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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A652E it is the complementary color #C59AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A652E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A652E shade: #3F6529, #50773C, #61894F, #729B62 and #83AD75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A652E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A652E shade: #3A652E, #29531B, #184108, #072F00 and #001D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A652E shade: #3A652E, #49652E, #58652E, #65632E and #65552E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A652E shade: #3A652E, #2E6531, #2E6540, #2E654E and #2E655D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A652E shade matches the following richer shades: #3A652E, #337122, #2D7D16 and #26890A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A652E shade: #3A652E, #41593A, #484D46, #4E4152 and #55355E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A652E shade: #58652E, #49652E, #3B652E, #2E6530 and #2E653F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A652E shade: #192C14, #2A4921, #3A652E, #4A813B and #5B9D48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A652E shade: #3A652E, #2E6563 and #652E51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A652E shade: #3A652E, #2E3B65 and #652E3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A652E shade: #3A652E, #2E6563, #582E65 and #652E30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A652E shade: #3A652E, #2E5665, #582E65 and #653D2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

Complementary color

CMYK 6 / 26 / 0 / 18

HEX #C59AD1

RGB 197 154 209

HSL 286.91, 0.37%, 0.71%

LAB 69.17, 25.7, -22.01

 

CMYK 38 / 0 / 59 / 60

HEX #3F6529

RGB 63 101 41

HSL 98, 0.42%, 0.28%

LAB 38.77, -25.45, 29.33

 

CMYK 33 / 0 / 50 / 53

HEX #50773C

RGB 80 119 60

HSL 99.66, 0.33%, 0.35%

LAB 45.94, -25.41, 28.04

 

CMYK 29 / 0 / 42 / 46

HEX #61894F

RGB 97 137 79

HSL 101.38, 0.27%, 0.42%

LAB 52.95, -25.27, 26.74

 

CMYK 26 / 0 / 37 / 39

HEX #729B62

RGB 114 155 98

HSL 103.16, 0.23%, 0.5%

LAB 59.8, -25.1, 25.5

 

CMYK 24 / 0 / 32 / 32

HEX #83AD75

RGB 131 173 117

HSL 105, 0.25%, 0.57%

LAB 66.52, -24.92, 24.33

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 51 / 0 / 67 / 67

HEX #29531B

RGB 41 83 27

HSL 105, 0.51%, 0.22%

LAB 31.2, -26.6, 27.61

 

CMYK 63 / 0 / 88 / 75

HEX #184108

RGB 24 65 8

HSL 103.16, 0.78%, 0.14%

LAB 23.65, -26.04, 28.2

 

CMYK 85 / 0 / 100 / 82

HEX #072F00

RGB 7 47 0

HSL 111.06, 1%, 0.09%

LAB 15.89, -24.23, 22.5

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 28 / 0 / 54 / 60

HEX #49652E

RGB 73 101 46

HSL 90.55, 0.37%, 0.29%

LAB 39.45, -20.84, 27.61

 

CMYK 13 / 0 / 54 / 60

HEX #58652E

RGB 88 101 46

HSL 74.18, 0.37%, 0.29%

LAB 40.54, -14.37, 29.18

 

CMYK 0 / 2 / 54 / 60

HEX #65632E

RGB 101 99 46

HSL 57.82, 0.37%, 0.29%

LAB 41.04, -7.3, 30.05

 

CMYK 0 / 16 / 54 / 60

HEX #65552E

RGB 101 85 46

HSL 42.55, 0.37%, 0.29%

LAB 36.86, 0.98, 25.03

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 54 / 0 / 51 / 60

HEX #2E6531

RGB 46 101 49

HSL 123.27, 0.37%, 0.29%

LAB 38.04, -30.2, 23.9

 

CMYK 54 / 0 / 37 / 60

HEX #2E6540

RGB 46 101 64

HSL 139.64, 0.37%, 0.29%

LAB 38.3, -27.46, 15.55

 

CMYK 54 / 0 / 23 / 60

HEX #2E654E

RGB 46 101 78

HSL 154.91, 0.37%, 0.29%

LAB 38.62, -24.3, 7.55

 

CMYK 54 / 0 / 8 / 60

HEX #2E655D

RGB 46 101 93

HSL 171.27, 0.37%, 0.29%

LAB 39.03, -20.34, -1.03

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 55 / 0 / 70 / 56

HEX #337122

RGB 51 113 34

HSL 107.09, 0.54%, 0.29%

LAB 42.2, -35.84, 36.44

 

CMYK 64 / 0 / 82 / 51

HEX #2D7D16

RGB 45 125 22

HSL 106.6, 0.7%, 0.29%

LAB 46.02, -43.2, 44.84

 

