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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A846D it is the complementary color #C57B92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A846D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A846D shade: #3F8468, #50967B, #61A88E, #72BAA1 and #83CCB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A846D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A846D shade: #3A846D, #29725A, #186047, #074E34 and #003C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A846D shade: #39836C, #398358, #398344, #428339 and #568339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A846D shade: #39836C, #398380, #397283, #395E83 and #394A83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A846D shade matches the following richer shades: #39836C, #2A9272, #1BA177 and #0BB07D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A846D shade: #39836C, #487366, #586460, #67555A and #764655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A846D shade: #398344, #398358, #39836B, #39837F and #397383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A846D shade: #20493C, #2C6654, #39836C, #469F83 and #59B699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A846D shade: #3A846D, #394283 and #834E39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A846D shade: #3A846D, #6B3983 and #836B39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A846D shade: #3A846D, #394283, #833950 and #837A39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A846D shade: #3A846D, #473983, #833950 and #758339

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 17 / 48

HEX #3A846D

RGB 58 132 109

HSL 161.35, 0.39%, 0.37%

LAB 50.1, -28.94, 5.51

 

Complementary color

CMYK 0 / 38 / 26 / 23

HEX #C57B92

RGB 197 123 146

HSL 341.35, 0.39%, 0.63%

LAB 59.99, 31.85, -0.22

 

CMYK 52 / 0 / 21 / 48

HEX #3F8468

RGB 63 132 104

HSL 155.65, 0.35%, 0.38%

LAB 50.17, -28.92, 8.53

 

CMYK 47 / 0 / 18 / 41

HEX #50967B

RGB 80 150 123

HSL 156.86, 0.3%, 0.45%

LAB 57.02, -28.75, 7.46

 

CMYK 42 / 0 / 15 / 34

HEX #61A88E

RGB 97 168 142

HSL 158.03, 0.29%, 0.52%

LAB 63.75, -28.55, 6.49

 

CMYK 39 / 0 / 13 / 27

HEX #72BAA1

RGB 114 186 161

HSL 159.17, 0.34%, 0.59%

LAB 70.36, -28.34, 5.6

 

CMYK 36 / 0 / 12 / 20

HEX #83CCB4

RGB 131 204 180

HSL 160.27, 0.42%, 0.66%

LAB 76.86, -28.13, 4.77

 

CMYK 56 / 0 / 17 / 48

HEX #3A846D

RGB 58 132 109

HSL 161.35, 0.39%, 0.37%

LAB 50.1, -28.94, 5.51

 

CMYK 64 / 0 / 21 / 55

HEX #29725A

RGB 41 114 90

HSL 160.27, 0.47%, 0.3%

LAB 43.13, -28.87, 6.68

 

CMYK 75 / 0 / 26 / 62

HEX #186047

RGB 24 96 71

HSL 159.17, 0.6%, 0.24%

LAB 36.01, -28.52, 8.06

 

CMYK 91 / 0 / 33 / 69

HEX #074E34

RGB 7 78 52

HSL 158.03, 0.84%, 0.17%

LAB 28.75, -27.64, 9.71

 

CMYK 100 / 0 / 45 / 76

HEX #003C21

RGB 0 60 33

HSL 153, 1%, 0.12%

LAB 21.36, -25.58, 11.79

 

CMYK 56 / 0 / 18 / 49

HEX #39836C

RGB 57 131 108

HSL 161.35, 0.39%, 0.37%

LAB 49.72, -28.94, 5.54

 

CMYK 56 / 0 / 33 / 49

HEX #398358

RGB 57 131 88

HSL 145.14, 0.39%, 0.37%

LAB 49.26, -33.53, 16.47

 

CMYK 56 / 0 / 48 / 49

HEX #398344

RGB 57 131 68

HSL 128.92, 0.39%, 0.37%

LAB 48.91, -37.25, 27.18

 

CMYK 50 / 0 / 56 / 49

HEX #428339

RGB 66 131 57

HSL 112.7, 0.39%, 0.37%

LAB 49.11, -36.25, 33.31

 

CMYK 34 / 0 / 56 / 49

HEX #568339

RGB 86 131 57

HSL 96.49, 0.39%, 0.37%

LAB 50.1, -29.37, 34.72

 

CMYK 56 / 0 / 18 / 49

HEX #39836C

RGB 57 131 108

HSL 161.35, 0.39%, 0.37%

LAB 49.72, -28.94, 5.54

 

CMYK 56 / 0 / 2 / 49

HEX #398380

RGB 57 131 128

HSL 177.57, 0.39%, 0.37%

LAB 50.29, -23.57, -5.34

 

CMYK 56 / 13 / 0 / 49

HEX #397283

RGB 57 114 131

HSL 193.78, 0.39%, 0.37%

LAB 45, -13.5, -15.06

 

CMYK 56 / 28 / 0 / 49

HEX #395E83

RGB 57 94 131

HSL 210, 0.39%, 0.37%

LAB 38.75, -1.64, -24.69

 

CMYK 56 / 44 / 0 / 49

HEX #394A83

RGB 57 74 131

HSL 226.22, 0.39%, 0.37%

LAB 32.71, 11.25, -34.2

 

CMYK 56 / 0 / 18 / 49

HEX #39836C

RGB 57 131 108

HSL 161.35, 0.39%, 0.37%

LAB 49.72, -28.94, 5.54

 

CMYK 71 / 0 / 22 / 43

HEX #2A9272

RGB 42 146 114

HSL 161.54, 0.55%, 0.37%

LAB 54.31, -37.3, 8.55

 

CMYK 83 / 0 / 26 / 37

HEX #1BA177

RGB 27 161 119

HSL 161.19, 0.71%, 0.37%

LAB 59.02, -44.31, 12.34

 

