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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA14C it is the complementary color #C55EB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA14C shade: #3FA147, #50B35A, #61C56D, #72D780 and #83E993

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA14C shade: #3AA14C, #298F39, #187D26, #076B13 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA14C shade: #3AA14C, #43A13A, #5FA13A, #7BA13A and #97A13A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA14C shade: #3AA14C, #3AA167, #3AA183, #3AA19F and #3A87A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA14C shade matches the following richer shades: #3AA14C, #28B240, #16C435 and #04D629

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA14C shade: #3AA14C, #4B8F57, #5D7D63, #6F6B6E and #815A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA14C shade: #5FA13A, #44A13A, #3AA14B, #3AA166 and #3AA182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA14C shade: #24642F, #2F823D, #3AA14C, #47BC5C and #65C777

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA14C shade: #3AA14C, #3A7BA1 and #A13A52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA14C shade: #3AA14C, #4B3AA1 and #A14B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA14C shade: #3AA14C, #3A7BA1, #A13A90 and #A15F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA14C shade: #3AA14C, #3A5CA1, #A13A90 and #A17E3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

Complementary color

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 61 / 0 / 56 / 37

HEX #3FA147

RGB 63 161 71

HSL 124.9, 0.44%, 0.44%

LAB 58.98, -47.48, 38.04

 

CMYK 55 / 0 / 50 / 30

HEX #50B35A

RGB 80 179 90

HSL 126.06, 0.39%, 0.51%

LAB 65.5, -47.72, 36.66

 

CMYK 51 / 0 / 45 / 23

HEX #61C56D

RGB 97 197 109

HSL 127.2, 0.46%, 0.58%

LAB 71.95, -47.75, 35.31

 

CMYK 47 / 0 / 40 / 16

HEX #72D780

RGB 114 215 128

HSL 128.32, 0.56%, 0.65%

LAB 78.31, -47.65, 34.01

 

CMYK 44 / 0 / 37 / 9

HEX #83E993

RGB 131 233 147

HSL 129.41, 0.7%, 0.71%

LAB 84.59, -47.48, 32.77

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 71 / 0 / 60 / 44

HEX #298F39

RGB 41 143 57

HSL 129.41, 0.55%, 0.36%

LAB 52.3, -47.27, 36.86

 

CMYK 81 / 0 / 70 / 51

HEX #187D26

RGB 24 125 38

HSL 128.32, 0.68%, 0.29%

LAB 45.64, -46, 38.14

 

CMYK 93 / 0 / 82 / 58

HEX #076B13

RGB 7 107 19

HSL 127.2, 0.88%, 0.22%

LAB 38.91, -43.73, 38.79

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 58 / 0 / 64 / 37

HEX #43A13A

RGB 67 161 58

HSL 114.76, 0.47%, 0.43%

LAB 58.96, -48.06, 44.18

 

CMYK 41 / 0 / 64 / 37

HEX #5FA13A

RGB 95 161 58

HSL 98.45, 0.47%, 0.43%

LAB 60.09, -39.65, 45.75

 

CMYK 24 / 0 / 64 / 37

HEX #7BA13A

RGB 123 161 58

HSL 82.14, 0.47%, 0.43%

LAB 61.66, -29.25, 47.91

 

CMYK 6 / 0 / 64 / 37

HEX #97A13A

RGB 151 161 58

HSL 65.83, 0.47%, 0.43%

LAB 63.65, -17.63, 50.64

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 64 / 0 / 36 / 37

HEX #3AA167

RGB 58 161 103

HSL 146.21, 0.47%, 0.43%

LAB 59.31, -43.26, 21.69

 

CMYK 64 / 0 / 19 / 37

HEX #3AA183

RGB 58 161 131

HSL 162.52, 0.47%, 0.43%

LAB 59.91, -37, 6.96

 

CMYK 64 / 0 / 1 / 37

HEX #3AA19F

RGB 58 161 159

HSL 178.83, 0.47%, 0.43%

LAB 60.69, -29.49, -7.7

 

CMYK 64 / 16 / 0 / 37

HEX #3A87A1

RGB 58 135 161

HSL 195.15, 0.47%, 0.43%

LAB 52.73, -15.42, -20.87

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 78 / 0 / 64 / 30

HEX #28B240

RGB 40 178 64

HSL 130.43, 0.63%, 0.43%

LAB 63.89, -58.7, 46.84

 

CMYK 89 / 0 / 73 / 23

HEX #16C435

RGB 22 196 53

HSL 130.69, 0.8%, 0.43%

LAB 69.4, -67.23, 57.07

 

