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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ACEA6 it is the complementary color #C53159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ACEA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ACEA6 shade: #3FCEA1, #50E0B4, #61F2C7, #72FFDA and #83FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ACEA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ACEA6 shade: #3ACEA6, #29BC93, #18AA80, #07986D and #00865A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ACEA6 shade: #3BCEA6, #3BCE7E, #3BCE57, #46CE3B and #6ECE3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ACEA6 shade: #3BCEA6, #3BCECD, #3BA6CE, #3B7ECE and #3B57CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ACEA6 shade matches the following richer shades: #3BCEA6, #27E1AF and #13F5B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ACEA6 shade: #3BCEA6, #4EBA9D, #62A694, #76928B and #8A7E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ACEA6 shade: #3BCE56, #3BCE7D, #3BCEA4, #3BCECB and #3BA9CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ACEA6 shade: #249274, #2CB38E, #3BCEA6, #5CD6B5 and #7DDEC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ACEA6 shade: #3ACEA6, #3B47CE and #CE693B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ACEA6 shade: #3ACEA6, #A43BCE and #CEA43B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ACEA6 shade: #3ACEA6, #3B47CE, #CE3B64 and #CEC13B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ACEA6 shade: #3ACEA6, #5A3BCE, #CE3B64 and #AECE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 19 / 19

HEX #3ACEA6

RGB 58 206 166

HSL 163.78, 0.6%, 0.52%

LAB 74.7, -47.87, 8.86

 

Complementary color

CMYK 0 / 75 / 55 / 23

HEX #C53159

RGB 197 49 89

HSL 343.78, 0.6%, 0.48%

LAB 45.34, 59.86, 12.79

 

CMYK 69 / 0 / 22 / 19

HEX #3FCEA1

RGB 63 206 161

HSL 161.12, 0.59%, 0.53%

LAB 74.68, -48.35, 11.54

 

CMYK 64 / 0 / 20 / 12

HEX #50E0B4

RGB 80 224 180

HSL 161.67, 0.7%, 0.6%

LAB 80.91, -48.73, 10.34

 

CMYK 60 / 0 / 18 / 5

HEX #61F2C7

RGB 97 242 199

HSL 162.21, 0.85%, 0.66%

LAB 87.08, -48.95, 9.24

 

CMYK 55 / 0 / 15 / 0

HEX #72FFDA

RGB 114 255 218

HSL 164.26, 1%, 0.72%

LAB 91.76, -46.92, 6.16

 

CMYK 49 / 0 / 7 / 0

HEX #83FFED

RGB 131 255 237

HSL 171.29, 1%, 0.76%

LAB 92.78, -38.98, -2.11

 

CMYK 72 / 0 / 19 / 19

HEX #3ACEA6

RGB 58 206 166

HSL 163.78, 0.6%, 0.52%

LAB 74.7, -47.87, 8.86

 

CMYK 78 / 0 / 22 / 26

HEX #29BC93

RGB 41 188 147

HSL 163.27, 0.64%, 0.45%

LAB 68.42, -47.13, 10.17

 

CMYK 86 / 0 / 25 / 33

HEX #18AA80

RGB 24 170 128

HSL 162.74, 0.75%, 0.38%

LAB 62.09, -46.04, 11.63

 

CMYK 95 / 0 / 28 / 40

HEX #07986D

RGB 7 152 109

HSL 162.21, 0.91%, 0.31%

LAB 55.69, -44.48, 13.27

 

CMYK 100 / 0 / 33 / 47

HEX #00865A

RGB 0 134 90

HSL 160.3, 1%, 0.26%

LAB 49.24, -42.28, 15.12

 

CMYK 71 / 0 / 19 / 19

HEX #3BCEA6

RGB 59 206 166

HSL 163.67, 0.6%, 0.52%

LAB 74.71, -47.74, 8.89

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 71 / 0 / 58 / 19

HEX #3BCE57

RGB 59 206 87

HSL 131.43, 0.6%, 0.52%

LAB 73.39, -62.42, 47.49

 

