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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CCE75 it is the complementary color #C3318A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CCE75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CCE75 shade: #41CE70, #52E083, #63F296, #74FFA9 and #85FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CCE75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CCE75 shade: #3CCE75, #2BBC62, #1AAA4F, #09983C and #008629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CCE75 shade: #3BCE74, #3BCE4C, #51CE3B, #78CE3B and #A0CE3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CCE75 shade: #3BCE74, #3BCE9C, #3BCEC3, #3BB0CE and #3B89CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CCE75 shade matches the following richer shades: #3BCE74, #27E170 and #13F56B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CCE75 shade: #3BCE74, #4EBA78, #62A67D, #769281 and #8A7E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CCE75 shade: #51CE3B, #3BCE4C, #3BCE73, #3BCE9A and #3BCEC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CCE75 shade: #24924F, #2CB361, #3BCE74, #5CD68B and #7DDEA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CCE75 shade: #3CCE75, #3B78CE and #CE3B3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CCE75 shade: #3CCE75, #733BCE and #CE733B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CCE75 shade: #3CCE75, #3B78CE, #CE3B95 and #CE903B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CCE75 shade: #3CCE75, #3B4CCE, #CE3B95 and #CEBC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 43 / 19

HEX #3CCE75

RGB 60 206 117

HSL 143.42, 0.6%, 0.52%

LAB 73.8, -57.78, 33.42

 

Complementary color

CMYK 0 / 75 / 29 / 24

HEX #C3318A

RGB 195 49 138

HSL 323.42, 0.6%, 0.48%

LAB 46.49, 64.09, -15.66

 

CMYK 68 / 0 / 46 / 19

HEX #41CE70

RGB 65 206 112

HSL 140, 0.59%, 0.53%

LAB 73.83, -57.79, 36.01

 

CMYK 63 / 0 / 42 / 12

HEX #52E083

RGB 82 224 131

HSL 140.7, 0.7%, 0.6%

LAB 80.04, -58.2, 34.54

 

CMYK 59 / 0 / 38 / 5

HEX #63F296

RGB 99 242 150

HSL 141.4, 0.85%, 0.67%

LAB 86.19, -58.4, 33.16

 

CMYK 55 / 0 / 34 / 0

HEX #74FFA9

RGB 116 255 169

HSL 142.88, 1%, 0.73%

LAB 90.82, -56.49, 29.91

 

CMYK 48 / 0 / 26 / 0

HEX #85FFBC

RGB 133 255 188

HSL 147.05, 1%, 0.76%

LAB 91.75, -49.01, 21.64

 

CMYK 71 / 0 / 43 / 19

HEX #3CCE75

RGB 60 206 117

HSL 143.42, 0.6%, 0.52%

LAB 73.8, -57.78, 33.42

 

CMYK 77 / 0 / 48 / 26

HEX #2BBC62

RGB 43 188 98

HSL 142.76, 0.63%, 0.45%

LAB 67.55, -56.97, 35

 

CMYK 85 / 0 / 54 / 33

HEX #1AAA4F

RGB 26 170 79

HSL 142.08, 0.73%, 0.38%

LAB 61.25, -55.68, 36.66

 

CMYK 94 / 0 / 61 / 40

HEX #09983C

RGB 9 152 60

HSL 141.4, 0.89%, 0.32%

LAB 54.91, -53.72, 38.34

 

CMYK 100 / 0 / 69 / 47

HEX #008629

RGB 0 134 41

HSL 138.36, 1%, 0.26%

LAB 48.52, -50.86, 39.87

 

CMYK 71 / 0 / 44 / 19

HEX #3BCE74

RGB 59 206 116

HSL 143.27, 0.6%, 0.52%

LAB 73.76, -58.11, 33.88

 

CMYK 71 / 0 / 63 / 19

HEX #3BCE4C

RGB 59 206 76

HSL 126.94, 0.6%, 0.52%

LAB 73.28, -63.71, 52.25

 

