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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A318D it is the complementary color #C5CE72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A318D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A318D shade: #3F3188, #50439B, #6155AE, #7267C1 and #8379D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A318D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A318D shade: #3A318D, #291F7A, #180D67, #070054 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A318D shade: #39318B, #52318B, #6A318B, #83318B and #8B317B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A318D shade: #39318B and #31318B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A318D shade matches the following richer shades: #39318B, #2D219A, #2112AA and #1503B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A318D shade: #39318B, #46407C, #524F6D, #5E5E5D and #6B6E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A318D shade: #31598B, #31418B, #38318B, #50318B and #68318B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A318D shade: #201B4E, #2D266D, #39318B, #463BAA and #594EC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A318D shade: #3A318D, #8B3171 and #4D8B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A318D shade: #3A318D, #8B3831 and #318B38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A318D shade: #3A318D, #8B3171, #848B31 and #318B4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A318D shade: #3A318D, #8B3156, #848B31 and #318B65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 65 / 0 / 45

HEX #3A318D

RGB 58 49 141

HSL 245.87, 0.48%, 0.37%

LAB 26.79, 31.45, -49.93

 

Complementary color

CMYK 4 / 0 / 45 / 19

HEX #C5CE72

RGB 197 206 114

HSL 65.87, 0.48%, 0.63%

LAB 80.31, -16.57, 44.52

 

CMYK 54 / 64 / 0 / 47

HEX #3F3188

RGB 63 49 136

HSL 249.66, 0.47%, 0.36%

LAB 26.82, 30.75, -46.75

 

CMYK 48 / 57 / 0 / 39

HEX #50439B

RGB 80 67 155

HSL 248.86, 0.4%, 0.44%

LAB 34.16, 29.15, -46.46

 

CMYK 44 / 51 / 0 / 32

HEX #6155AE

RGB 97 85 174

HSL 248.09, 0.35%, 0.51%

LAB 41.37, 27.76, -46.15

 

CMYK 41 / 47 / 0 / 24

HEX #7267C1

RGB 114 103 193

HSL 247.33, 0.42%, 0.58%

LAB 48.42, 26.57, -45.89

 

CMYK 38 / 43 / 0 / 17

HEX #8379D4

RGB 131 121 212

HSL 246.59, 0.51%, 0.65%

LAB 55.33, 25.55, -45.67

 

CMYK 59 / 65 / 0 / 45

HEX #3A318D

RGB 58 49 141

HSL 245.87, 0.48%, 0.37%

LAB 26.79, 31.45, -49.93

 

CMYK 66 / 75 / 0 / 52

HEX #291F7A

RGB 41 31 122

HSL 246.59, 0.59%, 0.3%

LAB 19.46, 33.46, -50.04

 

CMYK 77 / 87 / 0 / 60

HEX #180D67

RGB 24 13 103

HSL 247.33, 0.78%, 0.23%

LAB 12.36, 35.22, -49.48

 

CMYK 92 / 100 / 0 / 67

HEX #070054

RGB 7 0 84

HSL 245, 1%, 0.16%

LAB 6.19, 34.8, -46.99

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 59 / 65 / 0 / 45

HEX #39318B

RGB 57 49 139

HSL 245.33, 0.48%, 0.37%

LAB 26.54, 30.6, -49.11

 

CMYK 41 / 65 / 0 / 45

HEX #52318B

RGB 82 49 139

HSL 262, 0.48%, 0.37%

LAB 29.04, 35.74, -44.92

 

CMYK 24 / 65 / 0 / 45

HEX #6A318B

RGB 106 49 139

HSL 278, 0.48%, 0.37%

LAB 32.09, 41.46, -39.86

 

CMYK 6 / 65 / 0 / 45

HEX #83318B

RGB 131 49 139

HSL 294.67, 0.48%, 0.37%

LAB 35.76, 47.79, -33.78

 

CMYK 0 / 65 / 12 / 45

HEX #8B317B

RGB 139 49 123

HSL 310.67, 0.48%, 0.37%

LAB 36.21, 47.09, -23.09

 

CMYK 59 / 65 / 0 / 45

HEX #39318B

RGB 57 49 139

HSL 245.33, 0.48%, 0.37%

LAB 26.54, 30.6, -49.11

 

CMYK 65 / 65 / 0 / 45

HEX #31318B

RGB 49 49 139

HSL 240, 0.48%, 0.37%

LAB 25.9, 29.22, -50.17

 

CMYK 59 / 65 / 0 / 45

HEX #39318B

RGB 57 49 139

HSL 245.33, 0.48%, 0.37%

LAB 26.54, 30.6, -49.11

 

CMYK 71 / 79 / 0 / 40

HEX #2D219A

RGB 45 33 154

HSL 245.95, 0.65%, 0.37%

LAB 23.6, 43.37, -63.22

 

CMYK 81 / 89 / 0 / 33

HEX #2112AA

RGB 33 18 170

HSL 245.92, 0.81%, 0.37%

LAB 22.51, 54.04, -74.8

 

CMYK 89 / 98 / 0 / 27

HEX #1503B9

RGB 21 3 185

HSL 245.93, 0.97%, 0.37%

LAB 22.75, 61.71, -83.41

 

CMYK 59 / 65 / 0 / 45

HEX #39318B

RGB 57 49 139

HSL 245.33, 0.48%, 0.37%

LAB 26.54, 30.6, -49.11

 

