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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA8BF it is the complementary color #C55740. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA8BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA8BF shade: #3FA8BA, #50BACD, #61CCE0, #72DEF3 and #83F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA8BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA8BF shade: #3AA8BF, #2996AC, #188499, #077286 and #006073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA8BF shade: #3AA8BF, #3A84BF, #3A60BF, #3A3DBF and #5C3ABF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA8BF shade: #3AA8BF, #3A84BF, #3A60BF, #3A3DBF and #3A3ABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA8BF shade matches the following richer shades: #3AA8BF, #26B5D3 and #12C2E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA8BF shade: #3AA8BF, #4E9BAA, #638D96, #778082 and #8B736E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA8BF shade: #3ABF8E, #3ABFB1, #3AA9BF, #3A85BF and #3A62BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA8BF shade: #277080, #318C9F, #3AA8BF, #57B7CB and #77C4D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA8BF shade: #3AA8BF, #6B3ABF and #BFA03A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA8BF shade: #3AA8BF, #BF3AA9 and #A9BF3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA8BF shade: #3AA8BF, #6B3ABF, #BF503A and #8EBF3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA8BF shade: #3AA8BF, #933ABF, #BF503A and #66BF3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

Complementary color

CMYK 0 / 56 / 68 / 23

HEX #C55740

RGB 197 87 64

HSL 10.38, 0.53%, 0.51%

LAB 50.75, 42.41, 34.64

 

CMYK 66 / 10 / 0 / 27

HEX #3FA8BA

RGB 63 168 186

HSL 188.78, 0.49%, 0.49%

LAB 63.84, -24.15, -18.1

 

CMYK 61 / 9 / 0 / 20

HEX #50BACD

RGB 80 186 205

HSL 189.12, 0.56%, 0.56%

LAB 70.34, -24.72, -18.71

 

CMYK 57 / 9 / 0 / 12

HEX #61CCE0

RGB 97 204 224

HSL 189.45, 0.67%, 0.63%

LAB 76.74, -25.14, -19.26

 

CMYK 53 / 9 / 0 / 5

HEX #72DEF3

RGB 114 222 243

HSL 189.77, 0.84%, 0.7%

LAB 83.07, -25.45, -19.78

 

CMYK 49 / 6 / 0 / 0

HEX #83F0FF

RGB 131 240 255

HSL 187.26, 1%, 0.76%

LAB 89.09, -27.51, -16.94

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 76 / 13 / 0 / 33

HEX #2996AC

RGB 41 150 172

HSL 190.08, 0.62%, 0.42%

LAB 57.33, -22.36, -20.18

 

CMYK 84 / 14 / 0 / 40

HEX #188499

RGB 24 132 153

HSL 189.77, 0.73%, 0.35%

LAB 50.68, -21.02, -19.43

 

CMYK 95 / 15 / 0 / 47

HEX #077286

RGB 7 114 134

HSL 189.45, 0.9%, 0.28%

LAB 43.95, -19.18, -18.57

 

CMYK 100 / 17 / 0 / 55

HEX #006073

RGB 0 96 115

HSL 189.91, 1%, 0.23%

LAB 37.12, -16.66, -17.54

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 70 / 31 / 0 / 25

HEX #3A84BF

RGB 58 132 191

HSL 206.62, 0.53%, 0.49%

LAB 53.13, -3.57, -37.5

 

CMYK 70 / 50 / 0 / 25

HEX #3A60BF

RGB 58 96 191

HSL 222.86, 0.53%, 0.49%

LAB 42.8, 18.71, -53.93

 

CMYK 70 / 68 / 0 / 25

HEX #3A3DBF

RGB 58 61 191

HSL 238.65, 0.53%, 0.49%

LAB 33.98, 40.97, -68.29

 

CMYK 52 / 70 / 0 / 25

HEX #5C3ABF

RGB 92 58 191

HSL 255.34, 0.53%, 0.49%

LAB 36.11, 47.58, -64.7

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 70 / 31 / 0 / 25

HEX #3A84BF

RGB 58 132 191

HSL 206.62, 0.53%, 0.49%

LAB 53.13, -3.57, -37.5

 

CMYK 70 / 50 / 0 / 25

HEX #3A60BF

RGB 58 96 191

HSL 222.86, 0.53%, 0.49%

LAB 42.8, 18.71, -53.93

 

CMYK 70 / 68 / 0 / 25

HEX #3A3DBF

RGB 58 61 191

HSL 238.65, 0.53%, 0.49%

LAB 33.98, 40.97, -68.29

 

CMYK 70 / 70 / 0 / 25

HEX #3A3ABF

RGB 58 58 191

HSL 240, 0.53%, 0.49%

LAB 33.32, 42.76, -69.37

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 82 / 14 / 0 / 17

HEX #26B5D3

RGB 38 181 211

HSL 190.4, 0.69%, 0.49%

LAB 68.14, -25.75, -25.43

 

