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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6FBE it is the complementary color #C59041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6FBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6FBE shade: #3F6FB9, #5081CC, #6193DF, #72A5F2 and #83B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6FBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6FBE shade: #3A6FBE, #295DAB, #184B98, #073985 and #002772

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6FBE shade: #3A6FBF, #3A4CBF, #4C3ABF, #703ABF and #943ABF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6FBE shade: #3A6FBF, #3A4CBF and #3A3ABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6FBE shade matches the following richer shades: #3A6FBF, #266BD3 and #1267E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6FBE shade: #3A6FBF, #4E73AA, #637796, #777B82 and #8B7F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6FBE shade: #3AB8BF, #3A95BF, #3A71BF, #3A4EBF and #4A3ABF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6FBE shade: #274A80, #315D9F, #3A6FBF, #5786CB and #779CD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6FBE shade: #3A6FBE, #A23ABF and #A6BF3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6FBE shade: #3A6FBE, #BF3A71 and #71BF3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6FBE shade: #3A6FBE, #A23ABF, #BF873A and #57BF3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6FBE shade: #3A6FBE, #BF3AB4, #BF873A and #3ABF45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 42 / 0 / 25

HEX #3A6FBE

RGB 58 111 190

HSL 215.91, 0.53%, 0.49%

LAB 46.96, 8.81, -46.69

 

Complementary color

CMYK 0 / 27 / 67 / 23

HEX #C59041

RGB 197 144 65

HSL 35.91, 0.53%, 0.51%

LAB 63.51, 12.07, 48.6

 

CMYK 66 / 40 / 0 / 27

HEX #3F6FB9

RGB 63 111 185

HSL 216.39, 0.49%, 0.49%

LAB 46.88, 7.84, -43.91

 

CMYK 61 / 37 / 0 / 20

HEX #5081CC

RGB 80 129 204

HSL 216.29, 0.55%, 0.56%

LAB 53.78, 6.5, -43.81

 

CMYK 57 / 34 / 0 / 13

HEX #6193DF

RGB 97 147 223

HSL 216.19, 0.66%, 0.63%

LAB 60.55, 5.43, -43.74

 

CMYK 53 / 32 / 0 / 5

HEX #72A5F2

RGB 114 165 242

HSL 216.09, 0.83%, 0.7%

LAB 67.2, 4.55, -43.69

 

CMYK 49 / 28 / 0 / 0

HEX #83B7FF

RGB 131 183 255

HSL 214.84, 1%, 0.76%

LAB 73.49, 2.07, -40.85

 

CMYK 69 / 42 / 0 / 25

HEX #3A6FBE

RGB 58 111 190

HSL 215.91, 0.53%, 0.49%

LAB 46.96, 8.81, -46.69

 

CMYK 76 / 46 / 0 / 33

HEX #295DAB

RGB 41 93 171

HSL 216, 0.61%, 0.42%

LAB 39.98, 10.77, -46.78

 

CMYK 84 / 51 / 0 / 40

HEX #184B98

RGB 24 75 152

HSL 216.09, 0.73%, 0.35%

LAB 32.9, 13.33, -46.83

 

CMYK 95 / 57 / 0 / 48

HEX #073985

RGB 7 57 133

HSL 216.19, 0.9%, 0.27%

LAB 25.76, 16.68, -46.74

 

CMYK 100 / 66 / 0 / 55

HEX #002772

RGB 0 39 114

HSL 219.47, 1%, 0.22%

LAB 18.65, 21.04, -46.31

 

CMYK 70 / 42 / 0 / 25

HEX #3A6FBF

RGB 58 111 191

HSL 216.09, 0.53%, 0.49%

LAB 47.01, 9.18, -47.18

 

CMYK 70 / 60 / 0 / 25

HEX #3A4CBF

RGB 58 76 191

HSL 231.88, 0.53%, 0.49%

LAB 37.54, 31.61, -62.47

 

CMYK 60 / 70 / 0 / 25

HEX #4C3ABF

RGB 76 58 191

HSL 248.12, 0.53%, 0.49%

LAB 34.65, 45.1, -67.14

 

CMYK 41 / 70 / 0 / 25

HEX #703ABF

RGB 112 58 191

HSL 264.36, 0.53%, 0.49%

LAB 38.26, 51.12, -61.1

 

CMYK 23 / 70 / 0 / 25

HEX #943ABF

RGB 148 58 191

HSL 280.6, 0.53%, 0.49%

LAB 42.89, 58.33, -53.38

 

CMYK 70 / 42 / 0 / 25

HEX #3A6FBF

RGB 58 111 191

HSL 216.09, 0.53%, 0.49%

LAB 47.01, 9.18, -47.18

 

CMYK 70 / 60 / 0 / 25

HEX #3A4CBF

RGB 58 76 191

HSL 231.88, 0.53%, 0.49%

LAB 37.54, 31.61, -62.47

 

CMYK 70 / 70 / 0 / 25

HEX #3A3ABF

RGB 58 58 191

HSL 240, 0.53%, 0.49%

LAB 33.32, 42.76, -69.37

 

CMYK 70 / 42 / 0 / 25

HEX #3A6FBF

RGB 58 111 191

HSL 216.09, 0.53%, 0.49%

LAB 47.01, 9.18, -47.18

 

CMYK 82 / 49 / 0 / 17

HEX #266BD3

RGB 38 107 211

HSL 216.07, 0.69%, 0.49%

LAB 46.49, 16.81, -59.54

 

CMYK 92 / 55 / 0 / 9

HEX #1267E7

RGB 18 103 231

HSL 216.06, 0.86%, 0.49%

LAB 46.44, 25.86, -70.97

 

CMYK 70 / 42 / 0 / 25

HEX #3A6FBF

RGB 58 111 191

HSL 216.09, 0.53%, 0.49%

LAB 47.01, 9.18, -47.18

 

