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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE243 it is the complementary color #C51DBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE243 shade: #3FE23E, #50F451, #61FF64, #72FF77 and #83FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE243 shade: #3AE243, #29D030, #18BE1D, #07AC0A and #009A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE243 shade: #3BE144, #5FE13B, #8CE13B, #B9E13B and #E1DD3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE243 shade: #3BE144, #3BE171, #3BE19E, #3BE1CA and #3BCBE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE243 shade matches the following richer shades: #3BE144 and #29F334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE243 shade: #3BE144, #4DCF54, #60BD65, #72AB75 and #849985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE243 shade: #8CE13B, #5FE13B, #3BE144, #3BE170 and #3BE19C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE243 shade: #1AB022, #1FD429, #3BE144, #5FE766 and #83EC89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE243 shade: #3AE243, #3BB8E1 and #E13B75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE243 shade: #3AE243, #443BE1 and #E1443B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE243 shade: #3AE243, #3BB8E1, #E13BD9 and #E1653B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE243 shade: #3AE243, #3B86E1, #E13BD9 and #E1973B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 70 / 11

HEX #3AE243

RGB 58 226 67

HSL 123.21, 0.74%, 0.56%

LAB 79.44, -71.13, 62.46

 

Complementary color

CMYK 0 / 85 / 5 / 23

HEX #C51DBC

RGB 197 29 188

HSL 303.21, 0.74%, 0.44%

LAB 47.47, 76.22, -43.86

 

CMYK 72 / 0 / 73 / 11

HEX #3FE23E

RGB 63 226 62

HSL 119.63, 0.74%, 0.56%

LAB 79.5, -70.76, 64.34

 

CMYK 67 / 0 / 67 / 4

HEX #50F451

RGB 80 244 81

HSL 120.37, 0.88%, 0.64%

LAB 85.5, -71.96, 63.72

 

CMYK 62 / 0 / 61 / 0

HEX #61FF64

RGB 97 255 100

HSL 121.14, 1%, 0.69%

LAB 89.38, -70.44, 60.44

 

CMYK 55 / 0 / 53 / 0

HEX #72FF77

RGB 114 255 119

HSL 122.13, 1%, 0.72%

LAB 90.06, -64.5, 53.04

 

CMYK 49 / 0 / 46 / 0

HEX #83FF8A

RGB 131 255 138

HSL 123.39, 1%, 0.76%

LAB 90.86, -57.77, 45.29

 

CMYK 74 / 0 / 70 / 11

HEX #3AE243

RGB 58 226 67

HSL 123.21, 0.74%, 0.56%

LAB 79.44, -71.13, 62.46

 

CMYK 80 / 0 / 77 / 18

HEX #29D030

RGB 41 208 48

HSL 122.51, 0.67%, 0.49%

LAB 73.41, -69.36, 62.82

 

CMYK 87 / 0 / 85 / 25

HEX #18BE1D

RGB 24 190 29

HSL 121.81, 0.78%, 0.42%

LAB 67.36, -66.89, 62.39

 

CMYK 96 / 0 / 94 / 33

HEX #07AC0A

RGB 7 172 10

HSL 121.09, 0.92%, 0.35%

LAB 61.28, -63.55, 60.64

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 58 / 0 / 74 / 12

HEX #5FE13B

RGB 95 225 59

HSL 106.99, 0.73%, 0.56%

LAB 79.95, -64.19, 66.07

 

CMYK 38 / 0 / 74 / 12

HEX #8CE13B

RGB 140 225 59

HSL 90.72, 0.73%, 0.56%

LAB 81.7, -51.06, 68.38

 

CMYK 18 / 0 / 74 / 12

HEX #B9E13B

RGB 185 225 59

HSL 74.46, 0.73%, 0.56%

LAB 84.22, -34.56, 71.68

 

CMYK 0 / 2 / 74 / 12

HEX #E1DD3B

RGB 225 221 59

HSL 58.55, 0.73%, 0.56%

LAB 86.02, -16.4, 74.41

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 74 / 0 / 50 / 12

HEX #3BE171

RGB 59 225 113

HSL 139.52, 0.73%, 0.56%

LAB 79.6, -65.28, 42.76

 

CMYK 74 / 0 / 30 / 12

HEX #3BE19E

RGB 59 225 158

HSL 155.78, 0.73%, 0.56%

LAB 80.32, -57.13, 20.99

 

CMYK 74 / 0 / 10 / 12

HEX #3BE1CA

RGB 59 225 202

HSL 171.69, 0.73%, 0.56%

LAB 81.32, -46.69, -0.79

 

CMYK 74 / 10 / 0 / 12

HEX #3BCBE1

RGB 59 203 225

HSL 187.95, 0.73%, 0.56%

LAB 75.5, -30.14, -21.78

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 83 / 0 / 79 / 5

HEX #29F334

RGB 41 243 52

HSL 123.27, 0.89%, 0.56%

LAB 84.39, -79.23, 72.17

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 63 / 0 / 59 / 19

HEX #4DCF54

RGB 77 207 84

HSL 123.23, 0.58%, 0.56%

LAB 74.09, -59.74, 49.77

 