CMYK 98 / 0 / 81 / 16

HEX #04D629

RGB 4 214 41

HSL 130.57, 0.96%, 0.43%

LAB 75, -74.05, 66.29

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 48 / 0 / 39 / 44

HEX #4B8F57

RGB 75 143 87

HSL 130.59, 0.31%, 0.43%

LAB 53.84, -34.23, 23.3

 

CMYK 26 / 0 / 21 / 51

HEX #5D7D63

RGB 93 125 99

HSL 131.25, 0.15%, 0.43%

LAB 49.37, -17.08, 10.54

 

CMYK 0 / 4 / 1 / 56

HEX #6F6B6E

RGB 111 107 110

HSL 315, 0.02%, 0.43%

LAB 45.66, 2.16, -1.13

 

CMYK 0 / 30 / 5 / 49

HEX #815A7A

RGB 129 90 122

HSL 310.77, 0.18%, 0.43%

LAB 43.34, 21.59, -11.65

 

CMYK 41 / 0 / 64 / 37

HEX #5FA13A

RGB 95 161 58

HSL 98.45, 0.47%, 0.43%

LAB 60.09, -39.65, 45.75

 

CMYK 58 / 0 / 64 / 37

HEX #44A13A

RGB 68 161 58

HSL 114.17, 0.47%, 0.43%

LAB 59, -47.8, 44.23

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14B

RGB 58 161 75

HSL 129.9, 0.47%, 0.43%

LAB 58.88, -48.07, 35.9

 

CMYK 64 / 0 / 37 / 37

HEX #3AA166

RGB 58 161 102

HSL 145.63, 0.47%, 0.43%

LAB 59.3, -43.46, 22.21

 

CMYK 64 / 0 / 19 / 37

HEX #3AA182

RGB 58 161 130

HSL 161.94, 0.47%, 0.43%

LAB 59.89, -37.24, 7.49

 

CMYK 64 / 0 / 53 / 61

HEX #24642F

RGB 36 100 47

HSL 130.31, 0.47%, 0.27%

LAB 37.29, -32.87, 24.01

 

CMYK 64 / 0 / 53 / 49

HEX #2F823D

RGB 47 130 61

HSL 130.12, 0.47%, 0.35%

LAB 48.14, -40.45, 29.9

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 62 / 0 / 51 / 26

HEX #47BC5C

RGB 71 188 92

HSL 130.77, 0.47%, 0.51%

LAB 68.08, -53.04, 38.79

 

CMYK 49 / 0 / 40 / 22

HEX #65C777

RGB 101 199 119

HSL 131.02, 0.47%, 0.59%

LAB 72.86, -45.93, 31.4

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 64 / 24 / 0 / 37

HEX #3A7BA1

RGB 58 123 161

HSL 202.14, 0.47%, 0.43%

LAB 49.05, -8.65, -26.54

 

CMYK 0 / 64 / 49 / 37

HEX #A13A52

RGB 161 58 82

HSL 346.02, 0.47%, 0.43%

LAB 39.94, 44.61, 8.64

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 53 / 64 / 0 / 37

HEX #4B3AA1

RGB 75 58 161

HSL 249.9, 0.47%, 0.43%

LAB 32.02, 35.54, -53.57

 

CMYK 0 / 53 / 64 / 37

HEX #A14B3A

RGB 161 75 58

HSL 9.9, 0.47%, 0.43%

LAB 42.63, 34.28, 26.95

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 64 / 24 / 0 / 37

HEX #3A7BA1

RGB 58 123 161

HSL 202.14, 0.47%, 0.43%

LAB 49.05, -8.65, -26.54

 

CMYK 0 / 64 / 11 / 37

HEX #A13A90

RGB 161 58 144

HSL 309.9, 0.47%, 0.43%

LAB 42.18, 52.67, -26.42

 

CMYK 0 / 41 / 64 / 37

HEX #A15F3A

RGB 161 95 58

HSL 21.55, 0.47%, 0.43%

LAB 47.06, 23.35, 32.31

 

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 64 / 43 / 0 / 37

HEX #3A5CA1

RGB 58 92 161

HSL 220.19, 0.47%, 0.43%

LAB 39.79, 10.38, -41.11

 

CMYK 0 / 64 / 11 / 37

HEX #A13A90

RGB 161 58 144

HSL 309.9, 0.47%, 0.43%

LAB 42.18, 52.67, -26.42

 

CMYK 0 / 22 / 64 / 37

HEX #A17E3A

RGB 161 126 58

HSL 39.61, 0.47%, 0.43%

LAB 54.87, 5.75, 41.33

 

Description

Color code: HEX #3AA14C | qconv.com Color code: HEX #3AA14C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 161 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 161 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 53 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 53% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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