90.38, -21.63, 78.58

 

CMYK 76 / 3 / 0 / 7

HEX #39E7ED

RGB 57 231 237

HSL 182, 0.83%, 0.58%

LAB 84.04, -39.92, -15.29

 

CMYK 58 / 75 / 0 / 7

HEX #643BEC

RGB 100 59 236

HSL 253.9, 0.82%, 0.58%

LAB 41.05, 60.92, -82.49

 

CMYK 0 / 73 / 75 / 7

HEX #EC403B

RGB 236 64 59

HSL 1.69, 0.82%, 0.58%

LAB 53.83, 64.79, 42.69

 

CMYK 17 / 0 / 75 / 7

HEX #C3EC3B

RGB 195 236 59

HSL 73.9, 0.82%, 0.58%

LAB 87.92, -35.66, 75.41

 

CMYK 76 / 3 / 0 / 7

HEX #39E7ED

RGB 57 231 237

HSL 182, 0.83%, 0.58%

LAB 84.04, -39.92, -15.29

 

CMYK 35 / 75 / 0 / 7

HEX #993BEC

RGB 153 59 236

HSL 271.86, 0.82%, 0.58%

LAB 46.92, 68.64, -72.64

 

CMYK 0 / 73 / 75 / 7

HEX #EC403B

RGB 236 64 59

HSL 1.69, 0.82%, 0.58%

LAB 53.83, 64.79, 42.69

 

CMYK 40 / 0 / 75 / 7

HEX #8DEC3B

RGB 141 236 59

HSL 92.2, 0.82%, 0.58%

LAB 84.98, -55.12, 71.58

 

Description

Color code: HEX #39E7ED | qconv.com Color code: HEX #39E7ED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 231 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 231 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 3 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 3% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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