CMYK 54 / 32 / 0 / 33

HEX #4E73AA

RGB 78 115 170

HSL 215.87, 0.37%, 0.49%

LAB 47.99, 3.28, -33.39

 

CMYK 34 / 21 / 0 / 41

HEX #637796

RGB 99 119 150

HSL 216.47, 0.2%, 0.49%

LAB 49.55, 0.51, -19.15

 

CMYK 8 / 5 / 0 / 49

HEX #777B82

RGB 119 123 130

HSL 218.18, 0.04%, 0.49%

LAB 51.5, -0.02, -4.33

 

CMYK 0 / 9 / 21 / 45

HEX #8B7F6E

RGB 139 127 110

HSL 35.17, 0.12%, 0.49%

LAB 53.81, 1.62, 10.9

 

CMYK 70 / 4 / 0 / 25

HEX #3AB8BF

RGB 58 184 191

HSL 183.16, 0.53%, 0.49%

LAB 68.71, -31.29, -13.53

 

CMYK 70 / 22 / 0 / 25

HEX #3A95BF

RGB 58 149 191

HSL 198.95, 0.53%, 0.49%

LAB 58.18, -13.25, -29.6

 

CMYK 70 / 41 / 0 / 25

HEX #3A71BF

RGB 58 113 191

HSL 215.19, 0.53%, 0.49%

LAB 47.59, 7.93, -46.27

 

CMYK 70 / 59 / 0 / 25

HEX #3A4EBF

RGB 58 78 191

HSL 230.98, 0.53%, 0.49%

LAB 38.04, 30.33, -61.65

 

CMYK 61 / 70 / 0 / 25

HEX #4A3ABF

RGB 74 58 191

HSL 247.22, 0.53%, 0.49%

LAB 34.49, 44.81, -67.42

 

CMYK 70 / 42 / 0 / 50

HEX #274A80

RGB 39 74 128

HSL 216.4, 0.53%, 0.33%

LAB 31.55, 6.43, -34.25

 

CMYK 69 / 42 / 0 / 38

HEX #315D9F

RGB 49 93 159

HSL 216, 0.53%, 0.41%

LAB 39.55, 7.4, -40.32

 

CMYK 70 / 42 / 0 / 25

HEX #3A6FBF

RGB 58 111 191

HSL 216.09, 0.53%, 0.49%

LAB 47.01, 9.18, -47.18

 

CMYK 57 / 34 / 0 / 20

HEX #5786CB

RGB 87 134 203

HSL 215.69, 0.53%, 0.57%

LAB 55.47, 4.58, -40.55

 

CMYK 44 / 27 / 0 / 16

HEX #779CD5

RGB 119 156 213

HSL 216.38, 0.53%, 0.65%

LAB 63.76, 2.26, -33.08

 

CMYK 69 / 42 / 0 / 25

HEX #3A6FBE

RGB 58 111 190

HSL 215.91, 0.53%, 0.49%

LAB 46.96, 8.81, -46.69

 

CMYK 15 / 70 / 0 / 25

HEX #A23ABF

RGB 162 58 191

HSL 286.92, 0.53%, 0.49%

LAB 44.9, 61.32, -50.04

 

CMYK 13 / 0 / 70 / 25

HEX #A6BF3A

RGB 166 191 58

HSL 71.28, 0.53%, 0.49%

LAB 73.33, -26.27, 60.97

 

CMYK 69 / 42 / 0 / 25

HEX #3A6FBE

RGB 58 111 190

HSL 215.91, 0.53%, 0.49%

LAB 46.96, 8.81, -46.69

 

CMYK 0 / 70 / 41 / 25

HEX #BF3A71

RGB 191 58 113

HSL 335.19, 0.53%, 0.49%

LAB 46.04, 57.1, -1.17

 

CMYK 41 / 0 / 70 / 25

HEX #71BF3A

RGB 113 191 58

HSL 95.19, 0.53%, 0.49%

LAB 70.23, -46.26, 56.81

 

CMYK 69 / 42 / 0 / 25

HEX #3A6FBE

RGB 58 111 190

HSL 215.91, 0.53%, 0.49%

LAB 46.96, 8.81, -46.69

 

CMYK 15 / 70 / 0 / 25

HEX #A23ABF

RGB 162 58 191

HSL 286.92, 0.53%, 0.49%

LAB 44.9, 61.32, -50.04

 

CMYK 0 / 29 / 70 / 25

HEX #BF873A

RGB 191 135 58

HSL 34.74, 0.53%, 0.49%

LAB 60.52, 14.01, 48.47

 

CMYK 54 / 0 / 70 / 25

HEX #57BF3A

RGB 87 191 58

HSL 106.92, 0.53%, 0.49%

LAB 69.18, -54.11, 55.39

 

CMYK 69 / 42 / 0 / 25

HEX #3A6FBE

RGB 58 111 190

HSL 215.91, 0.53%, 0.49%

LAB 46.96, 8.81, -46.69

 

CMYK 0 / 70 / 6 / 25

HEX #BF3AB4

RGB 191 58 180

HSL 304.96, 0.53%, 0.49%

LAB 48.76, 65.92, -37.21

 

CMYK 0 / 29 / 70 / 25

HEX #BF873A

RGB 191 135 58

HSL 34.74, 0.53%, 0.49%

LAB 60.52, 14.01, 48.47

 

CMYK 70 / 0 / 64 / 25

HEX #3ABF45

RGB 58 191 69

HSL 124.96, 0.53%, 0.49%

LAB 68.45, -59.61, 49.86

 

Description

Color code: HEX #3A6FBE | qconv.com Color code: HEX #3A6FBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 111 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 111 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 42 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 42% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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