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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB752 it is the complementary color #C548AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AB752 shade: #3FB74D, #50C960, #61DB73, #72ED86 and #83FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AB752 shade: #3AB752, #29A53F, #18932C, #078119 and #006F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AB752 shade: #39B651, #43B639, #64B639, #86B639 and #A8B639

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AB752 shade: #39B651, #39B673, #39B694, #39B6B6 and #3994B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AB752 shade matches the following richer shades: #39B651, #26C945 and #12DC39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AB752 shade: #39B651, #4CA25D, #608F69, #737B75 and #876881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AB752 shade: #65B639, #43B639, #39B650, #39B671 and #39B692

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AB752 shade: #257735, #2F9643, #39B651, #50C867 and #70D183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AB752 shade: #3AB752, #3986B6 and #B63954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AB752 shade: #3AB752, #5039B6 and #B65039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AB752 shade: #3AB752, #3986B6, #B6399F and #B66939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AB752 shade: #3AB752, #3960B6, #B6399F and #B68E39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 55 / 28

HEX #3AB752

RGB 58 183 82

HSL 131.52, 0.52%, 0.47%

LAB 66.04, -55.23, 41.12

 

Complementary color

CMYK 0 / 63 / 12 / 23

HEX #C548AD

RGB 197 72 173

HSL 311.52, 0.52%, 0.53%

LAB 51.29, 60.96, -29.07

 

CMYK 66 / 0 / 58 / 28

HEX #3FB74D

RGB 63 183 77

HSL 127, 0.49%, 0.48%

LAB 66.1, -54.91, 43.6

 

CMYK 60 / 0 / 52 / 21

HEX #50C960

RGB 80 201 96

HSL 127.93, 0.53%, 0.55%

LAB 72.44, -55.38, 42.25

 

CMYK 56 / 0 / 47 / 14

HEX #61DB73

RGB 97 219 115

HSL 128.85, 0.63%, 0.62%

LAB 78.72, -55.59, 40.89

 

CMYK 52 / 0 / 43 / 7

HEX #72ED86

RGB 114 237 134

HSL 129.76, 0.77%, 0.69%

LAB 84.93, -55.63, 39.56

 

CMYK 49 / 0 / 40 / 0

HEX #83FF99

RGB 131 255 153

HSL 130.65, 1%, 0.76%

LAB 91.07, -55.57, 38.29

 

CMYK 68 / 0 / 55 / 28

HEX #3AB752

RGB 58 183 82

HSL 131.52, 0.52%, 0.47%

LAB 66.04, -55.23, 41.12

 

CMYK 75 / 0 / 62 / 35

HEX #29A53F

RGB 41 165 63

HSL 130.65, 0.6%, 0.4%

LAB 59.65, -54.3, 42.51

 

CMYK 84 / 0 / 70 / 42

HEX #18932C

RGB 24 147 44

HSL 129.76, 0.72%, 0.34%

LAB 53.21, -52.74, 43.7

 

CMYK 95 / 0 / 81 / 49

HEX #078119

RGB 7 129 25

HSL 128.85, 0.9%, 0.27%

LAB 46.73, -50.24, 44.3

 

CMYK 100 / 0 / 95 / 56

HEX #006F06

RGB 0 111 6

HSL 123.24, 1%, 0.22%

LAB 40.22, -46.4, 43.56

 

CMYK 69 / 0 / 55 / 29

HEX #39B651

RGB 57 182 81

HSL 131.52, 0.52%, 0.47%

LAB 65.69, -55.19, 41.17

 

CMYK 63 / 0 / 69 / 29

HEX #43B639

RGB 67 182 57

HSL 115.2, 0.52%, 0.47%

LAB 65.71, -55.87, 51.94

 

CMYK 45 / 0 / 69 / 29

HEX #64B639

RGB 100 182 57

HSL 99.36, 0.52%, 0.47%

LAB 66.87, -46.88, 53.52

 

