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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CEADF it is the complementary color #C31520. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CEADF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CEADF shade: #41EADA, #52FCED, #63FFFF, #74FFFF and #85FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CEADF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CEADF shade: #3CEADF, #2BD8CC, #1AC6B9, #09B4A6 and #00A293

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CEADF shade: #3DEADF, #3DEAB0, #3DEA82, #3DEA53 and #55EA3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CEADF shade: #3DEADF, #3DC6EA, #3D98EA, #3D69EA and #3D3DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CEADF shade matches the following richer shades: #3DEADF and #2BFBEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CEADF shade: #3DEADF, #4ED9D0, #5FC7C1, #71B6B2 and #82A5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CEADF shade: #3DEA82, #3DEAB0, #3DEADF, #3DC7EA and #3D99EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CEADF shade: #14C1B6, #18E6D9, #3DEADF, #62EEE5 and #87F2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CEADF shade: #3CEADF, #543DEA and #EA993D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CEADF shade: #3CEADF, #DF3DEA and #EADF3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CEADF shade: #3CEADF, #543DEA, #EA3D48 and #D3EA3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CEADF shade: #3CEADF, #883DEA, #EA3D48 and #9FEA3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 5 / 8

HEX #3CEADF

RGB 60 234 223

HSL 176.21, 0.81%, 0.58%

LAB 84.55, -44.86, -7.13

 

Complementary color

CMYK 0 / 89 / 84 / 24

HEX #C31520

RGB 195 21 32

HSL 356.21, 0.81%, 0.42%

LAB 41.6, 63.46, 42.35

 

CMYK 72 / 0 / 7 / 8

HEX #41EADA

RGB 65 234 218

HSL 174.32, 0.8%, 0.59%

LAB 84.5, -45.65, -4.56

 

CMYK 67 / 0 / 6 / 1

HEX #52FCED

RGB 82 252 237

HSL 174.71, 0.97%, 0.65%

LAB 90.56, -46.3, -5.52

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 74 / 0 / 5 / 8

HEX #3CEADF

RGB 60 234 223

HSL 176.21, 0.81%, 0.58%

LAB 84.55, -44.86, -7.13

 

CMYK 80 / 0 / 6 / 15

HEX #2BD8CC

RGB 43 216 204

HSL 175.84, 0.69%, 0.51%

LAB 78.45, -43.86, -6.09

 

CMYK 87 / 0 / 7 / 22

HEX #1AC6B9

RGB 26 198 185

HSL 175.47, 0.77%, 0.44%

LAB 72.3, -42.55, -4.95

 

CMYK 95 / 0 / 8 / 29

HEX #09B4A6

RGB 9 180 166

HSL 175.09, 0.9%, 0.37%

LAB 66.1, -40.88, -3.68

 

CMYK 100 / 0 / 9 / 36

HEX #00A293

RGB 0 162 147

HSL 174.44, 1%, 0.32%

LAB 59.84, -38.78, -2.27

 

CMYK 74 / 0 / 5 / 8

HEX #3DEADF

RGB 61 234 223

HSL 176.18, 0.8%, 0.58%

LAB 84.57, -44.75, -7.1

 

CMYK 74 / 0 / 25 / 8

HEX #3DEAB0

RGB 61 234 176

HSL 159.88, 0.8%, 0.58%

LAB 83.43, -56.44, 15.94

 

CMYK 74 / 0 / 44 / 8

HEX #3DEA82

RGB 61 234 130

HSL 143.93, 0.8%, 0.58%

LAB 82.62, -65.42, 38.3

 

CMYK 74 / 0 / 65 / 8

HEX #3DEA53

RGB 61 234 83

HSL 127.63, 0.8%, 0.58%

LAB 82.09, -71.7, 59.11

 

CMYK 64 / 0 / 74 / 8

HEX #55EA3D

RGB 85 234 61

HSL 111.68, 0.8%, 0.58%

LAB 82.44, -69.33, 67.78

 

CMYK 74 / 0 / 5 / 8

HEX #3DEADF

RGB 61 234 223

HSL 176.18, 0.8%, 0.58%

LAB 84.57, -44.75, -7.1

 

CMYK 74 / 15 / 0 / 8

HEX #3DC6EA

RGB 61 198 234

HSL 192.49, 0.8%, 0.58%

LAB 74.39, -24.65, -28.32

 

CMYK 74 / 35 / 0 / 8

HEX #3D98EA

RGB 61 152 234

HSL 208.44, 0.8%, 0.58%

LAB 61.12, 0.28, -49.02

 

CMYK 74 / 55 / 0 / 8

HEX #3D69EA

RGB 61 105 234

HSL 224.74, 0.8%, 0.58%

LAB 48.31, 29.01, -69.58

 

CMYK 74 / 74 / 0 / 8

HEX #3D3DEA

RGB 61 61 234

HSL 240, 0.8%, 0.58%

LAB 38.32, 55.33, -85.94

 

CMYK 74 / 0 / 5 / 8

HEX #3DEADF

RGB 61 234 223

HSL 176.18, 0.8%, 0.58%

LAB 84.57, -44.75, -7.1

 

CMYK 83 / 0 / 5 / 2

HEX #2BFBEE

RGB 43 251 238

HSL 176.25, 0.96%, 0.58%

LAB 89.71, -49.55, -7.37

 

CMYK 74 / 0 / 5 / 8

HEX #3DEADF

RGB 61 234 223

HSL 176.18, 0.8%, 0.58%

LAB 84.57, -44.75, -7.1

 

