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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A0BDD it is the complementary color #C5F422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A0BDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A0BDD shade: #3F0BD8, #501DEB, #612FFE, #7241FF and #8353FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A0BDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A0BDD shade: #3A0BDD, #2900CA, #1800B7, #0700A4 and #000091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A0BDD shade: #390ADB, #710ADB, #A90ADB, #DB0AD4 and #DB0A9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A0BDD shade: #390ADB and #0A0ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A0BDD shade matches the following richer shades: #390ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A0BDD shade: #390ADB, #431CC8, #4D2FB6, #5742A3 and #625490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A0BDD shade: #0A4CDB, #0A14DB, #370ADB, #6F0ADB and #A60ADB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A0BDD shade: #24068C, #2E08B3, #390ADB, #4B1AF4 and #6A41F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A0BDD shade: #3A0BDD, #DB0A84 and #30DB0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A0BDD shade: #3A0BDD, #DB370A and #0ADB37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A0BDD shade: #3A0BDD, #DB0A84, #ADDB0A and #0ADB61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A0BDD shade: #3A0BDD, #DB0A45, #ADDB0A and #0ADB9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 95 / 0 / 13

HEX #3A0BDD

RGB 58 11 221

HSL 253.43, 0.91%, 0.45%

LAB 30.3, 70.12, -91.83

 

Complementary color

CMYK 19 / 0 / 86 / 4

HEX #C5F422

RGB 197 244 34

HSL 73.43, 0.91%, 0.55%

LAB 90.18, -39.33, 83.63

 

CMYK 71 / 95 / 0 / 15

HEX #3F0BD8

RGB 63 11 216

HSL 255.22, 0.9%, 0.45%

LAB 30.04, 69.09, -89.36

 

CMYK 66 / 88 / 0 / 8

HEX #501DEB

RGB 80 29 235

HSL 254.85, 0.84%, 0.52%

LAB 35.17, 70.48, -91.7

 

CMYK 62 / 81 / 0 / 0

HEX #612FFE

RGB 97 47 254

HSL 254.49, 0.99%, 0.59%

LAB 40.78, 70.55, -93.06

 

CMYK 55 / 75 / 0 / 0

HEX #7241FF

RGB 114 65 255

HSL 255.47, 1%, 0.63%

LAB 45.05, 65.05, -86.52

 

CMYK 49 / 67 / 0 / 0

HEX #8353FF

RGB 131 83 255

HSL 256.74, 1%, 0.66%

LAB 49.78, 58.81, -78.72

 

CMYK 74 / 95 / 0 / 13

HEX #3A0BDD

RGB 58 11 221

HSL 253.43, 0.91%, 0.45%

LAB 30.3, 70.12, -91.83

 

CMYK 80 / 100 / 0 / 21

HEX #2900CA

RGB 41 0 202

HSL 252.18, 1%, 0.4%

LAB 25.97, 66.94, -88.05

 

CMYK 87 / 100 / 0 / 28

HEX #1800B7

RGB 24 0 183

HSL 247.87, 1%, 0.36%

LAB 22.35, 61.96, -82.89

 

CMYK 96 / 100 / 0 / 36

HEX #0700A4

RGB 7 0 164

HSL 242.56, 1%, 0.32%

LAB 18.91, 56.98, -77.19

 

CMYK 100 / 100 / 0 / 43

HEX #000091

RGB 0 0 145

HSL 240, 1%, 0.28%

LAB 15.72, 52, -70.83

 

CMYK 74 / 95 / 0 / 14

HEX #390ADB

RGB 57 10 219

HSL 253.49, 0.91%, 0.45%

LAB 29.92, 69.76, -91.32

 

CMYK 48 / 95 / 0 / 14

HEX #710ADB

RGB 113 10 219

HSL 269.57, 0.91%, 0.45%

LAB 35.68, 73.17, -81.59

 

CMYK 23 / 95 / 0 / 14

HEX #A90ADB

RGB 169 10 219

HSL 285.65, 0.91%, 0.45%

LAB 43.9, 79.42, -67.8

 

CMYK 0 / 95 / 3 / 14

HEX #DB0AD4

RGB 219 10 212

HSL 302.01, 0.91%, 0.45%

LAB 51.87, 85.87, -50.5

 

CMYK 0 / 95 / 29 / 14

HEX #DB0A9B

RGB 219 10 155

HSL 318.37, 0.91%, 0.45%

LAB 49.06, 78.76, -21.57

 

CMYK 74 / 95 / 0 / 14

HEX #390ADB

RGB 57 10 219

HSL 253.49, 0.91%, 0.45%

LAB 29.92, 69.76, -91.32

 

CMYK 95 / 95 / 0 / 14

HEX #0A0ADB

RGB 10 10 219

HSL 240, 0.91%, 0.45%

LAB 27.83, 68.8, -94.85

 

CMYK 74 / 95 / 0 / 14

HEX #390ADB

RGB 57 10 219

HSL 253.49, 0.91%, 0.45%

LAB 29.92, 69.76, -91.32

 

CMYK 74 / 95 / 0 / 14

HEX #390ADB

RGB 57 10 219

HSL 253.49, 0.91%, 0.45%

LAB 29.92, 69.76, -91.32

 

CMYK 67 / 86 / 0 / 22

HEX #431CC8

RGB 67 28 200

HSL 253.6, 0.75%, 0.45%

LAB 29.9, 60.81, -80.29

 

