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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB0EC it is the complementary color #C54F13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB0EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AB0EC shade: #3FB0E7, #50C2FA, #61D4FF, #72E6FF and #83F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB0EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AB0EC shade: #3AB0EC, #299ED9, #188CC6, #077AB3 and #0068A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AB0EC shade: #3CB0EB, #3C81EB, #3C51EB, #553CEB and #853CEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AB0EC shade: #3CB0EB, #3C81EB, #3C51EB and #3C3CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AB0EC shade matches the following richer shades: #3CB0EB and #2AB6FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AB0EC shade: #3CB0EB, #4DAADA, #5EA5C9, #709FB7 and #8199A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AB0EC shade: #3CEBC8, #3CE0EB, #3CB1EB, #3C82EB and #3C53EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AB0EC shade: #1387C2, #16A1E7, #3CB0EB, #61BFEF and #87CEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AB0EC shade: #3AB0EC, #993CEB and #EBE03C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AB0EC shade: #3AB0EC, #EB3CB1 and #B1EB3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AB0EC shade: #3AB0EC, #993CEB, #EB763C and #8EEB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AB0EC shade: #3AB0EC, #CE3CEB, #EB763C and #59EB3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 25 / 0 / 7

HEX #3AB0EC

RGB 58 176 236

HSL 200.22, 0.82%, 0.58%

LAB 68.03, -12.86, -39.27

 

Complementary color

CMYK 0 / 60 / 90 / 23

HEX #C54F13

RGB 197 79 19

HSL 20.22, 0.82%, 0.42%

LAB 48.9, 44.6, 54.09

 

CMYK 73 / 24 / 0 / 9

HEX #3FB0E7

RGB 63 176 231

HSL 199.64, 0.78%, 0.58%

LAB 67.93, -13.93, -36.68

 

CMYK 68 / 22 / 0 / 2

HEX #50C2FA

RGB 80 194 250

HSL 199.76, 0.94%, 0.65%

LAB 74.31, -15.03, -37.03

 

CMYK 62 / 17 / 0 / 0

HEX #61D4FF

RGB 97 212 255

HSL 196.33, 1%, 0.69%

LAB 80.09, -20.15, -30.73

 

CMYK 55 / 10 / 0 / 0

HEX #72E6FF

RGB 114 230 255

HSL 190.64, 1%, 0.72%

LAB 85.7, -26.08, -22.13

 

CMYK 49 / 3 / 0 / 0

HEX #83F8FF

RGB 131 248 255

HSL 183.39, 1%, 0.76%

LAB 91.32, -31.33, -13.61

 

CMYK 75 / 25 / 0 / 7

HEX #3AB0EC

RGB 58 176 236

HSL 200.22, 0.82%, 0.58%

LAB 68.03, -12.86, -39.27

 

CMYK 81 / 27 / 0 / 15

HEX #299ED9

RGB 41 158 217

HSL 200.11, 0.7%, 0.51%

LAB 61.6, -11.3, -38.88

 

CMYK 88 / 29 / 0 / 22

HEX #188CC6

RGB 24 140 198

HSL 200, 0.78%, 0.44%

LAB 55.1, -9.33, -38.43

 

CMYK 96 / 32 / 0 / 30

HEX #077AB3

RGB 7 122 179

HSL 199.88, 0.92%, 0.36%

LAB 48.53, -6.87, -37.9

 

CMYK 100 / 35 / 0 / 37

HEX #0068A0

RGB 0 104 160

HSL 201, 1%, 0.31%

LAB 41.91, -3.77, -37.25

 

CMYK 74 / 25 / 0 / 8

HEX #3CB0EB

RGB 60 176 235

HSL 200.23, 0.81%, 0.58%

LAB 68.03, -12.97, -38.72

 

CMYK 74 / 45 / 0 / 8

HEX #3C81EB

RGB 60 129 235

HSL 216.34, 0.81%, 0.58%

LAB 54.72, 14.29, -59.79

 

