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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3765 it is the complementary color #C5C89A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3765 shade: #3F3760, #504973, #615B86, #726D99 and #837FAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3765 shade: #3A3765, #292552, #18133F, #07012C and #000019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3765 shade: #3B3865, #473865, #533865, #603865 and #65385F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3765 shade: #3B3865 and #383865

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3765 shade matches the following richer shades: #3B3865, #2F2B72, #241E7F, #19118C and #0E0499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3765 shade: #3B3865, #464459, #51514C, #5C5E3F and #676B32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3765 shade: #384E65, #384265, #3A3865, #463865 and #523865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3765 shade: #1C1A30, #2B294B, #3B3865, #4A4680 and #59559B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3765 shade: #3A3765, #65385A and #486538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3765 shade: #3A3765, #653A38 and #38653A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3765 shade: #3A3765, #65385A, #636538 and #386543

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3765 shade: #3A3765, #65384C, #636538 and #386551

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 46 / 0 / 60

HEX #3A3765

RGB 58 55 101

HSL 243.91, 0.29%, 0.31%

LAB 25.48, 14.14, -26.73

 

Complementary color

CMYK 1 / 0 / 23 / 22

HEX #C5C89A

RGB 197 200 154

HSL 63.91, 0.29%, 0.69%

LAB 79.34, -8.62, 22.73

 

CMYK 34 / 43 / 0 / 62

HEX #3F3760

RGB 63 55 96

HSL 251.71, 0.27%, 0.3%

LAB 25.66, 14.13, -23.17

 

CMYK 30 / 37 / 0 / 55

HEX #504973

RGB 80 73 115

HSL 250, 0.22%, 0.37%

LAB 33.37, 13.28, -23.09

 

CMYK 28 / 32 / 0 / 47

HEX #615B86

RGB 97 91 134

HSL 248.37, 0.19%, 0.44%

LAB 40.81, 12.58, -23.1

 

CMYK 25 / 29 / 0 / 40

HEX #726D99

RGB 114 109 153

HSL 246.82, 0.18%, 0.51%

LAB 48.03, 12, -23.17

 

CMYK 24 / 26 / 0 / 33

HEX #837FAC

RGB 131 127 172

HSL 245.33, 0.21%, 0.59%

LAB 55.05, 11.49, -23.29

 

CMYK 43 / 46 / 0 / 60

HEX #3A3765

RGB 58 55 101

HSL 243.91, 0.29%, 0.31%

LAB 25.48, 14.14, -26.73

 

CMYK 50 / 55 / 0 / 68

HEX #292552

RGB 41 37 82

HSL 245.33, 0.38%, 0.23%

LAB 17.48, 15.43, -27.02

 

CMYK 62 / 70 / 0 / 75

HEX #18133F

RGB 24 19 63

HSL 246.82, 0.54%, 0.16%

LAB 9.15, 17.21, -27.39

 

CMYK 84 / 98 / 0 / 83

HEX #07012C

RGB 7 1 44

HSL 248.37, 0.96%, 0.09%

LAB 2.25, 12.97, -24.63

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 42 / 45 / 0 / 60

HEX #3B3865

RGB 59 56 101

HSL 244, 0.29%, 0.31%

LAB 25.86, 13.76, -26.13

 

CMYK 30 / 45 / 0 / 60

HEX #473865

RGB 71 56 101

HSL 260, 0.29%, 0.31%

LAB 27.04, 17.5, -24.18

 

CMYK 18 / 45 / 0 / 60

HEX #533865

RGB 83 56 101

HSL 276, 0.29%, 0.31%

LAB 28.4, 21.46, -21.95

 

CMYK 5 / 45 / 0 / 60

HEX #603865

RGB 96 56 101

HSL 293.33, 0.29%, 0.31%

LAB 30.05, 25.88, -19.26

 

CMYK 0 / 45 / 6 / 60

HEX #65385F

RGB 101 56 95

HSL 308, 0.29%, 0.31%

LAB 30.45, 26.37, -14.72

 

CMYK 42 / 45 / 0 / 60

HEX #3B3865

RGB 59 56 101

HSL 244, 0.29%, 0.31%

LAB 25.86, 13.76, -26.13

 

CMYK 45 / 45 / 0 / 60

HEX #383865

RGB 56 56 101

HSL 240, 0.29%, 0.31%

LAB 25.59, 12.88, -26.57

 

CMYK 42 / 45 / 0 / 60

HEX #3B3865

RGB 59 56 101

HSL 244, 0.29%, 0.31%

LAB 25.86, 13.76, -26.13

 

CMYK 59 / 62 / 0 / 55

HEX #2F2B72

RGB 47 43 114

HSL 243.38, 0.45%, 0.31%

LAB 22.11, 23.98, -40.56

 

CMYK 72 / 76 / 0 / 50

HEX #241E7F

RGB 36 30 127

HSL 243.71, 0.62%, 0.31%

LAB 19.37, 35.15, -53.38

 

CMYK 82 / 88 / 0 / 45

HEX #19118C

RGB 25 17 140

HSL 243.9, 0.78%, 0.31%

LAB 17.92, 45.22, -64

 

CMYK 91 / 97 / 0 / 40

HEX #0E0499

RGB 14 4 153

HSL 244.03, 0.95%, 0.31%

LAB 17.83, 52.99, -72.25

 

CMYK 42 / 45 / 0 / 60

HEX #3B3865

RGB 59 56 101

HSL 244, 0.29%, 0.31%

LAB 25.86, 13.76, -26.13

 

