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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A53A6 it is the complementary color #C5AC59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A53A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A53A6 shade: #3F53A1, #5065B4, #6177C7, #7289DA and #839BED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A53A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A53A6 shade: #3A53A6, #294193, #182F80, #071D6D and #000B5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A53A6 shade: #3A53A6, #3E3AA6, #5B3AA6, #783AA6 and #953AA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A53A6 shade: #3A53A6 and #3A3AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A53A6 shade matches the following richer shades: #3A53A6, #2849B8, #163FCA and #0336DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A53A6 shade: #3A53A6, #4C5D93, #5E6681, #70706F and #827A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A53A6 shade: #3A8CA6, #3A70A6, #3A53A6, #3D3AA6 and #5A3AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A53A6 shade: #243468, #2F4387, #3A53A6, #4A65BF and #687FCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A53A6 shade: #3A53A6, #A23AA6 and #7EA63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A53A6 shade: #3A53A6, #A63A53 and #53A63A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A53A6 shade: #3A53A6, #A23AA6, #A68C3A and #3DA63A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A53A6 shade: #3A53A6, #A63A89, #A68C3A and #3AA657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

Complementary color

CMYK 0 / 13 / 55 / 23

HEX #C5AC59

RGB 197 172 89

HSL 46.11, 0.48%, 0.56%

LAB 70.94, -1.35, 45.48

 

CMYK 61 / 48 / 0 / 37

HEX #3F53A1

RGB 63 83 161

HSL 227.76, 0.44%, 0.44%

LAB 37.51, 17.19, -44.75

 

CMYK 56 / 44 / 0 / 29

HEX #5065B4

RGB 80 101 180

HSL 227.4, 0.4%, 0.51%

LAB 44.67, 15.71, -44.47

 

CMYK 51 / 40 / 0 / 22

HEX #6177C7

RGB 97 119 199

HSL 227.06, 0.48%, 0.58%

LAB 51.68, 14.52, -44.24

 

CMYK 48 / 37 / 0 / 15

HEX #7289DA

RGB 114 137 218

HSL 226.73, 0.58%, 0.65%

LAB 58.54, 13.54, -44.06

 

CMYK 45 / 35 / 0 / 7

HEX #839BED

RGB 131 155 237

HSL 226.42, 0.75%, 0.72%

LAB 65.26, 12.71, -43.93

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 72 / 56 / 0 / 42

HEX #294193

RGB 41 65 147

HSL 226.42, 0.56%, 0.37%

LAB 30.3, 20.2, -47.97

 

CMYK 81 / 63 / 0 / 50

HEX #182F80

RGB 24 47 128

HSL 226.73, 0.68%, 0.3%

LAB 22.95, 23.01, -48.17

 

CMYK 94 / 73 / 0 / 57

HEX #071D6D

RGB 7 29 109

HSL 227.06, 0.88%, 0.23%

LAB 15.63, 26.55, -48.03

 

CMYK 100 / 88 / 0 / 65

HEX #000B5A

RGB 0 11 90

HSL 232.67, 1%, 0.18%

LAB 8.8, 30.32, -46.74

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 63 / 65 / 0 / 35

HEX #3E3AA6

RGB 62 58 166

HSL 242.22, 0.48%, 0.44%

LAB 31.36, 34.9, -57.72

 

CMYK 45 / 65 / 0 / 35

HEX #5B3AA6

RGB 91 58 166

HSL 258.33, 0.48%, 0.44%

LAB 33.99, 40.21, -53.31

 

CMYK 28 / 65 / 0 / 35

HEX #783AA6

RGB 120 58 166

HSL 274.44, 0.48%, 0.44%

LAB 37.43, 46.59, -47.58

 

CMYK 10 / 65 / 0 / 35

HEX #953AA6

RGB 149 58 166

HSL 290.56, 0.48%, 0.44%

LAB 41.48, 53.49, -40.87

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 65 / 65 / 0 / 35

HEX #3A3AA6

RGB 58 58 166

HSL 240, 0.48%, 0.44%

LAB 31.06, 34.28, -58.21

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 78 / 60 / 0 / 28

HEX #2849B8

RGB 40 73 184

HSL 226.25, 0.64%, 0.44%

LAB 35.35, 28.84, -61.96

 

CMYK 89 / 69 / 0 / 21

HEX #163FCA

RGB 22 63 202

HSL 226.33, 0.8%, 0.44%

LAB 33.96, 40.73, -74.81

 

CMYK 99 / 75 / 0 / 14

HEX #0336DC

RGB 3 54 220

HSL 225.9, 0.97%, 0.44%

LAB 33.62, 51.92, -85.8

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 48 / 37 / 0 / 42

HEX #4C5D93

RGB 76 93 147

HSL 225.63, 0.32%, 0.44%

LAB 40.36, 9, -31.76

 

