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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ABC0E it is the complementary color #C543F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ABC0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ABC0E shade: #3FBC09, #50CE1C, #61E02F, #72F242 and #83FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ABC0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ABC0E shade: #3ABC0E, #29AA00, #189800, #078600 and #007400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ABC0E shade: #3ABD0E, #69BD0E, #99BD0E, #BDB20E and #BD830E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ABC0E shade: #3ABD0E, #0EBD11, #0EBD40, #0EBD6F and #0EBD9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ABC0E shade matches the following richer shades: #3ABD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ABC0E shade: #3ABD0E, #42AD1E, #4A9C2F, #538C3F and #5B7B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ABC0E shade: #9ABD0E, #6BBD0E, #3DBD0E, #0EBD0E and #0EBD3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ABC0E shade: #227008, #2E970B, #3ABD0E, #46E411 and #5FEF2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ABC0E shade: #3ABC0E, #0EBDB2 and #BD0E83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ABC0E shade: #3ABC0E, #0E3DBD and #BD0E3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ABC0E shade: #3ABC0E, #0EBDB2, #8E0EBD and #BD0E19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ABC0E shade: #3ABC0E, #0E94BD, #8E0EBD and #BD370E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 93 / 26

HEX #3ABC0E

RGB 58 188 14

HSL 104.83, 0.86%, 0.4%

LAB 67.2, -62.18, 65.31

 

Complementary color

CMYK 18 / 72 / 0 / 5

HEX #C543F1

RGB 197 67 241

HSL 284.83, 0.86%, 0.6%

LAB 54.28, 74.6, -63.25

 

CMYK 66 / 0 / 95 / 26

HEX #3FBC09

RGB 63 188 9

HSL 101.9, 0.91%, 0.39%

LAB 67.31, -61.29, 66.08

 

CMYK 61 / 0 / 86 / 19

HEX #50CE1C

RGB 80 206 28

HSL 102.47, 0.76%, 0.46%

LAB 73.5, -62.93, 68.45

 

CMYK 57 / 0 / 79 / 12

HEX #61E02F

RGB 97 224 47

HSL 103.05, 0.74%, 0.53%

LAB 79.65, -64.08, 69.51

 

CMYK 53 / 0 / 73 / 5

HEX #72F242

RGB 114 242 66

HSL 103.64, 0.87%, 0.6%

LAB 85.74, -64.87, 69.69

 

CMYK 49 / 0 / 67 / 0

HEX #83FF55

RGB 131 255 85

HSL 103.76, 1%, 0.67%

LAB 90.32, -63.57, 67.77

 

CMYK 69 / 0 / 93 / 26

HEX #3ABC0E

RGB 58 188 14

HSL 104.83, 0.86%, 0.4%

LAB 67.2, -62.18, 65.31

 

CMYK 76 / 0 / 100 / 33

HEX #29AA00

RGB 41 170 0

HSL 105.53, 1%, 0.33%

LAB 60.98, -59.87, 61.9

 

CMYK 84 / 0 / 100 / 40

HEX #189800

RGB 24 152 0

HSL 110.53, 1%, 0.3%

LAB 54.71, -56.74, 56.78

 

CMYK 95 / 0 / 100 / 47

HEX #078600

RGB 7 134 0

HSL 116.87, 1%, 0.26%

LAB 48.38, -52.92, 51.65

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 69 / 0 / 93 / 26

HEX #3ABD0E

RGB 58 189 14

HSL 104.91, 0.86%, 0.4%

LAB 67.52, -62.5, 65.58

 

CMYK 44 / 0 / 93 / 26

HEX #69BD0E

RGB 105 189 14

HSL 88.8, 0.86%, 0.4%

LAB 69.06, -50.17, 67.48

 

CMYK 19 / 0 / 93 / 26

HEX #99BD0E

RGB 153 189 14

HSL 72.34, 0.86%, 0.4%

LAB 71.69, -32.28, 70.7

 

CMYK 0 / 6 / 93 / 26

HEX #BDB20E

RGB 189 178 14

HSL 56.23, 0.86%, 0.4%

LAB 71.34, -11.45, 71.61

 

CMYK 0 / 31 / 93 / 26

HEX #BD830E

RGB 189 131 14

HSL 40.11, 0.86%, 0.4%

LAB 59.05, 13.81, 62.34

 

CMYK 69 / 0 / 93 / 26

HEX #3ABD0E

RGB 58 189 14

HSL 104.91, 0.86%, 0.4%

LAB 67.52, -62.5, 65.58

 

CMYK 93 / 0 / 91 / 26

HEX #0EBD11

RGB 14 189 17

HSL 121.03, 0.86%, 0.4%

LAB 66.92, -67.76, 64.38

 

CMYK 93 / 0 / 66 / 26

HEX #0EBD40

RGB 14 189 64

HSL 137.14, 0.86%, 0.4%

LAB 67.17, -64.59, 50.4

 

CMYK 93 / 0 / 41 / 26

HEX #0EBD6F

RGB 14 189 111

HSL 153.26, 0.86%, 0.4%

LAB 67.75, -57.54, 28.51

 

CMYK 93 / 0 / 16 / 26

HEX #0EBD9F

RGB 14 189 159

HSL 169.71, 0.86%, 0.4%

LAB 68.75, -46.48, 4.04

 

CMYK 69 / 0 / 93 / 26

HEX #3ABD0E

RGB 58 189 14

HSL 104.91, 0.86%, 0.4%

LAB 67.52, -62.5, 65.58

 

CMYK 69 / 0 / 93 / 26

HEX #3ABD0E

RGB 58 189 14

HSL 104.91, 0.86%, 0.4%

LAB 67.52, -62.5, 65.58

 

