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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A9682 it is the complementary color #C5697D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A9682. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A9682 shade: #3F967D, #50A890, #61BAA3, #72CCB6 and #83DEC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A9682. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A9682 shade: #3A9682, #29846F, #18725C, #076049 and #004E36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A9682 shade: #3A9682, #3A9669, #3A9650, #3C963A and #55963A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A9682 shade: #3A9682, #3A9196, #3A7896, #3A6096 and #3A4796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A9682 shade matches the following richer shades: #3A9682, #29A78C, #18B895 and #07C99F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A9682 shade: #3A9682, #4B8578, #5C746F, #6D6365 and #7E525C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A9682 shade: #3A9650, #3A9668, #3A9681, #3A9396 and #3A7A96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A9682 shade: #235B4F, #2E7868, #3A9682, #46B49C and #61C1AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A9682 shade: #3A9682, #3A3D96 and #965C3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A9682 shade: #3A9682, #813A96 and #96813A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A9682 shade: #3A9682, #3A3D96, #963A50 and #96933A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A9682 shade: #3A9682, #533A96, #963A50 and #7E963A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

Complementary color

CMYK 0 / 47 / 37 / 23

HEX #C5697D

RGB 197 105 125

HSL 346.96, 0.44%, 0.59%

LAB 55.54, 38.68, 5.53

 

CMYK 58 / 0 / 17 / 41

HEX #3F967D

RGB 63 150 125

HSL 162.76, 0.41%, 0.42%

LAB 56.44, -32.42, 5.39

 

CMYK 52 / 0 / 14 / 34

HEX #50A890

RGB 80 168 144

HSL 163.64, 0.35%, 0.49%

LAB 63.11, -32.42, 4.37

 

CMYK 48 / 0 / 12 / 27

HEX #61BAA3

RGB 97 186 163

HSL 164.49, 0.39%, 0.55%

LAB 69.69, -32.34, 3.43

 

CMYK 44 / 0 / 11 / 20

HEX #72CCB6

RGB 114 204 182

HSL 165.33, 0.47%, 0.62%

LAB 76.16, -32.22, 2.57

 

CMYK 41 / 0 / 9 / 13

HEX #83DEC9

RGB 131 222 201

HSL 166.15, 0.58%, 0.69%

LAB 82.53, -32.07, 1.77

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 69 / 0 / 16 / 48

HEX #29846F

RGB 41 132 111

HSL 166.15, 0.53%, 0.34%

LAB 49.64, -31.87, 3.61

 

CMYK 79 / 0 / 19 / 55

HEX #18725C

RGB 24 114 92

HSL 165.33, 0.65%, 0.27%

LAB 42.77, -31.24, 4.91

 

CMYK 93 / 0 / 24 / 62

HEX #076049

RGB 7 96 73

HSL 164.49, 0.86%, 0.2%

LAB 35.78, -30.09, 6.45

 

CMYK 100 / 0 / 31 / 69

HEX #004E36

RGB 0 78 54

HSL 161.54, 1%, 0.15%

LAB 28.68, -28.01, 8.33

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 61 / 0 / 30 / 41

HEX #3A9669

RGB 58 150 105

HSL 150.65, 0.44%, 0.41%

LAB 55.82, -38.16, 15.83

 

CMYK 61 / 0 / 47 / 41

HEX #3A9650

RGB 58 150 80

HSL 134.35, 0.44%, 0.41%

LAB 55.37, -42.95, 28.95

 

CMYK 60 / 0 / 61 / 41

HEX #3C963A

RGB 60 150 58

HSL 118.7, 0.44%, 0.41%

LAB 55.15, -45.6, 39.81

 

CMYK 43 / 0 / 61 / 41

HEX #55963A

RGB 85 150 58

HSL 102.39, 0.44%, 0.41%

LAB 56.14, -38.26, 41.2

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 61 / 3 / 0 / 41

HEX #3A9196

RGB 58 145 150

HSL 183.26, 0.44%, 0.41%

LAB 55.43, -24.13, -10.43

 

CMYK 61 / 20 / 0 / 41

HEX #3A7896

RGB 58 120 150

HSL 199.57, 0.44%, 0.41%

LAB 47.67, -10.58, -22.24

 

CMYK 61 / 36 / 0 / 41

HEX #3A6096

RGB 58 96 150

HSL 215.22, 0.44%, 0.41%

LAB 40.36, 3.9, -33.64

 

CMYK 61 / 53 / 0 / 41

HEX #3A4796

RGB 58 71 150

HSL 231.52, 0.44%, 0.41%

LAB 33.15, 20.2, -45.14

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 75 / 0 / 16 / 35

HEX #29A78C

RGB 41 167 140

HSL 167.14, 0.61%, 0.41%

LAB 61.66, -40, 4.36

 

CMYK 87 / 0 / 19 / 28

HEX #18B895

RGB 24 184 149

HSL 166.88, 0.77%, 0.41%

LAB 67.01, -46.49, 7.04

 

