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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CAF45 it is the complementary color #C350BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CAF45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CAF45 shade: #41AF40, #52C153, #63D366, #74E579 and #85F78C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CAF45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CAF45 shade: #3CAF45, #2B9D32, #1A8B1F, #09790C and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CAF45 shade: #3BAE44, #51AE3B, #70AE3B, #8FAE3B and #AEAE3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CAF45 shade: #3BAE44, #3BAE63, #3BAE82, #3BAEA1 and #3B9CAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CAF45 shade matches the following richer shades: #3BAE44, #28C134, #15D424 and #02E714

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CAF45 shade: #3BAE44, #4E9B54, #618864, #747574 and #876284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CAF45 shade: #71AE3B, #52AE3B, #3BAE43, #3BAE62 and #3BAE80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CAF45 shade: #26712C, #319038, #3BAE44, #50C359 and #6FCD76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CAF45 shade: #3CAF45, #3B90AE and #AE3B62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CAF45 shade: #3CAF45, #433BAE and #AE433B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CAF45 shade: #3CAF45, #3B90AE, #AE3BA7 and #AE5A3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CAF45 shade: #3CAF45, #3B6DAE, #AE3BA7 and #AE7C3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 61 / 31

HEX #3CAF45

RGB 60 175 69

HSL 124.7, 0.49%, 0.46%

LAB 63.38, -53.63, 44.14

 

Complementary color

CMYK 0 / 59 / 5 / 24

HEX #C350BA

RGB 195 80 186

HSL 304.7, 0.49%, 0.54%

LAB 52.82, 59.11, -34.27

 

CMYK 63 / 0 / 63 / 31

HEX #41AF40

RGB 65 175 64

HSL 119.46, 0.46%, 0.47%

LAB 63.47, -53.11, 46.53

 

CMYK 58 / 0 / 57 / 24

HEX #52C153

RGB 82 193 83

HSL 120.54, 0.47%, 0.54%

LAB 69.87, -53.59, 45.35

 

CMYK 53 / 0 / 52 / 17

HEX #63D366

RGB 99 211 102

HSL 121.61, 0.56%, 0.61%

LAB 76.19, -53.81, 44.07

 

CMYK 49 / 0 / 47 / 10

HEX #74E579

RGB 116 229 121

HSL 122.65, 0.68%, 0.68%

LAB 82.45, -53.85, 42.78

 

CMYK 46 / 0 / 43 / 3

HEX #85F78C

RGB 133 247 140

HSL 123.68, 0.88%, 0.75%

LAB 88.64, -53.78, 41.52

 

CMYK 66 / 0 / 61 / 31

HEX #3CAF45

RGB 60 175 69

HSL 124.7, 0.49%, 0.46%

LAB 63.38, -53.63, 44.14

 

CMYK 73 / 0 / 68 / 38

HEX #2B9D32

RGB 43 157 50

HSL 123.68, 0.57%, 0.39%

LAB 56.94, -52.68, 45.26

 

CMYK 81 / 0 / 78 / 45

HEX #1A8B1F

RGB 26 139 31

HSL 122.65, 0.68%, 0.32%

LAB 50.43, -51.05, 45.91

 

CMYK 93 / 0 / 90 / 53

HEX #09790C

RGB 9 121 12

HSL 121.61, 0.86%, 0.25%

LAB 43.89, -48.38, 45.41

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 66 / 0 / 61 / 32

HEX #3BAE44

RGB 59 174 68

HSL 124.7, 0.49%, 0.46%

LAB 63.03, -53.59, 44.18

 

CMYK 53 / 0 / 66 / 32

HEX #51AE3B

RGB 81 174 59

HSL 108.52, 0.49%, 0.46%

LAB 63.62, -49.21, 49.01

 

CMYK 36 / 0 / 66 / 32

HEX #70AE3B

RGB 112 174 59

HSL 92.35, 0.49%, 0.46%

LAB 64.99, -39.29, 50.88

 

