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Color name
HEX #3A9210

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A9210 it is the complementary color #C56DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A9210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A9210 shade: #3F920B, #50A41E, #61B631, #72C844 and #83DA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A9210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A9210 shade: #3A9210, #298000, #186E00, #075C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A9210 shade: #3A9210, #5D9210, #809210, #928110 and #925E10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A9210 shade: #3A9210, #179210, #10922C, #10924F and #109272

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A9210 shade matches the following richer shades: #3A9210 and #35A003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A9210 shade: #3A9210, #3F851D, #43782A, #486B37 and #4D5E45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A9210 shade: #819210, #5E9210, #3B9210, #199210 and #10922A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A9210 shade: #1C4808, #2B6D0C, #3A9210, #49B814 and #58DD18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A9210 shade: #3A9210, #109281 and #921070

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A9210 shade: #3A9210, #103B92 and #92103B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A9210 shade: #3A9210, #109281, #671092 and #921021

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A9210 shade: #3A9210, #107D92, #671092 and #922610

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

Complementary color

CMYK 18 / 54 / 0 / 6

HEX #C56DEF

RGB 197 109 239

HSL 280.62, 0.8%, 0.68%

LAB 60.82, 55.9, -51.67

 

CMYK 57 / 0 / 92 / 43

HEX #3F920B

RGB 63 146 11

HSL 96.89, 0.86%, 0.31%

LAB 53.64, -46.66, 54.48

 

CMYK 51 / 0 / 82 / 36

HEX #50A41E

RGB 80 164 30

HSL 97.61, 0.69%, 0.38%

LAB 60.2, -47.76, 56.07

 

CMYK 47 / 0 / 73 / 29

HEX #61B631

RGB 97 182 49

HSL 98.35, 0.58%, 0.45%

LAB 66.69, -48.43, 56.34

 

CMYK 43 / 0 / 66 / 22

HEX #72C844

RGB 114 200 68

HSL 99.09, 0.55%, 0.53%

LAB 73.09, -48.82, 55.88

 

CMYK 40 / 0 / 60 / 15

HEX #83DA57

RGB 131 218 87

HSL 99.85, 0.64%, 0.6%

LAB 79.42, -49.01, 55.04

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 68 / 0 / 100 / 50

HEX #298000

RGB 41 128 0

HSL 100.78, 1%, 0.25%

LAB 46.86, -46.17, 50.66

 

CMYK 78 / 0 / 100 / 57

HEX #186E00

RGB 24 110 0

HSL 106.91, 1%, 0.22%

LAB 40.16, -43.5, 45.16

 

CMYK 92 / 0 / 100 / 64

HEX #075C00

RGB 7 92 0

HSL 115.43, 1%, 0.18%

LAB 33.35, -40.04, 39.61

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 36 / 0 / 89 / 43

HEX #5D9210

RGB 93 146 16

HSL 84.46, 0.8%, 0.32%

LAB 54.99, -36.48, 55.2

 

CMYK 12 / 0 / 89 / 43

HEX #809210

RGB 128 146 16

HSL 68.31, 0.8%, 0.32%

LAB 57.25, -22, 58.01

 

CMYK 0 / 12 / 89 / 43

HEX #928110

RGB 146 129 16

HSL 52.15, 0.8%, 0.32%

LAB 53.87, -4.76, 55.89

 

CMYK 0 / 36 / 89 / 43

HEX #925E10

RGB 146 94 16

HSL 36, 0.8%, 0.32%

LAB 44.45, 15.22, 48.3

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 84 / 0 / 89 / 43

HEX #179210

RGB 23 146 16

HSL 116.77, 0.8%, 0.32%

LAB 52.7, -54.52, 52.33

 

CMYK 89 / 0 / 70 / 43

HEX #10922C

RGB 16 146 44

HSL 132.92, 0.8%, 0.32%

LAB 52.78, -53.21, 43.21

 

CMYK 89 / 0 / 46 / 43

HEX #10924F

RGB 16 146 79

HSL 149.08, 0.8%, 0.32%

LAB 53.2, -48.13, 26.54

 

CMYK 89 / 0 / 22 / 43

HEX #109272

RGB 16 146 114

HSL 165.23, 0.8%, 0.32%

LAB 53.9, -40.24, 7.92

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 67 / 0 / 98 / 37

HEX #35A003

RGB 53 160 3

HSL 100.89, 0.96%, 0.32%

LAB 57.95, -54.33, 59.15

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 53 / 0 / 78 / 48

HEX #3F851D

RGB 63 133 29

HSL 100.38, 0.64%, 0.32%

LAB 49.4, -40.78, 45.94

 