CMYK 97 / 0 / 21 / 21

HEX #07C99F

RGB 7 201 159

HSL 167.01, 0.93%, 0.41%

LAB 72.44, -51.6, 9.34

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 44 / 0 / 10 / 48

HEX #4B8578

RGB 75 133 120

HSL 166.55, 0.28%, 0.41%

LAB 51.41, -22.31, 1.07

 

CMYK 21 / 0 / 4 / 55

HEX #5C746F

RGB 92 116 111

HSL 167.5, 0.12%, 0.41%

LAB 46.86, -9.89, -0.15

 

CMYK 0 / 9 / 7 / 57

HEX #6D6365

RGB 109 99 101

HSL 348, 0.05%, 0.41%

LAB 42.94, 4.36, 0.3

 

CMYK 0 / 35 / 27 / 51

HEX #7E525C

RGB 126 82 92

HSL 346.36, 0.21%, 0.41%

LAB 39.99, 19.9, 1.77

 

CMYK 61 / 0 / 47 / 41

HEX #3A9650

RGB 58 150 80

HSL 134.35, 0.44%, 0.41%

LAB 55.37, -42.95, 28.95

 

CMYK 61 / 0 / 31 / 41

HEX #3A9668

RGB 58 150 104

HSL 150, 0.44%, 0.41%

LAB 55.8, -38.38, 16.36

 

CMYK 61 / 0 / 14 / 41

HEX #3A9681

RGB 58 150 129

HSL 166.3, 0.44%, 0.41%

LAB 56.38, -32.44, 3.02

 

CMYK 61 / 2 / 0 / 41

HEX #3A9396

RGB 58 147 150

HSL 181.96, 0.44%, 0.41%

LAB 56.06, -25.15, -9.49

 

CMYK 61 / 19 / 0 / 41

HEX #3A7A96

RGB 58 122 150

HSL 198.26, 0.44%, 0.41%

LAB 48.29, -11.73, -21.28

 

CMYK 62 / 0 / 13 / 64

HEX #235B4F

RGB 35 91 79

HSL 167.14, 0.44%, 0.25%

LAB 34.81, -21.65, 1.43

 

CMYK 62 / 0 / 13 / 53

HEX #2E7868

RGB 46 120 104

HSL 167.03, 0.45%, 0.33%

LAB 45.65, -27.04, 1.98

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 61 / 0 / 13 / 29

HEX #46B49C

RGB 70 180 156

HSL 166.91, 0.44%, 0.49%

LAB 66.78, -37.11, 2.96

 

CMYK 50 / 0 / 11 / 24

HEX #61C1AC

RGB 97 193 172

HSL 166.88, 0.44%, 0.57%

LAB 72, -33.5, 1.87

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 61 / 59 / 0 / 41

HEX #3A3D96

RGB 58 61 150

HSL 238.04, 0.44%, 0.41%

LAB 30.49, 26.8, -49.44

 

CMYK 0 / 39 / 61 / 41

HEX #965C3A

RGB 150 92 58

HSL 22.17, 0.44%, 0.41%

LAB 44.86, 20.3, 29.31

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 14 / 61 / 0 / 41

HEX #813A96

RGB 129 58 150

HSL 286.3, 0.44%, 0.41%

LAB 37.65, 45.22, -37.52

 

CMYK 0 / 14 / 61 / 41

HEX #96813A

RGB 150 129 58

HSL 46.3, 0.44%, 0.41%

LAB 54.54, -0.88, 40.65

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 61 / 59 / 0 / 41

HEX #3A3D96

RGB 58 61 150

HSL 238.04, 0.44%, 0.41%

LAB 30.49, 26.8, -49.44

 

CMYK 0 / 61 / 47 / 41

HEX #963A50

RGB 150 58 80

HSL 345.65, 0.44%, 0.41%

LAB 38, 40.63, 6.91

 

CMYK 0 / 2 / 61 / 41

HEX #96933A

RGB 150 147 58

HSL 58.04, 0.44%, 0.41%

LAB 59.58, -10.73, 46.23

 

CMYK 61 / 0 / 13 / 41

HEX #3A9682

RGB 58 150 130

HSL 166.96, 0.44%, 0.41%

LAB 56.41, -32.18, 2.48

 

CMYK 45 / 61 / 0 / 41

HEX #533A96

RGB 83 58 150

HSL 256.3, 0.44%, 0.41%

LAB 31.96, 33.84, -46.96

 

CMYK 0 / 61 / 47 / 41

HEX #963A50

RGB 150 58 80

HSL 345.65, 0.44%, 0.41%

LAB 38, 40.63, 6.91

 

CMYK 16 / 0 / 61 / 41

HEX #7E963A

RGB 126 150 58

HSL 75.65, 0.44%, 0.41%

LAB 58.56, -22.63, 44.57

 

Description

Color code: HEX #3A9682 | qconv.com Color code: HEX #3A9682 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 150 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 150 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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