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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CB91C it is the complementary color #C346E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CB91C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CB91C shade: #41B917, #52CB2A, #63DD3D, #74EF50 and #85FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CB91C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CB91C shade: #3CB91C, #2BA709, #1A9500, #098300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CB91C shade: #3CBA1B, #66BA1B, #91BA1B, #BAB81B and #BA8D1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CB91C shade: #3CBA1B, #1BBA26, #1BBA51, #1BBA7B and #1BBAA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CB91C shade matches the following richer shades: #3CBA1B and #31CB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CB91C shade: #3CBA1B, #46A92D, #50973E, #5A864F and #657561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CB91C shade: #92BA1B, #68BA1B, #3EBA1B, #1BBA23 and #1BBA4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CB91C shade: #247211, #309616, #3CBA1B, #47DD21 and #65E345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CB91C shade: #3CB91C, #1BBAB7 and #BA1B7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CB91C shade: #3CB91C, #1B3EBA and #BA1B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CB91C shade: #3CB91C, #1BBAB7, #981BBA and #BA1B1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CB91C shade: #3CB91C, #1B8DBA, #981BBA and #BA481B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 85 / 27

HEX #3CB91C

RGB 60 185 28

HSL 107.77, 0.74%, 0.42%

LAB 66.32, -60.34, 61.91

 

Complementary color

CMYK 14 / 69 / 0 / 11

HEX #C346E3

RGB 195 70 227

HSL 287.77, 0.74%, 0.58%

LAB 53.52, 70.48, -56.6

 

CMYK 65 / 0 / 88 / 27

HEX #41B917

RGB 65 185 23

HSL 104.44, 0.78%, 0.41%

LAB 66.43, -59.49, 63.17

 

CMYK 60 / 0 / 79 / 20

HEX #52CB2A

RGB 82 203 42

HSL 105.09, 0.66%, 0.48%

LAB 72.68, -60.79, 64.24

 

CMYK 55 / 0 / 72 / 13

HEX #63DD3D

RGB 99 221 61

HSL 105.75, 0.7%, 0.55%

LAB 78.87, -61.65, 64.35

 

CMYK 51 / 0 / 67 / 6

HEX #74EF50

RGB 116 239 80

HSL 106.42, 0.83%, 0.63%

LAB 85.01, -62.2, 63.88

 

CMYK 48 / 0 / 61 / 0

HEX #85FF63

RGB 133 255 99

HSL 106.92, 1%, 0.69%

LAB 90.51, -61.79, 62.43

 

CMYK 68 / 0 / 85 / 27

HEX #3CB91C

RGB 60 185 28

HSL 107.77, 0.74%, 0.42%

LAB 66.32, -60.34, 61.91

 

CMYK 74 / 0 / 95 / 35

HEX #2BA709

RGB 43 167 9

HSL 107.09, 0.9%, 0.35%

LAB 60.04, -58.39, 59.91

 

CMYK 83 / 0 / 100 / 42

HEX #1A9500

RGB 26 149 0

HSL 109.53, 1%, 0.29%

LAB 53.72, -55.59, 56.01

 

CMYK 93 / 0 / 100 / 49

HEX #098300

RGB 9 131 0

HSL 115.88, 1%, 0.26%

LAB 47.35, -51.88, 50.83

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 68 / 0 / 85 / 27

HEX #3CBA1B

RGB 60 186 27

HSL 107.55, 0.75%, 0.42%

LAB 66.64, -60.71, 62.43

 

CMYK 45 / 0 / 85 / 27

HEX #66BA1B

RGB 102 186 27

HSL 91.7, 0.75%, 0.42%

LAB 68.04, -49.59, 64.2

 

CMYK 22 / 0 / 85 / 27

HEX #91BA1B

RGB 145 186 27

HSL 75.47, 0.75%, 0.42%

LAB 70.33, -33.82, 67.07

 

CMYK 0 / 1 / 85 / 27

HEX #BAB81B

RGB 186 184 27

HSL 59.25, 0.75%, 0.42%

LAB 72.76, -15.58, 70.32

 

CMYK 0 / 24 / 85 / 27

HEX #BA8D1B

RGB 186 141 27

HSL 43.02, 0.75%, 0.42%

LAB 61.28, 7.23, 60.84

 

CMYK 68 / 0 / 85 / 27

HEX #3CBA1B

RGB 60 186 27

HSL 107.55, 0.75%, 0.42%

LAB 66.64, -60.71, 62.43

 

CMYK 85 / 0 / 80 / 27

HEX #1BBA26

RGB 27 186 38

HSL 124.15, 0.75%, 0.42%

LAB 66.13, -64.97, 58.84

 

CMYK 85 / 0 / 56 / 27

HEX #1BBA51

RGB 27 186 81

HSL 140.38, 0.75%, 0.42%

LAB 66.48, -60.63, 42

 

CMYK 85 / 0 / 34 / 27

HEX #1BBA7B

RGB 27 186 123

HSL 156.23, 0.75%, 0.42%

LAB 67.11, -53.19, 21.32

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA6

RGB 27 186 166

HSL 172.45, 0.75%, 0.42%

LAB 68.1, -42.58, -0.73

 

CMYK 68 / 0 / 85 / 27

HEX #3CBA1B

RGB 60 186 27

HSL 107.55, 0.75%, 0.42%

LAB 66.64, -60.71, 62.43

 

CMYK 76 / 0 / 95 / 20

HEX #31CB0A

RGB 49 203 10

HSL 107.88, 0.91%, 0.42%

LAB 71.82, -68.41, 69.55

 

CMYK 68 / 0 / 85 / 27

HEX #3CBA1B

RGB 60 186 27

HSL 107.55, 0.75%, 0.42%

LAB 66.64, -60.71, 62.43

 

