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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39FF95 it is the complementary color #C6006A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39FF95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39FF95 shade: #3EFF90, #4FFFA3, #60FFB6, #71FFC9 and #82FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39FF95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39FF95 shade: #39FF95, #28ED82, #17DB6F, #06C95C and #00B749

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39FF95 shade: #38FF94, #38FF5E, #46FF38, #7CFF38 and #B2FF38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39FF95 shade: #38FF94, #38FFCA, #38FEFF, #38C8FF and #3892FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39FF95 shade matches the following richer shades: #38FF94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39FF95 shade: #38FF94, #48EE95, #58DE96, #68CE97 and #78BE99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39FF95 shade: #48FF38, #38FF5C, #38FF91, #38FFC6 and #38FFFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39FF95 shade: #00E46A, #0EFF7E, #38FF94, #61FFAA and #8AFFC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39FF95 shade: #39FF95, #387DFF and #FF4238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39FF95 shade: #39FF95, #9138FF and #FF9138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39FF95 shade: #39FF95, #387DFF, #FF38A5 and #FFB938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39FF95 shade: #39FF95, #3842FF, #FF38A5 and #FFF538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 42 / 0

HEX #39FF95

RGB 57 255 149

HSL 147.88, 1%, 0.61%

LAB 89.19, -69.93, 37.44

 

Complementary color

CMYK 0 / 100 / 46 / 22

HEX #C6006A

RGB 198 0 106

HSL 327.88, 1%, 0.39%

LAB 42.83, 70.53, -1.37

 

CMYK 76 / 0 / 44 / 0

HEX #3EFF90

RGB 62 255 144

HSL 145.49, 1%, 0.62%

LAB 89.19, -70.2, 39.9

 

CMYK 69 / 0 / 36 / 0

HEX #4FFFA3

RGB 79 255 163

HSL 148.64, 1%, 0.65%

LAB 89.78, -64.53, 31.35

 

CMYK 62 / 0 / 29 / 0

HEX #60FFB6

RGB 96 255 182

HSL 152.45, 1%, 0.69%

LAB 90.5, -58.05, 22.8

 

CMYK 56 / 0 / 21 / 0

HEX #71FFC9

RGB 113 255 201

HSL 157.18, 1%, 0.72%

LAB 91.35, -50.86, 14.33

 

CMYK 49 / 0 / 14 / 0

HEX #82FFDC

RGB 130 255 220

HSL 163.2, 1%, 0.75%

LAB 92.32, -43.1, 6.01

 

CMYK 78 / 0 / 42 / 0

HEX #39FF95

RGB 57 255 149

HSL 147.88, 1%, 0.61%

LAB 89.19, -69.93, 37.44

 

CMYK 83 / 0 / 45 / 7

HEX #28ED82

RGB 40 237 130

HSL 147.41, 0.85%, 0.54%

LAB 83.25, -68.77, 39.05

 

CMYK 89 / 0 / 49 / 14

HEX #17DB6F

RGB 23 219 111

HSL 146.94, 0.81%, 0.47%

LAB 77.28, -67.18, 40.74

 

CMYK 97 / 0 / 54 / 21

HEX #06C95C

RGB 6 201 92

HSL 146.46, 0.94%, 0.41%

LAB 71.27, -65.08, 42.48

 

CMYK 100 / 0 / 60 / 28

HEX #00B749

RGB 0 183 73

HSL 143.93, 1%, 0.36%

LAB 65.24, -62.31, 44.24

 

CMYK 78 / 0 / 42 / 0

HEX #38FF94

RGB 56 255 148

HSL 147.74, 1%, 0.61%

LAB 89.16, -70.22, 37.89

 

CMYK 78 / 0 / 63 / 0

HEX #38FF5E

RGB 56 255 94

HSL 131.46, 1%, 0.61%

LAB 88.53, -77.71, 61.74

 

CMYK 73 / 0 / 78 / 0

HEX #46FF38

RGB 70 255 56

HSL 115.78, 1%, 0.61%

LAB 88.5, -78.88, 75.08

 

CMYK 51 / 0 / 78 / 0

HEX #7CFF38

RGB 124 255 56

HSL 99.5, 1%, 0.61%

LAB 89.9, -67.39, 76.9

 

CMYK 30 / 0 / 78 / 0

HEX #B2FF38

RGB 178 255 56

HSL 83.22, 1%, 0.61%

LAB 92.25, -50.37, 79.93

 

CMYK 78 / 0 / 42 / 0

HEX #38FF94

RGB 56 255 148

HSL 147.74, 1%, 0.61%

LAB 89.16, -70.22, 37.89

 

CMYK 78 / 0 / 21 / 0

HEX #38FFCA

RGB 56 255 202

HSL 164.02, 1%, 0.61%

LAB 90.15, -59.22, 11.95

 

CMYK 78 / 0 / 0 / 0

HEX #38FEFF

RGB 56 254 255

HSL 180.3, 1%, 0.61%

LAB 91.21, -45.14, -13.96

 

CMYK 78 / 22 / 0 / 0

HEX #38C8FF

RGB 56 200 255

HSL 196.58, 1%, 0.61%

LAB 75.68, -19.44, -37.63

 

CMYK 78 / 43 / 0 / 0

HEX #3892FF

RGB 56 146 255

HSL 212.86, 1%, 0.61%

LAB 60.44, 10.78, -61.66

 

CMYK 78 / 0 / 42 / 0

HEX #38FF94

RGB 56 255 148

HSL 147.74, 1%, 0.61%

LAB 89.16, -70.22, 37.89

 

