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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AD5D8 it is the complementary color #C52A27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AD5D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AD5D8 shade: #3FD5D3, #50E7E6, #61F9F9, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AD5D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AD5D8 shade: #3AD5D8, #29C3C5, #18B1B2, #079F9F and #008D8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AD5D8 shade: #3BD5D8, #3BAAD8, #3B80D8, #3B56D8 and #4A3BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AD5D8 shade: #3BD5D8, #3BAAD8, #3B80D8, #3B56D8 and #3B3BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AD5D8 shade matches the following richer shades: #3BD5D8, #28E7EB and #15F9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AD5D8 shade: #3BD5D8, #4EC3C5, #61B0B2, #749E9F and #878C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AD5D8 shade: #3BD887, #3BD8B0, #3BD5D8, #3BABD8 and #3B81D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AD5D8 shade: #1F9EA1, #26C0C3, #3BD5D8, #5DDCDF and #80E3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AD5D8 shade: #3AD5D8, #5D3BD8 and #D89C3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AD5D8 shade: #3AD5D8, #D83BD5 and #D5D83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AD5D8 shade: #3AD5D8, #5D3BD8, #D83D3B and #B6D83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AD5D8 shade: #3AD5D8, #8C3BD8, #D83D3B and #87D83B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 1 / 0 / 15

HEX #3AD5D8

RGB 58 213 216

HSL 181.14, 0.67%, 0.54%

LAB 78.14, -37.64, -12.96

 

Complementary color

CMYK 0 / 79 / 80 / 23

HEX #C52A27

RGB 197 42 39

HSL 1.14, 0.67%, 0.46%

LAB 43.76, 59.41, 40.79

 

CMYK 70 / 0 / 1 / 16

HEX #3FD5D3

RGB 63 213 211

HSL 179.2, 0.64%, 0.54%

LAB 78.08, -38.47, -10.36

 

CMYK 65 / 0 / 0 / 9

HEX #50E7E6

RGB 80 231 230

HSL 179.6, 0.76%, 0.61%

LAB 84.26, -39.13, -11.21

 

CMYK 61 / 0 / 0 / 2

HEX #61F9F9

RGB 97 249 249

HSL 180, 0.93%, 0.68%

LAB 90.38, -39.62, -12

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 73 / 1 / 0 / 15

HEX #3AD5D8

RGB 58 213 216

HSL 181.14, 0.67%, 0.54%

LAB 78.14, -37.64, -12.96

 

CMYK 79 / 1 / 0 / 23

HEX #29C3C5

RGB 41 195 197

HSL 180.77, 0.66%, 0.47%

LAB 71.92, -36.6, -12.04

 

CMYK 87 / 1 / 0 / 30

HEX #18B1B2

RGB 24 177 178

HSL 180.39, 0.76%, 0.4%

LAB 65.63, -35.25, -11.02

 

CMYK 96 / 0 / 0 / 38

HEX #079F9F

RGB 7 159 159

HSL 180, 0.92%, 0.33%

LAB 59.29, -33.5, -9.87

 

CMYK 100 / 0 / 1 / 45

HEX #008D8C

RGB 0 141 140

HSL 179.57, 1%, 0.28%

LAB 52.89, -31.25, -8.57

 

CMYK 73 / 1 / 0 / 15

HEX #3BD5D8

RGB 59 213 216

HSL 181.15, 0.67%, 0.54%

LAB 78.16, -37.52, -12.94

 

CMYK 73 / 21 / 0 / 15

HEX #3BAAD8

RGB 59 170 216

HSL 197.58, 0.67%, 0.54%

LAB 65.47, -16.2, -32.28

 

CMYK 73 / 41 / 0 / 15

HEX #3B80D8

RGB 59 128 216

HSL 213.63, 0.67%, 0.54%

LAB 53.3, 7.88, -51.4

 

