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Color name
HEX #3A488D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A488D it is the complementary color #C5B772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A488D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A488D shade: #3F4888, #505A9B, #616CAE, #727EC1 and #8390D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A488D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A488D shade: #3A488D, #29367A, #182467, #071254 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A488D shade: #39478D, #42398D, #58398D, #6F398D and #85398D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A488D shade: #39478D and #39398D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A488D shade matches the following richer shades: #39478D, #293D9D, #1932AD and #0927BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A488D shade: #39478D, #49527D, #595D6D, #69675C and #7A724C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A488D shade: #39758D, #395F8D, #39488D, #40398D and #56398D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A488D shade: #212952, #2D386F, #39478D, #4556AA and #5C6CBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A488D shade: #3A488D, #8D398B and #6A8D39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A488D shade: #3A488D, #8D3948 and #488D39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A488D shade: #3A488D, #8D398B, #8D7D39 and #398D3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A488D shade: #3A488D, #8D3972, #8D7D39 and #398D54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 49 / 0 / 45

HEX #3A488D

RGB 58 72 141

HSL 229.88, 0.42%, 0.39%

LAB 32.83, 16.34, -40.17

 

Complementary color

CMYK 0 / 7 / 42 / 23

HEX #C5B772

RGB 197 183 114

HSL 49.88, 0.42%, 0.61%

LAB 74.16, -4.79, 36.83

 

CMYK 54 / 47 / 0 / 47

HEX #3F4888

RGB 63 72 136

HSL 232.6, 0.37%, 0.39%

LAB 32.85, 15.72, -37.04

 

CMYK 48 / 42 / 0 / 39

HEX #505A9B

RGB 80 90 155

HSL 232, 0.32%, 0.46%

LAB 40.22, 14.5, -36.77

 

CMYK 44 / 38 / 0 / 32

HEX #616CAE

RGB 97 108 174

HSL 231.43, 0.32%, 0.53%

LAB 47.39, 13.52, -36.57

 

CMYK 41 / 35 / 0 / 24

HEX #727EC1

RGB 114 126 193

HSL 230.89, 0.39%, 0.6%

LAB 54.4, 12.71, -36.45

 

CMYK 38 / 32 / 0 / 17

HEX #8390D4

RGB 131 144 212

HSL 230.37, 0.49%, 0.67%

LAB 61.24, 12.03, -36.38

 

CMYK 59 / 49 / 0 / 45

HEX #3A488D

RGB 58 72 141

HSL 229.88, 0.42%, 0.39%

LAB 32.83, 16.34, -40.17

 

CMYK 66 / 56 / 0 / 52

HEX #29367A

RGB 41 54 122

HSL 230.37, 0.5%, 0.32%

LAB 25.31, 18.2, -40.51

 

CMYK 77 / 65 / 0 / 60

HEX #182467

RGB 24 36 103

HSL 230.89, 0.62%, 0.25%

LAB 17.62, 20.72, -40.81

 

CMYK 92 / 79 / 0 / 67

HEX #071254

RGB 7 18 84

HSL 231.43, 0.85%, 0.18%

LAB 9.94, 24, -40.77

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 60 / 50 / 0 / 45

HEX #39478D

RGB 57 71 141

HSL 230, 0.42%, 0.39%

LAB 32.48, 16.79, -40.73

 

CMYK 53 / 60 / 0 / 45

HEX #42398D

RGB 66 57 141

HSL 246.43, 0.42%, 0.39%

LAB 29.43, 27.92, -45.61

 

CMYK 38 / 60 / 0 / 45

HEX #58398D

RGB 88 57 141

HSL 262.14, 0.42%, 0.39%

LAB 31.63, 33.03, -41.94

 

CMYK 21 / 60 / 0 / 45

HEX #6F398D

RGB 111 57 141

HSL 278.57, 0.42%, 0.39%

LAB 34.46, 38.98, -37.27

 

CMYK 6 / 60 / 0 / 45

HEX #85398D

RGB 133 57 141

HSL 294.29, 0.42%, 0.39%

LAB 37.55, 44.95, -32.17

 

CMYK 60 / 50 / 0 / 45

HEX #39478D

RGB 57 71 141

HSL 230, 0.42%, 0.39%

LAB 32.48, 16.79, -40.73

 

CMYK 60 / 60 / 0 / 45

HEX #39398D

RGB 57 57 141

HSL 240, 0.42%, 0.39%

LAB 28.69, 26.1, -46.84

 

CMYK 60 / 50 / 0 / 45

HEX #39478D

RGB 57 71 141

HSL 230, 0.42%, 0.39%

LAB 32.48, 16.79, -40.73

 

CMYK 74 / 61 / 0 / 38

HEX #293D9D

RGB 41 61 157

HSL 229.66, 0.59%, 0.39%

LAB 30.02, 26.71, -54.52

 

CMYK 86 / 71 / 0 / 32

HEX #1932AD

RGB 25 50 173

HSL 229.86, 0.75%, 0.39%

LAB 28.13, 38.4, -67.3

 

CMYK 95 / 79 / 0 / 26

HEX #0927BD

RGB 9 39 189

HSL 230, 0.91%, 0.39%

LAB 27.25, 49.8, -78.29

 

CMYK 60 / 50 / 0 / 45

HEX #39478D

RGB 57 71 141

HSL 230, 0.42%, 0.39%

LAB 32.48, 16.79, -40.73

 

CMYK 42 / 34 / 0 / 51

HEX #49527D

RGB 73 82 125

HSL 229.62, 0.26%, 0.39%

LAB 35.85, 8.27, -25.46

 

