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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A49A4 it is the complementary color #C5B65B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A49A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A49A4 shade: #3F499F, #505BB2, #616DC5, #727FD8 and #8391EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A49A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A49A4 shade: #3A49A4, #293791, #18257E, #07136B and #000158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A49A4 shade: #3A49A6, #483AA6, #653AA6, #823AA6 and #9F3AA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A49A4 shade: #3A49A6 and #3A3AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A49A4 shade matches the following richer shades: #3A49A6, #283CB8, #162FCA and #0322DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A49A4 shade: #3A49A6, #4C5693, #5E6381, #70706F and #827D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A49A4 shade: #3A83A6, #3A67A6, #3A4AA6, #463AA6 and #633AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A49A4 shade: #242E68, #2F3C87, #3A49A6, #4A5ABF and #6876CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A49A4 shade: #3A49A4, #A63AA0 and #75A63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A49A4 shade: #3A49A4, #A63A4A and #4AA63A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A49A4 shade: #3A49A4, #A63AA0, #A6953A and #3AA63F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A49A4 shade: #3A49A4, #A63A80, #A6953A and #3AA660

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 55 / 0 / 36

HEX #3A49A4

RGB 58 73 164

HSL 231.51, 0.48%, 0.44%

LAB 34.69, 23.89, -51.1

 

Complementary color

CMYK 0 / 8 / 54 / 23

HEX #C5B65B

RGB 197 182 91

HSL 51.51, 0.48%, 0.56%

LAB 73.6, -6.45, 47.64

 

CMYK 60 / 54 / 0 / 38

HEX #3F499F

RGB 63 73 159

HSL 233.75, 0.43%, 0.44%

LAB 34.65, 23.03, -48.15

 

CMYK 55 / 49 / 0 / 30

HEX #505BB2

RGB 80 91 178

HSL 233.27, 0.39%, 0.51%

LAB 41.85, 21.37, -47.81

 

CMYK 51 / 45 / 0 / 23

HEX #616DC5

RGB 97 109 197

HSL 232.8, 0.46%, 0.58%

LAB 48.9, 20.01, -47.51

 

CMYK 47 / 41 / 0 / 15

HEX #727FD8

RGB 114 127 216

HSL 232.35, 0.57%, 0.65%

LAB 55.8, 18.89, -47.26

 

CMYK 44 / 38 / 0 / 8

HEX #8391EB

RGB 131 145 235

HSL 231.92, 0.72%, 0.72%

LAB 62.57, 17.94, -47.07

 

CMYK 65 / 55 / 0 / 36

HEX #3A49A4

RGB 58 73 164

HSL 231.51, 0.48%, 0.44%

LAB 34.69, 23.89, -51.1

 

CMYK 72 / 62 / 0 / 43

HEX #293791

RGB 41 55 145

HSL 231.92, 0.56%, 0.36%

LAB 27.43, 26.22, -51.41

 

CMYK 81 / 71 / 0 / 51

HEX #18257E

RGB 24 37 126

HSL 232.35, 0.68%, 0.29%

LAB 20.14, 29.1, -51.51

 

CMYK 93 / 82 / 0 / 58

HEX #07136B

RGB 7 19 107

HSL 232.8, 0.88%, 0.22%

LAB 13.06, 32.3, -50.98

 

CMYK 100 / 99 / 0 / 65

HEX #000158

RGB 0 1 88

HSL 239.32, 1%, 0.17%

LAB 6.56, 35.34, -49.12

 

CMYK 65 / 56 / 0 / 35

HEX #3A49A6

RGB 58 73 166

HSL 231.67, 0.48%, 0.44%

LAB 34.84, 24.61, -52.06

 

CMYK 57 / 65 / 0 / 35

HEX #483AA6

RGB 72 58 166

HSL 247.78, 0.48%, 0.44%

LAB 32.16, 36.57, -56.37

 

CMYK 39 / 65 / 0 / 35

HEX #653AA6

RGB 101 58 166

HSL 263.89, 0.48%, 0.44%

LAB 35.1, 42.32, -51.47

 

CMYK 22 / 65 / 0 / 35

HEX #823AA6

RGB 130 58 166

HSL 280, 0.48%, 0.44%

LAB 38.77, 48.93, -45.36

 

CMYK 4 / 65 / 0 / 35

HEX #9F3AA6

RGB 159 58 166

HSL 296.11, 0.48%, 0.44%

LAB 42.99, 55.93, -38.38

 

CMYK 65 / 56 / 0 / 35

HEX #3A49A6

RGB 58 73 166

HSL 231.67, 0.48%, 0.44%

LAB 34.84, 24.61, -52.06

 

CMYK 65 / 65 / 0 / 35

HEX #3A3AA6

RGB 58 58 166

HSL 240, 0.48%, 0.44%

LAB 31.06, 34.28, -58.21

 

CMYK 65 / 56 / 0 / 35

HEX #3A49A6

RGB 58 73 166

HSL 231.67, 0.48%, 0.44%

LAB 34.84, 24.61, -52.06

 

CMYK 78 / 67 / 0 / 28

HEX #283CB8

RGB 40 60 184

HSL 231.67, 0.64%, 0.44%

LAB 32.13, 37.25, -67.24

 

CMYK 89 / 77 / 0 / 21

HEX #162FCA

RGB 22 47 202

HSL 231.67, 0.8%, 0.44%

LAB 30.56, 50.18, -80.43

 

CMYK 99 / 85 / 0 / 14

HEX #0322DC

RGB 3 34 220

HSL 231.43, 0.97%, 0.44%

LAB 30.23, 61.78, -91.43

 

CMYK 65 / 56 / 0 / 35

HEX #3A49A6

RGB 58 73 166

HSL 231.67, 0.48%, 0.44%

LAB 34.84, 24.61, -52.06

 