CMYK 64 / 0 / 4 / 15

HEX #4ED9D0

RGB 78 217 208

HSL 176.12, 0.65%, 0.58%

LAB 79.5, -39.01, -6.61

 

CMYK 52 / 0 / 3 / 22

HEX #5FC7C1

RGB 95 199 193

HSL 176.54, 0.48%, 0.58%

LAB 74.27, -31.52, -6.22

 

CMYK 38 / 0 / 2 / 29

HEX #71B6B2

RGB 113 182 178

HSL 176.52, 0.32%, 0.58%

LAB 69.6, -22.67, -4.85

 

CMYK 21 / 0 / 1 / 35

HEX #82A5A3

RGB 130 165 163

HSL 176.57, 0.16%, 0.58%

LAB 65.2, -12.35, -2.91

 

CMYK 74 / 0 / 44 / 8

HEX #3DEA82

RGB 61 234 130

HSL 143.93, 0.8%, 0.58%

LAB 82.62, -65.42, 38.3

 

CMYK 74 / 0 / 25 / 8

HEX #3DEAB0

RGB 61 234 176

HSL 159.88, 0.8%, 0.58%

LAB 83.43, -56.44, 15.94

 

CMYK 74 / 0 / 5 / 8

HEX #3DEADF

RGB 61 234 223

HSL 176.18, 0.8%, 0.58%

LAB 84.57, -44.75, -7.1

 

CMYK 74 / 15 / 0 / 8

HEX #3DC7EA

RGB 61 199 234

HSL 192.14, 0.8%, 0.58%

LAB 74.69, -25.15, -27.88

 

CMYK 74 / 35 / 0 / 8

HEX #3D99EA

RGB 61 153 234

HSL 208.09, 0.8%, 0.58%

LAB 61.41, -0.3, -48.57

 

CMYK 90 / 0 / 6 / 24

HEX #14C1B6

RGB 20 193 182

HSL 176.18, 0.81%, 0.42%

LAB 70.64, -41.54, -5.77

 

CMYK 90 / 0 / 6 / 10

HEX #18E6D9

RGB 24 230 217

HSL 176.21, 0.81%, 0.5%

LAB 82.81, -47.49, -6.59

 

CMYK 74 / 0 / 5 / 8

HEX #3DEADF

RGB 61 234 223

HSL 176.18, 0.8%, 0.58%

LAB 84.57, -44.75, -7.1

 

CMYK 59 / 0 / 4 / 7

HEX #62EEE5

RGB 98 238 229

HSL 176.14, 0.8%, 0.66%

LAB 86.7, -39.72, -7.01

 

CMYK 44 / 0 / 3 / 5

HEX #87F2EB

RGB 135 242 235

HSL 176.07, 0.8%, 0.74%

LAB 89.23, -32.58, -6.28

 

CMYK 74 / 0 / 5 / 8

HEX #3CEADF

RGB 60 234 223

HSL 176.21, 0.81%, 0.58%

LAB 84.55, -44.86, -7.13

 

CMYK 64 / 74 / 0 / 8

HEX #543DEA

RGB 84 61 234

HSL 247.98, 0.8%, 0.58%

LAB 39.85, 57.52, -83.37

 

CMYK 0 / 35 / 74 / 8

HEX #EA993D

RGB 234 153 61

HSL 31.91, 0.8%, 0.58%

LAB 69.9, 22.76, 58.42

 

CMYK 74 / 0 / 5 / 8

HEX #3CEADF

RGB 60 234 223

HSL 176.21, 0.81%, 0.58%

LAB 84.55, -44.86, -7.13

 

CMYK 5 / 74 / 0 / 8

HEX #DF3DEA

RGB 223 61 234

HSL 296.18, 0.8%, 0.58%

LAB 57.04, 80.41, -54.68

 

CMYK 0 / 5 / 74 / 8

HEX #EADF3D

RGB 234 223 61

HSL 56.18, 0.8%, 0.58%

LAB 87.29, -13.56, 75.21

 

CMYK 74 / 0 / 5 / 8

HEX #3CEADF

RGB 60 234 223

HSL 176.21, 0.81%, 0.58%

LAB 84.55, -44.86, -7.13

 

CMYK 64 / 74 / 0 / 8

HEX #543DEA

RGB 84 61 234

HSL 247.98, 0.8%, 0.58%

LAB 39.85, 57.52, -83.37

 

CMYK 0 / 74 / 69 / 8

HEX #EA3D48

RGB 234 61 72

HSL 356.18, 0.8%, 0.58%

LAB 53.27, 65.73, 34.62

 

CMYK 10 / 0 / 74 / 8

HEX #D3EA3D

RGB 211 234 61

HSL 67.98, 0.8%, 0.58%

LAB 88.46, -28.31, 75.68

 

CMYK 74 / 0 / 5 / 8

HEX #3CEADF

RGB 60 234 223

HSL 176.21, 0.81%, 0.58%

LAB 84.55, -44.86, -7.13

 

CMYK 42 / 74 / 0 / 8

HEX #883DEA

RGB 136 61 234

HSL 266.01, 0.8%, 0.58%

LAB 44.96, 64.6, -74.79

 

CMYK 0 / 74 / 69 / 8

HEX #EA3D48

RGB 234 61 72

HSL 356.18, 0.8%, 0.58%

LAB 53.27, 65.73, 34.62

 

CMYK 32 / 0 / 74 / 8

HEX #9FEA3D

RGB 159 234 61

HSL 86.01, 0.8%, 0.58%

LAB 85.28, -48.11, 71.53

 

Description

Color code: HEX #3CEADF | qconv.com Color code: HEX #3CEADF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 234 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 234 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 5 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 5% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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