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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A2421 it is the complementary color #C5DBDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A2421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A2421 shade: #3F241C, #50362F, #614842, #725A55 and #836C68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A2421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A2421 shade: #3A2421, #29120E, #180000 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A2421 shade: #3A2421 and #3A2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A2421 shade: #3A2421, #3A2B21, #3A3121, #3A3821 and #353A21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A2421 shade matches the following richer shades: #3A2421, #411E1A, #491912, #50130B and #570D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A2421 shade: #3A2421, #322A28, #2B2F30, #243537 and #1C3B3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A2421 shade: #3A212B, #3A2125, #3A2421, #3A2B21 and #3A3121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A2421 shade: #050303, #201412, #3A2421, #543430 and #6E453F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A2421 shade: #3A2421, #323A21 and #21283A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A2421 shade: #3A2421, #213A24 and #24213A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A2421 shade: #3A2421, #323A21, #21373A and #29213A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A2421 shade: #3A2421, #2B3A21, #21373A and #30213A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

Complementary color

CMYK 11 / 1 / 0 / 13

HEX #C5DBDE

RGB 197 219 222

HSL 187.2, 0.27%, 0.82%

LAB 85.91, -6.71, -3.97

 

CMYK 0 / 43 / 56 / 75

HEX #3F241C

RGB 63 36 28

HSL 13.71, 0.38%, 0.18%

LAB 17.47, 11.79, 10.74

 

CMYK 0 / 33 / 41 / 69

HEX #50362F

RGB 80 54 47

HSL 12.73, 0.26%, 0.25%

LAB 25.41, 10.6, 9.06

 

CMYK 0 / 26 / 32 / 62

HEX #614842

RGB 97 72 66

HSL 11.61, 0.19%, 0.32%

LAB 33.07, 9.7, 7.74

 

CMYK 0 / 21 / 25 / 55

HEX #725A55

RGB 114 90 85

HSL 10.34, 0.15%, 0.39%

LAB 40.48, 8.99, 6.62

 

CMYK 0 / 18 / 21 / 49

HEX #836C68

RGB 131 108 104

HSL 8.89, 0.11%, 0.46%

LAB 47.69, 8.41, 5.64

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 0 / 56 / 66 / 84

HEX #29120E

RGB 41 18 14

HSL 8.89, 0.49%, 0.11%

LAB 8.44, 11.39, 6.95

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 0 / 43 / 43 / 77

HEX #3A2121

RGB 58 33 33

HSL 0, 0.27%, 0.18%

LAB 15.99, 12.06, 5.08

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 0 / 26 / 43 / 77

HEX #3A2B21

RGB 58 43 33

HSL 24, 0.27%, 0.18%

LAB 18.96, 5.25, 9.18

 

CMYK 0 / 16 / 43 / 77

HEX #3A3121

RGB 58 49 33

HSL 38.4, 0.27%, 0.18%

LAB 20.85, 1.22, 11.72

 

CMYK 0 / 3 / 43 / 77

HEX #3A3821

RGB 58 56 33

HSL 55.2, 0.27%, 0.18%

LAB 23.13, -3.36, 14.7

 

CMYK 9 / 0 / 43 / 77

HEX #353A21

RGB 53 58 33

HSL 72, 0.27%, 0.18%

LAB 23.31, -7.07, 14.85

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 0 / 54 / 60 / 75

HEX #411E1A

RGB 65 30 26

HSL 6.15, 0.43%, 0.18%

LAB 16.14, 16.45, 10.43

 

CMYK 0 / 66 / 75 / 71

HEX #491912

RGB 73 25 18

HSL 7.64, 0.6%, 0.18%

LAB 16.28, 22.38, 16.35

 

CMYK 0 / 76 / 86 / 69

HEX #50130B

RGB 80 19 11

HSL 6.96, 0.76%, 0.18%

LAB 16.48, 27.94, 20.54

 

CMYK 0 / 85 / 97 / 66

HEX #570D03

RGB 87 13 3

HSL 7.14, 0.93%, 0.18%

LAB 17.09, 32.61, 24.91

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 0 / 16 / 20 / 80

HEX #322A28

RGB 50 42 40

HSL 12, 0.11%, 0.18%

LAB 17.86, 3.27, 2.66

 