CMYK 59 / 0 / 73 / 34

HEX #46A92D

RGB 70 169 45

HSL 107.9, 0.58%, 0.42%

LAB 61.54, -51.48, 52.29

 

CMYK 47 / 0 / 59 / 41

HEX #50973E

RGB 80 151 62

HSL 107.87, 0.42%, 0.42%

LAB 56.27, -39.87, 39.39

 

CMYK 33 / 0 / 41 / 47

HEX #5A864F

RGB 90 134 79

HSL 108, 0.26%, 0.42%

LAB 51.6, -26.35, 24.92

 

CMYK 14 / 0 / 17 / 54

HEX #657561

RGB 101 117 97

HSL 108, 0.09%, 0.42%

LAB 47.43, -10.08, 9.07

 

CMYK 22 / 0 / 85 / 27

HEX #92BA1B

RGB 146 186 27

HSL 75.09, 0.75%, 0.42%

LAB 70.39, -33.42, 67.15

 

CMYK 44 / 0 / 85 / 27

HEX #68BA1B

RGB 104 186 27

HSL 90.94, 0.75%, 0.42%

LAB 68.12, -48.94, 64.31

 

CMYK 67 / 0 / 85 / 27

HEX #3EBA1B

RGB 62 186 27

HSL 106.79, 0.75%, 0.42%

LAB 66.69, -60.3, 62.49

 

CMYK 85 / 0 / 81 / 27

HEX #1BBA23

RGB 27 186 35

HSL 123.02, 0.75%, 0.42%

LAB 66.11, -65.15, 59.7

 

CMYK 85 / 0 / 58 / 27

HEX #1BBA4E

RGB 27 186 78

HSL 139.25, 0.75%, 0.42%

LAB 66.44, -61.04, 43.37

 

CMYK 68 / 0 / 85 / 55

HEX #247211

RGB 36 114 17

HSL 108.25, 0.74%, 0.26%

LAB 41.92, -41.63, 42.48

 

CMYK 68 / 0 / 85 / 41

HEX #309616

RGB 48 150 22

HSL 107.81, 0.74%, 0.34%

LAB 54.55, -51.4, 52.72

 

CMYK 68 / 0 / 85 / 27

HEX #3CBA1B

RGB 60 186 27

HSL 107.55, 0.75%, 0.42%

LAB 66.64, -60.71, 62.43

 

CMYK 68 / 0 / 85 / 13

HEX #47DD21

RGB 71 221 33

HSL 107.87, 0.74%, 0.5%

LAB 77.97, -69.49, 71.23

 

CMYK 56 / 0 / 70 / 11

HEX #65E345

RGB 101 227 69

HSL 107.85, 0.74%, 0.58%

LAB 80.81, -62.68, 63.48

 

CMYK 68 / 0 / 85 / 27

HEX #3CB91C

RGB 60 185 28

HSL 107.77, 0.74%, 0.42%

LAB 66.32, -60.34, 61.91

 

CMYK 85 / 0 / 2 / 27

HEX #1BBAB7

RGB 27 186 183

HSL 178.87, 0.75%, 0.42%

LAB 68.58, -37.71, -9.37

 

CMYK 0 / 85 / 33 / 27

HEX #BA1B7D

RGB 186 27 125

HSL 323.02, 0.75%, 0.42%

LAB 42.31, 66.18, -14.22

 

CMYK 68 / 0 / 85 / 27

HEX #3CB91C

RGB 60 185 28

HSL 107.77, 0.74%, 0.42%

LAB 66.32, -60.34, 61.91

 

CMYK 85 / 67 / 0 / 27

HEX #1B3EBA

RGB 27 62 186

HSL 226.79, 0.75%, 0.42%

LAB 32.31, 35.71, -68.14

 

CMYK 0 / 85 / 67 / 27

HEX #BA1B3E

RGB 186 27 62

HSL 346.79, 0.75%, 0.42%

LAB 40.53, 61.06, 22.83

 

CMYK 68 / 0 / 85 / 27

HEX #3CB91C

RGB 60 185 28

HSL 107.77, 0.74%, 0.42%

LAB 66.32, -60.34, 61.91

 

CMYK 85 / 0 / 2 / 27

HEX #1BBAB7

RGB 27 186 183

HSL 178.87, 0.75%, 0.42%

LAB 68.58, -37.71, -9.37

 

CMYK 18 / 85 / 0 / 27

HEX #981BBA

RGB 152 27 186

HSL 287.17, 0.75%, 0.42%

LAB 39.59, 68.34, -55.75

 

CMYK 0 / 85 / 84 / 27

HEX #BA1B1E

RGB 186 27 30

HSL 358.87, 0.75%, 0.42%

LAB 40.11, 59.83, 41.35

 

CMYK 68 / 0 / 85 / 27

HEX #3CB91C

RGB 60 185 28

HSL 107.77, 0.74%, 0.42%

LAB 66.32, -60.34, 61.91

 

CMYK 85 / 24 / 0 / 27

HEX #1B8DBA

RGB 27 141 186

HSL 196.98, 0.75%, 0.42%

LAB 54.89, -14.05, -31.93

 

CMYK 18 / 85 / 0 / 27

HEX #981BBA

RGB 152 27 186

HSL 287.17, 0.75%, 0.42%

LAB 39.59, 68.34, -55.75

 

CMYK 0 / 61 / 85 / 27

HEX #BA481B

RGB 186 72 27

HSL 16.98, 0.75%, 0.42%

LAB 45.84, 43.95, 47.86

 

Description

Color code: HEX #3CB91C | qconv.com Color code: HEX #3CB91C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 185 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 185 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 85 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 85% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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