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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3F73 it is the complementary color #C5C08C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3F73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3F73 shade: #3F3F6E, #505181, #616394, #7275A7 and #8387BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3F73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3F73 shade: #3A3F73, #292D60, #181B4D, #07093A and #000027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3F73 shade: #3A3F73, #443A73, #533A73, #633A73 and #723A73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3F73 shade: #3A3F73 and #3A3A73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3F73 shade matches the following richer shades: #3A3F73, #2C3381, #1E278F, #101C9D and #0110AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3F73 shade: #3A3F73, #484A65, #565657, #646149 and #726D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3F73 shade: #3A5E73, #3A4F73, #3A3F73, #433A73 and #523A73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3F73 shade: #1E213C, #2C3057, #3A3F73, #474E8E and #565DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3F73 shade: #3A3F73, #733A6D and #56733A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3F73 shade: #3A3F73, #733A3F and #3F733A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3F73 shade: #3A3F73, #733A6D, #736D3A and #3A733F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3F73 shade: #3A3F73, #733A5C, #736D3A and #3A7350

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

Complementary color

CMYK 0 / 3 / 29 / 23

HEX #C5C08C

RGB 197 192 140

HSL 54.74, 0.33%, 0.66%

LAB 76.96, -6.39, 26.9

 

CMYK 43 / 43 / 0 / 57

HEX #3F3F6E

RGB 63 63 110

HSL 240, 0.27%, 0.34%

LAB 28.74, 13.1, -27.31

 

CMYK 38 / 37 / 0 / 49

HEX #505181

RGB 80 81 129

HSL 238.78, 0.23%, 0.41%

LAB 36.32, 12.19, -27.16

 

CMYK 34 / 33 / 0 / 42

HEX #616394

RGB 97 99 148

HSL 237.65, 0.21%, 0.48%

LAB 43.66, 11.46, -27.09

 

CMYK 32 / 30 / 0 / 35

HEX #7275A7

RGB 114 117 167

HSL 236.6, 0.23%, 0.55%

LAB 50.79, 10.86, -27.09

 

CMYK 30 / 27 / 0 / 27

HEX #8387BA

RGB 131 135 186

HSL 235.64, 0.28%, 0.62%

LAB 57.75, 10.34, -27.14

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 57 / 53 / 0 / 62

HEX #292D60

RGB 41 45 96

HSL 235.64, 0.4%, 0.27%

LAB 20.8, 14.78, -31.02

 

CMYK 69 / 65 / 0 / 70

HEX #181B4D

RGB 24 27 77

HSL 236.6, 0.52%, 0.2%

LAB 12.7, 16.79, -31.41

 

CMYK 88 / 84 / 0 / 77

HEX #07093A

RGB 7 9 58

HSL 237.65, 0.78%, 0.13%

LAB 4.93, 17.44, -30.72

 

CMYK 100 / 100 / 0 / 85

HEX #000027

RGB 0 0 39

HSL 240, 1%, 0.08%

LAB 1.32, 9.3, -22.27

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 41 / 50 / 0 / 55

HEX #443A73

RGB 68 58 115

HSL 250.53, 0.33%, 0.34%

LAB 28.1, 19.43, -31.48

 

CMYK 28 / 50 / 0 / 55

HEX #533A73

RGB 83 58 115

HSL 266.32, 0.33%, 0.34%

LAB 29.67, 23.85, -28.88

 

CMYK 14 / 50 / 0 / 55

HEX #633A73

RGB 99 58 115

HSL 283.16, 0.33%, 0.34%

LAB 31.62, 28.84, -25.68

 

CMYK 1 / 50 / 0 / 55

HEX #723A73

RGB 114 58 115

HSL 298.95, 0.33%, 0.34%

LAB 33.65, 33.63, -22.35

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 50 / 50 / 0 / 55

HEX #3A3A73

RGB 58 58 115

HSL 240, 0.33%, 0.34%

LAB 27.2, 16.72, -32.97

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 66 / 60 / 0 / 49

HEX #2C3381

RGB 44 51 129

HSL 235.06, 0.49%, 0.34%

LAB 25.22, 23.42, -45.04

 

CMYK 79 / 73 / 0 / 44

HEX #1E278F

RGB 30 39 143

HSL 235.22, 0.65%, 0.34%

LAB 22.69, 34.71, -57.97

 

CMYK 90 / 82 / 0 / 38

HEX #101C9D

RGB 16 28 157

HSL 234.89, 0.82%, 0.34%

LAB 21.49, 45.11, -68.61

 

