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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6281 it is the complementary color #C59D7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6281 shade: #3F627C, #50748F, #6186A2, #7298B5 and #83AAC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6281 shade: #3A6281, #29506E, #183E5B, #072C48 and #001A35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6281 shade: #3A6282, #3A4F82, #3A3C82, #4C3A82 and #5F3A82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6281 shade: #3A6282, #3A4F82, #3A3C82 and #3A3A82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6281 shade matches the following richer shades: #3A6282, #2B6491, #1B66A0 and #0C68B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6281 shade: #3A6282, #496072, #595F63, #685D54 and #775B45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6281 shade: #3A827B, #3A7682, #3A6382, #3A5082 and #3A3C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6281 shade: #203749, #2D4D65, #3A6282, #47789E and #5A8DB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6281 shade: #3A6281, #673A82 and #7F823A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6281 shade: #3A6281, #823A63 and #63823A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6281 shade: #3A6281, #673A82, #82593A and #54823A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6281 shade: #3A6281, #7D3A82, #82593A and #3F823A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 24 / 0 / 49

HEX #3A6281

RGB 58 98 129

HSL 206.2, 0.38%, 0.37%

LAB 39.95, -4.53, -21.61

 

Complementary color

CMYK 0 / 20 / 36 / 23

HEX #C59D7E

RGB 197 157 126

HSL 26.2, 0.38%, 0.63%

LAB 67.64, 10.53, 21.86

 

CMYK 49 / 21 / 0 / 51

HEX #3F627C

RGB 63 98 124

HSL 205.57, 0.33%, 0.37%

LAB 39.99, -4.87, -18.48

 

CMYK 44 / 19 / 0 / 44

HEX #50748F

RGB 80 116 143

HSL 205.71, 0.28%, 0.44%

LAB 47.21, -5.22, -18.72

 

CMYK 40 / 17 / 0 / 36

HEX #6186A2

RGB 97 134 162

HSL 205.85, 0.26%, 0.51%

LAB 54.24, -5.48, -18.98

 

CMYK 37 / 16 / 0 / 29

HEX #7298B5

RGB 114 152 181

HSL 205.97, 0.31%, 0.58%

LAB 61.11, -5.68, -19.26

 

CMYK 35 / 15 / 0 / 22

HEX #83AAC8

RGB 131 170 200

HSL 206.09, 0.39%, 0.65%

LAB 67.83, -5.85, -19.55

 

CMYK 55 / 24 / 0 / 49

HEX #3A6281

RGB 58 98 129

HSL 206.2, 0.38%, 0.37%

LAB 39.95, -4.53, -21.61

 

CMYK 63 / 27 / 0 / 57

HEX #29506E

RGB 41 80 110

HSL 206.09, 0.46%, 0.3%

LAB 32.56, -3.81, -21.42

 

CMYK 74 / 32 / 0 / 64

HEX #183E5B

RGB 24 62 91

HSL 205.97, 0.58%, 0.23%

LAB 24.94, -2.71, -21.24

 

CMYK 90 / 39 / 0 / 72

HEX #072C48

RGB 7 44 72

HSL 205.85, 0.82%, 0.15%

LAB 17.06, -0.91, -21.02

 

CMYK 100 / 51 / 0 / 79

HEX #001A35

RGB 0 26 53

HSL 210.57, 1%, 0.1%

LAB 8.96, 2.43, -20.61

 

CMYK 55 / 25 / 0 / 49

HEX #3A6282

RGB 58 98 130

HSL 206.67, 0.38%, 0.37%

LAB 39.99, -4.19, -22.15

 

CMYK 55 / 39 / 0 / 49

HEX #3A4F82

RGB 58 79 130

HSL 222.5, 0.38%, 0.37%

LAB 34.2, 7.84, -31.22

 

CMYK 55 / 54 / 0 / 49

HEX #3A3C82

RGB 58 60 130

HSL 238.33, 0.38%, 0.37%

LAB 28.75, 20.5, -39.91

 