CMYK 21 / 24 / 0 / 65

HEX #464459

RGB 70 68 89

HSL 245.71, 0.13%, 0.31%

LAB 29.81, 5.93, -12.16

 

CMYK 0 / 0 / 6 / 68

HEX #51514C

RGB 81 81 76

HSL 60, 0.03%, 0.31%

LAB 34.31, -1.05, 2.94

 

CMYK 2 / 0 / 33 / 63

HEX #5C5E3F

RGB 92 94 63

HSL 63.87, 0.2%, 0.31%

LAB 38.97, -6.41, 17.56

 

CMYK 4 / 0 / 53 / 58

HEX #676B32

RGB 103 107 50

HSL 64.21, 0.36%, 0.31%

LAB 43.7, -10.54, 31.09

 

CMYK 45 / 23 / 0 / 60

HEX #384E65

RGB 56 78 101

HSL 210.67, 0.29%, 0.31%

LAB 32.32, -1.7, -16.05

 

CMYK 45 / 35 / 0 / 60

HEX #384265

RGB 56 66 101

HSL 226.67, 0.29%, 0.31%

LAB 28.58, 6.12, -21.86

 

CMYK 43 / 45 / 0 / 60

HEX #3A3865

RGB 58 56 101

HSL 242.67, 0.29%, 0.31%

LAB 25.77, 13.47, -26.28

 

CMYK 31 / 45 / 0 / 60

HEX #463865

RGB 70 56 101

HSL 258.67, 0.29%, 0.31%

LAB 26.93, 17.17, -24.36

 

CMYK 19 / 45 / 0 / 60

HEX #523865

RGB 82 56 101

HSL 274.67, 0.29%, 0.31%

LAB 28.28, 21.12, -22.15

 

CMYK 42 / 46 / 0 / 81

HEX #1C1A30

RGB 28 26 48

HSL 245.45, 0.3%, 0.15%

LAB 10.55, 7.59, -14.33

 

CMYK 43 / 45 / 0 / 71

HEX #2B294B

RGB 43 41 75

HSL 243.53, 0.29%, 0.23%

LAB 18.4, 10.78, -20.81

 

CMYK 42 / 45 / 0 / 60

HEX #3B3865

RGB 59 56 101

HSL 244, 0.29%, 0.31%

LAB 25.86, 13.76, -26.13

 

CMYK 42 / 45 / 0 / 50

HEX #4A4680

RGB 74 70 128

HSL 244.14, 0.29%, 0.39%

LAB 32.69, 17.27, -32.3

 

CMYK 43 / 45 / 0 / 39

HEX #59559B

RGB 89 85 155

HSL 243.43, 0.29%, 0.47%

LAB 39.56, 20, -37.77

 

CMYK 43 / 46 / 0 / 60

HEX #3A3765

RGB 58 55 101

HSL 243.91, 0.29%, 0.31%

LAB 25.48, 14.14, -26.73

 

CMYK 0 / 45 / 11 / 60

HEX #65385A

RGB 101 56 90

HSL 314.67, 0.29%, 0.31%

LAB 30.24, 25.4, -11.82

 

CMYK 29 / 0 / 45 / 60

HEX #486538

RGB 72 101 56

HSL 98.67, 0.29%, 0.31%

LAB 39.53, -19.87, 22.1

 

CMYK 43 / 46 / 0 / 60

HEX #3A3765

RGB 58 55 101

HSL 243.91, 0.29%, 0.31%

LAB 25.48, 14.14, -26.73

 

CMYK 0 / 43 / 45 / 60

HEX #653A38

RGB 101 58 56

HSL 2.67, 0.29%, 0.31%

LAB 29.61, 18.76, 9.41

 

CMYK 45 / 0 / 43 / 60

HEX #38653A

RGB 56 101 58

HSL 122.67, 0.29%, 0.31%

LAB 38.64, -25.47, 19.62

 

CMYK 43 / 46 / 0 / 60

HEX #3A3765

RGB 58 55 101

HSL 243.91, 0.29%, 0.31%

LAB 25.48, 14.14, -26.73

 

CMYK 0 / 45 / 11 / 60

HEX #65385A

RGB 101 56 90

HSL 314.67, 0.29%, 0.31%

LAB 30.24, 25.4, -11.82

 

CMYK 2 / 0 / 45 / 60

HEX #636538

RGB 99 101 56

HSL 62.67, 0.29%, 0.31%

LAB 41.6, -8.28, 25.16

 

CMYK 45 / 0 / 34 / 60

HEX #386543

RGB 56 101 67

HSL 134.67, 0.29%, 0.31%

LAB 38.82, -23.77, 14.54

 

CMYK 43 / 46 / 0 / 60

HEX #3A3765

RGB 58 55 101

HSL 243.91, 0.29%, 0.31%

LAB 25.48, 14.14, -26.73

 

CMYK 0 / 45 / 25 / 60

HEX #65384C

RGB 101 56 76

HSL 333.33, 0.29%, 0.31%

LAB 29.71, 22.89, -3.52

 

CMYK 2 / 0 / 45 / 60

HEX #636538

RGB 99 101 56

HSL 62.67, 0.29%, 0.31%

LAB 41.6, -8.28, 25.16

 

CMYK 45 / 0 / 20 / 60

HEX #386551

RGB 56 101 81

HSL 153.33, 0.29%, 0.31%

LAB 39.14, -20.68, 6.53

 

Description

Color code: HEX #3A3765 | qconv.com Color code: HEX #3A3765 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 55 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 55 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 46 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 46% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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