CMYK 73 / 60 / 0 / 15

HEX #3B56D8

RGB 59 86 216

HSL 229.68, 0.67%, 0.54%

LAB 42.07, 34.3, -69.54

 

CMYK 66 / 73 / 0 / 15

HEX #4A3BD8

RGB 74 59 216

HSL 245.73, 0.67%, 0.54%

LAB 37.01, 52.03, -77.8

 

CMYK 73 / 1 / 0 / 15

HEX #3BD5D8

RGB 59 213 216

HSL 181.15, 0.67%, 0.54%

LAB 78.16, -37.52, -12.94

 

CMYK 73 / 21 / 0 / 15

HEX #3BAAD8

RGB 59 170 216

HSL 197.58, 0.67%, 0.54%

LAB 65.47, -16.2, -32.28

 

CMYK 73 / 41 / 0 / 15

HEX #3B80D8

RGB 59 128 216

HSL 213.63, 0.67%, 0.54%

LAB 53.3, 7.88, -51.4

 

CMYK 73 / 60 / 0 / 15

HEX #3B56D8

RGB 59 86 216

HSL 229.68, 0.67%, 0.54%

LAB 42.07, 34.3, -69.54

 

CMYK 73 / 73 / 0 / 15

HEX #3B3BD8

RGB 59 59 216

HSL 240, 0.67%, 0.54%

LAB 36.01, 50.5, -79.47

 

CMYK 73 / 1 / 0 / 15

HEX #3BD5D8

RGB 59 213 216

HSL 181.15, 0.67%, 0.54%

LAB 78.16, -37.52, -12.94

 

CMYK 83 / 2 / 0 / 8

HEX #28E7EB

RGB 40 231 235

HSL 181.23, 0.83%, 0.54%

LAB 83.76, -41.9, -14.67

 

CMYK 92 / 2 / 0 / 0

HEX #15F9FE

RGB 21 249 254

HSL 181.29, 0.99%, 0.54%

LAB 89.42, -45.28, -16.15

 

CMYK 73 / 1 / 0 / 15

HEX #3BD5D8

RGB 59 213 216

HSL 181.15, 0.67%, 0.54%

LAB 78.16, -37.52, -12.94

 

CMYK 60 / 1 / 0 / 23

HEX #4EC3C5

RGB 78 195 197

HSL 181.01, 0.51%, 0.54%

LAB 72.68, -31.77, -10.82

 

CMYK 46 / 1 / 0 / 30

HEX #61B0B2

RGB 97 176 178

HSL 181.48, 0.34%, 0.54%

LAB 67.13, -23.7, -8.59

 

CMYK 27 / 1 / 0 / 38

HEX #749E9F

RGB 116 158 159

HSL 181.4, 0.18%, 0.54%

LAB 62.23, -13.92, -5.15

 

CMYK 4 / 0 / 0 / 45

HEX #878C8C

RGB 135 140 140

HSL 180, 0.02%, 0.54%

LAB 57.85, -1.82, -0.64

 

CMYK 73 / 0 / 38 / 15

HEX #3BD887

RGB 59 216 135

HSL 149.04, 0.67%, 0.54%

LAB 77.16, -58.35, 28.62

 

CMYK 73 / 0 / 19 / 15

HEX #3BD8B0

RGB 59 216 176

HSL 164.71, 0.67%, 0.54%

LAB 77.98, -49.46, 8.21

 

CMYK 73 / 1 / 0 / 15

HEX #3BD5D8

RGB 59 213 216

HSL 181.15, 0.67%, 0.54%

LAB 78.16, -37.52, -12.94

 

CMYK 73 / 21 / 0 / 15

HEX #3BABD8

RGB 59 171 216

HSL 197.2, 0.67%, 0.54%

LAB 65.76, -16.73, -31.82

 

CMYK 73 / 40 / 0 / 15

HEX #3B81D8

RGB 59 129 216

HSL 213.25, 0.67%, 0.54%

LAB 53.59, 7.28, -50.95

 