CMYK 42 / 55 / 0 / 49

HEX #4C3A82

RGB 76 58 130

HSL 255, 0.38%, 0.37%

LAB 29.85, 26.17, -38.06

 

CMYK 27 / 55 / 0 / 49

HEX #5F3A82

RGB 95 58 130

HSL 270.83, 0.38%, 0.37%

LAB 31.97, 31.33, -34.56

 

CMYK 55 / 25 / 0 / 49

HEX #3A6282

RGB 58 98 130

HSL 206.67, 0.38%, 0.37%

LAB 39.99, -4.19, -22.15

 

CMYK 55 / 39 / 0 / 49

HEX #3A4F82

RGB 58 79 130

HSL 222.5, 0.38%, 0.37%

LAB 34.2, 7.84, -31.22

 

CMYK 55 / 54 / 0 / 49

HEX #3A3C82

RGB 58 60 130

HSL 238.33, 0.38%, 0.37%

LAB 28.75, 20.5, -39.91

 

CMYK 55 / 55 / 0 / 49

HEX #3A3A82

RGB 58 58 130

HSL 240, 0.38%, 0.37%

LAB 28.21, 21.83, -40.78

 

CMYK 55 / 25 / 0 / 49

HEX #3A6282

RGB 58 98 130

HSL 206.67, 0.38%, 0.37%

LAB 39.99, -4.19, -22.15

 

CMYK 70 / 31 / 0 / 43

HEX #2B6491

RGB 43 100 145

HSL 206.47, 0.54%, 0.37%

LAB 40.69, -3.2, -30.16

 

CMYK 83 / 36 / 0 / 37

HEX #1B66A0

RGB 27 102 160

HSL 206.17, 0.71%, 0.37%

LAB 41.65, -0.84, -37.63

 

CMYK 93 / 41 / 0 / 31

HEX #0C68B0

RGB 12 104 176

HSL 206.34, 0.87%, 0.37%

LAB 42.93, 3.18, -45.04

 

CMYK 55 / 25 / 0 / 49

HEX #3A6282

RGB 58 98 130

HSL 206.67, 0.38%, 0.37%

LAB 39.99, -4.19, -22.15

 

CMYK 36 / 16 / 0 / 55

HEX #496072

RGB 73 96 114

HSL 206.34, 0.22%, 0.37%

LAB 39.58, -3.76, -12.95

 

CMYK 10 / 4 / 0 / 61

HEX #595F63

RGB 89 95 99

HSL 204, 0.05%, 0.37%

LAB 39.93, -1.44, -3.09

 

CMYK 0 / 11 / 19 / 59

HEX #685D54

RGB 104 93 84

HSL 27, 0.11%, 0.37%

LAB 40.27, 2.78, 6.78

 

CMYK 0 / 24 / 42 / 53

HEX #775B45

RGB 119 91 69

HSL 26.4, 0.27%, 0.37%

LAB 40.95, 8.27, 17.09

 

CMYK 55 / 0 / 5 / 49

HEX #3A827B

RGB 58 130 123

HSL 174.17, 0.38%, 0.37%

LAB 49.85, -24.24, -3.05

 

CMYK 55 / 9 / 0 / 49

HEX #3A7682

RGB 58 118 130

HSL 190, 0.38%, 0.37%

LAB 46.27, -15.82, -12.54

 

CMYK 55 / 24 / 0 / 49

HEX #3A6382

RGB 58 99 130

HSL 205.83, 0.38%, 0.37%

LAB 40.3, -4.8, -21.67

 

CMYK 55 / 38 / 0 / 49

HEX #3A5082

RGB 58 80 130

HSL 221.67, 0.38%, 0.37%

LAB 34.5, 7.19, -30.75

 

CMYK 55 / 54 / 0 / 49

HEX #3A3C82

RGB 58 60 130

HSL 238.33, 0.38%, 0.37%

LAB 28.75, 20.5, -39.91

 

