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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A1361 it is the complementary color #C5EC9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A1361. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A1361 shade: #3F135C, #50256F, #613782, #724995 and #835BA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A1361. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A1361 shade: #3A1361, #29014E, #18003B, #070028 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A1361 shade: #3A1361, #4F1361, #61135E, #611349 and #611334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A1361 shade: #3A1361, #251361 and #131361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A1361 shade matches the following richer shades: #3A1361, #3A096B and #3A0074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A1361 shade: #3A1361, #3A1C58, #3A264E, #3A2F45 and #3A393B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A1361 shade: #131561, #251361, #3A1361, #4F1361 and #61135F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A1361 shade: #11051D, #260C3F, #3A1361, #4F1A84 and #6320A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A1361 shade: #3A1361, #61132A and #13611B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A1361 shade: #3A1361, #613A13 and #13613A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A1361 shade: #3A1361, #61132A, #3A6113 and #13614A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A1361 shade: #3A1361, #611313, #3A6113 and #136161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

Complementary color

CMYK 17 / 0 / 33 / 7

HEX #C5EC9E

RGB 197 236 158

HSL 90, 0.67%, 0.77%

LAB 89.08, -25.94, 33.78

 

CMYK 32 / 79 / 0 / 64

HEX #3F135C

RGB 63 19 92

HSL 276.16, 0.66%, 0.22%

LAB 16.97, 34.88, -34.43

 

CMYK 28 / 67 / 0 / 56

HEX #50256F

RGB 80 37 111

HSL 274.86, 0.5%, 0.29%

LAB 24.25, 34.49, -35

 

CMYK 25 / 58 / 0 / 49

HEX #613782

RGB 97 55 130

HSL 273.6, 0.41%, 0.36%

LAB 31.54, 33.64, -35.21

 

CMYK 23 / 51 / 0 / 42

HEX #724995

RGB 114 73 149

HSL 272.37, 0.34%, 0.44%

LAB 38.75, 32.69, -35.29

 

CMYK 22 / 46 / 0 / 34

HEX #835BA8

RGB 131 91 168

HSL 271.17, 0.31%, 0.51%

LAB 45.82, 31.77, -35.34

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 47 / 99 / 0 / 69

HEX #29014E

RGB 41 1 78

HSL 271.17, 0.97%, 0.15%

LAB 9.35, 35.38, -37.5

 

CMYK 59 / 100 / 0 / 77

HEX #18003B

RGB 24 0 59

HSL 264.41, 1%, 0.12%

LAB 4.61, 26.5, -31.91

 

CMYK 83 / 100 / 0 / 84

HEX #070028

RGB 7 0 40

HSL 250.5, 1%, 0.08%

LAB 1.79, 11.56, -22.28

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 19 / 80 / 0 / 62

HEX #4F1361

RGB 79 19 97

HSL 286.15, 0.67%, 0.23%

LAB 20.01, 39.53, -32.7

 

CMYK 0 / 80 / 3 / 62

HEX #61135E

RGB 97 19 94

HSL 302.31, 0.67%, 0.23%

LAB 23.05, 43.07, -25.67

 

CMYK 0 / 80 / 25 / 62

HEX #611349

RGB 97 19 73

HSL 318.46, 0.67%, 0.23%

LAB 21.9, 39.68, -13.38

 

CMYK 0 / 80 / 46 / 62

HEX #611334

RGB 97 19 52

HSL 334.62, 0.67%, 0.23%

LAB 21.04, 37.01, -0.17

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 62 / 80 / 0 / 62

HEX #251361

RGB 37 19 97

HSL 253.85, 0.67%, 0.23%

LAB 13.96, 31.55, -42.82

 

CMYK 80 / 80 / 0 / 62

HEX #131361

RGB 19 19 97

HSL 240, 0.67%, 0.23%

LAB 12.4, 29.38, -45.45

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 46 / 92 / 0 / 58

HEX #3A096B

RGB 58 9 107

HSL 270, 0.84%, 0.23%

LAB 16.29, 41.66, -45.49

 

CMYK 50 / 100 / 0 / 55

HEX #3A0074

RGB 58 0 116

HSL 270, 1%, 0.23%

LAB 16.31, 46.8, -51.32

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 34 / 68 / 0 / 65

HEX #3A1C58

RGB 58 28 88

HSL 270, 0.52%, 0.23%

LAB 17.62, 27.86, -30.73

 