CMYK 99 / 91 / 0 / 33

HEX #0110AB

RGB 1 16 171

HSL 234.71, 0.99%, 0.34%

LAB 21.27, 54.26, -77.49

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 29 / 27 / 0 / 60

HEX #484A65

RGB 72 74 101

HSL 235.86, 0.17%, 0.34%

LAB 32.29, 6.02, -16

 

CMYK 1 / 1 / 0 / 66

HEX #565657

RGB 86 86 87

HSL 240, 0.01%, 0.34%

LAB 36.6, 0.22, -0.58

 

CMYK 0 / 3 / 27 / 61

HEX #646149

RGB 100 97 73

HSL 53.33, 0.16%, 0.34%

LAB 40.8, -3.15, 14.15

 

CMYK 0 / 4 / 48 / 55

HEX #726D3B

RGB 114 109 59

HSL 54.55, 0.32%, 0.34%

LAB 45.4, -5.75, 28.49

 

CMYK 50 / 18 / 0 / 55

HEX #3A5E73

RGB 58 94 115

HSL 202.11, 0.33%, 0.34%

LAB 38.1, -6.62, -15.9

 

CMYK 50 / 31 / 0 / 55

HEX #3A4F73

RGB 58 79 115

HSL 217.89, 0.33%, 0.34%

LAB 33.41, 2.76, -23.15

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 42 / 50 / 0 / 55

HEX #433A73

RGB 67 58 115

HSL 249.47, 0.33%, 0.34%

LAB 28, 19.15, -31.64

 

CMYK 29 / 50 / 0 / 55

HEX #523A73

RGB 82 58 115

HSL 265.26, 0.33%, 0.34%

LAB 29.56, 23.55, -29.07

 

CMYK 50 / 45 / 0 / 76

HEX #1E213C

RGB 30 33 60

HSL 234, 0.33%, 0.18%

LAB 13.77, 7.27, -17.83

 

CMYK 49 / 45 / 0 / 66

HEX #2C3057

RGB 44 48 87

HSL 234.42, 0.33%, 0.26%

LAB 21.35, 10.23, -24.19

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 50 / 45 / 0 / 44

HEX #474E8E

RGB 71 78 142

HSL 234.08, 0.33%, 0.42%

LAB 35.48, 15.74, -36.49

 

CMYK 49 / 45 / 0 / 34

HEX #565DA9

RGB 86 93 169

HSL 234.94, 0.33%, 0.5%

LAB 42.26, 18.54, -41.82

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 0 / 50 / 5 / 55

HEX #733A6D

RGB 115 58 109

HSL 306.32, 0.33%, 0.34%

LAB 33.51, 32.77, -18.78

 

CMYK 25 / 0 / 50 / 55

HEX #56733A

RGB 86 115 58

HSL 90.53, 0.33%, 0.34%

LAB 45.01, -21.28, 28.05

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 0 / 50 / 45 / 55

HEX #733A3F

RGB 115 58 63

HSL 354.74, 0.33%, 0.34%

LAB 31.87, 25.53, 8.34

 

CMYK 45 / 0 / 50 / 55

HEX #3F733A

RGB 63 115 58

HSL 114.74, 0.33%, 0.34%

LAB 43.69, -29.85, 26.13

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 0 / 50 / 5 / 55

HEX #733A6D

RGB 115 58 109

HSL 306.32, 0.33%, 0.34%

LAB 33.51, 32.77, -18.78

 

CMYK 0 / 5 / 50 / 55

HEX #736D3A

RGB 115 109 58

HSL 53.68, 0.33%, 0.34%

LAB 45.48, -5.4, 29.16

 

CMYK 50 / 0 / 45 / 55

HEX #3A733F

RGB 58 115 63

HSL 125.26, 0.33%, 0.34%

LAB 43.54, -30.66, 23.11

 

CMYK 50 / 45 / 0 / 55

HEX #3A3F73

RGB 58 63 115

HSL 234.74, 0.33%, 0.34%

LAB 28.62, 13.35, -30.69

 

CMYK 0 / 50 / 20 / 55

HEX #733A5C

RGB 115 58 92

HSL 324.21, 0.33%, 0.34%

LAB 32.8, 29.7, -9.04

 

CMYK 0 / 5 / 50 / 55

HEX #736D3A

RGB 115 109 58

HSL 53.68, 0.33%, 0.34%

LAB 45.48, -5.4, 29.16

 

CMYK 50 / 0 / 30 / 55

HEX #3A7350

RGB 58 115 80

HSL 143.16, 0.33%, 0.34%

LAB 43.86, -27.41, 13.73

 

Description

Color code: HEX #3A3F73 | qconv.com Color code: HEX #3A3F73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 63 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 63 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 45 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 45% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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