CMYK 74 / 66 / 0 / 8

HEX #3C51EB

RGB 60 81 235

HSL 232.8, 0.81%, 0.58%

LAB 42.53, 44.14, -79.59

 

CMYK 64 / 74 / 0 / 8

HEX #553CEB

RGB 85 60 235

HSL 248.57, 0.81%, 0.58%

LAB 39.85, 58.42, -83.93

 

CMYK 43 / 74 / 0 / 8

HEX #853CEB

RGB 133 60 235

HSL 265.03, 0.81%, 0.58%

LAB 44.54, 64.8, -76.06

 

CMYK 74 / 25 / 0 / 8

HEX #3CB0EB

RGB 60 176 235

HSL 200.23, 0.81%, 0.58%

LAB 68.03, -12.97, -38.72

 

CMYK 74 / 45 / 0 / 8

HEX #3C81EB

RGB 60 129 235

HSL 216.34, 0.81%, 0.58%

LAB 54.72, 14.29, -59.79

 

CMYK 74 / 66 / 0 / 8

HEX #3C51EB

RGB 60 81 235

HSL 232.8, 0.81%, 0.58%

LAB 42.53, 44.14, -79.59

 

CMYK 74 / 74 / 0 / 8

HEX #3C3CEB

RGB 60 60 235

HSL 240, 0.81%, 0.58%

LAB 38.18, 56.09, -86.74

 

CMYK 74 / 25 / 0 / 8

HEX #3CB0EB

RGB 60 176 235

HSL 200.23, 0.81%, 0.58%

LAB 68.03, -12.97, -38.72

 

CMYK 83 / 28 / 0 / 1

HEX #2AB6FD

RGB 42 182 253

HSL 200.19, 0.98%, 0.58%

LAB 70.2, -11.78, -45.12

 

CMYK 74 / 25 / 0 / 8

HEX #3CB0EB

RGB 60 176 235

HSL 200.23, 0.81%, 0.58%

LAB 68.03, -12.97, -38.72

 

CMYK 65 / 22 / 0 / 15

HEX #4DAADA

RGB 77 170 218

HSL 200.43, 0.66%, 0.58%

LAB 66.05, -12.89, -32.43

 

CMYK 53 / 18 / 0 / 21

HEX #5EA5C9

RGB 94 165 201

HSL 200.19, 0.5%, 0.58%

LAB 64.57, -12.18, -25.25

 

CMYK 39 / 13 / 0 / 28

HEX #709FB7

RGB 112 159 183

HSL 200.28, 0.33%, 0.58%

LAB 63.06, -9.57, -17.43

 

CMYK 22 / 8 / 0 / 35

HEX #8199A6

RGB 129 153 166

HSL 201.08, 0.17%, 0.58%

LAB 61.83, -5.46, -9.61

 

CMYK 74 / 0 / 15 / 8

HEX #3CEBC8

RGB 60 235 200

HSL 168, 0.81%, 0.58%

LAB 84.25, -51.28, 4.54

 

CMYK 74 / 5 / 0 / 8

HEX #3CE0EB

RGB 60 224 235

HSL 183.77, 0.81%, 0.58%

LAB 81.98, -36.99, -17.31

 

CMYK 74 / 25 / 0 / 8

HEX #3CB1EB

RGB 60 177 235

HSL 199.89, 0.81%, 0.58%

LAB 68.32, -13.51, -38.27

 

CMYK 74 / 45 / 0 / 8

HEX #3C82EB

RGB 60 130 235

HSL 216, 0.81%, 0.58%

LAB 54.99, 13.67, -59.35

 

CMYK 74 / 65 / 0 / 8

HEX #3C53EB

RGB 60 83 235

HSL 232.11, 0.81%, 0.58%

LAB 42.98, 42.93, -78.84

 

