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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA0F0 it is the complementary color #C55F0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA0F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA0F0 shade: #3FA0EB, #50B2FE, #61C4FF, #72D6FF and #83E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA0F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA0F0 shade: #3AA0F0, #298EDD, #187CCA, #076AB7 and #0058A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA0F0 shade: #379FF0, #376DF0, #373BF0, #6537F0 and #9737F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA0F0 shade: #379FF0, #376DF0, #373BF0 and #3737F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA0F0 shade matches the following richer shades: #379FF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA0F0 shade: #379FF0, #499CDE, #5A9ACD, #6B98BC and #7D96AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA0F0 shade: #37F0DD, #37D1F0, #37A0F0, #376FF0 and #373DF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA0F0 shade: #0E75C6, #118CEC, #379FF0, #5EB1F2 and #84C4F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA0F0 shade: #3AA0F0, #AC37F0 and #E9F037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA0F0 shade: #3AA0F0, #F037A0 and #A0F037

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA0F0 shade: #3AA0F0, #AC37F0, #F08737 and #7BF037

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA0F0 shade: #3AA0F0, #E337F0, #F08737 and #44F037

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 33 / 0 / 6

HEX #3AA0F0

RGB 58 160 240

HSL 206.37, 0.86%, 0.58%

LAB 63.62, -2.58, -48.39

 

Complementary color

CMYK 0 / 52 / 92 / 23

HEX #C55F0F

RGB 197 95 15

HSL 26.37, 0.86%, 0.42%

LAB 51.94, 36.68, 57.44

 

CMYK 73 / 32 / 0 / 8

HEX #3FA0EB

RGB 63 160 235

HSL 206.16, 0.81%, 0.58%

LAB 63.5, -3.72, -45.81

 

CMYK 69 / 30 / 0 / 0

HEX #50B2FE

RGB 80 178 254

HSL 206.21, 0.99%, 0.65%

LAB 69.97, -5.08, -45.97

 

CMYK 62 / 23 / 0 / 0

HEX #61C4FF

RGB 97 196 255

HSL 202.41, 1%, 0.69%

LAB 75.6, -11.83, -37.67

 

CMYK 55 / 16 / 0 / 0

HEX #72D6FF

RGB 114 214 255

HSL 197.45, 1%, 0.72%

LAB 81.23, -18.08, -28.94

 

CMYK 49 / 9 / 0 / 0

HEX #83E8FF

RGB 131 232 255

HSL 191.13, 1%, 0.76%

LAB 86.88, -23.61, -20.28

 

CMYK 76 / 33 / 0 / 6

HEX #3AA0F0

RGB 58 160 240

HSL 206.37, 0.86%, 0.58%

LAB 63.62, -2.58, -48.39

 

CMYK 81 / 36 / 0 / 13

HEX #298EDD

RGB 41 142 221

HSL 206.33, 0.73%, 0.51%

LAB 57.11, -0.7, -48.18

 

CMYK 88 / 39 / 0 / 21

HEX #187CCA

RGB 24 124 202

HSL 206.29, 0.79%, 0.44%

LAB 50.54, 1.62, -47.92

 

CMYK 96 / 42 / 0 / 28

HEX #076AB7

RGB 7 106 183

HSL 206.25, 0.93%, 0.37%

LAB 43.9, 4.52, -47.58

 

CMYK 100 / 46 / 0 / 36

HEX #0058A4

RGB 0 88 164

HSL 207.8, 1%, 0.32%

LAB 37.22, 8.12, -47.1

 

CMYK 77 / 34 / 0 / 6

HEX #379FF0

RGB 55 159 240

HSL 206.27, 0.86%, 0.58%

LAB 63.26, -2.34, -48.95

 

CMYK 77 / 55 / 0 / 6

HEX #376DF0

RGB 55 109 240

HSL 222.49, 0.86%, 0.58%

LAB 49.55, 28.02, -70.94

 

CMYK 77 / 75 / 0 / 6

HEX #373BF0

RGB 55 59 240

HSL 238.7, 0.86%, 0.58%

LAB 38.25, 57.82, -89.46

 

CMYK 58 / 77 / 0 / 6

HEX #6537F0

RGB 101 55 240

HSL 254.92, 0.86%, 0.58%

LAB 40.88, 63.95, -85.02

 

CMYK 37 / 77 / 0 / 6

HEX #9737F0

RGB 151 55 240

HSL 271.14, 0.86%, 0.58%

LAB 46.45, 70.71, -75.67

 

CMYK 77 / 34 / 0 / 6

HEX #379FF0

RGB 55 159 240

HSL 206.27, 0.86%, 0.58%

LAB 63.26, -2.34, -48.95

 

CMYK 77 / 55 / 0 / 6

HEX #376DF0

RGB 55 109 240

HSL 222.49, 0.86%, 0.58%

LAB 49.55, 28.02, -70.94

 

CMYK 77 / 75 / 0 / 6

HEX #373BF0

RGB 55 59 240

HSL 238.7, 0.86%, 0.58%

LAB 38.25, 57.82, -89.46

 

CMYK 77 / 77 / 0 / 6

HEX #3737F0

RGB 55 55 240

HSL 240, 0.86%, 0.58%

LAB 37.55, 59.85, -90.64

 

CMYK 77 / 34 / 0 / 6

HEX #379FF0

RGB 55 159 240

HSL 206.27, 0.86%, 0.58%

LAB 63.26, -2.34, -48.95

 

CMYK 77 / 34 / 0 / 6

HEX #379FF0

RGB 55 159 240

HSL 206.27, 0.86%, 0.58%

LAB 63.26, -2.34, -48.95

 

