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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A474F it is the complementary color #C5B8B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A474F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A474F shade: #3F474A, #50595D, #616B70, #727D83 and #838F96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A474F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A474F shade: #3A474F, #29353C, #182329, #071116 and #000003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A474F shade: #3A474F, #3A414F, #3A3C4F, #3E3A4F and #443A4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A474F shade: #3A474F, #3A414F, #3A3C4F and #3A3A4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A474F shade matches the following richer shades: #3A474F, #2F495A, #244C65, #194F70 and #0D517B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A474F shade: #3A474F, #454444, #504238, #5B3F2D and #673C22

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A474F shade: #3A4F4B, #3A4D4F, #3A474F, #3A424F and #3A3C4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A474F shade: #171C1F, #283137, #3A474F, #4C5C66 and #5D727E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A474F shade: #3A474F, #463A4F and #4F4E3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A474F shade: #3A474F, #4F3A47 and #474F3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A474F shade: #3A474F, #463A4F, #4F423A and #434F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A474F shade: #3A474F, #4C3A4F, #4F423A and #3D4F3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

Complementary color

CMYK 0 / 7 / 11 / 23

HEX #C5B8B0

RGB 197 184 176

HSL 22.86, 0.15%, 0.73%

LAB 75.63, 3.23, 5.71

 

CMYK 15 / 4 / 0 / 71

HEX #3F474A

RGB 63 71 74

HSL 196.36, 0.08%, 0.27%

LAB 29.56, -2.52, -2.91

 

CMYK 14 / 4 / 0 / 64

HEX #50595D

RGB 80 89 93

HSL 198.46, 0.08%, 0.34%

LAB 37.19, -2.59, -3.51

 

CMYK 13 / 4 / 0 / 56

HEX #616B70

RGB 97 107 112

HSL 200, 0.07%, 0.41%

LAB 44.56, -2.66, -4.09

 

CMYK 13 / 5 / 0 / 49

HEX #727D83

RGB 114 125 131

HSL 201.18, 0.07%, 0.48%

LAB 51.71, -2.75, -4.65

 

CMYK 13 / 5 / 0 / 41

HEX #838F96

RGB 131 143 150

HSL 202.11, 0.08%, 0.55%

LAB 58.67, -2.83, -5.2

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 32 / 12 / 0 / 76

HEX #29353C

RGB 41 53 60

HSL 202.11, 0.19%, 0.2%

LAB 21.37, -3.01, -6.03

 

CMYK 41 / 15 / 0 / 84

HEX #182329

RGB 24 35 41

HSL 201.18, 0.26%, 0.13%

LAB 12.96, -2.92, -5.56

 

CMYK 68 / 23 / 0 / 91

HEX #071116

RGB 7 17 22

HSL 200, 0.52%, 0.06%

LAB 4.55, -1.89, -4.07

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 27 / 18 / 0 / 69

HEX #3A414F

RGB 58 65 79

HSL 220, 0.15%, 0.27%

LAB 27.42, 0.77, -9.4

 

CMYK 27 / 24 / 0 / 69

HEX #3A3C4F

RGB 58 60 79

HSL 234.29, 0.15%, 0.27%

LAB 25.85, 4.07, -11.79

 

CMYK 22 / 27 / 0 / 69

HEX #3E3A4F

RGB 62 58 79

HSL 251.43, 0.15%, 0.27%

LAB 25.61, 6.88, -12.13

 

CMYK 14 / 27 / 0 / 69

HEX #443A4F

RGB 68 58 79

HSL 268.57, 0.15%, 0.27%

LAB 26.21, 9.16, -11.15

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 27 / 18 / 0 / 69

HEX #3A414F

RGB 58 65 79

HSL 220, 0.15%, 0.27%

LAB 27.42, 0.77, -9.4

 

CMYK 27 / 24 / 0 / 69

HEX #3A3C4F

RGB 58 60 79

HSL 234.29, 0.15%, 0.27%

LAB 25.85, 4.07, -11.79

 

CMYK 27 / 27 / 0 / 69

HEX #3A3A4F

RGB 58 58 79

HSL 240, 0.15%, 0.27%

LAB 25.23, 5.41, -12.74

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 48 / 19 / 0 / 65

HEX #2F495A

RGB 47 73 90

HSL 203.72, 0.31%, 0.27%

LAB 29.68, -4.69, -13.15

 

CMYK 64 / 25 / 0 / 60

HEX #244C65

RGB 36 76 101

HSL 203.08, 0.47%, 0.27%

LAB 30.6, -5.6, -18.8

 

CMYK 78 / 29 / 0 / 56

HEX #194F70

RGB 25 79 112

HSL 202.76, 0.64%, 0.27%

LAB 31.74, -5.33, -24.01

 