CMYK 48 / 41 / 0 / 42

HEX #4C5693

RGB 76 86 147

HSL 231.55, 0.32%, 0.44%

LAB 38.37, 13.47, -34.91

 

CMYK 27 / 23 / 0 / 49

HEX #5E6381

RGB 94 99 129

HSL 231.43, 0.16%, 0.44%

LAB 42.59, 5.32, -17.34

 

CMYK 0 / 0 / 1 / 56

HEX #70706F

RGB 112 112 111

HSL 60, 0%, 0.44%

LAB 47.21, -0.2, 0.55

 

CMYK 0 / 4 / 28 / 49

HEX #827D5D

RGB 130 125 93

HSL 51.89, 0.17%, 0.44%

LAB 52.07, -3.54, 18.17

 

CMYK 65 / 21 / 0 / 35

HEX #3A83A6

RGB 58 131 166

HSL 199.44, 0.48%, 0.44%

LAB 51.71, -11.55, -25.34

 

CMYK 65 / 38 / 0 / 35

HEX #3A67A6

RGB 58 103 166

HSL 215, 0.48%, 0.44%

LAB 43.29, 5.17, -38.52

 

CMYK 65 / 55 / 0 / 35

HEX #3A4AA6

RGB 58 74 166

HSL 231.11, 0.48%, 0.44%

LAB 35.1, 23.95, -51.64

 

CMYK 58 / 65 / 0 / 35

HEX #463AA6

RGB 70 58 166

HSL 246.67, 0.48%, 0.44%

LAB 31.99, 36.22, -56.65

 

CMYK 40 / 65 / 0 / 35

HEX #633AA6

RGB 99 58 166

HSL 262.78, 0.48%, 0.44%

LAB 34.87, 41.89, -51.85

 

CMYK 65 / 56 / 0 / 59

HEX #242E68

RGB 36 46 104

HSL 231.18, 0.49%, 0.27%

LAB 21.31, 15.98, -35.44

 

CMYK 65 / 56 / 0 / 47

HEX #2F3C87

RGB 47 60 135

HSL 231.14, 0.48%, 0.36%

LAB 28.34, 20.06, -43.73

 

CMYK 65 / 56 / 0 / 35

HEX #3A49A6

RGB 58 73 166

HSL 231.67, 0.48%, 0.44%

LAB 34.84, 24.61, -52.06

 

CMYK 61 / 53 / 0 / 25

HEX #4A5ABF

RGB 74 90 191

HSL 231.79, 0.48%, 0.52%

LAB 42.05, 25.21, -55.11

 

CMYK 49 / 42 / 0 / 21

HEX #6876CA

RGB 104 118 202

HSL 231.43, 0.48%, 0.6%

LAB 52.02, 17.69, -45.37

 

CMYK 65 / 55 / 0 / 36

HEX #3A49A4

RGB 58 73 164

HSL 231.51, 0.48%, 0.44%

LAB 34.69, 23.89, -51.1

 

CMYK 0 / 65 / 4 / 35

HEX #A63AA0

RGB 166 58 160

HSL 303.33, 0.48%, 0.44%

LAB 43.76, 56.62, -33.52

 

CMYK 30 / 0 / 65 / 35

HEX #75A63A

RGB 117 166 58

HSL 87.22, 0.48%, 0.44%

LAB 62.81, -33.94, 49.05

 

CMYK 65 / 55 / 0 / 36

HEX #3A49A4

RGB 58 73 164

HSL 231.51, 0.48%, 0.44%

LAB 34.69, 23.89, -51.1

 

CMYK 0 / 65 / 55 / 35

HEX #A63A4A

RGB 166 58 74

HSL 351.11, 0.48%, 0.44%

LAB 40.62, 45.59, 14.73

 

CMYK 55 / 0 / 65 / 35

HEX #4AA63A

RGB 74 166 58

HSL 111.11, 0.48%, 0.44%

LAB 60.81, -48.14, 46.29

 

CMYK 65 / 55 / 0 / 36

HEX #3A49A4

RGB 58 73 164

HSL 231.51, 0.48%, 0.44%

LAB 34.69, 23.89, -51.1

 

CMYK 0 / 65 / 4 / 35

HEX #A63AA0

RGB 166 58 160

HSL 303.33, 0.48%, 0.44%

LAB 43.76, 56.62, -33.52

 

CMYK 0 / 10 / 65 / 35

HEX #A6953A

RGB 166 149 58

HSL 50.56, 0.48%, 0.44%

LAB 61.57, -4.73, 48.81

 

CMYK 65 / 0 / 62 / 35

HEX #3AA63F

RGB 58 166 63

HSL 122.78, 0.48%, 0.44%

LAB 60.37, -51.49, 43.42

 

CMYK 65 / 55 / 0 / 36

HEX #3A49A4

RGB 58 73 164

HSL 231.51, 0.48%, 0.44%

LAB 34.69, 23.89, -51.1

 

CMYK 0 / 65 / 23 / 35

HEX #A63A80

RGB 166 58 128

HSL 321.11, 0.48%, 0.44%

LAB 42.29, 51.65, -16.42

 

CMYK 0 / 10 / 65 / 35

HEX #A6953A

RGB 166 149 58

HSL 50.56, 0.48%, 0.44%

LAB 61.57, -4.73, 48.81

 

CMYK 65 / 0 / 42 / 35

HEX #3AA660

RGB 58 166 96

HSL 141.11, 0.48%, 0.44%

LAB 60.8, -46.61, 27.43

 

Description

Color code: HEX #3A49A4 | qconv.com Color code: HEX #3A49A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 73 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 73 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 55 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 55% 0% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

75% - Your Store
Link: http://www.sacariaonline.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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