CMYK 18 / 0 / 66 / 32

HEX #8FAE3B

RGB 143 174 59

HSL 76.17, 0.49%, 0.46%

LAB 66.85, -27.38, 53.41

 

CMYK 0 / 0 / 66 / 32

HEX #AEAE3B

RGB 174 174 59

HSL 60, 0.49%, 0.46%

LAB 69.17, -14.36, 56.56

 

CMYK 66 / 0 / 61 / 32

HEX #3BAE44

RGB 59 174 68

HSL 124.7, 0.49%, 0.46%

LAB 63.03, -53.59, 44.18

 

CMYK 66 / 0 / 43 / 32

HEX #3BAE63

RGB 59 174 99

HSL 140.87, 0.49%, 0.46%

LAB 63.43, -49.03, 29.27

 

CMYK 66 / 0 / 25 / 32

HEX #3BAE82

RGB 59 174 130

HSL 157.04, 0.49%, 0.46%

LAB 64.01, -42.75, 13.32

 

CMYK 66 / 0 / 7 / 32

HEX #3BAEA1

RGB 59 174 161

HSL 173.22, 0.49%, 0.46%

LAB 64.78, -34.95, -2.76

 

CMYK 66 / 10 / 0 / 32

HEX #3B9CAE

RGB 59 156 174

HSL 189.39, 0.49%, 0.46%

LAB 59.67, -22.32, -17.7

 

CMYK 66 / 0 / 61 / 32

HEX #3BAE44

RGB 59 174 68

HSL 124.7, 0.49%, 0.46%

LAB 63.03, -53.59, 44.18

 

CMYK 79 / 0 / 73 / 24

HEX #28C134

RGB 40 193 52

HSL 124.71, 0.66%, 0.46%

LAB 68.63, -64.63, 56.72

 

CMYK 90 / 0 / 83 / 17

HEX #15D424

RGB 21 212 36

HSL 124.71, 0.82%, 0.46%

LAB 74.43, -73, 67.08

 

CMYK 99 / 0 / 91 / 9

HEX #02E714

RGB 2 231 20

HSL 124.72, 0.98%, 0.46%

LAB 80.3, -79.54, 75.23

 

CMYK 66 / 0 / 61 / 32

HEX #3BAE44

RGB 59 174 68

HSL 124.7, 0.49%, 0.46%

LAB 63.03, -53.59, 44.18

 

CMYK 50 / 0 / 46 / 39

HEX #4E9B54

RGB 78 155 84

HSL 124.68, 0.33%, 0.46%

LAB 57.75, -39.19, 30.01

 

CMYK 29 / 0 / 26 / 47

HEX #618864

RGB 97 136 100

HSL 124.62, 0.17%, 0.46%

LAB 53.03, -21.25, 15.08

 

CMYK 1 / 0 / 1 / 54

HEX #747574

RGB 116 117 116

HSL 120, 0%, 0.46%

LAB 49.13, -0.58, 0.41

 

CMYK 0 / 27 / 2 / 47

HEX #876284

RGB 135 98 132

HSL 304.86, 0.16%, 0.46%

LAB 46.38, 21.01, -13.02

 

CMYK 35 / 0 / 66 / 32

HEX #71AE3B

RGB 113 174 59

HSL 91.83, 0.49%, 0.46%

LAB 65.04, -38.93, 50.95

 

CMYK 53 / 0 / 66 / 32

HEX #52AE3B

RGB 82 174 59

HSL 108, 0.49%, 0.46%

LAB 63.66, -48.93, 49.06

 

CMYK 66 / 0 / 61 / 32

HEX #3BAE43

RGB 59 174 67

HSL 124.17, 0.49%, 0.46%

LAB 63.02, -53.71, 44.62

 

CMYK 66 / 0 / 44 / 32

HEX #3BAE62

RGB 59 174 98

HSL 140.35, 0.49%, 0.46%

LAB 63.41, -49.2, 29.78

 

