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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CD783 it is the complementary color #C3287C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CD783. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CD783 shade: #41D77E, #52E991, #63FBA4, #74FFB7 and #85FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CD783. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CD783 shade: #3CD783, #2BC570, #1AB35D, #09A14A and #008F37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CD783 shade: #3CD783, #3CD759, #48D73C, #72D73C and #9CD73C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CD783 shade: #3CD783, #3CD7AC, #3CD7D6, #3CADD7 and #3C84D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CD783 shade matches the following richer shades: #3CD783, #29EA81 and #16FD80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CD783 shade: #3CD783, #4FC484, #62B186, #759E87 and #888B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CD783 shade: #49D73C, #3CD758, #3CD781, #3CD7AB and #3CD7D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CD783 shade: #20A05B, #27C26E, #3CD783, #5EDE98 and #80E5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CD783 shade: #3CD783, #3C72D7 and #D7443C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CD783 shade: #3CD783, #813CD7 and #D7813C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CD783 shade: #3CD783, #3C72D7, #D73C91 and #D7A03C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CD783 shade: #3CD783, #3C44D7, #D73C91 and #D7CF3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

Complementary color

CMYK 0 / 79 / 36 / 24

HEX #C3287C

RGB 195 40 124

HSL 327.48, 0.66%, 0.46%

LAB 45.05, 65.16, -9.31

 

CMYK 70 / 0 / 41 / 16

HEX #41D77E

RGB 65 215 126

HSL 144.4, 0.65%, 0.55%

LAB 76.82, -58.72, 32.8

 

CMYK 65 / 0 / 38 / 9

HEX #52E991

RGB 82 233 145

HSL 145.03, 0.77%, 0.62%

LAB 82.98, -59.15, 31.35

 

CMYK 61 / 0 / 35 / 2

HEX #63FBA4

RGB 99 251 164

HSL 145.66, 0.95%, 0.69%

LAB 89.08, -59.38, 29.99

 

CMYK 55 / 0 / 28 / 0

HEX #74FFB7

RGB 116 255 183

HSL 148.92, 1%, 0.73%

LAB 91.08, -53.89, 23.18

 

CMYK 48 / 0 / 21 / 0

HEX #85FFCA

RGB 133 255 202

HSL 153.93, 1%, 0.76%

LAB 92.03, -46.25, 14.88

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 78 / 0 / 43 / 23

HEX #2BC570

RGB 43 197 112

HSL 146.88, 0.64%, 0.47%

LAB 70.61, -57.77, 31.78

 

CMYK 85 / 0 / 48 / 30

HEX #1AB35D

RGB 26 179 93

HSL 146.27, 0.75%, 0.4%

LAB 64.36, -56.51, 33.46

 

CMYK 94 / 0 / 54 / 37

HEX #09A14A

RGB 9 161 74

HSL 145.66, 0.89%, 0.33%

LAB 58.08, -54.65, 35.25

 

CMYK 100 / 0 / 62 / 44

HEX #008F37

RGB 0 143 55

HSL 143.08, 1%, 0.28%

LAB 51.75, -52.01, 37.05

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 72 / 0 / 59 / 16

HEX #3CD759

RGB 60 215 89

HSL 131.23, 0.66%, 0.54%

LAB 76.24, -65.03, 49.92

 

CMYK 67 / 0 / 72 / 16

HEX #48D73C

RGB 72 215 60

HSL 115.35, 0.66%, 0.54%

LAB 76.26, -65.8, 61.81

 

CMYK 47 / 0 / 72 / 16

HEX #72D73C

RGB 114 215 60

HSL 99.1, 0.66%, 0.54%

LAB 77.58, -55.33, 63.58

 

CMYK 27 / 0 / 72 / 16

HEX #9CD73C

RGB 156 215 60

HSL 82.84, 0.66%, 0.54%

LAB 79.61, -41.12, 66.27

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 72 / 0 / 20 / 16

HEX #3CD7AC

RGB 60 215 172

HSL 163.35, 0.66%, 0.54%

LAB 77.6, -49.88, 9.81

 

CMYK 72 / 0 / 0 / 16

HEX #3CD7D6

RGB 60 215 214

HSL 179.61, 0.66%, 0.54%

LAB 78.7, -38.89, -11.04

 

CMYK 72 / 20 / 0 / 16

HEX #3CADD7

RGB 60 173 215

HSL 196.26, 0.66%, 0.54%

LAB 66.33, -17.99, -30.38

 

CMYK 72 / 39 / 0 / 16

HEX #3C84D7

RGB 60 132 215

HSL 212.13, 0.66%, 0.54%

LAB 54.42, 5.23, -49.07

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 82 / 0 / 45 / 8

HEX #29EA81

RGB 41 234 129

HSL 147.36, 0.82%, 0.54%

LAB 82.33, -67.84, 38.36

 

