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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A242D it is the complementary color #C5DBD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A242D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A242D shade: #3F2428, #50363B, #61484E, #725A61 and #836C74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A242D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A242D shade: #3A242D, #29121A, #180007 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A242D shade: #38232B, #382326 and #382323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A242D shade: #38232B, #382331, #382337, #332338 and #2E2338

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A242D shade matches the following richer shades: #38232B, #3F1B2A, #471429, #4E0D27 and #560526

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A242D shade: #38232B, #312A2D, #29322E, #223930 and #1A4131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A242D shade: #382337, #382331, #38232C, #382326 and #382523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A242D shade: #050304, #1F1318, #38232B, #51333F and #6B4353

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A242D shade: #3A242D, #383323 and #233438

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A242D shade: #3A242D, #2C3823 and #232C38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A242D shade: #3A242D, #383323, #23382F and #232738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A242D shade: #3A242D, #363823, #23382F and #252338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 22 / 77

HEX #3A242D

RGB 58 36 45

HSL 335.45, 0.23%, 0.18%

LAB 17.23, 12.09, -1.64

 

Complementary color

CMYK 10 / 0 / 4 / 14

HEX #C5DBD2

RGB 197 219 210

HSL 155.45, 0.23%, 0.82%

LAB 85.6, -9.03, 1.92

 

CMYK 0 / 43 / 37 / 75

HEX #3F2428

RGB 63 36 40

HSL 351.11, 0.27%, 0.19%

LAB 17.79, 13.48, 2.79

 

CMYK 0 / 33 / 26 / 69

HEX #50363B

RGB 80 54 59

HSL 348.46, 0.19%, 0.26%

LAB 25.74, 12.49, 1.56

 

CMYK 0 / 26 / 20 / 62

HEX #61484E

RGB 97 72 78

HSL 345.6, 0.15%, 0.33%

LAB 33.41, 11.71, 0.57

 

CMYK 0 / 21 / 15 / 55

HEX #725A61

RGB 114 90 97

HSL 342.5, 0.12%, 0.4%

LAB 40.82, 11.06, -0.28

 

CMYK 0 / 18 / 11 / 49

HEX #836C74

RGB 131 108 116

HSL 339.13, 0.1%, 0.47%

LAB 48.02, 10.51, -1.04

 

CMYK 0 / 38 / 22 / 77

HEX #3A242D

RGB 58 36 45

HSL 335.45, 0.23%, 0.18%

LAB 17.23, 12.09, -1.64

 

CMYK 0 / 56 / 37 / 84

HEX #29121A

RGB 41 18 26

HSL 339.13, 0.39%, 0.12%

LAB 8.81, 13.15, -0.41

 

CMYK 0 / 100 / 71 / 91

HEX #180007

RGB 24 0 7

HSL 342.5, 1%, 0.05%

LAB 1.89, 8.84, 0.12

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 38 / 23 / 78

HEX #38232B

RGB 56 35 43

HSL 337.14, 0.23%, 0.18%

LAB 16.59, 11.49, -1.2

 

CMYK 0 / 38 / 32 / 78

HEX #382326

RGB 56 35 38

HSL 351.43, 0.23%, 0.18%

LAB 16.42, 10.57, 2.1

 

CMYK 0 / 38 / 38 / 78

HEX #382323

RGB 56 35 35

HSL 0, 0.23%, 0.18%

LAB 16.33, 10.06, 4.1

 

CMYK 0 / 38 / 23 / 78

HEX #38232B

RGB 56 35 43

HSL 337.14, 0.23%, 0.18%

LAB 16.59, 11.49, -1.2

 

CMYK 0 / 38 / 13 / 78

HEX #382331

RGB 56 35 49

HSL 320, 0.23%, 0.18%

LAB 16.82, 12.71, -5.11

 

CMYK 0 / 38 / 2 / 78

HEX #382337

RGB 56 35 55

HSL 302.86, 0.23%, 0.18%

LAB 17.08, 14.05, -8.94

 

CMYK 9 / 38 / 0 / 78

HEX #332338

RGB 51 35 56

HSL 285.71, 0.23%, 0.18%

LAB 16.46, 12.27, -10.65

 

CMYK 18 / 38 / 0 / 78

HEX #2E2338

RGB 46 35 56

HSL 271.43, 0.23%, 0.18%

LAB 15.84, 10.28, -11.65

 

CMYK 0 / 38 / 23 / 78

HEX #38232B

RGB 56 35 43

HSL 337.14, 0.23%, 0.18%

LAB 16.59, 11.49, -1.2

 

CMYK 0 / 57 / 33 / 75

HEX #3F1B2A

RGB 63 27 42

HSL 335, 0.4%, 0.18%

LAB 15.53, 19.62, -1.93

 

CMYK 0 / 72 / 42 / 72

HEX #471429

RGB 71 20 41

HSL 335.29, 0.56%, 0.18%

LAB 15.49, 26.55, -1.1

 

CMYK 0 / 83 / 50 / 69

HEX #4E0D27

RGB 78 13 39

HSL 336, 0.71%, 0.18%

LAB 15.77, 31.79, 0.94

 

CMYK 0 / 94 / 56 / 66

HEX #560526

RGB 86 5 38

HSL 335.56, 0.89%, 0.18%

LAB 16.64, 36.68, 3.15

 

CMYK 0 / 38 / 23 / 78

HEX #38232B

RGB 56 35 43

HSL 337.14, 0.23%, 0.18%

LAB 16.59, 11.49, -1.2

 