CMYK 61 / 0 / 71 / 19

HEX #51CE3B

RGB 81 206 59

HSL 111.02, 0.6%, 0.52%

LAB 73.68, -60.92, 59.61

 

CMYK 42 / 0 / 71 / 19

HEX #78CE3B

RGB 120 206 59

HSL 95.1, 0.6%, 0.52%

LAB 75.11, -50, 61.52

 

CMYK 22 / 0 / 71 / 19

HEX #A0CE3B

RGB 160 206 59

HSL 78.78, 0.6%, 0.52%

LAB 77.24, -35.64, 64.36

 

CMYK 71 / 0 / 44 / 19

HEX #3BCE74

RGB 59 206 116

HSL 143.27, 0.6%, 0.52%

LAB 73.76, -58.11, 33.88

 

CMYK 71 / 0 / 24 / 19

HEX #3BCE9C

RGB 59 206 156

HSL 159.59, 0.6%, 0.52%

LAB 74.49, -50.09, 13.93

 

CMYK 71 / 0 / 5 / 19

HEX #3BCEC3

RGB 59 206 195

HSL 175.51, 0.6%, 0.52%

LAB 75.46, -40.24, -5.65

 

CMYK 71 / 15 / 0 / 19

HEX #3BB0CE

RGB 59 176 206

HSL 192.24, 0.6%, 0.52%

LAB 66.85, -22.58, -24.62

 

CMYK 71 / 33 / 0 / 19

HEX #3B89CE

RGB 59 137 206

HSL 208.16, 0.6%, 0.52%

LAB 55.36, -1.09, -42.5

 

CMYK 71 / 0 / 44 / 19

HEX #3BCE74

RGB 59 206 116

HSL 143.27, 0.6%, 0.52%

LAB 73.76, -58.11, 33.88

 

CMYK 83 / 0 / 50 / 12

HEX #27E170

RGB 39 225 112

HSL 143.55, 0.76%, 0.52%

LAB 79.3, -67.77, 42.81

 

CMYK 92 / 0 / 56 / 4

HEX #13F56B

RGB 19 245 107

HSL 143.36, 0.92%, 0.52%

LAB 85.25, -76.1, 52.32

 

CMYK 71 / 0 / 44 / 19

HEX #3BCE74

RGB 59 206 116

HSL 143.27, 0.6%, 0.52%

LAB 73.76, -58.11, 33.88

 

CMYK 58 / 0 / 35 / 27

HEX #4EBA78

RGB 78 186 120

HSL 143.33, 0.44%, 0.52%

LAB 68.09, -46.03, 24.42

 

CMYK 41 / 0 / 25 / 35

HEX #62A67D

RGB 98 166 125

HSL 143.82, 0.28%, 0.52%

LAB 62.8, -30.93, 14.59

 

CMYK 19 / 0 / 12 / 43

HEX #769281

RGB 118 146 129

HSL 143.57, 0.11%, 0.52%

LAB 58.03, -13.45, 5.76

 

CMYK 0 / 9 / 4 / 46

HEX #8A7E85

RGB 138 126 133

HSL 325, 0.05%, 0.52%

LAB 54.05, 5.89, -2.14

 

CMYK 61 / 0 / 71 / 19

HEX #51CE3B

RGB 81 206 59

HSL 111.02, 0.6%, 0.52%

LAB 73.68, -60.92, 59.61

 

CMYK 71 / 0 / 63 / 19

HEX #3BCE4C

RGB 59 206 76

HSL 126.94, 0.6%, 0.52%

LAB 73.28, -63.71, 52.25

 

CMYK 71 / 0 / 44 / 19

HEX #3BCE73

RGB 59 206 115

HSL 142.86, 0.6%, 0.52%

LAB 73.75, -58.28, 34.37

 

CMYK 71 / 0 / 25 / 19

HEX #3BCE9A

RGB 59 206 154

HSL 158.78, 0.6%, 0.52%

LAB 74.45, -50.54, 14.94

 