CMYK 62 / 0 / 83 / 32

HEX #42AD1E

RGB 66 173 30

HSL 104.9, 0.7%, 0.4%

LAB 62.62, -54.86, 58.12

 

CMYK 53 / 0 / 70 / 39

HEX #4A9C2F

RGB 74 156 47

HSL 105.14, 0.54%, 0.4%

LAB 57.5, -45.26, 47.39

 

CMYK 41 / 0 / 55 / 45

HEX #538C3F

RGB 83 140 63

HSL 104.42, 0.38%, 0.4%

LAB 52.9, -33.91, 34.96

 

CMYK 26 / 0 / 35 / 52

HEX #5B7B50

RGB 91 123 80

HSL 104.65, 0.21%, 0.4%

LAB 48.22, -20.23, 19.93

 

CMYK 19 / 0 / 93 / 26

HEX #9ABD0E

RGB 154 189 14

HSL 72, 0.86%, 0.4%

LAB 71.76, -31.87, 70.78

 

CMYK 43 / 0 / 93 / 26

HEX #6BBD0E

RGB 107 189 14

HSL 88.11, 0.86%, 0.4%

LAB 69.15, -49.51, 67.59

 

CMYK 68 / 0 / 93 / 26

HEX #3DBD0E

RGB 61 189 14

HSL 103.89, 0.86%, 0.4%

LAB 67.59, -61.91, 65.66

 

CMYK 93 / 0 / 93 / 26

HEX #0EBD0E

RGB 14 189 14

HSL 120, 0.86%, 0.4%

LAB 66.92, -67.85, 64.83

 

CMYK 93 / 0 / 68 / 26

HEX #0EBD3D

RGB 14 189 61

HSL 136.11, 0.86%, 0.4%

LAB 67.15, -64.9, 51.61

 

CMYK 70 / 0 / 93 / 56

HEX #227008

RGB 34 112 8

HSL 105, 0.87%, 0.24%

LAB 41.13, -41.81, 44.08

 

CMYK 70 / 0 / 93 / 41

HEX #2E970B

RGB 46 151 11

HSL 105, 0.86%, 0.32%

LAB 54.8, -52.59, 55.26

 

CMYK 69 / 0 / 93 / 26

HEX #3ABD0E

RGB 58 189 14

HSL 104.91, 0.86%, 0.4%

LAB 67.52, -62.5, 65.58

 

CMYK 69 / 0 / 93 / 11

HEX #46E411

RGB 70 228 17

HSL 104.93, 0.86%, 0.48%

LAB 80.08, -72.33, 75.73

 

CMYK 60 / 0 / 80 / 6

HEX #5FEF2F

RGB 95 239 47

HSL 105, 0.86%, 0.56%

LAB 84.16, -69.62, 73.67

 

CMYK 69 / 0 / 93 / 26

HEX #3ABC0E

RGB 58 188 14

HSL 104.83, 0.86%, 0.4%

LAB 67.2, -62.18, 65.31

 

CMYK 93 / 0 / 6 / 26

HEX #0EBDB2

RGB 14 189 178

HSL 176.23, 0.86%, 0.4%

LAB 69.26, -41.2, -5.63

 

CMYK 0 / 93 / 31 / 26

HEX #BD0E83

RGB 189 14 131

HSL 319.89, 0.86%, 0.4%

LAB 42.42, 69.58, -17.71

 

CMYK 69 / 0 / 93 / 26

HEX #3ABC0E

RGB 58 188 14

HSL 104.83, 0.86%, 0.4%

LAB 67.2, -62.18, 65.31

 

CMYK 93 / 68 / 0 / 26

HEX #0E3DBD

RGB 14 61 189

HSL 223.89, 0.86%, 0.4%

LAB 32.04, 36.83, -70.36

 

CMYK 0 / 93 / 68 / 26

HEX #BD0E3D

RGB 189 14 61

HSL 343.89, 0.86%, 0.4%

LAB 40.36, 63.99, 23.38

 

CMYK 69 / 0 / 93 / 26

HEX #3ABC0E

RGB 58 188 14

HSL 104.83, 0.86%, 0.4%

LAB 67.2, -62.18, 65.31

 

CMYK 93 / 0 / 6 / 26

HEX #0EBDB2

RGB 14 189 178

HSL 176.23, 0.86%, 0.4%

LAB 69.26, -41.2, -5.63

 

CMYK 25 / 93 / 0 / 26

HEX #8E0EBD

RGB 142 14 189

HSL 283.89, 0.86%, 0.4%

LAB 37.37, 69.8, -61.19

 

CMYK 0 / 93 / 87 / 26

HEX #BD0E19

RGB 189 14 25

HSL 356.23, 0.86%, 0.4%

LAB 39.92, 62.76, 44.01

 

CMYK 69 / 0 / 93 / 26

HEX #3ABC0E

RGB 58 188 14

HSL 104.83, 0.86%, 0.4%

LAB 67.2, -62.18, 65.31

 

CMYK 93 / 22 / 0 / 26

HEX #0E94BD

RGB 14 148 189

HSL 194.06, 0.86%, 0.4%

LAB 57.02, -17.58, -30.33

 

CMYK 25 / 93 / 0 / 26

HEX #8E0EBD

RGB 142 14 189

HSL 283.89, 0.86%, 0.4%

LAB 37.37, 69.8, -61.19

 

CMYK 0 / 71 / 93 / 26

HEX #BD370E

RGB 189 55 14

HSL 14.06, 0.86%, 0.4%

LAB 43.63, 51.97, 51.35

 

Description

Color code: HEX #3ABC0E | qconv.com Color code: HEX #3ABC0E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 188 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 188 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 93 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 93% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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