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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ADBB2 it is the complementary color #C5244D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ADBB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ADBB2 shade: #3FDBAD, #50EDC0, #61FFD3, #72FFE6 and #83FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ADBB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ADBB2 shade: #3ADBB2, #29C99F, #18B78C, #07A579 and #009366

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ADBB2 shade: #38DAB1, #38DA85, #38DA5A, #43DA38 and #6EDA38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ADBB2 shade: #38DAB1, #38D8DA, #38ACDA, #3880DA and #3855DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ADBB2 shade matches the following richer shades: #38DAB1 and #25EDBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ADBB2 shade: #38DAB1, #4BC7A8, #5EB49E, #71A195 and #848E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ADBB2 shade: #38DA59, #38DA84, #38DAAF, #38DADA and #38AFDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ADBB2 shade: #1DA281, #24C59C, #38DAB1, #5BE1BF and #7EE7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ADBB2 shade: #3ADBB2, #3843DA and #DA6E38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ADBB2 shade: #3ADBB2, #AF38DA and #DAAF38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ADBB2 shade: #3ADBB2, #3843DA, #DA3863 and #DACF38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ADBB2 shade: #3ADBB2, #5E38DA, #DA3863 and #B4DA38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 19 / 14

HEX #3ADBB2

RGB 58 219 178

HSL 164.72, 0.69%, 0.54%

LAB 78.91, -50.34, 8.48

 

Complementary color

CMYK 0 / 82 / 61 / 23

HEX #C5244D

RGB 197 36 77

HSL 344.72, 0.69%, 0.46%

LAB 43.75, 62.79, 18.08

 

CMYK 71 / 0 / 21 / 14

HEX #3FDBAD

RGB 63 219 173

HSL 162.31, 0.68%, 0.55%

LAB 78.89, -50.88, 11.11

 

CMYK 66 / 0 / 19 / 7

HEX #50EDC0

RGB 80 237 192

HSL 162.8, 0.81%, 0.62%

LAB 85.04, -51.35, 9.91

 

CMYK 62 / 0 / 17 / 0

HEX #61FFD3

RGB 97 255 211

HSL 163.29, 1%, 0.69%

LAB 91.13, -51.65, 8.81

 

CMYK 55 / 0 / 10 / 0

HEX #72FFE6

RGB 114 255 230

HSL 169.36, 1%, 0.72%

LAB 92.05, -44.12, 0.38

 

CMYK 49 / 0 / 2 / 0

HEX #83FFF9

RGB 131 255 249

HSL 177.1, 1%, 0.76%

LAB 93.1, -36.1, -7.85

 

CMYK 74 / 0 / 19 / 14

HEX #3ADBB2

RGB 58 219 178

HSL 164.72, 0.69%, 0.54%

LAB 78.91, -50.34, 8.48

 

CMYK 80 / 0 / 21 / 21

HEX #29C99F

RGB 41 201 159

HSL 164.25, 0.66%, 0.47%

LAB 72.73, -49.51, 9.78

 

CMYK 87 / 0 / 23 / 28

HEX #18B78C

RGB 24 183 140

HSL 163.77, 0.77%, 0.41%

LAB 66.49, -48.34, 11.23

 

CMYK 96 / 0 / 27 / 35

HEX #07A579

RGB 7 165 121

HSL 163.29, 0.92%, 0.34%

LAB 60.19, -46.73, 12.84

 

CMYK 100 / 0 / 31 / 42

HEX #009366

RGB 0 147 102

HSL 161.63, 1%, 0.29%

LAB 53.84, -44.55, 14.64

 

CMYK 74 / 0 / 19 / 15

HEX #38DAB1

RGB 56 218 177

HSL 164.81, 0.69%, 0.54%

LAB 78.55, -50.42, 8.49

 

CMYK 74 / 0 / 39 / 15

HEX #38DA85

RGB 56 218 133

HSL 148.52, 0.69%, 0.54%

LAB 77.68, -59.87, 30.34

 

