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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39EA29 it is the complementary color #C615D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39EA29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39EA29 shade: #3EEA24, #4FFC37, #60FF4A, #71FF5D and #82FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39EA29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39EA29 shade: #39EA29, #28D816, #17C603, #06B400 and #00A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39EA29 shade: #39E929, #6DE929, #A1E929, #D5E929 and #E9CA29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39EA29 shade: #39E929, #29E94D, #29E981, #29E9B5 and #29E9E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39EA29 shade matches the following richer shades: #39E929 and #29FC16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39EA29 shade: #39E929, #49D63C, #59C34F, #68B062 and #789D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39EA29 shade: #A0E929, #6CE929, #39E929, #29E94C and #29E980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39EA29 shade: #1EAF11, #24D515, #39E929, #5CED4F and #7EF174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39EA29 shade: #39EA29, #29D3E9 and #E92986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39EA29 shade: #39EA29, #2939E9 and #E92939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39EA29 shade: #39EA29, #29D3E9, #D929E9 and #E93F29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39EA29 shade: #39EA29, #2999E9, #D929E9 and #E97929

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 82 / 8

HEX #39EA29

RGB 57 234 41

HSL 115.03, 0.82%, 0.54%

LAB 81.77, -75.37, 72.7

 

Complementary color

CMYK 7 / 90 / 0 / 16

HEX #C615D6

RGB 198 21 214

HSL 295.03, 0.82%, 0.46%

LAB 48.76, 81.61, -56.83

 

CMYK 74 / 0 / 85 / 8

HEX #3EEA24

RGB 62 234 36

HSL 112.12, 0.83%, 0.53%

LAB 81.84, -74.86, 73.93

 

CMYK 69 / 0 / 78 / 1

HEX #4FFC37

RGB 79 252 55

HSL 112.69, 0.97%, 0.6%

LAB 87.76, -76.56, 74.72

 

CMYK 62 / 0 / 71 / 0

HEX #60FF4A

RGB 96 255 74

HSL 112.71, 1%, 0.65%

LAB 89.16, -72.98, 70.23

 

CMYK 56 / 0 / 64 / 0

HEX #71FF5D

RGB 113 255 93

HSL 112.59, 1%, 0.68%

LAB 89.78, -67.55, 63.88

 

CMYK 49 / 0 / 56 / 0

HEX #82FF70

RGB 130 255 112

HSL 112.45, 1%, 0.72%

LAB 90.52, -61.28, 56.85

 

CMYK 76 / 0 / 82 / 8

HEX #39EA29

RGB 57 234 41

HSL 115.03, 0.82%, 0.54%

LAB 81.77, -75.37, 72.7

 

CMYK 81 / 0 / 90 / 15

HEX #28D816

RGB 40 216 22

HSL 114.43, 0.82%, 0.47%

LAB 75.84, -73.04, 71.25

 

CMYK 88 / 0 / 98 / 22

HEX #17C603

RGB 23 198 3

HSL 113.85, 0.97%, 0.39%

LAB 69.88, -70, 68.58

 

CMYK 97 / 0 / 100 / 29

HEX #06B400

RGB 6 180 0

HSL 118, 1%, 0.35%

LAB 63.9, -66.07, 64.08

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 76 / 0 / 82 / 9

HEX #39E929

RGB 57 233 41

HSL 115, 0.81%, 0.54%

LAB 81.46, -75.08, 72.41

 

CMYK 53 / 0 / 82 / 9

HEX #6DE929

RGB 109 233 41

HSL 98.75, 0.81%, 0.54%

LAB 82.75, -64.39, 74.06

 

CMYK 31 / 0 / 82 / 9

HEX #A1E929

RGB 161 233 41

HSL 82.5, 0.81%, 0.54%

LAB 85, -47.88, 76.92

 

CMYK 9 / 0 / 82 / 9

HEX #D5E929

RGB 213 233 41

HSL 66.25, 0.81%, 0.54%

LAB 88.25, -27.75, 80.99

 

CMYK 0 / 13 / 82 / 9

HEX #E9CA29

RGB 233 202 41

HSL 50.31, 0.81%, 0.54%

LAB 81.69, -4.1, 76.08

 

CMYK 76 / 0 / 82 / 9

HEX #39E929

RGB 57 233 41

HSL 115, 0.81%, 0.54%

LAB 81.46, -75.08, 72.41

 

CMYK 82 / 0 / 67 / 9

HEX #29E94D

RGB 41 233 77

HSL 131.25, 0.81%, 0.54%

LAB 81.45, -74.41, 60.72

 

CMYK 82 / 0 / 45 / 9

HEX #29E981

RGB 41 233 129

HSL 147.5, 0.81%, 0.54%

LAB 82.02, -67.51, 37.96

 

CMYK 82 / 0 / 22 / 9

HEX #29E9B5

RGB 41 233 181

HSL 163.75, 0.81%, 0.54%

LAB 82.96, -56.94, 12.63

 

CMYK 82 / 0 / 0 / 9

HEX #29E9E9

RGB 41 233 233

HSL 180, 0.81%, 0.54%

LAB 84.29, -43.29, -12.81

 

CMYK 76 / 0 / 82 / 9

HEX #39E929

RGB 57 233 41

HSL 115, 0.81%, 0.54%

LAB 81.46, -75.08, 72.41

 

CMYK 84 / 0 / 91 / 1

HEX #29FC16

RGB 41 252 22

HSL 115.04, 0.97%, 0.54%

LAB 87.07, -82.94, 80.74

 

CMYK 76 / 0 / 82 / 9

HEX #39E929

RGB 57 233 41

HSL 115, 0.81%, 0.54%

LAB 81.46, -75.08, 72.41

 

