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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6947 it is the complementary color #C596B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6947. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6947 shade: #3F6942, #507B55, #618D68, #729F7B and #83B18E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6947. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6947 shade: #3A6947, #295734, #184521, #07330E and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6947 shade: #396947, #39693A, #466939, #536939 and #5F6939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6947 shade: #396947, #396953, #396960, #396569 and #395869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6947 shade matches the following richer shades: #396947, #2C7641, #1F833B, #129035 and #059E2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6947 shade: #396947, #475C4C, #544E52, #614158 and #6E345E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6947 shade: #466939, #396939, #396946, #396953 and #39695F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6947 shade: #1C3423, #2B4E35, #396947, #488358 and #579E6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6947 shade: #3A6947, #395369 and #693940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6947 shade: #3A6947, #463969 and #694639

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6947 shade: #3A6947, #395369, #69395C and #695039

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6947 shade: #3A6947, #394469, #69395C and #695E39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 32 / 59

HEX #3A6947

RGB 58 105 71

HSL 136.6, 0.29%, 0.32%

LAB 40.34, -24.33, 14.24

 

Complementary color

CMYK 0 / 24 / 7 / 23

HEX #C596B8

RGB 197 150 184

HSL 316.6, 0.29%, 0.68%

LAB 67.38, 23.18, -10.81

 

CMYK 40 / 0 / 37 / 59

HEX #3F6942

RGB 63 105 66

HSL 124.29, 0.25%, 0.33%

LAB 40.5, -23.63, 17.45

 

CMYK 35 / 0 / 31 / 52

HEX #507B55

RGB 80 123 85

HSL 126.98, 0.21%, 0.4%

LAB 47.66, -23.34, 16.19

 

CMYK 31 / 0 / 26 / 45

HEX #618D68

RGB 97 141 104

HSL 129.55, 0.18%, 0.47%

LAB 54.65, -23.06, 15.04

 

CMYK 28 / 0 / 23 / 38

HEX #729F7B

RGB 114 159 123

HSL 132, 0.19%, 0.54%

LAB 61.48, -22.8, 13.99

 

CMYK 26 / 0 / 20 / 31

HEX #83B18E

RGB 131 177 142

HSL 134.35, 0.23%, 0.6%

LAB 68.18, -22.56, 13.02

 

CMYK 45 / 0 / 32 / 59

HEX #3A6947

RGB 58 105 71

HSL 136.6, 0.29%, 0.32%

LAB 40.34, -24.33, 14.24

 

CMYK 53 / 0 / 40 / 66

HEX #295734

RGB 41 87 52

HSL 134.35, 0.36%, 0.25%

LAB 33, -24.57, 15.62

 

CMYK 65 / 0 / 52 / 73

HEX #184521

RGB 24 69 33

HSL 132, 0.48%, 0.18%

LAB 25.44, -24.59, 17.21

 

CMYK 86 / 0 / 73 / 80

HEX #07330E

RGB 7 51 14

HSL 129.55, 0.76%, 0.11%

LAB 17.67, -24, 18.79

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 46 / 0 / 32 / 59

HEX #396947

RGB 57 105 71

HSL 137.5, 0.3%, 0.32%

LAB 40.29, -24.65, 14.16

 

CMYK 46 / 0 / 45 / 59

HEX #39693A

RGB 57 105 58

HSL 121.25, 0.3%, 0.32%

LAB 40.05, -27.09, 21.45

 

CMYK 33 / 0 / 46 / 59

HEX #466939

RGB 70 105 57

HSL 103.75, 0.3%, 0.32%

LAB 40.74, -22.58, 23.04

 

CMYK 21 / 0 / 46 / 59

HEX #536939

RGB 83 105 57

HSL 87.5, 0.3%, 0.32%

LAB 41.59, -17.36, 24.3

 

