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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ADB33 it is the complementary color #C524CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ADB33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ADB33 shade: #3FDB2E, #50ED41, #61FF54, #72FF67 and #83FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ADB33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ADB33 shade: #3ADB33, #29C920, #18B70D, #07A500 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ADB33 shade: #3ADB33, #67DB33, #94DB33, #C1DB33 and #DBC633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ADB33 shade: #3ADB33, #33DB59, #33DB86, #33DBB4 and #33D4DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ADB33 shade matches the following richer shades: #3ADB33 and #28EE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ADB33 shade: #3ADB33, #4CC746, #5DB45A, #6FA06D and #818D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ADB33 shade: #95DB33, #68DB33, #3BDB33, #33DB57 and #33DB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ADB33 shade: #219F1C, #29C222, #3ADB33, #5CE156 and #7DE779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ADB33 shade: #3ADB33, #33C1DB and #DB337E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ADB33 shade: #3ADB33, #333BDB and #DB333B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ADB33 shade: #3ADB33, #33C1DB, #D233DB and #DB4C33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ADB33 shade: #3ADB33, #338FDB, #D233DB and #DB7E33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

Complementary color

CMYK 3 / 82 / 0 / 20

HEX #C524CC

RGB 197 36 204

HSL 297.5, 0.7%, 0.47%

LAB 48.87, 77.23, -50.91

 

CMYK 71 / 0 / 79 / 14

HEX #3FDB2E

RGB 63 219 46

HSL 114.1, 0.71%, 0.52%

LAB 77.23, -69.66, 67.21

 

CMYK 66 / 0 / 73 / 7

HEX #50ED41

RGB 80 237 65

HSL 114.77, 0.83%, 0.59%

LAB 83.26, -71.02, 67.22

 

CMYK 62 / 0 / 67 / 0

HEX #61FF54

RGB 97 255 84

HSL 115.44, 1%, 0.66%

LAB 89.25, -71.96, 66.7

 

CMYK 55 / 0 / 60 / 0

HEX #72FF67

RGB 114 255 103

HSL 115.66, 1%, 0.7%

LAB 89.89, -66.32, 59.89

 

CMYK 49 / 0 / 52 / 0

HEX #83FF7A

RGB 131 255 122

HSL 115.94, 1%, 0.74%

LAB 90.67, -59.85, 52.54

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 80 / 0 / 84 / 21

HEX #29C920

RGB 41 201 32

HSL 116.8, 0.73%, 0.46%

LAB 71.11, -68.2, 65.13

 

CMYK 87 / 0 / 93 / 28

HEX #18B70D

RGB 24 183 13

HSL 116.12, 0.87%, 0.38%

LAB 65.03, -65.47, 63.42

 

CMYK 96 / 0 / 100 / 35

HEX #07A500

RGB 7 165 0

HSL 117.45, 1%, 0.32%

LAB 58.93, -61.84, 60.1

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 53 / 0 / 77 / 14

HEX #67DB33

RGB 103 219 51

HSL 101.43, 0.7%, 0.53%

LAB 78.34, -60.53, 67.16

 

CMYK 32 / 0 / 77 / 14

HEX #94DB33

RGB 148 219 51

HSL 85.36, 0.7%, 0.53%

LAB 80.29, -46.25, 69.7

 

CMYK 12 / 0 / 77 / 14

HEX #C1DB33

RGB 193 219 51

HSL 69.29, 0.7%, 0.53%

LAB 83.04, -28.94, 73.25

 

CMYK 0 / 10 / 77 / 14

HEX #DBC633

RGB 219 198 51

HSL 52.5, 0.7%, 0.53%

LAB 79.44, -7.72, 70.71

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 77 / 0 / 59 / 14

HEX #33DB59

RGB 51 219 89

HSL 133.57, 0.7%, 0.53%

LAB 77.33, -67.64, 51.15

 

CMYK 77 / 0 / 39 / 14

HEX #33DB86

RGB 51 219 134

HSL 149.64, 0.7%, 0.53%

LAB 77.93, -60.68, 30.13

 

CMYK 77 / 0 / 18 / 14

HEX #33DBB4

RGB 51 219 180

HSL 166.07, 0.7%, 0.53%

LAB 78.85, -50.66, 7.31

 

CMYK 77 / 3 / 0 / 14

HEX #33D4DB

RGB 51 212 219

HSL 182.5, 0.7%, 0.53%

LAB 77.82, -37.04, -15.06

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 83 / 0 / 87 / 7

HEX #28EE1F

RGB 40 238 31

HSL 117.39, 0.86%, 0.53%

LAB 82.75, -78.93, 75.63

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 62 / 0 / 65 / 22

HEX #4CC746

RGB 76 199 70

HSL 117.21, 0.54%, 0.53%

LAB 71.44, -58.63, 52.86

 

