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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39ED3B it is the complementary color #C612C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39ED3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39ED3B shade: #3EED36, #4FFF49, #60FF5C, #71FF6F and #82FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39ED3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39ED3B shade: #39ED3B, #28DB28, #17C915, #06B702 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39ED3B shade: #3BEC3C, #68EC3B, #98EC3B, #C8EC3B and #ECE03B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39ED3B shade: #3BEC3C, #3BEC6C, #3BEC9C, #3BECCC and #3BDCEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39ED3B shade matches the following richer shades: #3BEC3C and #29FE2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39ED3B shade: #3BEC3C, #4CDB4D, #5DCA5E, #6EB86F and #80A780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39ED3B shade: #99EC3B, #6AEC3B, #3BEC3B, #3BEC6A and #3BEC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39ED3B shade: #12C314, #15E817, #3BEC3C, #60F062 and #86F387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39ED3B shade: #39ED3B, #3BC9EC and #EC3B82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39ED3B shade: #39ED3B, #3B3BEC and #EC3B3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39ED3B shade: #39ED3B, #3BC9EC, #EC3BEC and #EC5E3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39ED3B shade: #39ED3B, #3B93EC, #EC3BEC and #EC933B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 75 / 7

HEX #39ED3B

RGB 57 237 59

HSL 120.67, 0.83%, 0.58%

LAB 82.78, -75.22, 68.58

 

Complementary color

CMYK 0 / 91 / 1 / 22

HEX #C612C4

RGB 198 18 196

HSL 300.67, 0.83%, 0.42%

LAB 47.53, 79.26, -48.42

 

CMYK 74 / 0 / 77 / 7

HEX #3EED36

RGB 62 237 54

HSL 117.38, 0.84%, 0.57%

LAB 82.84, -74.83, 70.21

 

CMYK 69 / 0 / 71 / 0

HEX #4FFF49

RGB 79 255 73

HSL 118.02, 1%, 0.64%

LAB 88.76, -76.29, 70.05

 

CMYK 62 / 0 / 64 / 0

HEX #60FF5C

RGB 96 255 92

HSL 118.53, 1%, 0.68%

LAB 89.29, -71.44, 63.61

 

CMYK 56 / 0 / 56 / 0

HEX #71FF6F

RGB 113 255 111

HSL 119.17, 1%, 0.72%

LAB 89.94, -65.69, 56.47

 

CMYK 49 / 0 / 49 / 0

HEX #82FF82

RGB 130 255 130

HSL 120, 1%, 0.75%

LAB 90.72, -59.11, 48.9

 

CMYK 76 / 0 / 75 / 7

HEX #39ED3B

RGB 57 237 59

HSL 120.67, 0.83%, 0.58%

LAB 82.78, -75.22, 68.58

 

CMYK 82 / 0 / 82 / 14

HEX #28DB28

RGB 40 219 40

HSL 120, 0.71%, 0.51%

LAB 76.84, -73.17, 68.35

 

CMYK 89 / 0 / 90 / 21

HEX #17C915

RGB 23 201 21

HSL 119.33, 0.81%, 0.44%

LAB 70.88, -70.41, 67.11

 

CMYK 97 / 0 / 99 / 28

HEX #06B702

RGB 6 183 2

HSL 118.67, 0.98%, 0.36%

LAB 64.89, -66.85, 64.63

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3C

RGB 59 236 60

HSL 120.34, 0.82%, 0.58%

LAB 82.51, -74.57, 68

 

CMYK 56 / 0 / 75 / 7

HEX #68EC3B

RGB 104 236 59

HSL 104.75, 0.82%, 0.58%

LAB 83.57, -65.79, 69.73

 

CMYK 36 / 0 / 75 / 7

HEX #98EC3B

RGB 152 236 59

HSL 88.47, 0.82%, 0.58%

LAB 85.49, -51.47, 72.25

 

CMYK 15 / 0 / 75 / 7

HEX #C8EC3B

RGB 200 236 59

HSL 72.2, 0.82%, 0.58%

LAB 88.25, -33.7, 75.83

 

CMYK 0 / 5 / 75 / 7

HEX #ECE03B

RGB 236 224 59

HSL 55.93, 0.82%, 0.58%

LAB 87.71, -13.3, 76.3

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3C

RGB 59 236 60

HSL 120.34, 0.82%, 0.58%

LAB 82.51, -74.57, 68

 

CMYK 75 / 0 / 54 / 7

HEX #3BEC6C

RGB 59 236 108

HSL 136.61, 0.82%, 0.58%

LAB 82.92, -69.67, 49.17

 

CMYK 75 / 0 / 34 / 7

HEX #3BEC9C

RGB 59 236 156

HSL 152.88, 0.82%, 0.58%

LAB 83.61, -61.66, 26.52

 

CMYK 75 / 0 / 14 / 7

HEX #3BECCC

RGB 59 236 204

HSL 169.15, 0.82%, 0.58%

LAB 84.63, -50.8, 2.98

 

CMYK 75 / 7 / 0 / 7

HEX #3BDCEC

RGB 59 220 236

HSL 185.42, 0.82%, 0.58%

LAB 80.83, -34.94, -19.58

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3C

RGB 59 236 60

HSL 120.34, 0.82%, 0.58%

LAB 82.51, -74.57, 68

 

CMYK 84 / 0 / 83 / 0

HEX #29FE2C

RGB 41 254 44

HSL 120.85, 0.99%, 0.58%

LAB 87.75, -82.72, 77.33

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3C

RGB 59 236 60

HSL 120.34, 0.82%, 0.58%

LAB 82.51, -74.57, 68

 