CMYK 44 / 48 / 0 / 51

HEX #46407C

RGB 70 64 124

HSL 246, 0.32%, 0.37%

LAB 30.46, 18.85, -33.38

 

CMYK 25 / 28 / 0 / 57

HEX #524F6D

RGB 82 79 109

HSL 246, 0.16%, 0.37%

LAB 34.98, 8.45, -16.82

 

CMYK 0 / 0 / 1 / 63

HEX #5E5E5D

RGB 94 94 93

HSL 60, 0.01%, 0.37%

LAB 39.87, -0.21, 0.57

 

CMYK 3 / 0 / 29 / 57

HEX #6B6E4E

RGB 107 110 78

HSL 65.63, 0.17%, 0.37%

LAB 45.4, -6.93, 17.51

 

CMYK 65 / 36 / 0 / 45

HEX #31598B

RGB 49 89 139

HSL 213.33, 0.48%, 0.37%

LAB 37.23, 2.6, -31.97

 

CMYK 65 / 53 / 0 / 45

HEX #31418B

RGB 49 65 139

HSL 229.33, 0.48%, 0.37%

LAB 30.15, 18.51, -43.27

 

CMYK 60 / 65 / 0 / 45

HEX #38318B

RGB 56 49 139

HSL 244.67, 0.48%, 0.37%

LAB 26.45, 30.42, -49.25

 

CMYK 42 / 65 / 0 / 45

HEX #50318B

RGB 80 49 139

HSL 260.67, 0.48%, 0.37%

LAB 28.81, 35.29, -45.3

 

CMYK 25 / 65 / 0 / 45

HEX #68318B

RGB 104 49 139

HSL 276.67, 0.48%, 0.37%

LAB 31.82, 40.96, -40.31

 

CMYK 59 / 65 / 0 / 69

HEX #201B4E

RGB 32 27 78

HSL 245.88, 0.49%, 0.21%

LAB 13.48, 18.87, -30.79

 

CMYK 59 / 65 / 0 / 57

HEX #2D266D

RGB 45 38 109

HSL 245.92, 0.48%, 0.29%

LAB 20.24, 25.17, -40.4

 

CMYK 59 / 65 / 0 / 45

HEX #39318B

RGB 57 49 139

HSL 245.33, 0.48%, 0.37%

LAB 26.54, 30.6, -49.11

 

CMYK 59 / 65 / 0 / 33

HEX #463BAA

RGB 70 59 170

HSL 245.95, 0.48%, 0.45%

LAB 32.55, 36.91, -58.14

 

CMYK 54 / 59 / 0 / 25

HEX #594EC0

RGB 89 78 192

HSL 245.79, 0.48%, 0.53%

LAB 40.21, 35.84, -58.61

 

CMYK 59 / 65 / 0 / 45

HEX #3A318D

RGB 58 49 141

HSL 245.87, 0.48%, 0.37%

LAB 26.79, 31.45, -49.93

 

CMYK 0 / 65 / 19 / 45

HEX #8B3171

RGB 139 49 113

HSL 317.33, 0.48%, 0.37%

LAB 35.75, 45.5, -17.54

 

CMYK 45 / 0 / 65 / 45

HEX #4D8B31

RGB 77 139 49

HSL 101.33, 0.48%, 0.37%

LAB 52.14, -37.08, 40.78

 

CMYK 59 / 65 / 0 / 45

HEX #3A318D

RGB 58 49 141

HSL 245.87, 0.48%, 0.37%

LAB 26.79, 31.45, -49.93

 

CMYK 0 / 60 / 65 / 45

HEX #8B3831

RGB 139 56 49

HSL 4.67, 0.48%, 0.37%

LAB 35.08, 34.88, 22.21

 

CMYK 65 / 0 / 60 / 45

HEX #318B38

RGB 49 139 56

HSL 124.67, 0.48%, 0.37%

LAB 51.16, -44.24, 36.07

 

CMYK 59 / 65 / 0 / 45

HEX #3A318D

RGB 58 49 141

HSL 245.87, 0.48%, 0.37%

LAB 26.79, 31.45, -49.93

 

CMYK 0 / 65 / 19 / 45

HEX #8B3171

RGB 139 49 113

HSL 317.33, 0.48%, 0.37%

LAB 35.75, 45.5, -17.54

 

CMYK 5 / 0 / 65 / 45

HEX #848B31

RGB 132 139 49

HSL 64.67, 0.48%, 0.37%

LAB 55.68, -15.06, 45.65

 

CMYK 65 / 0 / 47 / 45

HEX #318B4A

RGB 49 139 74

HSL 136.67, 0.48%, 0.37%

LAB 51.4, -41.53, 27.04

 

CMYK 59 / 65 / 0 / 45

HEX #3A318D

RGB 58 49 141

HSL 245.87, 0.48%, 0.37%

LAB 26.79, 31.45, -49.93

 

CMYK 0 / 65 / 38 / 45

HEX #8B3156

RGB 139 49 86

HSL 335.33, 0.48%, 0.37%

LAB 34.72, 41.79, -1.91

 

CMYK 5 / 0 / 65 / 45

HEX #848B31

RGB 132 139 49

HSL 64.67, 0.48%, 0.37%

LAB 55.68, -15.06, 45.65

 

CMYK 65 / 0 / 27 / 45

HEX #318B65

RGB 49 139 101

HSL 154.67, 0.48%, 0.37%

LAB 51.9, -36.07, 12.63

 

Description

Color code: HEX #3A318D | qconv.com Color code: HEX #3A318D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 49 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 49 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 65 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 65% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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