CMYK 90 / 30 / 0 / 24

HEX #1387C2

RGB 19 135 194

HSL 200.23, 0.82%, 0.42%

LAB 53.34, -8.24, -38.93

 

CMYK 90 / 30 / 0 / 9

HEX #16A1E7

RGB 22 161 231

HSL 200.1, 0.83%, 0.5%

LAB 62.87, -9.25, -44.65

 

CMYK 74 / 25 / 0 / 8

HEX #3CB0EB

RGB 60 176 235

HSL 200.23, 0.81%, 0.58%

LAB 68.03, -12.97, -38.72

 

CMYK 59 / 20 / 0 / 6

HEX #61BFEF

RGB 97 191 239

HSL 200.28, 0.82%, 0.66%

LAB 73.57, -14.08, -32.21

 

CMYK 44 / 15 / 0 / 5

HEX #87CEF3

RGB 135 206 243

HSL 200.56, 0.82%, 0.74%

LAB 79.48, -12.71, -25.15

 

CMYK 75 / 25 / 0 / 7

HEX #3AB0EC

RGB 58 176 236

HSL 200.22, 0.82%, 0.58%

LAB 68.03, -12.86, -39.27

 

CMYK 35 / 74 / 0 / 8

HEX #993CEB

RGB 153 60 235

HSL 271.89, 0.81%, 0.58%

LAB 46.98, 68.02, -71.98

 

CMYK 0 / 5 / 74 / 8

HEX #EBE03C

RGB 235 224 60

HSL 56.23, 0.81%, 0.58%

LAB 87.63, -13.68, 75.88

 

CMYK 75 / 25 / 0 / 7

HEX #3AB0EC

RGB 58 176 236

HSL 200.22, 0.82%, 0.58%

LAB 68.03, -12.86, -39.27

 

CMYK 0 / 74 / 25 / 8

HEX #EB3CB1

RGB 235 60 177

HSL 319.89, 0.81%, 0.58%

LAB 56.16, 75.22, -23.38

 

CMYK 25 / 0 / 74 / 8

HEX #B1EB3C

RGB 177 235 60

HSL 79.89, 0.81%, 0.58%

LAB 86.55, -42.04, 73.41

 

CMYK 75 / 25 / 0 / 7

HEX #3AB0EC

RGB 58 176 236

HSL 200.22, 0.82%, 0.58%

LAB 68.03, -12.86, -39.27

 

CMYK 35 / 74 / 0 / 8

HEX #993CEB

RGB 153 60 235

HSL 271.89, 0.81%, 0.58%

LAB 46.98, 68.02, -71.98

 

CMYK 0 / 50 / 74 / 8

HEX #EB763C

RGB 235 118 60

HSL 19.89, 0.81%, 0.58%

LAB 62.46, 41.29, 51.31

 

CMYK 40 / 0 / 74 / 8

HEX #8EEB3C

RGB 142 235 60

HSL 91.89, 0.81%, 0.58%

LAB 84.74, -54.35, 71.04

 

CMYK 75 / 25 / 0 / 7

HEX #3AB0EC

RGB 58 176 236

HSL 200.22, 0.82%, 0.58%

LAB 68.03, -12.86, -39.27

 

CMYK 12 / 74 / 0 / 8

HEX #CE3CEB

RGB 206 60 235

HSL 290.06, 0.81%, 0.58%

LAB 54.4, 77.59, -59.62

 

CMYK 0 / 50 / 74 / 8

HEX #EB763C

RGB 235 118 60

HSL 19.89, 0.81%, 0.58%

LAB 62.46, 41.29, 51.31

 

CMYK 62 / 0 / 74 / 8

HEX #59EB3C

RGB 89 235 60

HSL 110.06, 0.81%, 0.58%

LAB 82.84, -68.88, 68.54

 

Description

Color code: HEX #3AB0EC | qconv.com Color code: HEX #3AB0EC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 176 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 176 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 25 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 25% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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