CMYK 74 / 0 / 59 / 15

HEX #38DA5A

RGB 56 218 90

HSL 132.59, 0.69%, 0.54%

LAB 77.11, -66.51, 50.47

 

CMYK 69 / 0 / 74 / 15

HEX #43DA38

RGB 67 218 56

HSL 115.93, 0.69%, 0.54%

LAB 77.05, -68.01, 63.95

 

CMYK 50 / 0 / 74 / 15

HEX #6EDA38

RGB 110 218 56

HSL 100, 0.69%, 0.54%

LAB 78.31, -57.9, 65.62

 

CMYK 74 / 0 / 19 / 15

HEX #38DAB1

RGB 56 218 177

HSL 164.81, 0.69%, 0.54%

LAB 78.55, -50.42, 8.49

 

CMYK 74 / 1 / 0 / 15

HEX #38D8DA

RGB 56 216 218

HSL 180.74, 0.69%, 0.54%

LAB 79.05, -38.65, -12.67

 

CMYK 74 / 21 / 0 / 15

HEX #38ACDA

RGB 56 172 218

HSL 197.04, 0.69%, 0.54%

LAB 66.06, -16.97, -32.46

 

CMYK 74 / 41 / 0 / 15

HEX #3880DA

RGB 56 128 218

HSL 213.33, 0.69%, 0.54%

LAB 53.32, 8.22, -52.51

 

CMYK 74 / 61 / 0 / 15

HEX #3855DA

RGB 56 85 218

HSL 229.26, 0.69%, 0.54%

LAB 41.84, 35.3, -71.05

 

CMYK 74 / 0 / 19 / 15

HEX #38DAB1

RGB 56 218 177

HSL 164.81, 0.69%, 0.54%

LAB 78.55, -50.42, 8.49

 

CMYK 84 / 0 / 22 / 7

HEX #25EDBA

RGB 37 237 186

HSL 164.7, 0.85%, 0.54%

LAB 84.23, -57.61, 11.81

 

CMYK 74 / 0 / 19 / 15

HEX #38DAB1

RGB 56 218 177

HSL 164.81, 0.69%, 0.54%

LAB 78.55, -50.42, 8.49

 

CMYK 62 / 0 / 16 / 22

HEX #4BC7A8

RGB 75 199 168

HSL 165, 0.53%, 0.54%

LAB 73, -41.72, 5.41

 

CMYK 48 / 0 / 12 / 29

HEX #5EB49E

RGB 94 180 158

HSL 164.65, 0.36%, 0.54%

LAB 67.64, -31.41, 3.21

 

CMYK 30 / 0 / 7 / 37

HEX #71A195

RGB 113 161 149

HSL 165, 0.2%, 0.54%

LAB 62.65, -18.74, 1.08

 

CMYK 7 / 0 / 1 / 44

HEX #848E8C

RGB 132 142 140

HSL 168, 0.04%, 0.54%

LAB 58.17, -4.03, -0.19

 

CMYK 74 / 0 / 59 / 15

HEX #38DA59

RGB 56 218 89

HSL 132.22, 0.69%, 0.54%

LAB 77.1, -66.63, 50.9

 

CMYK 74 / 0 / 39 / 15

HEX #38DA84

RGB 56 218 132

HSL 148.15, 0.69%, 0.54%

LAB 77.67, -60.06, 30.83

 

CMYK 74 / 0 / 20 / 15

HEX #38DAAF

RGB 56 218 175

HSL 164.07, 0.69%, 0.54%

LAB 78.51, -50.9, 9.49

 

CMYK 74 / 0 / 0 / 15

HEX #38DADA

RGB 56 218 218

HSL 180, 0.69%, 0.54%

LAB 79.64, -39.56, -11.79

 

CMYK 74 / 20 / 0 / 15

HEX #38AFDA

RGB 56 175 218

HSL 195.93, 0.69%, 0.54%

LAB 66.95, -18.56, -31.09

 