CMYK 10 / 2 / 0 / 81

HEX #2B2F30

RGB 43 47 48

HSL 192, 0.05%, 0.18%

LAB 19.06, -1.49, -1.25

 

CMYK 35 / 4 / 0 / 78

HEX #243537

RGB 36 53 55

HSL 186.32, 0.21%, 0.18%

LAB 20.82, -6.31, -3.5

 

CMYK 56 / 6 / 0 / 75

HEX #1C3B3F

RGB 28 59 63

HSL 186.86, 0.38%, 0.18%

LAB 22.77, -10.16, -6.03

 

CMYK 0 / 43 / 26 / 77

HEX #3A212B

RGB 58 33 43

HSL 336, 0.27%, 0.18%

LAB 16.31, 13.74, -1.58

 

CMYK 0 / 43 / 36 / 77

HEX #3A2125

RGB 58 33 37

HSL 350.4, 0.27%, 0.18%

LAB 16.11, 12.69, 2.4

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 0 / 26 / 43 / 77

HEX #3A2B21

RGB 58 43 33

HSL 24, 0.27%, 0.18%

LAB 18.96, 5.25, 9.18

 

CMYK 0 / 16 / 43 / 77

HEX #3A3121

RGB 58 49 33

HSL 38.4, 0.27%, 0.18%

LAB 20.85, 1.22, 11.72

 

CMYK 0 / 40 / 40 / 98

HEX #050303

RGB 5 3 3

HSL 0, 0.25%, 0.02%

LAB 0.94, 0.52, 0.18

 

CMYK 0 / 38 / 44 / 87

HEX #201412

RGB 32 20 18

HSL 8.57, 0.28%, 0.1%

LAB 7.69, 5.79, 3.44

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 0 / 38 / 43 / 67

HEX #543430

RGB 84 52 48

HSL 6.67, 0.27%, 0.26%

LAB 25.42, 13.87, 8.51

 

CMYK 0 / 37 / 43 / 57

HEX #6E453F

RGB 110 69 63

HSL 7.66, 0.27%, 0.34%

LAB 33.84, 16.87, 10.96

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 14 / 0 / 43 / 77

HEX #323A21

RGB 50 58 33

HSL 79.2, 0.27%, 0.18%

LAB 23.05, -8.5, 14.45

 

CMYK 43 / 31 / 0 / 77

HEX #21283A

RGB 33 40 58

HSL 223.2, 0.27%, 0.18%

LAB 16.24, 2.45, -12.55

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 43 / 0 / 38 / 77

HEX #213A24

RGB 33 58 36

HSL 127.2, 0.27%, 0.18%

LAB 21.86, -15.32, 10.72

 

CMYK 38 / 43 / 0 / 77

HEX #24213A

RGB 36 33 58

HSL 247.2, 0.27%, 0.18%

LAB 14.22, 8.58, -15.67

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 14 / 0 / 43 / 77

HEX #323A21

RGB 50 58 33

HSL 79.2, 0.27%, 0.18%

LAB 23.05, -8.5, 14.45

 

CMYK 43 / 5 / 0 / 77

HEX #21373A

RGB 33 55 58

HSL 187.2, 0.27%, 0.18%

LAB 21.44, -7.73, -4.64

 

CMYK 29 / 43 / 0 / 77

HEX #29213A

RGB 41 33 58

HSL 259.2, 0.27%, 0.18%

LAB 14.76, 10.38, -14.79

 

CMYK 0 / 38 / 43 / 77

HEX #3A2421

RGB 58 36 33

HSL 7.2, 0.27%, 0.18%

LAB 16.85, 10.02, 6.29

 

CMYK 26 / 0 / 43 / 77

HEX #2B3A21

RGB 43 58 33

HSL 96, 0.27%, 0.18%

LAB 22.48, -11.73, 13.6

 

CMYK 43 / 5 / 0 / 77

HEX #21373A

RGB 33 55 58

HSL 187.2, 0.27%, 0.18%

LAB 21.44, -7.73, -4.64

 

CMYK 17 / 43 / 0 / 77

HEX #30213A

RGB 48 33 58

HSL 276, 0.27%, 0.18%

LAB 15.6, 13.01, -13.41

 

Description

Color code: HEX #3A2421 | qconv.com Color code: HEX #3A2421 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 36 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 36 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 43 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 43% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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