CMYK 26 / 0 / 69 / 29

HEX #86B639

RGB 134 182 57

HSL 83.04, 0.52%, 0.47%

LAB 68.62, -34.85, 55.89

 

CMYK 8 / 0 / 69 / 29

HEX #A8B639

RGB 168 182 57

HSL 66.72, 0.52%, 0.47%

LAB 70.92, -21.08, 58.97

 

CMYK 69 / 0 / 55 / 29

HEX #39B651

RGB 57 182 81

HSL 131.52, 0.52%, 0.47%

LAB 65.69, -55.19, 41.17

 

CMYK 69 / 0 / 37 / 29

HEX #39B673

RGB 57 182 115

HSL 147.84, 0.52%, 0.47%

LAB 66.19, -49.55, 24.43

 

CMYK 69 / 0 / 19 / 29

HEX #39B694

RGB 57 182 148

HSL 163.68, 0.52%, 0.47%

LAB 66.87, -42.24, 7.46

 

CMYK 69 / 0 / 0 / 29

HEX #39B6B6

RGB 57 182 182

HSL 180, 0.52%, 0.47%

LAB 67.8, -33.1, -9.94

 

CMYK 69 / 19 / 0 / 29

HEX #3994B6

RGB 57 148 182

HSL 196.32, 0.52%, 0.47%

LAB 57.49, -15.84, -25.59

 

CMYK 69 / 0 / 55 / 29

HEX #39B651

RGB 57 182 81

HSL 131.52, 0.52%, 0.47%

LAB 65.69, -55.19, 41.17

 

CMYK 81 / 0 / 66 / 21

HEX #26C945

RGB 38 201 69

HSL 131.41, 0.68%, 0.47%

LAB 71.29, -65.77, 52.9

 

CMYK 92 / 0 / 74 / 14

HEX #12DC39

RGB 18 220 57

HSL 131.58, 0.85%, 0.47%

LAB 77.05, -74.09, 63.4

 

CMYK 69 / 0 / 55 / 29

HEX #39B651

RGB 57 182 81

HSL 131.52, 0.52%, 0.47%

LAB 65.69, -55.19, 41.17

 

CMYK 53 / 0 / 43 / 36

HEX #4CA25D

RGB 76 162 93

HSL 131.86, 0.36%, 0.47%

LAB 60.04, -41.28, 28.15

 

CMYK 33 / 0 / 27 / 44

HEX #608F69

RGB 96 143 105

HSL 131.49, 0.2%, 0.47%

LAB 55.23, -24.23, 15.27

 

CMYK 7 / 0 / 5 / 52

HEX #737B75

RGB 115 123 117

HSL 135, 0.03%, 0.47%

LAB 50.8, -4.21, 2.24

 

CMYK 0 / 23 / 4 / 47

HEX #876881

RGB 135 104 129

HSL 311.61, 0.13%, 0.47%

LAB 47.8, 16.87, -9.09

 

CMYK 45 / 0 / 69 / 29

HEX #65B639

RGB 101 182 57

HSL 98.88, 0.52%, 0.47%

LAB 66.91, -46.56, 53.58

 

CMYK 63 / 0 / 69 / 29

HEX #43B639

RGB 67 182 57

HSL 115.2, 0.52%, 0.47%

LAB 65.71, -55.87, 51.94

 

CMYK 69 / 0 / 56 / 29

HEX #39B650

RGB 57 182 80

HSL 131.04, 0.52%, 0.47%

LAB 65.67, -55.33, 41.63

 

CMYK 69 / 0 / 38 / 29

HEX #39B671

RGB 57 182 113

HSL 146.88, 0.52%, 0.47%

LAB 66.15, -49.94, 25.44

 

CMYK 69 / 0 / 20 / 29

HEX #39B692

RGB 57 182 146

HSL 162.72, 0.52%, 0.47%

LAB 66.83, -42.73, 8.49

 