CMYK 89 / 34 / 0 / 52

HEX #0D517B

RGB 13 81 123

HSL 202.91, 0.81%, 0.27%

LAB 32.7, -3.55, -29.37

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 0 / 1 / 1 / 73

HEX #454444

RGB 69 68 68

HSL 0, 0.01%, 0.27%

LAB 28.95, 0.42, 0.14

 

CMYK 0 / 18 / 30 / 69

HEX #504238

RGB 80 66 56

HSL 25, 0.18%, 0.27%

LAB 29.13, 4.25, 8.33

 

CMYK 0 / 31 / 51 / 64

HEX #5B3F2D

RGB 91 63 45

HSL 23.48, 0.34%, 0.27%

LAB 29.33, 9.75, 15.88

 

CMYK 0 / 42 / 67 / 60

HEX #673C22

RGB 103 60 34

HSL 22.61, 0.5%, 0.27%

LAB 29.99, 16.22, 23.84

 

CMYK 27 / 0 / 5 / 69

HEX #3A4F4B

RGB 58 79 75

HSL 168.57, 0.15%, 0.27%

LAB 31.81, -9.09, -0.29

 

CMYK 27 / 3 / 0 / 69

HEX #3A4D4F

RGB 58 77 79

HSL 185.71, 0.15%, 0.27%

LAB 31.28, -6.84, -3.61

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 27 / 16 / 0 / 69

HEX #3A424F

RGB 58 66 79

HSL 217.14, 0.15%, 0.27%

LAB 27.74, 0.12, -8.92

 

CMYK 27 / 24 / 0 / 69

HEX #3A3C4F

RGB 58 60 79

HSL 234.29, 0.15%, 0.27%

LAB 25.85, 4.07, -11.79

 

CMYK 26 / 10 / 0 / 88

HEX #171C1F

RGB 23 28 31

HSL 202.5, 0.15%, 0.11%

LAB 9.89, -1.45, -2.85

 

CMYK 27 / 11 / 0 / 78

HEX #283137

RGB 40 49 55

HSL 204, 0.16%, 0.19%

LAB 19.74, -2.17, -5.09

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 25 / 10 / 0 / 60

HEX #4C5C66

RGB 76 92 102

HSL 203.08, 0.15%, 0.35%

LAB 38.11, -3.61, -7.76

 

CMYK 26 / 10 / 0 / 51

HEX #5D727E

RGB 93 114 126

HSL 201.82, 0.15%, 0.43%

LAB 46.8, -4.78, -9.17

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 11 / 27 / 0 / 69

HEX #463A4F

RGB 70 58 79

HSL 274.29, 0.15%, 0.27%

LAB 26.43, 9.93, -10.81

 

CMYK 0 / 1 / 27 / 69

HEX #4F4E3A

RGB 79 78 58

HSL 57.14, 0.15%, 0.27%

LAB 32.74, -3.4, 12.03

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 0 / 27 / 10 / 69

HEX #4F3A47

RGB 79 58 71

HSL 322.86, 0.15%, 0.27%

LAB 27.14, 11.75, -4.36

 

CMYK 10 / 0 / 27 / 69

HEX #474F3A

RGB 71 79 58

HSL 82.86, 0.15%, 0.27%

LAB 32.34, -7.54, 11.37

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 11 / 27 / 0 / 69

HEX #463A4F

RGB 70 58 79

HSL 274.29, 0.15%, 0.27%

LAB 26.43, 9.93, -10.81

 

CMYK 0 / 16 / 27 / 69

HEX #4F423A

RGB 79 66 58

HSL 22.86, 0.15%, 0.27%

LAB 29.07, 4.12, 6.94

 

CMYK 15 / 0 / 27 / 69

HEX #434F3A

RGB 67 79 58

HSL 94.29, 0.15%, 0.27%

LAB 32.01, -9.26, 10.87

 

CMYK 27 / 10 / 0 / 69

HEX #3A474F

RGB 58 71 79

HSL 202.86, 0.15%, 0.27%

LAB 29.34, -3.09, -6.51

 

CMYK 4 / 27 / 0 / 69

HEX #4C3A4F

RGB 76 58 79

HSL 291.43, 0.15%, 0.27%

LAB 27.09, 12.28, -9.73

 

CMYK 0 / 16 / 27 / 69

HEX #4F423A

RGB 79 66 58

HSL 22.86, 0.15%, 0.27%

LAB 29.07, 4.12, 6.94

 

CMYK 23 / 0 / 27 / 69

HEX #3D4F3A

RGB 61 79 58

HSL 111.43, 0.15%, 0.27%

LAB 31.55, -11.77, 10.16

 

Description

Color code: HEX #3A474F | qconv.com Color code: HEX #3A474F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 71 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 71 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 10 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 10% 0% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - EPA GREEN | Environm...
Link: http://livedemo00.template-help.com

25% - Henk Hollink | Fotog...
Link: http://henkhollinkfotografie.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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