CMYK 71 / 0 / 6 / 19

HEX #3BCEC1

RGB 59 206 193

HSL 174.69, 0.6%, 0.52%

LAB 75.4, -40.79, -4.65

 

CMYK 75 / 0 / 46 / 43

HEX #24924F

RGB 36 146 79

HSL 143.45, 0.6%, 0.36%

LAB 53.49, -45.81, 26.97

 

CMYK 75 / 0 / 46 / 30

HEX #2CB361

RGB 44 179 97

HSL 143.56, 0.61%, 0.44%

LAB 64.67, -53.77, 31.86

 

CMYK 71 / 0 / 44 / 19

HEX #3BCE74

RGB 59 206 116

HSL 143.27, 0.6%, 0.52%

LAB 73.76, -58.11, 33.88

 

CMYK 57 / 0 / 35 / 16

HEX #5CD68B

RGB 92 214 139

HSL 143.11, 0.6%, 0.6%

LAB 77.42, -50.82, 27.05

 

CMYK 44 / 0 / 27 / 13

HEX #7DDEA3

RGB 125 222 163

HSL 143.51, 0.6%, 0.68%

LAB 81.43, -41.57, 20.21

 

CMYK 71 / 0 / 43 / 19

HEX #3CCE75

RGB 60 206 117

HSL 143.42, 0.6%, 0.52%

LAB 73.8, -57.78, 33.42

 

CMYK 71 / 42 / 0 / 19

HEX #3B78CE

RGB 59 120 206

HSL 215.1, 0.6%, 0.52%

LAB 50.47, 9.17, -50.25

 

CMYK 0 / 71 / 70 / 19

HEX #CE3B3D

RGB 206 59 61

HSL 359.18, 0.6%, 0.52%

LAB 47.73, 57.42, 33.16

 

CMYK 71 / 0 / 43 / 19

HEX #3CCE75

RGB 60 206 117

HSL 143.42, 0.6%, 0.52%

LAB 73.8, -57.78, 33.42

 

CMYK 44 / 71 / 0 / 19

HEX #733BCE

RGB 115 59 206

HSL 262.86, 0.6%, 0.52%

LAB 39.96, 55.05, -67.04

 

CMYK 0 / 44 / 71 / 19

HEX #CE733B

RGB 206 115 59

HSL 22.86, 0.6%, 0.52%

LAB 57.75, 31.3, 45.57

 

CMYK 71 / 0 / 43 / 19

HEX #3CCE75

RGB 60 206 117

HSL 143.42, 0.6%, 0.52%

LAB 73.8, -57.78, 33.42

 

CMYK 71 / 42 / 0 / 19

HEX #3B78CE

RGB 59 120 206

HSL 215.1, 0.6%, 0.52%

LAB 50.47, 9.17, -50.25

 

CMYK 0 / 71 / 28 / 19

HEX #CE3B95

RGB 206 59 149

HSL 323.27, 0.6%, 0.52%

LAB 50, 64.94, -16.75

 

CMYK 0 / 30 / 71 / 19

HEX #CE903B

RGB 206 144 59

HSL 34.69, 0.6%, 0.52%

LAB 64.47, 15.63, 52.69

 

CMYK 71 / 0 / 43 / 19

HEX #3CCE75

RGB 60 206 117

HSL 143.42, 0.6%, 0.52%

LAB 73.8, -57.78, 33.42

 

CMYK 71 / 63 / 0 / 19

HEX #3B4CCE

RGB 59 76 206

HSL 233.06, 0.6%, 0.52%

LAB 38.82, 37.04, -69.1

 

CMYK 0 / 71 / 28 / 19

HEX #CE3B95

RGB 206 59 149

HSL 323.27, 0.6%, 0.52%

LAB 50, 64.94, -16.75

 

CMYK 0 / 9 / 71 / 19

HEX #CEBC3B

RGB 206 188 59

HSL 52.65, 0.6%, 0.52%

LAB 75.7, -7.82, 64

 

Description

Color code: HEX #3CCE75 | qconv.com Color code: HEX #3CCE75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 206 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 206 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 43 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 43% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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