CMYK 58 / 74 / 0 / 29

HEX #4D2FB6

RGB 77 47 182

HSL 253.33, 0.59%, 0.45%

LAB 31.78, 48.46, -66.54

 

CMYK 47 / 60 / 0 / 36

HEX #5742A3

RGB 87 66 163

HSL 252.99, 0.42%, 0.45%

LAB 35.14, 33.78, -49.67

 

CMYK 32 / 42 / 0 / 44

HEX #625490

RGB 98 84 144

HSL 254, 0.26%, 0.45%

LAB 39.5, 19.99, -31.2

 

CMYK 95 / 65 / 0 / 14

HEX #0A4CDB

RGB 10 76 219

HSL 221.05, 0.91%, 0.45%

LAB 38.46, 38.41, -77.22

 

CMYK 95 / 91 / 0 / 14

HEX #0A14DB

RGB 10 20 219

HSL 237.13, 0.91%, 0.45%

LAB 28.59, 66.49, -93.59

 

CMYK 75 / 95 / 0 / 14

HEX #370ADB

RGB 55 10 219

HSL 252.92, 0.91%, 0.45%

LAB 29.77, 69.69, -91.57

 

CMYK 49 / 95 / 0 / 14

HEX #6F0ADB

RGB 111 10 219

HSL 269, 0.91%, 0.45%

LAB 35.42, 73, -82.02

 

CMYK 24 / 95 / 0 / 14

HEX #A60ADB

RGB 166 10 219

HSL 284.78, 0.91%, 0.45%

LAB 43.42, 79.03, -68.6

 

CMYK 74 / 96 / 0 / 45

HEX #24068C

RGB 36 6 140

HSL 253.43, 0.92%, 0.29%

LAB 17.45, 49.5, -64.76

 

CMYK 74 / 96 / 0 / 30

HEX #2E08B3

RGB 46 8 179

HSL 253.33, 0.91%, 0.37%

LAB 23.7, 59.69, -78.2

 

CMYK 74 / 95 / 0 / 14

HEX #390ADB

RGB 57 10 219

HSL 253.49, 0.91%, 0.45%

LAB 29.92, 69.76, -91.32

 

CMYK 69 / 89 / 0 / 4

HEX #4B1AF4

RGB 75 26 244

HSL 253.49, 0.91%, 0.53%

LAB 35.53, 73.29, -96.21

 

CMYK 57 / 74 / 0 / 4

HEX #6A41F6

RGB 106 65 246

HSL 253.59, 0.91%, 0.61%

LAB 43.51, 61.59, -84.06

 

CMYK 74 / 95 / 0 / 13

HEX #3A0BDD

RGB 58 11 221

HSL 253.43, 0.91%, 0.45%

LAB 30.3, 70.12, -91.83

 

CMYK 0 / 95 / 40 / 14

HEX #DB0A84

RGB 219 10 132

HSL 324.98, 0.91%, 0.45%

LAB 48.19, 76.47, -9.02

 

CMYK 78 / 0 / 95 / 14

HEX #30DB0A

RGB 48 219 10

HSL 109.09, 0.91%, 0.45%

LAB 76.87, -73.22, 73.68

 

CMYK 74 / 95 / 0 / 13

HEX #3A0BDD

RGB 58 11 221

HSL 253.43, 0.91%, 0.45%

LAB 30.3, 70.12, -91.83

 

CMYK 0 / 75 / 95 / 14

HEX #DB370A

RGB 219 55 10

HSL 12.92, 0.91%, 0.45%

LAB 49.27, 61.48, 58.81

 

CMYK 95 / 0 / 75 / 14

HEX #0ADB37

RGB 10 219 55

HSL 132.92, 0.91%, 0.45%

LAB 76.68, -74.3, 63.69

 

CMYK 74 / 95 / 0 / 13

HEX #3A0BDD

RGB 58 11 221

HSL 253.43, 0.91%, 0.45%

LAB 30.3, 70.12, -91.83

 

CMYK 0 / 95 / 40 / 14

HEX #DB0A84

RGB 219 10 132

HSL 324.98, 0.91%, 0.45%

LAB 48.19, 76.47, -9.02

 

CMYK 21 / 0 / 95 / 14

HEX #ADDB0A

RGB 173 219 10

HSL 73.21, 0.91%, 0.45%

LAB 81.6, -38, 79.46

 

CMYK 95 / 0 / 56 / 14

HEX #0ADB61

RGB 10 219 97

HSL 144.98, 0.91%, 0.45%

LAB 77.04, -69.86, 47.07

 

CMYK 74 / 95 / 0 / 13

HEX #3A0BDD

RGB 58 11 221

HSL 253.43, 0.91%, 0.45%

LAB 30.3, 70.12, -91.83

 

CMYK 0 / 95 / 68 / 14

HEX #DB0A45

RGB 219 10 69

HSL 343.06, 0.91%, 0.45%

LAB 46.59, 72.15, 27.56

 

CMYK 21 / 0 / 95 / 14

HEX #ADDB0A

RGB 173 219 10

HSL 73.21, 0.91%, 0.45%

LAB 81.6, -38, 79.46

 

CMYK 95 / 0 / 27 / 14

HEX #0ADB9F

RGB 10 219 159

HSL 162.78, 0.91%, 0.45%

LAB 78.01, -58.42, 17.19

 

Description

Color code: HEX #3A0BDD | qconv.com Color code: HEX #3A0BDD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 11 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 11 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 95 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 95% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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