CMYK 10 / 0 / 46 / 59

HEX #5F6939

RGB 95 105 57

HSL 72.5, 0.3%, 0.32%

LAB 42.51, -12.21, 25.65

 

CMYK 46 / 0 / 32 / 59

HEX #396947

RGB 57 105 71

HSL 137.5, 0.3%, 0.32%

LAB 40.29, -24.65, 14.16

 

CMYK 46 / 0 / 21 / 59

HEX #396953

RGB 57 105 83

HSL 152.5, 0.3%, 0.32%

LAB 40.57, -22, 7.34

 

CMYK 46 / 0 / 9 / 59

HEX #396960

RGB 57 105 96

HSL 168.75, 0.3%, 0.32%

LAB 40.92, -18.74, -0.03

 

CMYK 46 / 4 / 0 / 59

HEX #396569

RGB 57 101 105

HSL 185, 0.3%, 0.32%

LAB 39.91, -14.02, -7.03

 

CMYK 46 / 16 / 0 / 59

HEX #395869

RGB 57 88 105

HSL 201.25, 0.3%, 0.32%

LAB 35.73, -6.38, -13.34

 

CMYK 46 / 0 / 32 / 59

HEX #396947

RGB 57 105 71

HSL 137.5, 0.3%, 0.32%

LAB 40.29, -24.65, 14.16

 

CMYK 63 / 0 / 45 / 54

HEX #2C7641

RGB 44 118 65

HSL 137.03, 0.46%, 0.32%

LAB 44.05, -35.5, 22.54

 

CMYK 76 / 0 / 55 / 49

HEX #1F833B

RGB 31 131 59

HSL 136.8, 0.62%, 0.32%

LAB 48.06, -44.31, 30.75

 

CMYK 88 / 0 / 63 / 44

HEX #129035

RGB 18 144 53

HSL 136.67, 0.78%, 0.32%

LAB 52.21, -51.35, 38.57

 

CMYK 97 / 0 / 70 / 38

HEX #059E2F

RGB 5 158 47

HSL 136.47, 0.94%, 0.32%

LAB 56.77, -57.37, 46.2

 

CMYK 46 / 0 / 32 / 59

HEX #396947

RGB 57 105 71

HSL 137.5, 0.3%, 0.32%

LAB 40.29, -24.65, 14.16

 

CMYK 23 / 0 / 17 / 64

HEX #475C4C

RGB 71 92 76

HSL 134.29, 0.13%, 0.32%

LAB 36.96, -11.64, 6.62

 

CMYK 0 / 7 / 2 / 67

HEX #544E52

RGB 84 78 82

HSL 320, 0.04%, 0.32%

LAB 33.86, 3.31, -1.47

 

CMYK 0 / 33 / 9 / 62

HEX #614158

RGB 97 65 88

HSL 316.88, 0.2%, 0.32%

LAB 31.87, 17.98, -8.11

 

CMYK 0 / 53 / 15 / 57

HEX #6E345E

RGB 110 52 94

HSL 316.55, 0.36%, 0.32%

LAB 30.83, 31.64, -13.38

 

CMYK 33 / 0 / 46 / 59

HEX #466939

RGB 70 105 57

HSL 103.75, 0.3%, 0.32%

LAB 40.74, -22.58, 23.04

 

CMYK 46 / 0 / 46 / 59

HEX #396939

RGB 57 105 57

HSL 120, 0.3%, 0.32%

LAB 40.03, -27.26, 22

 

CMYK 46 / 0 / 33 / 59

HEX #396946

RGB 57 105 70

HSL 136.25, 0.3%, 0.32%

LAB 40.27, -24.86, 14.73

 

CMYK 46 / 0 / 21 / 59

HEX #396953

RGB 57 105 83

HSL 152.5, 0.3%, 0.32%

LAB 40.57, -22, 7.34

 

CMYK 46 / 0 / 10 / 59

HEX #39695F

RGB 57 105 95

HSL 167.5, 0.3%, 0.32%

LAB 40.9, -19, 0.53

 