CMYK 66 / 0 / 72 / 16

HEX #49D63C

RGB 73 214 60

HSL 114.94, 0.65%, 0.54%

LAB 75.97, -65.28, 61.52

 

CMYK 54 / 0 / 59 / 24

HEX #59C34F

RGB 89 195 79

HSL 114.83, 0.49%, 0.54%

LAB 70.68, -53.05, 48.19

 

CMYK 41 / 0 / 44 / 31

HEX #68B062

RGB 104 176 98

HSL 115.38, 0.33%, 0.54%

LAB 65.65, -38.4, 32.98

 

CMYK 24 / 0 / 25 / 38

HEX #789D75

RGB 120 157 117

HSL 115.5, 0.17%, 0.54%

LAB 61.13, -20.8, 16.89

 

CMYK 31 / 0 / 82 / 9

HEX #A0E929

RGB 160 233 41

HSL 82.81, 0.81%, 0.54%

LAB 84.95, -48.24, 76.85

 

CMYK 54 / 0 / 82 / 9

HEX #6CE929

RGB 108 233 41

HSL 99.06, 0.81%, 0.54%

LAB 82.71, -64.66, 74.02

 

CMYK 76 / 0 / 82 / 9

HEX #39E929

RGB 57 233 41

HSL 115, 0.81%, 0.54%

LAB 81.46, -75.08, 72.41

 

CMYK 82 / 0 / 67 / 9

HEX #29E94C

RGB 41 233 76

HSL 130.94, 0.81%, 0.54%

LAB 81.44, -74.51, 61.1

 

CMYK 82 / 0 / 45 / 9

HEX #29E980

RGB 41 233 128

HSL 147.19, 0.81%, 0.54%

LAB 82.01, -67.68, 38.44

 

CMYK 83 / 0 / 90 / 31

HEX #1EAF11

RGB 30 175 17

HSL 115.06, 0.82%, 0.38%

LAB 62.49, -62.42, 60.65

 

CMYK 83 / 0 / 90 / 16

HEX #24D515

RGB 36 213 21

HSL 115.31, 0.82%, 0.46%

LAB 74.84, -72.65, 70.54

 

CMYK 76 / 0 / 82 / 9

HEX #39E929

RGB 57 233 41

HSL 115, 0.81%, 0.54%

LAB 81.46, -75.08, 72.41

 

CMYK 61 / 0 / 67 / 7

HEX #5CED4F

RGB 92 237 79

HSL 115.06, 0.81%, 0.62%

LAB 83.66, -67.43, 62.6

 

CMYK 48 / 0 / 52 / 5

HEX #7EF174

RGB 126 241 116

HSL 115.2, 0.82%, 0.7%

LAB 86.31, -56.52, 49.99

 

CMYK 76 / 0 / 82 / 8

HEX #39EA29

RGB 57 234 41

HSL 115.03, 0.82%, 0.54%

LAB 81.77, -75.37, 72.7

 

CMYK 82 / 9 / 0 / 9

HEX #29D3E9

RGB 41 211 233

HSL 186.88, 0.81%, 0.54%

LAB 77.84, -33.21, -22.55

 

CMYK 0 / 82 / 42 / 9

HEX #E92986

RGB 233 41 134

HSL 330.94, 0.81%, 0.54%

LAB 52.54, 75.15, -3.46

 

CMYK 76 / 0 / 82 / 8

HEX #39EA29

RGB 57 234 41

HSL 115.03, 0.82%, 0.54%

LAB 81.77, -75.37, 72.7

 

CMYK 82 / 76 / 0 / 9

HEX #2939E9

RGB 41 57 233

HSL 235, 0.81%, 0.54%

LAB 36.52, 55.81, -88.39

 

CMYK 0 / 82 / 76 / 9

HEX #E92939

RGB 233 41 57

HSL 355, 0.81%, 0.54%

LAB 50.93, 70.37, 40.46

 

CMYK 76 / 0 / 82 / 8

HEX #39EA29

RGB 57 234 41

HSL 115.03, 0.82%, 0.54%

LAB 81.77, -75.37, 72.7

 

CMYK 82 / 9 / 0 / 9

HEX #29D3E9

RGB 41 211 233

HSL 186.88, 0.81%, 0.54%

LAB 77.84, -33.21, -22.55

 

CMYK 7 / 82 / 0 / 9

HEX #D929E9

RGB 217 41 233

HSL 295, 0.81%, 0.54%

LAB 54.26, 84.28, -58.62

 

CMYK 0 / 73 / 82 / 9

HEX #E93F29

RGB 233 63 41

HSL 6.88, 0.81%, 0.54%

LAB 52.99, 63.65, 50.99

 

CMYK 76 / 0 / 82 / 8

HEX #39EA29

RGB 57 234 41

HSL 115.03, 0.82%, 0.54%

LAB 81.77, -75.37, 72.7

 

CMYK 82 / 34 / 0 / 9

HEX #2999E9

RGB 41 153 233

HSL 205, 0.81%, 0.54%

LAB 60.9, -2.74, -48.85

 

CMYK 7 / 82 / 0 / 9

HEX #D929E9

RGB 217 41 233

HSL 295, 0.81%, 0.54%

LAB 54.26, 84.28, -58.62

 

CMYK 0 / 48 / 82 / 9

HEX #E97929

RGB 233 121 41

HSL 25, 0.81%, 0.54%

LAB 62.64, 38.33, 59.65

 

Description

Color code: HEX #39EA29 | qconv.com Color code: HEX #39EA29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 234 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 234 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 82 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 82% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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