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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3C54 it is the complementary color #C5C3AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3C54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3C54 shade: #3F3C4F, #504E62, #616075, #727288 and #83849B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3C54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3C54 shade: #3A3C54, #292A41, #18182E, #07061B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3C54 shade: #3A3C54, #3F3A54, #463A54, #4D3A54 and #543A54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3C54 shade: #3A3C54 and #3A3A54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3C54 shade matches the following richer shades: #3A3C54, #2E325F, #23286B, #171F76 and #0C1582

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3C54 shade: #3A3C54, #464648, #51503D, #5D5931 and #686326

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3C54 shade: #3A4A54, #3A4354, #3A3C54, #3F3A54 and #463A54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3C54 shade: #181923, #292B3B, #3A3C54, #4B4E6C and #5C5F84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3C54 shade: #3A3C54, #543A51 and #46543A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3C54 shade: #3A3C54, #543A3C and #3C543A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3C54 shade: #3A3C54, #543A51, #54523A and #3A543D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3C54 shade: #3A3C54, #543A49, #54523A and #3A5445

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

Complementary color

CMYK 0 / 1 / 13 / 23

HEX #C5C3AB

RGB 197 195 171

HSL 55.38, 0.18%, 0.72%

LAB 78.37, -3.43, 12.32

 

CMYK 20 / 24 / 0 / 69

HEX #3F3C4F

RGB 63 60 79

HSL 249.47, 0.14%, 0.27%

LAB 26.31, 5.93, -11.05

 

CMYK 18 / 20 / 0 / 62

HEX #504E62

RGB 80 78 98

HSL 246, 0.11%, 0.35%

LAB 34.06, 5.5, -11.34

 

CMYK 17 / 18 / 0 / 54

HEX #616075

RGB 97 96 117

HSL 242.86, 0.1%, 0.42%

LAB 41.52, 5.14, -11.67

 

CMYK 16 / 16 / 0 / 47

HEX #727288

RGB 114 114 136

HSL 240, 0.09%, 0.49%

LAB 48.75, 4.83, -12.02

 

CMYK 15 / 15 / 0 / 39

HEX #83849B

RGB 131 132 155

HSL 237.5, 0.11%, 0.56%

LAB 55.78, 4.54, -12.38

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 37 / 35 / 0 / 75

HEX #292A41

RGB 41 42 65

HSL 237.5, 0.23%, 0.21%

LAB 17.96, 6.12, -14.67

 

CMYK 48 / 48 / 0 / 82

HEX #18182E

RGB 24 24 46

HSL 240, 0.31%, 0.14%

LAB 9.36, 7.01, -14.77

 

CMYK 74 / 78 / 0 / 89

HEX #07061B

RGB 7 6 27

HSL 242.86, 0.64%, 0.06%

LAB 2.3, 4.45, -11.26

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 25 / 31 / 0 / 67

HEX #3F3A54

RGB 63 58 84

HSL 251.54, 0.18%, 0.28%

LAB 25.93, 8.63, -14.91

 

CMYK 17 / 31 / 0 / 67

HEX #463A54

RGB 70 58 84

HSL 267.69, 0.18%, 0.28%

LAB 26.64, 11.2, -13.76

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 0 / 31 / 0 / 67

HEX #543A54

RGB 84 58 84

HSL 300, 0.18%, 0.28%

LAB 28.25, 16.52, -11.16

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 31 / 31 / 0 / 67

HEX #3A3A54

RGB 58 58 84

HSL 240, 0.18%, 0.28%

LAB 25.46, 6.85, -15.68

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 52 / 47 / 0 / 63

HEX #2E325F

RGB 46 50 95

HSL 235.1, 0.35%, 0.28%

LAB 22.61, 12.18, -27.44

 

CMYK 67 / 63 / 0 / 58

HEX #23286B

RGB 35 40 107

HSL 235.83, 0.51%, 0.28%

LAB 19.79, 21.18, -39.86

 

CMYK 81 / 74 / 0 / 54

HEX #171F76

RGB 23 31 118

HSL 234.95, 0.67%, 0.28%

LAB 17.78, 29.93, -50.28

 

CMYK 91 / 84 / 0 / 49

HEX #0C1582

RGB 12 21 130

HSL 235.42, 0.83%, 0.28%

LAB 16.63, 39.54, -59.86

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 3 / 3 / 0 / 72

HEX #464648

RGB 70 70 72

HSL 240, 0.01%, 0.28%

LAB 29.79, 0.45, -1.2

 

