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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA13B it is the complementary color #C55EC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA13B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA13B shade: #3FA136, #50B349, #61C55C, #72D76F and #83E982

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA13B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA13B shade: #3AA13B, #298F28, #187D15, #076B02 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA13B shade: #3AA13B, #54A13A, #70A13A, #8CA13A and #A19A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA13B shade: #3AA13B, #3AA156, #3AA172, #3AA18E and #3A98A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA13B shade matches the following richer shades: #3AA13B, #28B229, #16C418 and #04D606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA13B shade: #3AA13B, #4B8F4C, #5D7D5D, #6F6B6F and #815A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA13B shade: #71A13A, #55A13A, #3AA13A, #3AA155 and #3AA171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA13B shade: #246424, #2F822F, #3AA13B, #47BC48 and #65C766

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA13B shade: #3AA13B, #3A8CA1 and #A13A63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA13B shade: #3AA13B, #3A3AA1 and #A13A3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA13B shade: #3AA13B, #3A8CA1, #A13AA1 and #A14E3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA13B shade: #3AA13B, #3A6DA1, #A13AA1 and #A16D3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

Complementary color

CMYK 0 / 52 / 1 / 23

HEX #C55EC4

RGB 197 94 196

HSL 300.58, 0.47%, 0.57%

LAB 55.95, 54.93, -35.12

 

CMYK 61 / 0 / 66 / 37

HEX #3FA136

RGB 63 161 54

HSL 114.95, 0.5%, 0.42%

LAB 58.8, -49.48, 45.72

 

CMYK 55 / 0 / 59 / 30

HEX #50B349

RGB 80 179 73

HSL 116.04, 0.42%, 0.49%

LAB 65.3, -49.94, 44.65

 

CMYK 51 / 0 / 53 / 23

HEX #61C55C

RGB 97 197 92

HSL 117.14, 0.48%, 0.57%

LAB 71.72, -50.13, 43.43

 

CMYK 47 / 0 / 48 / 16

HEX #72D76F

RGB 114 215 111

HSL 118.27, 0.57%, 0.64%

LAB 78.07, -50.15, 42.16

 

CMYK 44 / 0 / 44 / 9

HEX #83E982

RGB 131 233 130

HSL 119.42, 0.7%, 0.71%

LAB 84.34, -50.06, 40.9

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 71 / 0 / 72 / 44

HEX #298F28

RGB 41 143 40

HSL 119.42, 0.56%, 0.36%

LAB 52.14, -49.17, 44.3

 

CMYK 81 / 0 / 83 / 51

HEX #187D15

RGB 24 125 21

HSL 118.27, 0.71%, 0.29%

LAB 45.52, -47.46, 44.51

 

CMYK 93 / 0 / 98 / 58

HEX #076B02

RGB 7 107 2

HSL 117.14, 0.96%, 0.21%

LAB 38.84, -44.67, 43.46

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 48 / 0 / 64 / 37

HEX #54A13A

RGB 84 161 58

HSL 104.85, 0.47%, 0.43%

LAB 59.6, -43.24, 45.06

 

CMYK 30 / 0 / 64 / 37

HEX #70A13A

RGB 112 161 58

HSL 88.54, 0.47%, 0.43%

LAB 60.99, -33.53, 46.99

 

CMYK 13 / 0 / 64 / 37

HEX #8CA13A

RGB 140 161 58

HSL 72.23, 0.47%, 0.43%

LAB 62.82, -22.29, 49.5

 

CMYK 0 / 4 / 64 / 37

HEX #A19A3A

RGB 161 154 58

HSL 55.92, 0.47%, 0.43%

LAB 62.5, -9.62, 49.67

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 64 / 0 / 47 / 37

HEX #3AA156

RGB 58 161 86

HSL 136.31, 0.47%, 0.43%

LAB 59.03, -46.36, 30.44

 

CMYK 64 / 0 / 29 / 37

HEX #3AA172

RGB 58 161 114

HSL 152.62, 0.47%, 0.43%

LAB 59.53, -40.96, 15.92

 

CMYK 64 / 0 / 12 / 37

HEX #3AA18E

RGB 58 161 142

HSL 168.93, 0.47%, 0.43%

LAB 60.2, -34.18, 1.17

 

CMYK 64 / 6 / 0 / 37

HEX #3A98A1

RGB 58 152 161

HSL 185.24, 0.47%, 0.43%

LAB 57.97, -24.41, -12.91

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 78 / 0 / 77 / 30

HEX #28B229

RGB 40 178 41

HSL 120.43, 0.63%, 0.43%

LAB 63.71, -60.81, 55.62

 

CMYK 89 / 0 / 88 / 23

HEX #16C418

RGB 22 196 24

HSL 120.69, 0.8%, 0.43%

LAB 69.27, -68.97, 65.16

 