CMYK 65 / 0 / 65 / 14

HEX #4CDB4D

RGB 76 219 77

HSL 120.42, 0.67%, 0.58%

LAB 77.72, -64.85, 56.85

 

CMYK 54 / 0 / 53 / 21

HEX #5DCA5E

RGB 93 202 94

HSL 120.55, 0.51%, 0.58%

LAB 73.14, -52.9, 44.14

 

CMYK 40 / 0 / 40 / 28

HEX #6EB86F

RGB 110 184 111

HSL 120.81, 0.34%, 0.58%

LAB 68.57, -38.11, 30.02

 

CMYK 23 / 0 / 23 / 35

HEX #80A780

RGB 128 167 128

HSL 120, 0.18%, 0.58%

LAB 64.79, -21.12, 15.95

 

CMYK 35 / 0 / 75 / 7

HEX #99EC3B

RGB 153 236 59

HSL 88.14, 0.82%, 0.58%

LAB 85.54, -51.13, 72.31

 

CMYK 55 / 0 / 75 / 7

HEX #6AEC3B

RGB 106 236 59

HSL 104.07, 0.82%, 0.58%

LAB 83.64, -65.28, 69.81

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3B

RGB 59 236 59

HSL 120, 0.82%, 0.58%

LAB 82.51, -74.64, 68.32

 

CMYK 75 / 0 / 55 / 7

HEX #3BEC6A

RGB 59 236 106

HSL 135.93, 0.82%, 0.58%

LAB 82.89, -69.94, 50.06

 

CMYK 75 / 0 / 35 / 7

HEX #3BEC99

RGB 59 236 153

HSL 151.86, 0.82%, 0.58%

LAB 83.56, -62.25, 27.98

 

CMYK 91 / 0 / 90 / 24

HEX #12C314

RGB 18 195 20

HSL 120.68, 0.83%, 0.42%

LAB 68.9, -69.11, 65.58

 

CMYK 91 / 0 / 90 / 9

HEX #15E817

RGB 21 232 23

HSL 120.57, 0.83%, 0.5%

LAB 80.7, -78.98, 75.17

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3C

RGB 59 236 60

HSL 120.34, 0.82%, 0.58%

LAB 82.51, -74.57, 68

 

CMYK 60 / 0 / 59 / 6

HEX #60F062

RGB 96 240 98

HSL 120.83, 0.83%, 0.66%

LAB 84.84, -65.69, 56.11

 

CMYK 45 / 0 / 44 / 5

HEX #86F387

RGB 134 243 135

HSL 120.55, 0.82%, 0.74%

LAB 87.45, -52.6, 42.44

 

CMYK 76 / 0 / 75 / 7

HEX #39ED3B

RGB 57 237 59

HSL 120.67, 0.83%, 0.58%

LAB 82.78, -75.22, 68.58

 

CMYK 75 / 15 / 0 / 7

HEX #3BC9EC

RGB 59 201 236

HSL 191.86, 0.82%, 0.58%

LAB 75.3, -25.75, -28.01

 

CMYK 0 / 75 / 45 / 7

HEX #EC3B82

RGB 236 59 130

HSL 335.93, 0.82%, 0.58%

LAB 54.63, 70.84, 2.05

 

CMYK 76 / 0 / 75 / 7

HEX #39ED3B

RGB 57 237 59

HSL 120.67, 0.83%, 0.58%

LAB 82.78, -75.22, 68.58

 

CMYK 75 / 75 / 0 / 7

HEX #3B3BEC

RGB 59 59 236

HSL 240, 0.82%, 0.58%

LAB 38.05, 56.85, -87.54

 

CMYK 0 / 75 / 75 / 7

HEX #EC3B3B

RGB 236 59 59

HSL 0, 0.82%, 0.58%

LAB 53.25, 66.41, 42.05

 

CMYK 76 / 0 / 75 / 7

HEX #39ED3B

RGB 57 237 59

HSL 120.67, 0.83%, 0.58%

LAB 82.78, -75.22, 68.58

 

CMYK 75 / 15 / 0 / 7

HEX #3BC9EC

RGB 59 201 236

HSL 191.86, 0.82%, 0.58%

LAB 75.3, -25.75, -28.01

 

CMYK 0 / 75 / 0 / 7

HEX #EC3BEC

RGB 236 59 236

HSL 300, 0.82%, 0.58%

LAB 58.99, 83.85, -52.57

 

CMYK 0 / 60 / 75 / 7

HEX #EC5E3B

RGB 236 94 59

HSL 11.86, 0.82%, 0.58%

LAB 58.18, 53.01, 47.36

 

CMYK 76 / 0 / 75 / 7

HEX #39ED3B

RGB 57 237 59

HSL 120.67, 0.83%, 0.58%

LAB 82.78, -75.22, 68.58

 

CMYK 75 / 38 / 0 / 7

HEX #3B93EC

RGB 59 147 236

HSL 210.17, 0.82%, 0.58%

LAB 59.76, 3.67, -52.3

 

CMYK 0 / 75 / 0 / 7

HEX #EC3BEC

RGB 236 59 236

HSL 300, 0.82%, 0.58%

LAB 58.99, 83.85, -52.57

 

CMYK 0 / 38 / 75 / 7

HEX #EC933B

RGB 236 147 59

HSL 29.83, 0.82%, 0.58%

LAB 68.76, 26.68, 58.21

 

Description

Color code: HEX #39ED3B | qconv.com Color code: HEX #39ED3B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 237 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 237 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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