CMYK 44 / 0 / 65 / 53

HEX #43782A

RGB 67 120 42

HSL 100.77, 0.48%, 0.32%

LAB 45.35, -32.81, 36.38

 

CMYK 33 / 0 / 49 / 58

HEX #486B37

RGB 72 107 55

HSL 100.38, 0.32%, 0.32%

LAB 41.48, -23.13, 25.14

 

CMYK 18 / 0 / 27 / 63

HEX #4D5E45

RGB 77 94 69

HSL 100.8, 0.15%, 0.32%

LAB 37.87, -11.81, 12.24

 

CMYK 12 / 0 / 89 / 43

HEX #819210

RGB 129 146 16

HSL 67.85, 0.8%, 0.32%

LAB 57.33, -21.56, 58.1

 

CMYK 36 / 0 / 89 / 43

HEX #5E9210

RGB 94 146 16

HSL 84, 0.8%, 0.32%

LAB 55.05, -36.1, 55.27

 

CMYK 60 / 0 / 89 / 43

HEX #3B9210

RGB 59 146 16

HSL 100.15, 0.8%, 0.32%

LAB 53.52, -47.6, 53.36

 

CMYK 83 / 0 / 89 / 43

HEX #199210

RGB 25 146 16

HSL 115.85, 0.8%, 0.32%

LAB 52.73, -54.28, 52.37

 

CMYK 89 / 0 / 71 / 43

HEX #10922A

RGB 16 146 42

HSL 132, 0.8%, 0.32%

LAB 52.77, -53.42, 44.03

 

CMYK 61 / 0 / 89 / 72

HEX #1C4808

RGB 28 72 8

HSL 101.25, 0.8%, 0.16%

LAB 26.45, -27.8, 30.94

 

CMYK 61 / 0 / 89 / 57

HEX #2B6D0C

RGB 43 109 12

HSL 100.82, 0.8%, 0.24%

LAB 40.37, -38.19, 42.57

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 60 / 0 / 89 / 28

HEX #49B814

RGB 73 184 20

HSL 100.61, 0.8%, 0.4%

LAB 66.33, -57.39, 63.75

 

CMYK 60 / 0 / 89 / 13

HEX #58DD18

RGB 88 221 24

HSL 100.51, 0.8%, 0.48%

LAB 78.38, -66.19, 73.47

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 89 / 0 / 12 / 43

HEX #109281

RGB 16 146 129

HSL 172.15, 0.8%, 0.32%

LAB 54.29, -36.1, -0.12

 

CMYK 0 / 89 / 23 / 43

HEX #921070

RGB 146 16 112

HSL 315.69, 0.8%, 0.32%

LAB 33.25, 57.72, -20.67

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 89 / 60 / 0 / 43

HEX #103B92

RGB 16 59 146

HSL 220.15, 0.8%, 0.32%

LAB 27.61, 21.27, -51.77

 

CMYK 0 / 89 / 60 / 43

HEX #92103B

RGB 146 16 59

HSL 340.15, 0.8%, 0.32%

LAB 31.34, 52.42, 11.1

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 89 / 0 / 12 / 43

HEX #109281

RGB 16 146 129

HSL 172.15, 0.8%, 0.32%

LAB 54.29, -36.1, -0.12

 

CMYK 29 / 89 / 0 / 43

HEX #671092

RGB 103 16 146

HSL 280.15, 0.8%, 0.32%

LAB 27.65, 55.26, -51.38

 

CMYK 0 / 89 / 77 / 43

HEX #921021

RGB 146 16 33

HSL 352.15, 0.8%, 0.32%

LAB 30.86, 51.03, 27.48

 

CMYK 60 / 0 / 89 / 43

HEX #3A9210

RGB 58 146 16

HSL 100.62, 0.8%, 0.32%

LAB 53.49, -47.86, 53.32

 

CMYK 89 / 14 / 0 / 43

HEX #107D92

RGB 16 125 146

HSL 189.69, 0.8%, 0.32%

LAB 48.07, -20.32, -19.34

 

CMYK 29 / 89 / 0 / 43

HEX #671092

RGB 103 16 146

HSL 280.15, 0.8%, 0.32%

LAB 27.65, 55.26, -51.38

 

CMYK 0 / 74 / 89 / 43

HEX #922610

RGB 146 38 16

HSL 10.15, 0.8%, 0.32%

LAB 32.99, 44.04, 39.02

 

Description

Color code: HEX #3A9210 | qconv.com Color code: HEX #3A9210 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 146 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 146 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 89 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 89% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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