CMYK 56 / 25 / 0 / 71

HEX #203749

RGB 32 55 73

HSL 206.34, 0.39%, 0.21%

LAB 22.02, -3.02, -13.86

 

CMYK 55 / 24 / 0 / 60

HEX #2D4D65

RGB 45 77 101

HSL 205.71, 0.38%, 0.29%

LAB 31.36, -4.11, -17.59

 

CMYK 55 / 25 / 0 / 49

HEX #3A6282

RGB 58 98 130

HSL 206.67, 0.38%, 0.37%

LAB 39.99, -4.19, -22.15

 

CMYK 55 / 24 / 0 / 38

HEX #47789E

RGB 71 120 158

HSL 206.21, 0.38%, 0.45%

LAB 48.56, -5.19, -25.51

 

CMYK 50 / 22 / 0 / 29

HEX #5A8DB4

RGB 90 141 180

HSL 206, 0.38%, 0.53%

LAB 56.6, -6.05, -25.71

 

CMYK 55 / 24 / 0 / 49

HEX #3A6281

RGB 58 98 129

HSL 206.2, 0.38%, 0.37%

LAB 39.95, -4.53, -21.61

 

CMYK 21 / 55 / 0 / 49

HEX #673A82

RGB 103 58 130

HSL 277.5, 0.38%, 0.37%

LAB 32.97, 33.6, -32.91

 

CMYK 2 / 0 / 55 / 49

HEX #7F823A

RGB 127 130 58

HSL 62.5, 0.38%, 0.37%

LAB 52.71, -11.73, 38

 

CMYK 55 / 24 / 0 / 49

HEX #3A6281

RGB 58 98 129

HSL 206.2, 0.38%, 0.37%

LAB 39.95, -4.53, -21.61

 

CMYK 0 / 55 / 24 / 49

HEX #823A63

RGB 130 58 99

HSL 325.83, 0.38%, 0.37%

LAB 35.35, 36.1, -9.43

 

CMYK 24 / 0 / 55 / 49

HEX #63823A

RGB 99 130 58

HSL 85.83, 0.38%, 0.37%

LAB 50.6, -23.68, 35

 

CMYK 55 / 24 / 0 / 49

HEX #3A6281

RGB 58 98 129

HSL 206.2, 0.38%, 0.37%

LAB 39.95, -4.53, -21.61

 

CMYK 21 / 55 / 0 / 49

HEX #673A82

RGB 103 58 130

HSL 277.5, 0.38%, 0.37%

LAB 32.97, 33.6, -32.91

 

CMYK 0 / 32 / 55 / 49

HEX #82593A

RGB 130 89 58

HSL 25.83, 0.38%, 0.37%

LAB 41.53, 13.19, 24.61

 

CMYK 35 / 0 / 55 / 49

HEX #54823A

RGB 84 130 58

HSL 98.33, 0.38%, 0.37%

LAB 49.68, -29.52, 33.69

 

CMYK 55 / 24 / 0 / 49

HEX #3A6281

RGB 58 98 129

HSL 206.2, 0.38%, 0.37%

LAB 39.95, -4.53, -21.61

 

CMYK 4 / 55 / 0 / 49

HEX #7D3A82

RGB 125 58 130

HSL 295.83, 0.38%, 0.37%

LAB 35.98, 40, -27.95

 

CMYK 0 / 32 / 55 / 49

HEX #82593A

RGB 130 89 58

HSL 25.83, 0.38%, 0.37%

LAB 41.53, 13.19, 24.61

 

CMYK 52 / 0 / 55 / 49

HEX #3F823A

RGB 63 130 58

HSL 115.83, 0.38%, 0.37%

LAB 48.67, -36.6, 32.23

 

Description

Color code: HEX #3A6281 | qconv.com Color code: HEX #3A6281 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 98 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 98 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 24 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 24% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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