CMYK 0 / 1 / 25 / 68

HEX #51503D

RGB 81 80 61

HSL 57, 0.14%, 0.28%

LAB 33.61, -3.23, 11.38

 

CMYK 0 / 4 / 47 / 64

HEX #5D5931

RGB 93 89 49

HSL 54.55, 0.31%, 0.28%

LAB 37.29, -4.86, 23.65

 

CMYK 0 / 5 / 63 / 59

HEX #686326

RGB 104 99 38

HSL 55.45, 0.46%, 0.28%

LAB 41.23, -6.6, 34.49

 

CMYK 31 / 12 / 0 / 67

HEX #3A4A54

RGB 58 74 84

HSL 203.08, 0.18%, 0.28%

LAB 30.49, -3.61, -8

 

CMYK 31 / 20 / 0 / 67

HEX #3A4354

RGB 58 67 84

HSL 219.23, 0.18%, 0.28%

LAB 28.26, 0.88, -11.38

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 25 / 31 / 0 / 67

HEX #3F3A54

RGB 63 58 84

HSL 251.54, 0.18%, 0.28%

LAB 25.93, 8.63, -14.91

 

CMYK 17 / 31 / 0 / 67

HEX #463A54

RGB 70 58 84

HSL 267.69, 0.18%, 0.28%

LAB 26.64, 11.2, -13.76

 

CMYK 31 / 29 / 0 / 86

HEX #181923

RGB 24 25 35

HSL 234.55, 0.19%, 0.12%

LAB 9.08, 2.46, -7.05

 

CMYK 31 / 27 / 0 / 77

HEX #292B3B

RGB 41 43 59

HSL 233.33, 0.18%, 0.2%

LAB 17.99, 3.54, -10.49

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 31 / 28 / 0 / 58

HEX #4B4E6C

RGB 75 78 108

HSL 234.55, 0.18%, 0.36%

LAB 34.04, 6.43, -17.7

 

CMYK 30 / 28 / 0 / 48

HEX #5C5F84

RGB 92 95 132

HSL 235.5, 0.18%, 0.44%

LAB 41.42, 7.94, -20.98

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 0 / 31 / 4 / 67

HEX #543A51

RGB 84 58 81

HSL 306.92, 0.18%, 0.28%

LAB 28.13, 15.87, -9.38

 

CMYK 17 / 0 / 31 / 67

HEX #46543A

RGB 70 84 58

HSL 92.31, 0.18%, 0.28%

LAB 33.87, -10.93, 13.44

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 0 / 31 / 29 / 67

HEX #543A3C

RGB 84 58 60

HSL 355.38, 0.18%, 0.28%

LAB 27.4, 11.85, 3.35

 

CMYK 29 / 0 / 31 / 67

HEX #3C543A

RGB 60 84 58

HSL 115.38, 0.18%, 0.28%

LAB 33.15, -15.03, 12.34

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 0 / 31 / 4 / 67

HEX #543A51

RGB 84 58 81

HSL 306.92, 0.18%, 0.28%

LAB 28.13, 15.87, -9.38

 

CMYK 0 / 2 / 31 / 67

HEX #54523A

RGB 84 82 58

HSL 55.38, 0.18%, 0.28%

LAB 34.45, -3.59, 14.42

 

CMYK 31 / 0 / 27 / 67

HEX #3A543D

RGB 58 84 61

HSL 126.92, 0.18%, 0.28%

LAB 33.09, -15.21, 10.37

 

CMYK 31 / 29 / 0 / 67

HEX #3A3C54

RGB 58 60 84

HSL 235.38, 0.18%, 0.28%

LAB 26.07, 5.51, -14.73

 

CMYK 0 / 31 / 13 / 67

HEX #543A49

RGB 84 58 73

HSL 325.38, 0.18%, 0.28%

LAB 27.82, 14.22, -4.59

 

CMYK 0 / 2 / 31 / 67

HEX #54523A

RGB 84 82 58

HSL 55.38, 0.18%, 0.28%

LAB 34.45, -3.59, 14.42

 

CMYK 31 / 0 / 18 / 67

HEX #3A5445

RGB 58 84 69

HSL 145.38, 0.18%, 0.28%

LAB 33.29, -13.47, 5.64

 

Description

Color code: HEX #3A3C54 | qconv.com Color code: HEX #3A3C54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 60 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 60 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 29 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 29% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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