CMYK 72 / 0 / 93 / 46

HEX #26890A

RGB 38 137 10

HSL 106.77, 0.86%, 0.29%

LAB 49.89, -49.54, 51.2

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 27 / 0 / 35 / 65

HEX #41593A

RGB 65 89 58

HSL 106.45, 0.21%, 0.29%

LAB 35.15, -15.84, 15.1

 

CMYK 6 / 0 / 9 / 70

HEX #484D46

RGB 72 77 70

HSL 102.86, 0.05%, 0.29%

LAB 32.1, -3.56, 3.45

 

CMYK 5 / 21 / 0 / 68

HEX #4E4152

RGB 78 65 82

HSL 285.88, 0.12%, 0.29%

LAB 29.44, 9.2, -8.12

 

CMYK 10 / 44 / 0 / 63

HEX #55355E

RGB 85 53 94

HSL 286.83, 0.28%, 0.29%

LAB 27.53, 22.33, -18.76

 

CMYK 13 / 0 / 54 / 60

HEX #58652E

RGB 88 101 46

HSL 74.18, 0.37%, 0.29%

LAB 40.54, -14.37, 29.18

 

CMYK 28 / 0 / 54 / 60

HEX #49652E

RGB 73 101 46

HSL 90.55, 0.37%, 0.29%

LAB 39.45, -20.84, 27.61

 

CMYK 42 / 0 / 54 / 60

HEX #3B652E

RGB 59 101 46

HSL 105.82, 0.37%, 0.29%

LAB 38.61, -26.31, 26.41

 

CMYK 54 / 0 / 52 / 60

HEX #2E6530

RGB 46 101 48

HSL 122.18, 0.37%, 0.29%

LAB 38.02, -30.36, 24.44

 

CMYK 54 / 0 / 38 / 60

HEX #2E653F

RGB 46 101 63

HSL 138.55, 0.37%, 0.29%

LAB 38.28, -27.66, 16.12

 

CMYK 43 / 0 / 55 / 83

HEX #192C14

RGB 25 44 20

HSL 107.5, 0.38%, 0.13%

LAB 15.79, -13.66, 13.16

 

CMYK 42 / 0 / 55 / 71

HEX #2A4921

RGB 42 73 33

HSL 106.5, 0.38%, 0.21%

LAB 27.76, -20.5, 20.28

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 43 / 0 / 54 / 49

HEX #4A813B

RGB 74 129 59

HSL 107.14, 0.37%, 0.37%

LAB 48.85, -32.48, 32.05

 

CMYK 42 / 0 / 54 / 38

HEX #5B9D48

RGB 91 157 72

HSL 106.59, 0.37%, 0.45%

LAB 58.79, -37.72, 37.59

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 54 / 0 / 2 / 60

HEX #2E6563

RGB 46 101 99

HSL 177.82, 0.37%, 0.29%

LAB 39.22, -18.61, -4.43

 

CMYK 0 / 54 / 20 / 60

HEX #652E51

RGB 101 46 81

HSL 321.82, 0.37%, 0.29%

LAB 27.61, 29.56, -9.94

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 54 / 42 / 0 / 60

HEX #2E3B65

RGB 46 59 101

HSL 225.82, 0.37%, 0.29%

LAB 25.71, 8.06, -26.43

 

CMYK 0 / 54 / 42 / 60

HEX #652E3B

RGB 101 46 59

HSL 345.82, 0.37%, 0.29%

LAB 26.84, 26.26, 3.53

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 54 / 0 / 2 / 60

HEX #2E6563

RGB 46 101 99

HSL 177.82, 0.37%, 0.29%

LAB 39.22, -18.61, -4.43

 

CMYK 13 / 54 / 0 / 60

HEX #582E65

RGB 88 46 101

HSL 285.82, 0.37%, 0.29%

LAB 26.64, 29.21, -24.66

 

CMYK 0 / 54 / 52 / 60

HEX #652E30

RGB 101 46 48

HSL 357.82, 0.37%, 0.29%

LAB 26.55, 24.96, 10.46

 

CMYK 43 / 0 / 54 / 60

HEX #3A652E

RGB 58 101 46

HSL 106.91, 0.37%, 0.29%

LAB 38.56, -26.67, 26.33

 

CMYK 54 / 15 / 0 / 60

HEX #2E5665

RGB 46 86 101

HSL 196.36, 0.37%, 0.29%

LAB 34.35, -9.41, -13

 

CMYK 13 / 54 / 0 / 60

HEX #582E65

RGB 88 46 101

HSL 285.82, 0.37%, 0.29%

LAB 26.64, 29.21, -24.66

 

CMYK 0 / 40 / 54 / 60

HEX #653D2E

RGB 101 61 46

HSL 16.36, 0.37%, 0.29%

LAB 30.16, 15.76, 16.58

 

Description

Color code: HEX #3A652E | qconv.com Color code: HEX #3A652E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 101 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 101 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 54 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 54% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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