CMYK 92 / 16 / 0 / 9

HEX #12C2E7

RGB 18 194 231

HSL 190.42, 0.86%, 0.49%

LAB 72.55, -26.86, -29.58

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 54 / 9 / 0 / 33

HEX #4E9BAA

RGB 78 155 170

HSL 189.78, 0.37%, 0.49%

LAB 59.86, -19.42, -15.1

 

CMYK 34 / 6 / 0 / 41

HEX #638D96

RGB 99 141 150

HSL 190.59, 0.2%, 0.49%

LAB 55.99, -12.05, -9.41

 

CMYK 8 / 2 / 0 / 49

HEX #778082

RGB 119 128 130

HSL 190.91, 0.04%, 0.49%

LAB 52.92, -2.89, -2.23

 

CMYK 0 / 17 / 21 / 45

HEX #8B736E

RGB 139 115 110

HSL 10.34, 0.12%, 0.49%

LAB 50.54, 8.54, 6.27

 

CMYK 70 / 0 / 26 / 25

HEX #3ABF8E

RGB 58 191 142

HSL 157.89, 0.53%, 0.49%

LAB 69.55, -47.29, 14.53

 

CMYK 70 / 0 / 7 / 25

HEX #3ABFB1

RGB 58 191 177

HSL 173.68, 0.53%, 0.49%

LAB 70.41, -38.54, -3.32

 

CMYK 70 / 12 / 0 / 25

HEX #3AA9BF

RGB 58 169 191

HSL 189.92, 0.53%, 0.49%

LAB 64.19, -23.86, -20.37

 

CMYK 70 / 30 / 0 / 25

HEX #3A85BF

RGB 58 133 191

HSL 206.17, 0.53%, 0.49%

LAB 53.42, -4.16, -37.03

 

CMYK 70 / 49 / 0 / 25

HEX #3A62BF

RGB 58 98 191

HSL 221.95, 0.53%, 0.49%

LAB 43.35, 17.43, -53.05

 

CMYK 70 / 13 / 0 / 50

HEX #277080

RGB 39 112 128

HSL 190.79, 0.53%, 0.33%

LAB 43.62, -16.87, -15.42

 

CMYK 69 / 12 / 0 / 38

HEX #318C9F

RGB 49 140 159

HSL 190.36, 0.53%, 0.41%

LAB 53.93, -20.26, -17.9

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 57 / 10 / 0 / 20

HEX #57B7CB

RGB 87 183 203

HSL 190.34, 0.53%, 0.57%

LAB 69.62, -22.49, -18.68

 

CMYK 44 / 8 / 0 / 16

HEX #77C4D5

RGB 119 196 213

HSL 190.85, 0.53%, 0.65%

LAB 74.95, -19.37, -15.94

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 44 / 70 / 0 / 25

HEX #6B3ABF

RGB 107 58 191

HSL 262.11, 0.53%, 0.49%

LAB 37.69, 50.2, -62.05

 

CMYK 0 / 16 / 70 / 25

HEX #BFA03A

RGB 191 160 58

HSL 46.02, 0.53%, 0.49%

LAB 66.92, 0.36, 55.14

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 0 / 70 / 12 / 25

HEX #BF3AA9

RGB 191 58 169

HSL 309.92, 0.53%, 0.49%

LAB 48.22, 64.23, -31.58

 

CMYK 12 / 0 / 70 / 25

HEX #A9BF3A

RGB 169 191 58

HSL 69.92, 0.53%, 0.49%

LAB 73.55, -25.03, 61.25

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 44 / 70 / 0 / 25

HEX #6B3ABF

RGB 107 58 191

HSL 262.11, 0.53%, 0.49%

LAB 37.69, 50.2, -62.05

 

CMYK 0 / 58 / 70 / 25

HEX #BF503A

RGB 191 80 58

HSL 9.92, 0.53%, 0.49%

LAB 48.41, 43.23, 35.01

 

CMYK 26 / 0 / 70 / 25

HEX #8EBF3A

RGB 142 191 58

HSL 82.11, 0.53%, 0.49%

LAB 71.77, -35.82, 58.88

 

CMYK 70 / 12 / 0 / 25

HEX #3AA8BF

RGB 58 168 191

HSL 190.38, 0.53%, 0.49%

LAB 63.89, -23.35, -20.83

 

CMYK 23 / 70 / 0 / 25

HEX #933ABF

RGB 147 58 191

HSL 280.15, 0.53%, 0.49%

LAB 42.75, 58.12, -53.61

 

CMYK 0 / 58 / 70 / 25

HEX #BF503A

RGB 191 80 58

HSL 9.92, 0.53%, 0.49%

LAB 48.41, 43.23, 35.01

 

CMYK 47 / 0 / 70 / 25

HEX #66BF3A

RGB 102 191 58

HSL 100.15, 0.53%, 0.49%

LAB 69.75, -49.78, 56.16

 

Description

Color code: HEX #3AA8BF | qconv.com Color code: HEX #3AA8BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 168 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 168 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 12 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 12% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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