CMYK 18 / 15 / 0 / 57

HEX #595D6D

RGB 89 93 109

HSL 228, 0.1%, 0.39%

LAB 39.68, 2.15, -9.62

 

CMYK 0 / 2 / 12 / 59

HEX #69675C

RGB 105 103 92

HSL 50.77, 0.07%, 0.39%

LAB 43.47, -1.35, 6.48

 

CMYK 0 / 7 / 38 / 52

HEX #7A724C

RGB 122 114 76

HSL 49.57, 0.23%, 0.39%

LAB 47.87, -3.04, 22.2

 

CMYK 60 / 17 / 0 / 45

HEX #39758D

RGB 57 117 141

HSL 197.14, 0.42%, 0.39%

LAB 46.33, -12.01, -18.98

 

CMYK 60 / 33 / 0 / 45

HEX #395F8D

RGB 57 95 141

HSL 212.86, 0.42%, 0.39%

LAB 39.54, 1.17, -29.51

 

CMYK 60 / 49 / 0 / 45

HEX #39488D

RGB 57 72 141

HSL 229.29, 0.42%, 0.39%

LAB 32.76, 16.12, -40.28

 

CMYK 55 / 60 / 0 / 45

HEX #40398D

RGB 64 57 141

HSL 245, 0.42%, 0.39%

LAB 29.26, 27.5, -45.89

 

CMYK 39 / 60 / 0 / 45

HEX #56398D

RGB 86 57 141

HSL 260.71, 0.42%, 0.39%

LAB 31.41, 32.53, -42.31

 

CMYK 60 / 50 / 0 / 68

HEX #212952

RGB 33 41 82

HSL 230.2, 0.43%, 0.23%

LAB 18, 10.45, -26.22

 

CMYK 59 / 50 / 0 / 56

HEX #2D386F

RGB 45 56 111

HSL 230, 0.42%, 0.31%

LAB 25.36, 13.52, -33.41

 

CMYK 60 / 50 / 0 / 45

HEX #39478D

RGB 57 71 141

HSL 230, 0.42%, 0.39%

LAB 32.48, 16.79, -40.73

 

CMYK 59 / 49 / 0 / 33

HEX #4556AA

RGB 69 86 170

HSL 229.9, 0.42%, 0.47%

LAB 39.28, 19.58, -47.25

 

CMYK 51 / 43 / 0 / 26

HEX #5C6CBC

RGB 92 108 188

HSL 230, 0.42%, 0.55%

LAB 47.79, 16.63, -44.1

 

CMYK 59 / 49 / 0 / 45

HEX #3A488D

RGB 58 72 141

HSL 229.88, 0.42%, 0.39%

LAB 32.83, 16.34, -40.17

 

CMYK 0 / 60 / 1 / 45

HEX #8D398B

RGB 141 57 139

HSL 301.43, 0.42%, 0.39%

LAB 38.64, 46.77, -29.13

 

CMYK 25 / 0 / 60 / 45

HEX #6A8D39

RGB 106 141 57

HSL 85, 0.42%, 0.39%

LAB 54.46, -26.44, 40.08

 

CMYK 59 / 49 / 0 / 45

HEX #3A488D

RGB 58 72 141

HSL 229.88, 0.42%, 0.39%

LAB 32.83, 16.34, -40.17

 

CMYK 0 / 60 / 49 / 45

HEX #8D3948

RGB 141 57 72

HSL 349.29, 0.42%, 0.39%

LAB 36.09, 37.09, 9.09

 

CMYK 49 / 0 / 60 / 45

HEX #488D39

RGB 72 141 57

HSL 109.29, 0.42%, 0.39%

LAB 52.64, -38.69, 37.52

 

CMYK 59 / 49 / 0 / 45

HEX #3A488D

RGB 58 72 141

HSL 229.88, 0.42%, 0.39%

LAB 32.83, 16.34, -40.17

 

CMYK 0 / 60 / 1 / 45

HEX #8D398B

RGB 141 57 139

HSL 301.43, 0.42%, 0.39%

LAB 38.64, 46.77, -29.13

 

CMYK 0 / 11 / 60 / 45

HEX #8D7D39

RGB 141 125 57

HSL 48.57, 0.42%, 0.39%

LAB 52.54, -2.77, 38.63

 

CMYK 60 / 0 / 58 / 45

HEX #398D3B

RGB 57 141 59

HSL 121.43, 0.42%, 0.39%

LAB 52.1, -42.7, 35.76

 

CMYK 59 / 49 / 0 / 45

HEX #3A488D

RGB 58 72 141

HSL 229.88, 0.42%, 0.39%

LAB 32.83, 16.34, -40.17

 

CMYK 0 / 60 / 19 / 45

HEX #8D3972

RGB 141 57 114

HSL 319.29, 0.42%, 0.39%

LAB 37.49, 42.53, -15.46

 

CMYK 0 / 11 / 60 / 45

HEX #8D7D39

RGB 141 125 57

HSL 48.57, 0.42%, 0.39%

LAB 52.54, -2.77, 38.63

 

CMYK 60 / 0 / 40 / 45

HEX #398D54

RGB 57 141 84

HSL 139.29, 0.42%, 0.39%

LAB 52.46, -38.73, 23.01

 

Description

Color code: HEX #3A488D | qconv.com Color code: HEX #3A488D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 72 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 72 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 49 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 49% 0% 45% C M Y K

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Provide designers and agencies with accurate color values.

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