CMYK 94 / 0 / 29 / 31

HEX #0BB07D

RGB 11 176 125

HSL 161.45, 0.88%, 0.37%

LAB 63.84, -49.91, 15.72

 

CMYK 56 / 0 / 18 / 49

HEX #39836C

RGB 57 131 108

HSL 161.35, 0.39%, 0.37%

LAB 49.72, -28.94, 5.54

 

CMYK 37 / 0 / 11 / 55

HEX #487366

RGB 72 115 102

HSL 161.86, 0.23%, 0.37%

LAB 45.08, -18.13, 2.48

 

CMYK 12 / 0 / 4 / 61

HEX #586460

RGB 88 100 96

HSL 160, 0.06%, 0.37%

LAB 41.27, -5.48, 0.7

 

CMYK 0 / 17 / 13 / 60

HEX #67555A

RGB 103 85 90

HSL 343.33, 0.1%, 0.37%

LAB 38.05, 8.34, -0.13

 

CMYK 0 / 41 / 28 / 54

HEX #764655

RGB 118 70 85

HSL 341.25, 0.26%, 0.37%

LAB 35.77, 22.73, -0.11

 

CMYK 56 / 0 / 48 / 49

HEX #398344

RGB 57 131 68

HSL 128.92, 0.39%, 0.37%

LAB 48.91, -37.25, 27.18

 

CMYK 56 / 0 / 33 / 49

HEX #398358

RGB 57 131 88

HSL 145.14, 0.39%, 0.37%

LAB 49.26, -33.53, 16.47

 

CMYK 56 / 0 / 18 / 49

HEX #39836B

RGB 57 131 107

HSL 160.54, 0.39%, 0.37%

LAB 49.69, -29.18, 6.08

 

CMYK 56 / 0 / 3 / 49

HEX #39837F

RGB 57 131 127

HSL 176.76, 0.39%, 0.37%

LAB 50.26, -23.85, -4.8

 

CMYK 56 / 12 / 0 / 49

HEX #397383

RGB 57 115 131

HSL 192.97, 0.39%, 0.37%

LAB 45.32, -14.06, -14.58

 

CMYK 56 / 0 / 18 / 71

HEX #20493C

RGB 32 73 60

HSL 160.98, 0.39%, 0.21%

LAB 27.84, -18.09, 3.41

 

CMYK 57 / 0 / 18 / 60

HEX #2C6654

RGB 44 102 84

HSL 161.38, 0.4%, 0.29%

LAB 39.03, -23.8, 4.47

 

CMYK 56 / 0 / 18 / 49

HEX #39836C

RGB 57 131 108

HSL 161.35, 0.39%, 0.37%

LAB 49.72, -28.94, 5.54

 

CMYK 56 / 0 / 18 / 38

HEX #469F83

RGB 70 159 131

HSL 161.12, 0.39%, 0.45%

LAB 59.65, -33.62, 6.63

 

CMYK 51 / 0 / 16 / 29

HEX #59B699

RGB 89 182 153

HSL 161.29, 0.39%, 0.53%

LAB 67.93, -34.73, 6.35

 

CMYK 56 / 0 / 17 / 48

HEX #3A846D

RGB 58 132 109

HSL 161.35, 0.39%, 0.37%

LAB 50.1, -28.94, 5.51

 

CMYK 56 / 50 / 0 / 49

HEX #394283

RGB 57 66 131

HSL 232.7, 0.39%, 0.37%

LAB 30.41, 16.6, -37.87

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 56 / 0 / 17 / 48

HEX #3A846D

RGB 58 132 109

HSL 161.35, 0.39%, 0.37%

LAB 50.1, -28.94, 5.51

 

CMYK 18 / 56 / 0 / 49

HEX #6B3983

RGB 107 57 131

HSL 280.54, 0.39%, 0.37%

LAB 33.33, 35.55, -32.92

 

CMYK 0 / 18 / 56 / 49

HEX #836B39

RGB 131 107 57

HSL 40.54, 0.39%, 0.37%

LAB 46.49, 2.96, 31.3

 

CMYK 56 / 0 / 17 / 48

HEX #3A846D

RGB 58 132 109

HSL 161.35, 0.39%, 0.37%

LAB 50.1, -28.94, 5.51

 

CMYK 56 / 50 / 0 / 49

HEX #394283

RGB 57 66 131

HSL 232.7, 0.39%, 0.37%

LAB 30.41, 16.6, -37.87

 

CMYK 0 / 56 / 39 / 49

HEX #833950

RGB 131 57 80

HSL 341.35, 0.39%, 0.37%

LAB 34.66, 34.34, 1.7

 

CMYK 0 / 7 / 56 / 49

HEX #837A39

RGB 131 122 57

HSL 52.7, 0.39%, 0.37%

LAB 50.73, -5.61, 36.31

 

CMYK 56 / 0 / 17 / 48

HEX #3A846D

RGB 58 132 109

HSL 161.35, 0.39%, 0.37%

LAB 50.1, -28.94, 5.51

 

CMYK 46 / 56 / 0 / 49

HEX #473983

RGB 71 57 131

HSL 251.35, 0.39%, 0.37%

LAB 29.17, 25.86, -39.8

 

CMYK 0 / 56 / 39 / 49

HEX #833950

RGB 131 57 80

HSL 341.35, 0.39%, 0.37%

LAB 34.66, 34.34, 1.7

 

CMYK 11 / 0 / 56 / 49

HEX #758339

RGB 117 131 57

HSL 71.35, 0.39%, 0.37%

LAB 52.19, -16.73, 37.68

 

Description

Color code: HEX #3A846D | qconv.com Color code: HEX #3A846D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 132 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 132 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 17 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 17% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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