CMYK 78 / 0 / 42 / 0

HEX #38FF94

RGB 56 255 148

HSL 147.74, 1%, 0.61%

LAB 89.16, -70.22, 37.89

 

CMYK 70 / 0 / 37 / 7

HEX #48EE95

RGB 72 238 149

HSL 147.83, 0.83%, 0.61%

LAB 84.33, -61.94, 31.08

 

CMYK 60 / 0 / 32 / 13

HEX #58DE96

RGB 88 222 150

HSL 147.76, 0.67%, 0.61%

LAB 79.91, -52.81, 24.69

 

CMYK 50 / 0 / 27 / 19

HEX #68CE97

RGB 104 206 151

HSL 147.65, 0.51%, 0.61%

LAB 75.65, -42.33, 18.4

 

CMYK 37 / 0 / 19 / 25

HEX #78BE99

RGB 120 190 153

HSL 148.29, 0.35%, 0.61%

LAB 71.64, -30.24, 11.81

 

CMYK 72 / 0 / 78 / 0

HEX #48FF38

RGB 72 255 56

HSL 115.18, 1%, 0.61%

LAB 88.54, -78.57, 75.13

 

CMYK 78 / 0 / 64 / 0

HEX #38FF5C

RGB 56 255 92

HSL 130.85, 1%, 0.61%

LAB 88.51, -77.91, 62.53

 

CMYK 78 / 0 / 43 / 0

HEX #38FF91

RGB 56 255 145

HSL 146.83, 1%, 0.61%

LAB 89.11, -70.73, 39.3

 

CMYK 78 / 0 / 22 / 0

HEX #38FFC6

RGB 56 255 198

HSL 162.81, 1%, 0.61%

LAB 90.06, -60.15, 13.89

 

CMYK 78 / 0 / 2 / 0

HEX #38FFFB

RGB 56 255 251

HSL 178.79, 1%, 0.61%

LAB 91.38, -46.69, -11.63

 

CMYK 100 / 0 / 54 / 11

HEX #00E46A

RGB 0 228 106

HSL 147.89, 1%, 0.45%

LAB 79.91, -71.69, 46.35

 

CMYK 95 / 0 / 51 / 0

HEX #0EFF7E

RGB 14 255 126

HSL 147.88, 1%, 0.53%

LAB 88.5, -76.67, 47.54

 

CMYK 78 / 0 / 42 / 0

HEX #38FF94

RGB 56 255 148

HSL 147.74, 1%, 0.61%

LAB 89.16, -70.22, 37.89

 

CMYK 62 / 0 / 33 / 0

HEX #61FFAA

RGB 97 255 170

HSL 147.72, 1%, 0.69%

LAB 90.3, -60.19, 28.62

 

CMYK 46 / 0 / 25 / 0

HEX #8AFFC0

RGB 138 255 192

HSL 147.69, 1%, 0.77%

LAB 92.01, -47.01, 20

 

CMYK 78 / 0 / 42 / 0

HEX #39FF95

RGB 57 255 149

HSL 147.88, 1%, 0.61%

LAB 89.19, -69.93, 37.44

 

CMYK 78 / 51 / 0 / 0

HEX #387DFF

RGB 56 125 255

HSL 219.2, 1%, 0.61%

LAB 54.79, 23.61, -70.77

 

CMYK 0 / 74 / 78 / 0

HEX #FF4238

RGB 255 66 56

HSL 3.02, 1%, 0.61%

LAB 57.5, 69.68, 49.22

 

CMYK 78 / 0 / 42 / 0

HEX #39FF95

RGB 57 255 149

HSL 147.88, 1%, 0.61%

LAB 89.19, -69.93, 37.44

 

CMYK 43 / 78 / 0 / 0

HEX #9138FF

RGB 145 56 255

HSL 266.83, 1%, 0.61%

LAB 47.06, 72.87, -83.09

 

CMYK 0 / 43 / 78 / 0

HEX #FF9138

RGB 255 145 56

HSL 26.83, 1%, 0.61%

LAB 70.73, 35.31, 62.21

 

CMYK 78 / 0 / 42 / 0

HEX #39FF95

RGB 57 255 149

HSL 147.88, 1%, 0.61%

LAB 89.19, -69.93, 37.44

 

CMYK 78 / 51 / 0 / 0

HEX #387DFF

RGB 56 125 255

HSL 219.2, 1%, 0.61%

LAB 54.79, 23.61, -70.77

 

CMYK 0 / 78 / 35 / 0

HEX #FF38A5

RGB 255 56 165

HSL 327.14, 1%, 0.61%

LAB 58.79, 79.75, -12.06

 

CMYK 0 / 27 / 78 / 0

HEX #FFB938

RGB 255 185 56

HSL 38.89, 1%, 0.61%

LAB 79.75, 14.53, 70.63

 

CMYK 78 / 0 / 42 / 0

HEX #39FF95

RGB 57 255 149

HSL 147.88, 1%, 0.61%

LAB 89.19, -69.93, 37.44

 

CMYK 78 / 74 / 0 / 0

HEX #3842FF

RGB 56 66 255

HSL 236.98, 1%, 0.61%

LAB 41.15, 58.93, -93.1

 

CMYK 0 / 78 / 35 / 0

HEX #FF38A5

RGB 255 56 165

HSL 327.14, 1%, 0.61%

LAB 58.79, 79.75, -12.06

 

CMYK 0 / 4 / 78 / 0

HEX #FFF538

RGB 255 245 56

HSL 56.98, 1%, 0.61%

LAB 94.67, -15.82, 84.03

 

Description

Color code: HEX #39FF95 | qconv.com Color code: HEX #39FF95 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 255 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 255 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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