CMYK 66 / 0 / 26 / 32

HEX #3BAE80

RGB 59 174 128

HSL 156, 0.49%, 0.46%

LAB 63.97, -43.2, 14.36

 

CMYK 66 / 0 / 61 / 56

HEX #26712C

RGB 38 113 44

HSL 124.8, 0.5%, 0.3%

LAB 41.85, -38.2, 31.11

 

CMYK 66 / 0 / 61 / 44

HEX #319038

RGB 49 144 56

HSL 124.42, 0.49%, 0.38%

LAB 52.82, -46.14, 38

 

CMYK 66 / 0 / 61 / 32

HEX #3BAE44

RGB 59 174 68

HSL 124.7, 0.49%, 0.46%

LAB 63.03, -53.59, 44.18

 

CMYK 59 / 0 / 54 / 24

HEX #50C359

RGB 80 195 89

HSL 124.7, 0.49%, 0.54%

LAB 70.49, -54.07, 43.25

 

CMYK 46 / 0 / 42 / 20

HEX #6FCD76

RGB 111 205 118

HSL 124.47, 0.48%, 0.62%

LAB 75.05, -45.85, 34.83

 

CMYK 66 / 0 / 61 / 31

HEX #3CAF45

RGB 60 175 69

HSL 124.7, 0.49%, 0.46%

LAB 63.38, -53.63, 44.14

 

CMYK 66 / 17 / 0 / 32

HEX #3B90AE

RGB 59 144 174

HSL 195.65, 0.49%, 0.46%

LAB 56.02, -15.95, -23.29

 

CMYK 0 / 66 / 44 / 32

HEX #AE3B62

RGB 174 59 98

HSL 339.65, 0.49%, 0.46%

LAB 42.78, 50, 2.99

 

CMYK 66 / 0 / 61 / 31

HEX #3CAF45

RGB 60 175 69

HSL 124.7, 0.49%, 0.46%

LAB 63.38, -53.63, 44.14

 

CMYK 61 / 66 / 0 / 32

HEX #433BAE

RGB 67 59 174

HSL 244.17, 0.49%, 0.46%

LAB 32.65, 37.73, -60.38

 

CMYK 0 / 61 / 66 / 32

HEX #AE433B

RGB 174 67 59

HSL 4.17, 0.49%, 0.46%

LAB 43.25, 43.23, 27.6

 

CMYK 66 / 0 / 61 / 31

HEX #3CAF45

RGB 60 175 69

HSL 124.7, 0.49%, 0.46%

LAB 63.38, -53.63, 44.14

 

CMYK 66 / 17 / 0 / 32

HEX #3B90AE

RGB 59 144 174

HSL 195.65, 0.49%, 0.46%

LAB 56.02, -15.95, -23.29

 

CMYK 0 / 66 / 4 / 32

HEX #AE3BA7

RGB 174 59 167

HSL 303.65, 0.49%, 0.46%

LAB 45.52, 59.38, -34.83

 

CMYK 0 / 48 / 66 / 32

HEX #AE5A3B

RGB 174 90 59

HSL 16.17, 0.49%, 0.46%

LAB 47.79, 31.59, 33.06

 

CMYK 66 / 0 / 61 / 31

HEX #3CAF45

RGB 60 175 69

HSL 124.7, 0.49%, 0.46%

LAB 63.38, -53.63, 44.14

 

CMYK 66 / 37 / 0 / 32

HEX #3B6DAE

RGB 59 109 174

HSL 213.91, 0.49%, 0.46%

LAB 45.53, 4.46, -39.66

 

CMYK 0 / 66 / 4 / 32

HEX #AE3BA7

RGB 174 59 167

HSL 303.65, 0.49%, 0.46%

LAB 45.52, 59.38, -34.83

 

CMYK 0 / 29 / 66 / 32

HEX #AE7C3B

RGB 174 124 59

HSL 33.91, 0.49%, 0.46%

LAB 55.82, 12.73, 42.29

 

Description

Color code: HEX #3CAF45 | qconv.com Color code: HEX #3CAF45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 175 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 175 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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