CMYK 66 / 0 / 71 / 19

HEX #46CE3B

RGB 70 206 59

HSL 115.51, 0.6%, 0.52%

LAB 73.39, -63.3, 59.22

 

CMYK 47 / 0 / 71 / 19

HEX #6ECE3B

RGB 110 206 59

HSL 99.18, 0.6%, 0.52%

LAB 74.68, -53.14, 60.95

 

CMYK 71 / 0 / 19 / 19

HEX #3BCEA6

RGB 59 206 166

HSL 163.67, 0.6%, 0.52%

LAB 74.71, -47.74, 8.89

 

CMYK 71 / 0 / 0 / 19

HEX #3BCECD

RGB 59 206 205

HSL 179.59, 0.6%, 0.52%

LAB 75.75, -37.45, -10.62

 

CMYK 71 / 19 / 0 / 19

HEX #3BA6CE

RGB 59 166 206

HSL 196.33, 0.6%, 0.52%

LAB 63.88, -17.35, -29.19

 

CMYK 71 / 39 / 0 / 19

HEX #3B7ECE

RGB 59 126 206

HSL 212.65, 0.6%, 0.52%

LAB 52.18, 5.5, -47.53

 

CMYK 71 / 58 / 0 / 19

HEX #3B57CE

RGB 59 87 206

HSL 228.57, 0.6%, 0.52%

LAB 41.54, 30.09, -64.66

 

CMYK 71 / 0 / 19 / 19

HEX #3BCEA6

RGB 59 206 166

HSL 163.67, 0.6%, 0.52%

LAB 74.71, -47.74, 8.89

 

CMYK 83 / 0 / 22 / 12

HEX #27E1AF

RGB 39 225 175

HSL 163.87, 0.76%, 0.52%

LAB 80.39, -55.4, 12.14

 

CMYK 92 / 0 / 25 / 4

HEX #13F5B8

RGB 19 245 184

HSL 163.81, 0.92%, 0.52%

LAB 86.46, -62.08, 15.97

 

CMYK 71 / 0 / 19 / 19

HEX #3BCEA6

RGB 59 206 166

HSL 163.67, 0.6%, 0.52%

LAB 74.71, -47.74, 8.89

 

CMYK 58 / 0 / 16 / 27

HEX #4EBA9D

RGB 78 186 157

HSL 163.89, 0.44%, 0.52%

LAB 68.88, -38.03, 5.47

 

CMYK 41 / 0 / 11 / 35

HEX #62A694

RGB 98 166 148

HSL 164.12, 0.28%, 0.52%

LAB 63.35, -25.91, 2.56

 

CMYK 19 / 0 / 5 / 43

HEX #76928B

RGB 118 146 139

HSL 165, 0.11%, 0.52%

LAB 58.3, -11.35, 0.44

 

CMYK 0 / 9 / 7 / 46

HEX #8A7E81

RGB 138 126 129

HSL 345, 0.05%, 0.52%

LAB 53.93, 5.12, 0.02

 

CMYK 71 / 0 / 58 / 19

HEX #3BCE56

RGB 59 206 86

HSL 131.02, 0.6%, 0.52%

LAB 73.38, -62.54, 47.94

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7D

RGB 59 206 125

HSL 146.94, 0.6%, 0.52%

LAB 73.9, -56.51, 29.46

 

CMYK 71 / 0 / 20 / 19

HEX #3BCEA4

RGB 59 206 164

HSL 162.86, 0.6%, 0.52%

LAB 74.67, -48.22, 9.9

 

CMYK 71 / 0 / 1 / 19

HEX #3BCECB

RGB 59 206 203

HSL 178.78, 0.6%, 0.52%

LAB 75.69, -38.02, -9.63

 

CMYK 71 / 18 / 0 / 19

HEX #3BA9CE

RGB 59 169 206

HSL 195.1, 0.6%, 0.52%

LAB 64.77, -18.94, -27.81

 