CMYK 0 / 14 / 8 / 81

HEX #312A2D

RGB 49 42 45

HSL 334.29, 0.08%, 0.18%

LAB 17.91, 3.87, -0.77

 

CMYK 18 / 0 / 8 / 80

HEX #29322E

RGB 41 50 46

HSL 153.33, 0.1%, 0.18%

LAB 19.84, -4.84, 1.26

 

CMYK 40 / 0 / 16 / 78

HEX #223930

RGB 34 57 48

HSL 156.52, 0.25%, 0.18%

LAB 21.87, -11.5, 2.76

 

CMYK 60 / 0 / 25 / 75

HEX #1A4131

RGB 26 65 49

HSL 155.38, 0.43%, 0.18%

LAB 24.39, -18.39, 5.63

 

CMYK 0 / 38 / 2 / 78

HEX #382337

RGB 56 35 55

HSL 302.86, 0.23%, 0.18%

LAB 17.08, 14.05, -8.94

 

CMYK 0 / 38 / 13 / 78

HEX #382331

RGB 56 35 49

HSL 320, 0.23%, 0.18%

LAB 16.82, 12.71, -5.11

 

CMYK 0 / 38 / 21 / 78

HEX #38232C

RGB 56 35 44

HSL 334.29, 0.23%, 0.18%

LAB 16.62, 11.68, -1.86

 

CMYK 0 / 38 / 32 / 78

HEX #382326

RGB 56 35 38

HSL 351.43, 0.23%, 0.18%

LAB 16.42, 10.57, 2.1

 

CMYK 0 / 34 / 38 / 78

HEX #382523

RGB 56 37 35

HSL 5.71, 0.23%, 0.18%

LAB 16.92, 8.69, 4.93

 

CMYK 0 / 40 / 20 / 98

HEX #050304

RGB 5 3 4

HSL 330, 0.25%, 0.02%

LAB 0.96, 0.66, -0.19

 

CMYK 0 / 39 / 23 / 88

HEX #1F1318

RGB 31 19 24

HSL 335, 0.24%, 0.1%

LAB 7.43, 7.18, -1.09

 

CMYK 0 / 38 / 23 / 78

HEX #38232B

RGB 56 35 43

HSL 337.14, 0.23%, 0.18%

LAB 16.59, 11.49, -1.2

 

CMYK 0 / 37 / 22 / 68

HEX #51333F

RGB 81 51 63

HSL 336, 0.23%, 0.26%

LAB 25.19, 15.57, -1.91

 

CMYK 0 / 37 / 22 / 58

HEX #6B4353

RGB 107 67 83

HSL 336, 0.23%, 0.34%

LAB 33.49, 19.8, -2.36

 

CMYK 0 / 38 / 22 / 77

HEX #3A242D

RGB 58 36 45

HSL 335.45, 0.23%, 0.18%

LAB 17.23, 12.09, -1.64

 

CMYK 0 / 9 / 38 / 78

HEX #383323

RGB 56 51 35

HSL 45.71, 0.23%, 0.18%

LAB 21.32, -0.8, 10.98

 

CMYK 38 / 7 / 0 / 78

HEX #233438

RGB 35 52 56

HSL 191.43, 0.23%, 0.18%

LAB 20.44, -5.72, -4.76

 

CMYK 0 / 38 / 22 / 77

HEX #3A242D

RGB 58 36 45

HSL 335.45, 0.23%, 0.18%

LAB 17.23, 12.09, -1.64

 

CMYK 21 / 0 / 38 / 78

HEX #2C3823

RGB 44 56 35

HSL 94.29, 0.23%, 0.18%

LAB 21.89, -9.71, 11.54

 

CMYK 38 / 21 / 0 / 78

HEX #232C38

RGB 35 44 56

HSL 214.29, 0.23%, 0.18%

LAB 17.66, -0.32, -8.95

 

CMYK 0 / 38 / 22 / 77

HEX #3A242D

RGB 58 36 45

HSL 335.45, 0.23%, 0.18%

LAB 17.23, 12.09, -1.64

 

CMYK 0 / 9 / 38 / 78

HEX #383323

RGB 56 51 35

HSL 45.71, 0.23%, 0.18%

LAB 21.32, -0.8, 10.98

 

CMYK 38 / 0 / 16 / 78

HEX #23382F

RGB 35 56 47

HSL 154.29, 0.23%, 0.18%

LAB 21.55, -10.79, 2.98

 

CMYK 38 / 30 / 0 / 78

HEX #232738

RGB 35 39 56

HSL 228.57, 0.23%, 0.18%

LAB 15.97, 3.21, -11.54

 

CMYK 0 / 38 / 22 / 77

HEX #3A242D

RGB 58 36 45

HSL 335.45, 0.23%, 0.18%

LAB 17.23, 12.09, -1.64

 

CMYK 4 / 0 / 38 / 78

HEX #363823

RGB 54 56 35

HSL 65.71, 0.23%, 0.18%

LAB 22.77, -5.02, 12.87

 

CMYK 38 / 0 / 16 / 78

HEX #23382F

RGB 35 56 47

HSL 154.29, 0.23%, 0.18%

LAB 21.55, -10.79, 2.98

 

CMYK 34 / 38 / 0 / 78

HEX #252338

RGB 37 35 56

HSL 245.71, 0.23%, 0.18%

LAB 14.85, 6.83, -13.27

 

Description

Color code: HEX #3A242D | qconv.com Color code: HEX #3A242D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 36 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 36 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 22 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 22% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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