CMYK 49 / 0 / 47 / 26

HEX #60BD65

RGB 96 189 101

HSL 123.23, 0.41%, 0.56%

LAB 69.34, -45.92, 36.05

 

CMYK 33 / 0 / 32 / 33

HEX #72AB75

RGB 114 171 117

HSL 123.16, 0.25%, 0.56%

LAB 64.95, -29.8, 22.06

 

CMYK 14 / 0 / 13 / 40

HEX #849985

RGB 132 153 133

HSL 122.86, 0.09%, 0.56%

LAB 61.12, -11.44, 8.03

 

CMYK 38 / 0 / 74 / 12

HEX #8CE13B

RGB 140 225 59

HSL 90.72, 0.73%, 0.56%

LAB 81.7, -51.06, 68.38

 

CMYK 58 / 0 / 74 / 12

HEX #5FE13B

RGB 95 225 59

HSL 106.99, 0.73%, 0.56%

LAB 79.95, -64.19, 66.07

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 74 / 0 / 50 / 12

HEX #3BE170

RGB 59 225 112

HSL 139.16, 0.73%, 0.56%

LAB 79.59, -65.43, 43.22

 

CMYK 74 / 0 / 31 / 12

HEX #3BE19C

RGB 59 225 156

HSL 155.06, 0.73%, 0.56%

LAB 80.28, -57.55, 21.98

 

CMYK 85 / 0 / 81 / 31

HEX #1AB022

RGB 26 176 34

HSL 123.2, 0.74%, 0.4%

LAB 62.83, -62.34, 56.9

 

CMYK 85 / 0 / 81 / 17

HEX #1FD429

RGB 31 212 41

HSL 123.31, 0.74%, 0.48%

LAB 74.53, -71.98, 65.91

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 59 / 0 / 56 / 9

HEX #5FE766

RGB 95 231 102

HSL 123.09, 0.74%, 0.64%

LAB 82.13, -62.25, 51.17

 

CMYK 44 / 0 / 42 / 7

HEX #83EC89

RGB 131 236 137

HSL 123.43, 0.73%, 0.72%

LAB 85.31, -50.28, 38.71

 

CMYK 74 / 0 / 70 / 11

HEX #3AE243

RGB 58 226 67

HSL 123.21, 0.74%, 0.56%

LAB 79.44, -71.13, 62.46

 

CMYK 74 / 18 / 0 / 12

HEX #3BB8E1

RGB 59 184 225

HSL 194.82, 0.73%, 0.56%

LAB 69.93, -20.62, -30.32

 

CMYK 0 / 74 / 48 / 12

HEX #E13B75

RGB 225 59 117

HSL 339.04, 0.73%, 0.56%

LAB 52.31, 66.75, 6.24

 

CMYK 74 / 0 / 70 / 11

HEX #3AE243

RGB 58 226 67

HSL 123.21, 0.74%, 0.56%

LAB 79.44, -71.13, 62.46

 

CMYK 70 / 74 / 0 / 12

HEX #443BE1

RGB 68 59 225

HSL 243.25, 0.73%, 0.56%

LAB 37.47, 54.19, -82.22

 

CMYK 0 / 70 / 74 / 12

HEX #E1443B

RGB 225 68 59

HSL 3.25, 0.73%, 0.56%

LAB 52.35, 60, 40.49

 

CMYK 74 / 0 / 70 / 11

HEX #3AE243

RGB 58 226 67

HSL 123.21, 0.74%, 0.56%

LAB 79.44, -71.13, 62.46

 

CMYK 74 / 18 / 0 / 12

HEX #3BB8E1

RGB 59 184 225

HSL 194.82, 0.73%, 0.56%

LAB 69.93, -20.62, -30.32

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD9

RGB 225 59 217

HSL 302.89, 0.73%, 0.56%

LAB 56.23, 78.75, -46.35

 

CMYK 0 / 55 / 74 / 12

HEX #E1653B

RGB 225 101 59

HSL 15.18, 0.73%, 0.56%

LAB 57.68, 45.81, 46.31

 

CMYK 74 / 0 / 70 / 11

HEX #3AE243

RGB 58 226 67

HSL 123.21, 0.74%, 0.56%

LAB 79.44, -71.13, 62.46

 

CMYK 74 / 40 / 0 / 12

HEX #3B86E1

RGB 59 134 225

HSL 212.89, 0.73%, 0.56%

LAB 55.5, 7.49, -52.96

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD9

RGB 225 59 217

HSL 302.89, 0.73%, 0.56%

LAB 56.23, 78.75, -46.35

 

CMYK 0 / 33 / 74 / 12

HEX #E1973B

RGB 225 151 59

HSL 33.25, 0.73%, 0.56%

LAB 68.36, 19.96, 57.37

 

Description

Color code: HEX #3AE243 | qconv.com Color code: HEX #3AE243 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 226 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 226 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 70 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 70% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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