CMYK 69 / 0 / 55 / 53

HEX #257735

RGB 37 119 53

HSL 131.71, 0.53%, 0.31%

LAB 44.01, -39.51, 29

 

CMYK 69 / 0 / 55 / 41

HEX #2F9643

RGB 47 150 67

HSL 131.65, 0.52%, 0.39%

LAB 54.89, -47.34, 35.02

 

CMYK 69 / 0 / 55 / 29

HEX #39B651

RGB 57 182 81

HSL 131.52, 0.52%, 0.47%

LAB 65.69, -55.19, 41.17

 

CMYK 60 / 0 / 49 / 22

HEX #50C867

RGB 80 200 103

HSL 131.5, 0.52%, 0.55%

LAB 72.22, -54, 38.55

 

CMYK 46 / 0 / 37 / 18

HEX #70D183

RGB 112 209 131

HSL 131.75, 0.51%, 0.63%

LAB 76.49, -45.19, 30.07

 

CMYK 68 / 0 / 55 / 28

HEX #3AB752

RGB 58 183 82

HSL 131.52, 0.52%, 0.47%

LAB 66.04, -55.23, 41.12

 

CMYK 69 / 26 / 0 / 29

HEX #3986B6

RGB 57 134 182

HSL 203.04, 0.52%, 0.47%

LAB 53.27, -8.01, -32.12

 

CMYK 0 / 69 / 54 / 29

HEX #B63954

RGB 182 57 84

HSL 347.04, 0.52%, 0.47%

LAB 43.52, 52.07, 12.95

 

CMYK 68 / 0 / 55 / 28

HEX #3AB752

RGB 58 183 82

HSL 131.52, 0.52%, 0.47%

LAB 66.04, -55.23, 41.12

 

CMYK 56 / 69 / 0 / 29

HEX #5039B6

RGB 80 57 182

HSL 251.04, 0.52%, 0.47%

LAB 34, 43.5, -62.88

 

CMYK 0 / 56 / 69 / 29

HEX #B65039

RGB 182 80 57

HSL 11.04, 0.52%, 0.47%

LAB 46.95, 39.8, 33.5

 

CMYK 68 / 0 / 55 / 28

HEX #3AB752

RGB 58 183 82

HSL 131.52, 0.52%, 0.47%

LAB 66.04, -55.23, 41.12

 

CMYK 69 / 26 / 0 / 29

HEX #3986B6

RGB 57 134 182

HSL 203.04, 0.52%, 0.47%

LAB 53.27, -8.01, -32.12

 

CMYK 0 / 69 / 13 / 29

HEX #B6399F

RGB 182 57 159

HSL 311.04, 0.52%, 0.47%

LAB 46.14, 60.88, -29

 

CMYK 0 / 42 / 69 / 29

HEX #B66939

RGB 182 105 57

HSL 23.04, 0.52%, 0.47%

LAB 52.22, 26.64, 39.56

 

CMYK 68 / 0 / 55 / 28

HEX #3AB752

RGB 58 183 82

HSL 131.52, 0.52%, 0.47%

LAB 66.04, -55.23, 41.12

 

CMYK 69 / 47 / 0 / 29

HEX #3960B6

RGB 57 96 182

HSL 221.28, 0.52%, 0.47%

LAB 42.17, 15.27, -49.7

 

CMYK 0 / 69 / 13 / 29

HEX #B6399F

RGB 182 57 159

HSL 311.04, 0.52%, 0.47%

LAB 46.14, 60.88, -29

 

CMYK 0 / 22 / 69 / 29

HEX #B68E39

RGB 182 142 57

HSL 40.8, 0.52%, 0.47%

LAB 61.3, 6.13, 49.45

 

Description

Color code: HEX #3AB752 | qconv.com Color code: HEX #3AB752 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 183 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 183 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 55 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 55% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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