CMYK 81 / 2 / 0 / 37

HEX #1F9EA1

RGB 31 158 161

HSL 181.38, 0.68%, 0.38%

LAB 59.27, -30.93, -11.01

 

CMYK 81 / 2 / 0 / 24

HEX #26C0C3

RGB 38 192 195

HSL 181.15, 0.67%, 0.46%

LAB 70.91, -36.07, -12.47

 

CMYK 73 / 1 / 0 / 15

HEX #3BD5D8

RGB 59 213 216

HSL 181.15, 0.67%, 0.54%

LAB 78.16, -37.52, -12.94

 

CMYK 58 / 1 / 0 / 13

HEX #5DDCDF

RGB 93 220 223

HSL 181.38, 0.67%, 0.62%

LAB 81.2, -33.88, -12.03

 

CMYK 44 / 1 / 0 / 10

HEX #80E3E5

RGB 128 227 229

HSL 181.19, 0.66%, 0.7%

LAB 84.58, -28.52, -10.05

 

CMYK 73 / 1 / 0 / 15

HEX #3AD5D8

RGB 58 213 216

HSL 181.14, 0.67%, 0.54%

LAB 78.14, -37.64, -12.96

 

CMYK 57 / 73 / 0 / 15

HEX #5D3BD8

RGB 93 59 216

HSL 252.99, 0.67%, 0.54%

LAB 38.57, 54.39, -75.17

 

CMYK 0 / 28 / 73 / 15

HEX #D89C3B

RGB 216 156 59

HSL 37.07, 0.67%, 0.54%

LAB 68.53, 13.44, 57.2

 

CMYK 73 / 1 / 0 / 15

HEX #3AD5D8

RGB 58 213 216

HSL 181.14, 0.67%, 0.54%

LAB 78.14, -37.64, -12.96

 

CMYK 0 / 73 / 1 / 15

HEX #D83BD5

RGB 216 59 213

HSL 301.15, 0.67%, 0.54%

LAB 54.59, 76.27, -46.78

 

CMYK 1 / 0 / 73 / 15

HEX #D5D83B

RGB 213 216 59

HSL 61.15, 0.67%, 0.54%

LAB 83.74, -18.94, 71.93

 

CMYK 73 / 1 / 0 / 15

HEX #3AD5D8

RGB 58 213 216

HSL 181.14, 0.67%, 0.54%

LAB 78.14, -37.64, -12.96

 

CMYK 57 / 73 / 0 / 15

HEX #5D3BD8

RGB 93 59 216

HSL 252.99, 0.67%, 0.54%

LAB 38.57, 54.39, -75.17

 

CMYK 0 / 72 / 73 / 15

HEX #D83D3B

RGB 216 61 59

HSL 0.76, 0.67%, 0.54%

LAB 49.8, 59.72, 37.18

 

CMYK 16 / 0 / 73 / 15

HEX #B6D83B

RGB 182 216 59

HSL 72.99, 0.67%, 0.54%

LAB 81.5, -31.59, 69

 

CMYK 73 / 1 / 0 / 15

HEX #3AD5D8

RGB 58 213 216

HSL 181.14, 0.67%, 0.54%

LAB 78.14, -37.64, -12.96

 

CMYK 35 / 73 / 0 / 15

HEX #8C3BD8

RGB 140 59 216

HSL 270.96, 0.67%, 0.54%

LAB 43.74, 61.88, -66.51

 

CMYK 0 / 72 / 73 / 15

HEX #D83D3B

RGB 216 61 59

HSL 0.76, 0.67%, 0.54%

LAB 49.8, 59.72, 37.18

 

CMYK 38 / 0 / 73 / 15

HEX #87D83B

RGB 135 216 59

HSL 90.96, 0.67%, 0.54%

LAB 78.8, -49.08, 65.44

 

Description

Color code: HEX #3AD5D8 | qconv.com Color code: HEX #3AD5D8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 213 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 213 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 1 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 1% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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