CMYK 67 / 30 / 0 / 13

HEX #499CDE

RGB 73 156 222

HSL 206.58, 0.69%, 0.58%

LAB 62.06, -4.46, -40.88

 

CMYK 56 / 25 / 0 / 20

HEX #5A9ACD

RGB 90 154 205

HSL 206.61, 0.53%, 0.58%

LAB 61.39, -5.73, -32.41

 

CMYK 43 / 19 / 0 / 26

HEX #6B98BC

RGB 107 152 188

HSL 206.67, 0.38%, 0.58%

LAB 60.97, -5.66, -23.45

 

CMYK 26 / 12 / 0 / 33

HEX #7D96AA

RGB 125 150 170

HSL 206.67, 0.21%, 0.58%

LAB 60.85, -4.11, -13.37

 

CMYK 77 / 0 / 8 / 6

HEX #37F0DD

RGB 55 240 221

HSL 173.84, 0.86%, 0.58%

LAB 86.18, -48.49, -3.68

 

CMYK 77 / 13 / 0 / 6

HEX #37D1F0

RGB 55 209 240

HSL 190.05, 0.86%, 0.58%

LAB 77.7, -28.86, -26.49

 

CMYK 77 / 33 / 0 / 6

HEX #37A0F0

RGB 55 160 240

HSL 205.95, 0.86%, 0.58%

LAB 63.54, -2.91, -48.5

 

CMYK 77 / 54 / 0 / 6

HEX #376FF0

RGB 55 111 240

HSL 221.84, 0.86%, 0.58%

LAB 50.06, 26.77, -70.1

 

CMYK 77 / 75 / 0 / 6

HEX #373DF0

RGB 55 61 240

HSL 238.05, 0.86%, 0.58%

LAB 38.62, 56.77, -88.85

 

CMYK 93 / 41 / 0 / 22

HEX #0E75C6

RGB 14 117 198

HSL 206.41, 0.87%, 0.42%

LAB 48.13, 3.84, -49.49

 

CMYK 93 / 41 / 0 / 7

HEX #118CEC

RGB 17 140 236

HSL 206.3, 0.87%, 0.5%

LAB 57.01, 4.59, -56.72

 

CMYK 77 / 34 / 0 / 6

HEX #379FF0

RGB 55 159 240

HSL 206.27, 0.86%, 0.58%

LAB 63.26, -2.34, -48.95

 

CMYK 61 / 27 / 0 / 5

HEX #5EB1F2

RGB 94 177 242

HSL 206.35, 0.85%, 0.66%

LAB 69.64, -6.14, -39.95

 

CMYK 46 / 20 / 0 / 4

HEX #84C4F5

RGB 132 196 245

HSL 206.02, 0.85%, 0.74%

LAB 76.67, -7.61, -30.54

 

CMYK 76 / 33 / 0 / 6

HEX #3AA0F0

RGB 58 160 240

HSL 206.37, 0.86%, 0.58%

LAB 63.62, -2.58, -48.39

 

CMYK 28 / 77 / 0 / 6

HEX #AC37F0

RGB 172 55 240

HSL 277.95, 0.86%, 0.58%

LAB 49.25, 74.08, -70.99

 

CMYK 3 / 0 / 77 / 6

HEX #E9F037

RGB 233 240 55

HSL 62.27, 0.86%, 0.58%

LAB 91.65, -22.46, 80.97

 

CMYK 76 / 33 / 0 / 6

HEX #3AA0F0

RGB 58 160 240

HSL 206.37, 0.86%, 0.58%

LAB 63.62, -2.58, -48.39

 

CMYK 0 / 77 / 33 / 6

HEX #F037A0

RGB 240 55 160

HSL 325.95, 0.86%, 0.58%

LAB 55.88, 75.91, -13.78

 

CMYK 33 / 0 / 77 / 6

HEX #A0F037

RGB 160 240 55

HSL 85.95, 0.86%, 0.58%

LAB 87.03, -50.55, 75.05

 

CMYK 76 / 33 / 0 / 6

HEX #3AA0F0

RGB 58 160 240

HSL 206.37, 0.86%, 0.58%

LAB 63.62, -2.58, -48.39

 

CMYK 28 / 77 / 0 / 6

HEX #AC37F0

RGB 172 55 240

HSL 277.95, 0.86%, 0.58%

LAB 49.25, 74.08, -70.99

 

CMYK 0 / 44 / 77 / 6

HEX #F08737

RGB 240 135 55

HSL 25.95, 0.86%, 0.58%

LAB 66.62, 34.42, 57.98

 

CMYK 49 / 0 / 77 / 6

HEX #7BF037

RGB 123 240 55

HSL 97.95, 0.86%, 0.58%

LAB 85.41, -62.35, 72.94

 

CMYK 76 / 33 / 0 / 6

HEX #3AA0F0

RGB 58 160 240

HSL 206.37, 0.86%, 0.58%

LAB 63.62, -2.58, -48.39

 

CMYK 5 / 77 / 0 / 6

HEX #E337F0

RGB 227 55 240

HSL 295.78, 0.86%, 0.58%

LAB 57.42, 83.84, -57.4

 

CMYK 0 / 44 / 77 / 6

HEX #F08737

RGB 240 135 55

HSL 25.95, 0.86%, 0.58%

LAB 66.62, 34.42, 57.98

 

CMYK 72 / 0 / 77 / 6

HEX #44F037

RGB 68 240 55

HSL 115.78, 0.86%, 0.58%

LAB 83.87, -74.75, 70.94

 

Description

Color code: HEX #3AA0F0 | qconv.com Color code: HEX #3AA0F0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 160 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 160 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 33 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 33% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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