CMYK 98 / 0 / 97 / 16

HEX #04D606

RGB 4 214 6

HSL 120.57, 0.96%, 0.43%

LAB 74.91, -75.25, 72.31

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 48 / 0 / 47 / 44

HEX #4B8F4C

RGB 75 143 76

HSL 120.88, 0.31%, 0.43%

LAB 53.67, -36.05, 29.05

 

CMYK 26 / 0 / 26 / 51

HEX #5D7D5D

RGB 93 125 93

HSL 120, 0.15%, 0.43%

LAB 49.23, -18.24, 13.84

 

CMYK 0 / 4 / 0 / 56

HEX #6F6B6F

RGB 111 107 111

HSL 300, 0.02%, 0.43%

LAB 45.69, 2.37, -1.68

 

CMYK 0 / 30 / 1 / 49

HEX #815A80

RGB 129 90 128

HSL 301.54, 0.18%, 0.43%

LAB 43.56, 22.78, -14.95

 

CMYK 30 / 0 / 64 / 37

HEX #71A13A

RGB 113 161 58

HSL 87.96, 0.47%, 0.43%

LAB 61.05, -33.15, 47.07

 

CMYK 47 / 0 / 64 / 37

HEX #55A13A

RGB 85 161 58

HSL 104.27, 0.47%, 0.43%

LAB 59.64, -42.92, 45.12

 

CMYK 64 / 0 / 64 / 37

HEX #3AA13A

RGB 58 161 58

HSL 120, 0.47%, 0.43%

LAB 58.69, -50.23, 43.8

 

CMYK 64 / 0 / 47 / 37

HEX #3AA155

RGB 58 161 85

HSL 135.73, 0.47%, 0.43%

LAB 59.02, -46.53, 30.95

 

CMYK 64 / 0 / 30 / 37

HEX #3AA171

RGB 58 161 113

HSL 152.04, 0.47%, 0.43%

LAB 59.51, -41.18, 16.45

 

CMYK 64 / 0 / 64 / 61

HEX #246424

RGB 36 100 36

HSL 120, 0.47%, 0.27%

LAB 37.15, -34.48, 29.72

 

CMYK 64 / 0 / 64 / 49

HEX #2F822F

RGB 47 130 47

HSL 120, 0.47%, 0.35%

LAB 47.98, -42.35, 36.74

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 62 / 0 / 62 / 26

HEX #47BC48

RGB 71 188 72

HSL 120.51, 0.47%, 0.51%

LAB 67.85, -55.6, 47.96

 

CMYK 49 / 0 / 49 / 22

HEX #65C766

RGB 101 199 102

HSL 120.61, 0.47%, 0.59%

LAB 72.61, -48.5, 39.68

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 64 / 13 / 0 / 37

HEX #3A8CA1

RGB 58 140 161

HSL 192.23, 0.47%, 0.43%

LAB 54.27, -18.13, -18.52

 

CMYK 0 / 64 / 39 / 37

HEX #A13A63

RGB 161 58 99

HSL 336.12, 0.47%, 0.43%

LAB 40.42, 46.4, -1.34

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 64 / 64 / 0 / 37

HEX #3A3AA1

RGB 58 58 161

HSL 240, 0.47%, 0.43%

LAB 30.64, 32.56, -55.89

 

CMYK 0 / 64 / 64 / 37

HEX #A13A3A

RGB 161 58 58

HSL 0, 0.47%, 0.43%

LAB 39.43, 42.67, 22.94

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 64 / 13 / 0 / 37

HEX #3A8CA1

RGB 58 140 161

HSL 192.23, 0.47%, 0.43%

LAB 54.27, -18.13, -18.52

 

CMYK 0 / 64 / 0 / 37

HEX #A13AA1

RGB 161 58 161

HSL 300, 0.47%, 0.43%

LAB 43.03, 55.53, -35.32

 

CMYK 0 / 52 / 64 / 37

HEX #A14E3A

RGB 161 78 58

HSL 11.65, 0.47%, 0.43%

LAB 43.26, 32.69, 27.71

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 64 / 32 / 0 / 37

HEX #3A6DA1

RGB 58 109 161

HSL 210.29, 0.47%, 0.43%

LAB 44.82, -0.32, -33.16

 

CMYK 0 / 64 / 0 / 37

HEX #A13AA1

RGB 161 58 161

HSL 300, 0.47%, 0.43%

LAB 43.03, 55.53, -35.32

 

CMYK 0 / 32 / 64 / 37

HEX #A16D3A

RGB 161 109 58

HSL 29.71, 0.47%, 0.43%

LAB 50.48, 15.4, 36.32

 

Description

Color code: HEX #3AA13B | qconv.com Color code: HEX #3AA13B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 161 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 161 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 63 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 63% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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