CMYK 46 / 0 / 33 / 80

HEX #1C3423

RGB 28 52 35

HSL 137.5, 0.3%, 0.16%

LAB 19.33, -13.99, 7.88

 

CMYK 45 / 0 / 32 / 69

HEX #2B4E35

RGB 43 78 53

HSL 137.14, 0.29%, 0.24%

LAB 29.96, -19.07, 10.93

 

CMYK 46 / 0 / 32 / 59

HEX #396947

RGB 57 105 71

HSL 137.5, 0.3%, 0.32%

LAB 40.29, -24.65, 14.16

 

CMYK 45 / 0 / 33 / 49

HEX #488358

RGB 72 131 88

HSL 136.27, 0.29%, 0.4%

LAB 49.88, -29.34, 17.41

 

CMYK 45 / 0 / 33 / 38

HEX #579E6A

RGB 87 158 106

HSL 136.06, 0.29%, 0.48%

LAB 59.45, -34.12, 20.41

 

CMYK 45 / 0 / 32 / 59

HEX #3A6947

RGB 58 105 71

HSL 136.6, 0.29%, 0.32%

LAB 40.34, -24.33, 14.24

 

CMYK 46 / 21 / 0 / 59

HEX #395369

RGB 57 83 105

HSL 207.5, 0.3%, 0.32%

LAB 34.14, -3.3, -15.77

 

CMYK 0 / 46 / 39 / 59

HEX #693940

RGB 105 57 64

HSL 351.25, 0.3%, 0.32%

LAB 30.16, 22.11, 5.05

 

CMYK 45 / 0 / 32 / 59

HEX #3A6947

RGB 58 105 71

HSL 136.6, 0.29%, 0.32%

LAB 40.34, -24.33, 14.24

 

CMYK 33 / 46 / 0 / 59

HEX #463969

RGB 70 57 105

HSL 256.25, 0.3%, 0.32%

LAB 27.43, 17.67, -26.14

 

CMYK 0 / 33 / 46 / 59

HEX #694639

RGB 105 70 57

HSL 16.25, 0.3%, 0.32%

LAB 33.31, 13.28, 13.91

 

CMYK 45 / 0 / 32 / 59

HEX #3A6947

RGB 58 105 71

HSL 136.6, 0.29%, 0.32%

LAB 40.34, -24.33, 14.24

 

CMYK 46 / 21 / 0 / 59

HEX #395369

RGB 57 83 105

HSL 207.5, 0.3%, 0.32%

LAB 34.14, -3.3, -15.77

 

CMYK 0 / 46 / 12 / 59

HEX #69395C

RGB 105 57 92

HSL 316.25, 0.3%, 0.32%

LAB 31.12, 26.64, -11.72

 

CMYK 0 / 24 / 46 / 59

HEX #695039

RGB 105 80 57

HSL 28.75, 0.3%, 0.32%

LAB 36.05, 7.12, 17.57

 

CMYK 45 / 0 / 32 / 59

HEX #3A6947

RGB 58 105 71

HSL 136.6, 0.29%, 0.32%

LAB 40.34, -24.33, 14.24

 

CMYK 46 / 35 / 0 / 59

HEX #394469

RGB 57 68 105

HSL 226.25, 0.3%, 0.32%

LAB 29.47, 6.39, -23.01

 

CMYK 0 / 46 / 12 / 59

HEX #69395C

RGB 105 57 92

HSL 316.25, 0.3%, 0.32%

LAB 31.12, 26.64, -11.72

 

CMYK 0 / 10 / 46 / 59

HEX #695E39

RGB 105 94 57

HSL 46.25, 0.3%, 0.32%

LAB 40.09, -1.34, 22.79

 

Description

Color code: HEX #3A6947 | qconv.com Color code: HEX #3A6947 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 105 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 105 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 32 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 32% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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