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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE256 it is the complementary color #C51DA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE256 shade: #3FE251, #50F464, #61FF77, #72FF8A and #83FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE256 shade: #3AE256, #29D043, #18BE30, #07AC1D and #009A0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE256 shade: #3BE157, #4CE13B, #79E13B, #A6E13B and #D3E13B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE256 shade: #3BE157, #3BE184, #3BE1B1, #3BE1DD and #3BB9E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE256 shade matches the following richer shades: #3BE157 and #29F34B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE256 shade: #3BE157, #4DCF63, #60BD6F, #72AB7B and #849987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE256 shade: #78E13B, #4CE13B, #3BE157, #3BE183 and #3BE1B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE256 shade: #1AB033, #1FD43D, #3BE157, #5FE776 and #83EC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE256 shade: #3AE256, #3BA4E1 and #E13B62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE256 shade: #3AE256, #573BE1 and #E1573B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE256 shade: #3AE256, #3BA4E1, #E13BC6 and #E1783B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE256 shade: #3AE256, #3B73E1, #E13BC6 and #E1AA3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 62 / 11

HEX #3AE256

RGB 58 226 86

HSL 130, 0.74%, 0.56%

LAB 79.59, -69.28, 55.07

 

Complementary color

CMYK 0 / 85 / 14 / 23

HEX #C51DA9

RGB 197 29 169

HSL 310, 0.74%, 0.44%

LAB 46.46, 73.55, -34.26

 

CMYK 72 / 0 / 64 / 11

HEX #3FE251

RGB 63 226 81

HSL 126.63, 0.74%, 0.57%

LAB 79.64, -69.06, 57.24

 

CMYK 67 / 0 / 59 / 4

HEX #50F464

RGB 80 244 100

HSL 127.32, 0.88%, 0.64%

LAB 85.67, -70.02, 56.09

 

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

CMYK 55 / 0 / 46 / 0

HEX #72FF8A

RGB 114 255 138

HSL 130.21, 1%, 0.72%

LAB 90.29, -61.96, 44.45

 

CMYK 49 / 0 / 38 / 0

HEX #83FF9D

RGB 131 255 157

HSL 132.58, 1%, 0.76%

LAB 91.13, -54.94, 36.4

 

CMYK 74 / 0 / 62 / 11

HEX #3AE256

RGB 58 226 86

HSL 130, 0.74%, 0.56%

LAB 79.59, -69.28, 55.07

 

CMYK 80 / 0 / 68 / 18

HEX #29D043

RGB 41 208 67

HSL 129.34, 0.67%, 0.49%

LAB 73.54, -67.8, 56.16

 

CMYK 87 / 0 / 75 / 25

HEX #18BE30

RGB 24 190 48

HSL 128.67, 0.78%, 0.42%

LAB 67.45, -65.71, 56.88

 

CMYK 96 / 0 / 83 / 33

HEX #07AC1D

RGB 7 172 29

HSL 128, 0.92%, 0.35%

LAB 61.34, -62.8, 56.86

 

CMYK 100 / 0 / 94 / 40

HEX #009A0A

RGB 0 154 10

HSL 123.9, 1%, 0.3%

LAB 55.21, -58.85, 55.52

 

CMYK 74 / 0 / 61 / 12

HEX #3BE157

RGB 59 225 87

HSL 130.12, 0.73%, 0.56%

LAB 79.31, -68.7, 54.32

 

CMYK 66 / 0 / 74 / 12

HEX #4CE13B

RGB 76 225 59

HSL 113.86, 0.73%, 0.56%

LAB 79.44, -68.36, 65.4

 

CMYK 46 / 0 / 74 / 12

HEX #79E13B

RGB 121 225 59

HSL 97.59, 0.73%, 0.56%

LAB 80.87, -57.11, 67.28

 

CMYK 26 / 0 / 74 / 12

HEX #A6E13B

RGB 166 225 59

HSL 81.33, 0.73%, 0.56%

LAB 83.06, -41.83, 70.16

 

CMYK 6 / 0 / 74 / 12

HEX #D3E13B

RGB 211 225 59

HSL 65.06, 0.73%, 0.56%

LAB 86.01, -24.13, 74.01

 

CMYK 74 / 0 / 61 / 12

HEX #3BE157

RGB 59 225 87

HSL 130.12, 0.73%, 0.56%

LAB 79.31, -68.7, 54.32

 

CMYK 74 / 0 / 41 / 12

HEX #3BE184

RGB 59 225 132

HSL 146.39, 0.73%, 0.56%

LAB 79.87, -62.18, 33.73

 

CMYK 74 / 0 / 21 / 12

HEX #3BE1B1

RGB 59 225 177

HSL 162.65, 0.73%, 0.56%

LAB 80.71, -52.89, 11.58

 