CMYK 82 / 0 / 20 / 36

HEX #1DA281

RGB 29 162 129

HSL 165.11, 0.7%, 0.37%

LAB 59.6, -42.03, 7.56

 

CMYK 82 / 0 / 21 / 23

HEX #24C59C

RGB 36 197 156

HSL 164.72, 0.69%, 0.46%

LAB 71.36, -49.1, 9.45

 

CMYK 74 / 0 / 19 / 15

HEX #38DAB1

RGB 56 218 177

HSL 164.81, 0.69%, 0.54%

LAB 78.55, -50.42, 8.49

 

CMYK 60 / 0 / 15 / 12

HEX #5BE1BF

RGB 91 225 191

HSL 164.78, 0.69%, 0.62%

LAB 81.75, -44.64, 5.76

 

CMYK 45 / 0 / 12 / 9

HEX #7EE7CC

RGB 126 231 204

HSL 164.57, 0.69%, 0.7%

LAB 84.97, -36.82, 3.7

 

CMYK 74 / 0 / 19 / 14

HEX #3ADBB2

RGB 58 219 178

HSL 164.72, 0.69%, 0.54%

LAB 78.91, -50.34, 8.48

 

CMYK 74 / 69 / 0 / 15

HEX #3843DA

RGB 56 67 218

HSL 235.93, 0.69%, 0.54%

LAB 37.69, 46.32, -77.86

 

CMYK 0 / 50 / 74 / 15

HEX #DA6E38

RGB 218 110 56

HSL 20, 0.69%, 0.54%

LAB 58.36, 38.55, 48.2

 

CMYK 74 / 0 / 19 / 14

HEX #3ADBB2

RGB 58 219 178

HSL 164.72, 0.69%, 0.54%

LAB 78.91, -50.34, 8.48

 

CMYK 20 / 74 / 0 / 15

HEX #AF38DA

RGB 175 56 218

HSL 284.07, 0.69%, 0.54%

LAB 48.27, 69.91, -60.1

 

CMYK 0 / 20 / 74 / 15

HEX #DAAF38

RGB 218 175 56

HSL 44.07, 0.69%, 0.54%

LAB 73.45, 4.02, 63.32

 

CMYK 74 / 0 / 19 / 14

HEX #3ADBB2

RGB 58 219 178

HSL 164.72, 0.69%, 0.54%

LAB 78.91, -50.34, 8.48

 

CMYK 74 / 69 / 0 / 15

HEX #3843DA

RGB 56 67 218

HSL 235.93, 0.69%, 0.54%

LAB 37.69, 46.32, -77.86

 

CMYK 0 / 74 / 55 / 15

HEX #DA3863

RGB 218 56 99

HSL 344.07, 0.69%, 0.54%

LAB 50.26, 64.33, 14.06

 

CMYK 0 / 5 / 74 / 15

HEX #DACF38

RGB 218 207 56

HSL 55.93, 0.69%, 0.54%

LAB 81.74, -12.5, 71.18

 

CMYK 74 / 0 / 19 / 14

HEX #3ADBB2

RGB 58 219 178

HSL 164.72, 0.69%, 0.54%

LAB 78.91, -50.34, 8.48

 

CMYK 57 / 74 / 0 / 15

HEX #5E38DA

RGB 94 56 218

HSL 254.07, 0.69%, 0.54%

LAB 38.32, 56.58, -76.73

 

CMYK 0 / 74 / 55 / 15

HEX #DA3863

RGB 218 56 99

HSL 344.07, 0.69%, 0.54%

LAB 50.26, 64.33, 14.06

 

CMYK 17 / 0 / 74 / 15

HEX #B4DA38

RGB 180 218 56

HSL 74.07, 0.69%, 0.54%

LAB 81.91, -33.46, 70.34

 

Description

Color code: HEX #3ADBB2 | qconv.com Color code: HEX #3ADBB2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 219 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 219 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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