CMYK 91 / 0 / 49 / 1

HEX #16FD80

RGB 22 253 128

HSL 147.53, 0.98%, 0.54%

LAB 87.96, -75.44, 45.93

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 60 / 0 / 33 / 23

HEX #4FC484

RGB 79 196 132

HSL 147.18, 0.5%, 0.54%

LAB 71.42, -47.62, 22.55

 

CMYK 45 / 0 / 24 / 31

HEX #62B186

RGB 98 177 134

HSL 147.34, 0.34%, 0.54%

LAB 66.34, -34.28, 14.57

 

CMYK 26 / 0 / 15 / 38

HEX #759E87

RGB 117 158 135

HSL 146.34, 0.17%, 0.54%

LAB 61.64, -18.91, 7.52

 

CMYK 2 / 0 / 1 / 45

HEX #888B89

RGB 136 139 137

HSL 140, 0.01%, 0.54%

LAB 57.56, -1.49, 0.68

 

CMYK 66 / 0 / 72 / 16

HEX #49D73C

RGB 73 215 60

HSL 114.97, 0.66%, 0.54%

LAB 76.28, -65.61, 61.84

 

CMYK 72 / 0 / 59 / 16

HEX #3CD758

RGB 60 215 88

HSL 130.84, 0.66%, 0.54%

LAB 76.23, -65.16, 50.36

 

CMYK 72 / 0 / 40 / 16

HEX #3CD781

RGB 60 215 129

HSL 146.71, 0.66%, 0.54%

LAB 76.77, -58.95, 31.19

 

CMYK 72 / 0 / 20 / 16

HEX #3CD7AB

RGB 60 215 171

HSL 162.97, 0.66%, 0.54%

LAB 77.58, -50.12, 10.31

 

CMYK 72 / 0 / 1 / 16

HEX #3CD7D4

RGB 60 215 212

HSL 178.84, 0.66%, 0.54%

LAB 78.65, -39.46, -10.06

 

CMYK 80 / 0 / 43 / 37

HEX #20A05B

RGB 32 160 91

HSL 147.66, 0.67%, 0.38%

LAB 58.23, -49.43, 26.65

 

CMYK 80 / 0 / 43 / 24

HEX #27C26E

RGB 39 194 110

HSL 147.48, 0.67%, 0.46%

LAB 69.57, -57.51, 31.45

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 58 / 0 / 32 / 13

HEX #5EDE98

RGB 94 222 152

HSL 147.19, 0.66%, 0.62%

LAB 80.12, -51.18, 23.97

 

CMYK 44 / 0 / 24 / 10

HEX #80E5AE

RGB 128 229 174

HSL 147.33, 0.66%, 0.7%

LAB 83.8, -41.75, 17.78

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 72 / 47 / 0 / 16

HEX #3C72D7

RGB 60 114 215

HSL 219.1, 0.66%, 0.54%

LAB 49.38, 16.32, -57.13

 

CMYK 0 / 68 / 72 / 16

HEX #D7443C

RGB 215 68 60

HSL 3.1, 0.66%, 0.54%

LAB 50.58, 56.85, 37.45

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 40 / 72 / 0 / 16

HEX #813CD7

RGB 129 60 215

HSL 266.71, 0.66%, 0.54%

LAB 42.47, 59.27, -68.07

 

CMYK 0 / 40 / 72 / 16

HEX #D7813C

RGB 215 129 60

HSL 26.71, 0.66%, 0.54%

LAB 62.06, 27.59, 50.05

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 72 / 47 / 0 / 16

HEX #3C72D7

RGB 60 114 215

HSL 219.1, 0.66%, 0.54%

LAB 49.38, 16.32, -57.13

 

CMYK 0 / 72 / 33 / 16

HEX #D73C91

RGB 215 60 145

HSL 327.1, 0.66%, 0.54%

LAB 51.52, 66.48, -11.91

 

CMYK 0 / 26 / 72 / 16

HEX #D7A03C

RGB 215 160 60

HSL 38.71, 0.66%, 0.54%

LAB 69.41, 10.91, 57.64

 

CMYK 72 / 0 / 39 / 16

HEX #3CD783

RGB 60 215 131

HSL 147.48, 0.66%, 0.54%

LAB 76.8, -58.59, 30.21

 

CMYK 72 / 68 / 0 / 16

HEX #3C44D7

RGB 60 68 215

HSL 236.9, 0.66%, 0.54%

LAB 37.84, 45.11, -75.88

 

CMYK 0 / 72 / 33 / 16

HEX #D73C91

RGB 215 60 145

HSL 327.1, 0.66%, 0.54%

LAB 51.52, 66.48, -11.91

 

CMYK 0 / 4 / 72 / 16

HEX #D7CF3C

RGB 215 207 60

HSL 56.9, 0.66%, 0.54%

LAB 81.51, -13.6, 69.53

 

Description

Color code: HEX #3CD783 | qconv.com Color code: HEX #3CD783 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 215 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 215 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 39 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 39% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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