CMYK 26 / 51 / 0 / 69

HEX #3A264E

RGB 58 38 78

HSL 270, 0.34%, 0.23%

LAB 19.37, 18.69, -21.19

 

CMYK 16 / 32 / 0 / 73

HEX #3A2F45

RGB 58 47 69

HSL 270, 0.19%, 0.23%

LAB 21.44, 10.12, -11.88

 

CMYK 2 / 3 / 0 / 77

HEX #3A393B

RGB 58 57 59

HSL 270, 0.02%, 0.23%

LAB 24.13, 0.89, -1.09

 

CMYK 80 / 78 / 0 / 62

HEX #131561

RGB 19 21 97

HSL 238.46, 0.67%, 0.23%

LAB 12.85, 28.12, -44.7

 

CMYK 62 / 80 / 0 / 62

HEX #251361

RGB 37 19 97

HSL 253.85, 0.67%, 0.23%

LAB 13.96, 31.55, -42.82

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 19 / 80 / 0 / 62

HEX #4F1361

RGB 79 19 97

HSL 286.15, 0.67%, 0.23%

LAB 20.01, 39.53, -32.7

 

CMYK 0 / 80 / 2 / 62

HEX #61135F

RGB 97 19 95

HSL 301.54, 0.67%, 0.23%

LAB 23.11, 43.25, -26.23

 

CMYK 41 / 83 / 0 / 89

HEX #11051D

RGB 17 5 29

HSL 270, 0.71%, 0.07%

LAB 2.86, 8.46, -11.95

 

CMYK 40 / 81 / 0 / 75

HEX #260C3F

RGB 38 12 63

HSL 270.59, 0.68%, 0.15%

LAB 9.27, 25.04, -27.11

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 40 / 80 / 0 / 48

HEX #4F1A84

RGB 79 26 132

HSL 270, 0.67%, 0.31%

LAB 23.89, 44.95, -48.95

 

CMYK 40 / 81 / 0 / 35

HEX #6320A6

RGB 99 32 166

HSL 270, 0.68%, 0.39%

LAB 30.49, 54.17, -58.97

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 0 / 80 / 57 / 62

HEX #61132A

RGB 97 19 42

HSL 342.31, 0.67%, 0.23%

LAB 20.73, 36.02, 6.41

 

CMYK 80 / 0 / 72 / 62

HEX #13611B

RGB 19 97 27

HSL 126.15, 0.67%, 0.23%

LAB 35.53, -38.06, 32.16

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 0 / 40 / 80 / 62

HEX #613A13

RGB 97 58 19

HSL 30, 0.67%, 0.23%

LAB 28.42, 13.64, 30.25

 

CMYK 80 / 0 / 40 / 62

HEX #13613A

RGB 19 97 58

HSL 150, 0.67%, 0.23%

LAB 35.97, -32.91, 15.86

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 0 / 80 / 57 / 62

HEX #61132A

RGB 97 19 42

HSL 342.31, 0.67%, 0.23%

LAB 20.73, 36.02, 6.41

 

CMYK 40 / 0 / 80 / 62

HEX #3A6113

RGB 58 97 19

HSL 90, 0.67%, 0.23%

LAB 36.92, -27.52, 37.39

 

CMYK 80 / 0 / 24 / 62

HEX #13614A

RGB 19 97 74

HSL 162.31, 0.67%, 0.23%

LAB 36.33, -28.96, 6.65

 

CMYK 40 / 80 / 0 / 62

HEX #3A1361

RGB 58 19 97

HSL 270, 0.67%, 0.23%

LAB 16.64, 35.16, -38.32

 

CMYK 0 / 80 / 80 / 62

HEX #611313

RGB 97 19 19

HSL 0, 0.67%, 0.23%

LAB 20.26, 34.49, 21.67

 

CMYK 40 / 0 / 80 / 62

HEX #3A6113

RGB 58 97 19

HSL 90, 0.67%, 0.23%

LAB 36.92, -27.52, 37.39

 

CMYK 80 / 0 / 0 / 62

HEX #136161

RGB 19 97 97

HSL 180, 0.67%, 0.23%

LAB 37.02, -22, -6.55

 

Description

Color code: HEX #3A1361 | qconv.com Color code: HEX #3A1361 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 19 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 19 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 80 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 80% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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