CMYK 48 / 0 / 50 / 29

HEX #5DB45A

RGB 93 180 90

HSL 118, 0.38%, 0.53%

LAB 66.3, -44.59, 37.75

 

CMYK 31 / 0 / 32 / 37

HEX #6FA06D

RGB 111 160 109

HSL 117.65, 0.21%, 0.53%

LAB 61.33, -26.85, 21.5

 

CMYK 9 / 0 / 9 / 45

HEX #818D80

RGB 129 141 128

HSL 115.38, 0.05%, 0.53%

LAB 57.34, -6.95, 5.45

 

CMYK 32 / 0 / 77 / 14

HEX #95DB33

RGB 149 219 51

HSL 85, 0.7%, 0.53%

LAB 80.34, -45.89, 69.77

 

CMYK 53 / 0 / 77 / 14

HEX #68DB33

RGB 104 219 51

HSL 101.07, 0.7%, 0.53%

LAB 78.37, -60.25, 67.2

 

CMYK 73 / 0 / 77 / 14

HEX #3BDB33

RGB 59 219 51

HSL 117.14, 0.7%, 0.53%

LAB 77.18, -70.01, 65.64

 

CMYK 77 / 0 / 60 / 14

HEX #33DB57

RGB 51 219 87

HSL 132.86, 0.7%, 0.53%

LAB 77.31, -67.88, 52.01

 

CMYK 77 / 0 / 40 / 14

HEX #33DB84

RGB 51 219 132

HSL 148.93, 0.7%, 0.53%

LAB 77.89, -61.06, 31.11

 

CMYK 79 / 0 / 82 / 38

HEX #219F1C

RGB 33 159 28

HSL 117.71, 0.7%, 0.37%

LAB 57.27, -56.67, 53.47

 

CMYK 79 / 0 / 82 / 24

HEX #29C222

RGB 41 194 34

HSL 117.38, 0.7%, 0.45%

LAB 68.87, -66.01, 62.59

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 59 / 0 / 62 / 12

HEX #5CE156

RGB 92 225 86

HSL 117.41, 0.7%, 0.61%

LAB 80.07, -62.59, 55.81

 

CMYK 46 / 0 / 48 / 9

HEX #7DE779

RGB 125 231 121

HSL 117.82, 0.7%, 0.69%

LAB 83.39, -52.19, 44.03

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 77 / 12 / 0 / 14

HEX #33C1DB

RGB 51 193 219

HSL 189.29, 0.7%, 0.53%

LAB 72.2, -27.97, -23.57

 

CMYK 0 / 77 / 42 / 14

HEX #DB337E

RGB 219 51 126

HSL 333.21, 0.7%, 0.53%

LAB 50.61, 68.39, -1.79

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 77 / 73 / 0 / 14

HEX #333BDB

RGB 51 59 219

HSL 237.14, 0.7%, 0.53%

LAB 35.88, 50.81, -81.43

 

CMYK 0 / 77 / 73 / 14

HEX #DB333B

RGB 219 51 59

HSL 357.14, 0.7%, 0.53%

LAB 49.18, 63.9, 36.62

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 77 / 12 / 0 / 14

HEX #33C1DB

RGB 51 193 219

HSL 189.29, 0.7%, 0.53%

LAB 72.2, -27.97, -23.57

 

CMYK 4 / 77 / 0 / 14

HEX #D233DB

RGB 210 51 219

HSL 296.79, 0.7%, 0.53%

LAB 53.15, 78.34, -52.54

 

CMYK 0 / 65 / 77 / 14

HEX #DB4C33

RGB 219 76 51

HSL 8.93, 0.7%, 0.53%

LAB 52.36, 54.6, 44.5

 

CMYK 74 / 0 / 77 / 14

HEX #3ADB33

RGB 58 219 51

HSL 117.5, 0.7%, 0.53%

LAB 77.16, -70.16, 65.62

 

CMYK 77 / 35 / 0 / 14

HEX #338FDB

RGB 51 143 219

HSL 207.14, 0.7%, 0.53%

LAB 57.52, -1, -46.4

 

CMYK 4 / 77 / 0 / 14

HEX #D233DB

RGB 210 51 219

HSL 296.79, 0.7%, 0.53%

LAB 53.15, 78.34, -52.54

 

CMYK 0 / 42 / 77 / 14

HEX #DB7E33

RGB 219 126 51

HSL 26.79, 0.7%, 0.53%

LAB 61.84, 30.44, 54.09

 

Description

Color code: HEX #3ADB33 | qconv.com Color code: HEX #3ADB33 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 219 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 219 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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