CMYK 75 / 0 / 21 / 43

HEX #249274

RGB 36 146 116

HSL 163.64, 0.6%, 0.36%

LAB 54.23, -37.67, 7.29

 

CMYK 75 / 0 / 21 / 30

HEX #2CB38E

RGB 44 179 142

HSL 163.56, 0.61%, 0.44%

LAB 65.54, -44.26, 8.82

 

CMYK 71 / 0 / 19 / 19

HEX #3BCEA6

RGB 59 206 166

HSL 163.67, 0.6%, 0.52%

LAB 74.71, -47.74, 8.89

 

CMYK 57 / 0 / 15 / 16

HEX #5CD6B5

RGB 92 214 181

HSL 163.77, 0.6%, 0.6%

LAB 78.29, -41.99, 6.09

 

CMYK 44 / 0 / 12 / 13

HEX #7DDEC4

RGB 125 222 196

HSL 163.92, 0.6%, 0.68%

LAB 82.16, -34.72, 3.85

 

CMYK 72 / 0 / 19 / 19

HEX #3ACEA6

RGB 58 206 166

HSL 163.78, 0.6%, 0.52%

LAB 74.7, -47.87, 8.86

 

CMYK 71 / 66 / 0 / 19

HEX #3B47CE

RGB 59 71 206

HSL 235.1, 0.6%, 0.52%

LAB 37.65, 40.14, -71.01

 

CMYK 0 / 49 / 71 / 19

HEX #CE693B

RGB 206 105 59

HSL 18.78, 0.6%, 0.52%

LAB 55.62, 36.53, 43.25

 

CMYK 72 / 0 / 19 / 19

HEX #3ACEA6

RGB 58 206 166

HSL 163.78, 0.6%, 0.52%

LAB 74.7, -47.87, 8.86

 

CMYK 20 / 71 / 0 / 19

HEX #A43BCE

RGB 164 59 206

HSL 282.86, 0.6%, 0.52%

LAB 46.28, 64.3, -56.5

 

CMYK 0 / 20 / 71 / 19

HEX #CEA43B

RGB 206 164 59

HSL 42.86, 0.6%, 0.52%

LAB 69.46, 4.82, 57.8

 

CMYK 72 / 0 / 19 / 19

HEX #3ACEA6

RGB 58 206 166

HSL 163.78, 0.6%, 0.52%

LAB 74.7, -47.87, 8.86

 

CMYK 71 / 66 / 0 / 19

HEX #3B47CE

RGB 59 71 206

HSL 235.1, 0.6%, 0.52%

LAB 37.65, 40.14, -71.01

 

CMYK 0 / 71 / 51 / 19

HEX #CE3B64

RGB 206 59 100

HSL 343.27, 0.6%, 0.52%

LAB 48.47, 59.93, 10.64

 

CMYK 0 / 6 / 71 / 19

HEX #CEC13B

RGB 206 193 59

HSL 54.69, 0.6%, 0.52%

LAB 77.03, -10.38, 65.3

 

CMYK 72 / 0 / 19 / 19

HEX #3ACEA6

RGB 58 206 166

HSL 163.78, 0.6%, 0.52%

LAB 74.7, -47.87, 8.86

 

CMYK 56 / 71 / 0 / 19

HEX #5A3BCE

RGB 90 59 206

HSL 252.65, 0.6%, 0.52%

LAB 37.4, 51.09, -71.33

 

CMYK 0 / 71 / 51 / 19

HEX #CE3B64

RGB 206 59 100

HSL 343.27, 0.6%, 0.52%

LAB 48.47, 59.93, 10.64

 

CMYK 16 / 0 / 71 / 19

HEX #AECE3B

RGB 174 206 59

HSL 73.06, 0.6%, 0.52%

LAB 78.14, -30.11, 65.55

 

Description

Color code: HEX #3ACEA6 | qconv.com Color code: HEX #3ACEA6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 206 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 206 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 19 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 19% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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