CMYK 27 / 21 / 0 / 49

HEX #5E6681

RGB 94 102 129

HSL 226.29, 0.16%, 0.44%

LAB 43.46, 3.49, -16.02

 

CMYK 0 / 0 / 1 / 56

HEX #70706F

RGB 112 112 111

HSL 60, 0%, 0.44%

LAB 47.21, -0.2, 0.55

 

CMYK 0 / 6 / 28 / 49

HEX #827A5D

RGB 130 122 93

HSL 47.03, 0.17%, 0.44%

LAB 51.22, -1.84, 17.02

 

CMYK 65 / 16 / 0 / 35

HEX #3A8CA6

RGB 58 140 166

HSL 194.44, 0.48%, 0.44%

LAB 54.46, -16.54, -21.1

 

CMYK 65 / 33 / 0 / 35

HEX #3A70A6

RGB 58 112 166

HSL 210, 0.48%, 0.44%

LAB 45.96, -0.39, -34.3

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 63 / 65 / 0 / 35

HEX #3D3AA6

RGB 61 58 166

HSL 241.67, 0.48%, 0.44%

LAB 31.28, 34.74, -57.84

 

CMYK 46 / 65 / 0 / 35

HEX #5A3AA6

RGB 90 58 166

HSL 257.78, 0.48%, 0.44%

LAB 33.88, 40.01, -53.49

 

CMYK 65 / 50 / 0 / 59

HEX #243468

RGB 36 52 104

HSL 225.88, 0.49%, 0.27%

LAB 23.1, 11.72, -32.56

 

CMYK 65 / 50 / 0 / 47

HEX #2F4387

RGB 47 67 135

HSL 226.36, 0.48%, 0.36%

LAB 30.32, 15.29, -40.53

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 61 / 47 / 0 / 25

HEX #4A65BF

RGB 74 101 191

HSL 226.15, 0.48%, 0.52%

LAB 44.98, 18.23, -50.4

 

CMYK 49 / 37 / 0 / 21

HEX #687FCA

RGB 104 127 202

HSL 225.92, 0.48%, 0.6%

LAB 54.43, 12.25, -41.55

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 2 / 65 / 0 / 35

HEX #A23AA6

RGB 162 58 166

HSL 297.78, 0.48%, 0.44%

LAB 43.45, 56.66, -37.63

 

CMYK 24 / 0 / 65 / 35

HEX #7EA63A

RGB 126 166 58

HSL 82.22, 0.48%, 0.44%

LAB 63.35, -30.45, 49.79

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 0 / 65 / 50 / 35

HEX #A63A53

RGB 166 58 83

HSL 346.11, 0.48%, 0.44%

LAB 40.83, 46.38, 9.39

 

CMYK 50 / 0 / 65 / 35

HEX #53A63A

RGB 83 166 58

HSL 106.11, 0.48%, 0.44%

LAB 61.15, -45.58, 46.76

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 2 / 65 / 0 / 35

HEX #A23AA6

RGB 162 58 166

HSL 297.78, 0.48%, 0.44%

LAB 43.45, 56.66, -37.63

 

CMYK 0 / 16 / 65 / 35

HEX #A68C3A

RGB 166 140 58

HSL 45.56, 0.48%, 0.44%

LAB 59.13, 0.19, 46.18

 

CMYK 63 / 0 / 65 / 35

HEX #3DA63A

RGB 61 166 58

HSL 118.33, 0.48%, 0.44%

LAB 60.4, -51.38, 45.72

 

CMYK 65 / 50 / 0 / 35

HEX #3A53A6

RGB 58 83 166

HSL 226.11, 0.48%, 0.44%

LAB 37.55, 18.05, -47.68

 

CMYK 0 / 65 / 17 / 35

HEX #A63A89

RGB 166 58 137

HSL 316.11, 0.48%, 0.44%

LAB 42.67, 52.95, -21.34

 

CMYK 0 / 16 / 65 / 35

HEX #A68C3A

RGB 166 140 58

HSL 45.56, 0.48%, 0.44%

LAB 59.13, 0.19, 46.18

 

CMYK 65 / 0 / 48 / 35

HEX #3AA657

RGB 58 166 87

HSL 136.11, 0.48%, 0.44%

LAB 60.66, -48.15, 31.98

 

Description

Color code: HEX #3A53A6 | qconv.com Color code: HEX #3A53A6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 83 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 83 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 50 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 50% 0% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - ESL ReadingSmart | W...
Link: http://welcome.eslreadingsmart.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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