CMYK 74 / 0 / 2 / 12

HEX #3BE1DD

RGB 59 225 221

HSL 178.55, 0.73%, 0.56%

LAB 81.84, -41.55, -10.1

 

CMYK 74 / 18 / 0 / 12

HEX #3BB9E1

RGB 59 185 225

HSL 194.46, 0.73%, 0.56%

LAB 70.22, -21.13, -29.86

 

CMYK 74 / 0 / 61 / 12

HEX #3BE157

RGB 59 225 87

HSL 130.12, 0.73%, 0.56%

LAB 79.31, -68.7, 54.32

 

CMYK 83 / 0 / 69 / 5

HEX #29F34B

RGB 41 243 75

HSL 130.1, 0.89%, 0.56%

LAB 84.53, -77.55, 64.76

 

CMYK 74 / 0 / 61 / 12

HEX #3BE157

RGB 59 225 87

HSL 130.12, 0.73%, 0.56%

LAB 79.31, -68.7, 54.32

 

CMYK 63 / 0 / 52 / 19

HEX #4DCF63

RGB 77 207 99

HSL 130.15, 0.58%, 0.56%

LAB 74.26, -57.83, 43

 

CMYK 49 / 0 / 41 / 26

HEX #60BD6F

RGB 96 189 111

HSL 129.68, 0.41%, 0.56%

LAB 69.49, -44.37, 31.11

 

CMYK 33 / 0 / 28 / 33

HEX #72AB7B

RGB 114 171 123

HSL 129.47, 0.25%, 0.56%

LAB 65.07, -28.74, 18.95

 

CMYK 14 / 0 / 12 / 40

HEX #849987

RGB 132 153 135

HSL 128.57, 0.09%, 0.56%

LAB 61.17, -11.06, 6.97

 

CMYK 47 / 0 / 74 / 12

HEX #78E13B

RGB 120 225 59

HSL 97.95, 0.73%, 0.56%

LAB 80.83, -57.41, 67.23

 

CMYK 66 / 0 / 74 / 12

HEX #4CE13B

RGB 76 225 59

HSL 113.86, 0.73%, 0.56%

LAB 79.44, -68.36, 65.4

 

CMYK 74 / 0 / 61 / 12

HEX #3BE157

RGB 59 225 87

HSL 130.12, 0.73%, 0.56%

LAB 79.31, -68.7, 54.32

 

CMYK 74 / 0 / 42 / 12

HEX #3BE183

RGB 59 225 131

HSL 146.02, 0.73%, 0.56%

LAB 79.85, -62.35, 34.21

 

CMYK 74 / 0 / 22 / 12

HEX #3BE1B0

RGB 59 225 176

HSL 162.29, 0.73%, 0.56%

LAB 80.69, -53.13, 12.07

 

CMYK 85 / 0 / 71 / 31

HEX #1AB033

RGB 26 176 51

HSL 130, 0.74%, 0.4%

LAB 62.94, -61.04, 51.15

 

CMYK 85 / 0 / 71 / 17

HEX #1FD43D

RGB 31 212 61

HSL 129.94, 0.74%, 0.48%

LAB 74.64, -70.56, 59.58

 

CMYK 74 / 0 / 61 / 12

HEX #3BE157

RGB 59 225 87

HSL 130.12, 0.73%, 0.56%

LAB 79.31, -68.7, 54.32

 

CMYK 59 / 0 / 49 / 9

HEX #5FE776

RGB 95 231 118

HSL 130.15, 0.74%, 0.64%

LAB 82.32, -60.15, 43.92

 

CMYK 44 / 0 / 37 / 7

HEX #83EC95

RGB 131 236 149

HSL 130.29, 0.73%, 0.72%

LAB 85.5, -48.42, 32.95

 

CMYK 74 / 0 / 62 / 11

HEX #3AE256

RGB 58 226 86

HSL 130, 0.74%, 0.56%

LAB 79.59, -69.28, 55.07

 

CMYK 74 / 27 / 0 / 12

HEX #3BA4E1

RGB 59 164 225

HSL 202.05, 0.73%, 0.56%

LAB 64.09, -9.91, -39.38

 

CMYK 0 / 74 / 56 / 12

HEX #E13B62

RGB 225 59 98

HSL 345.9, 0.73%, 0.56%

LAB 51.86, 65.28, 17.06

 

CMYK 74 / 0 / 62 / 11

HEX #3AE256

RGB 58 226 86

HSL 130, 0.74%, 0.56%

LAB 79.59, -69.28, 55.07

 

CMYK 61 / 74 / 0 / 12

HEX #573BE1

RGB 87 59 225

HSL 250.12, 0.73%, 0.56%

LAB 38.88, 56.23, -79.84

 

CMYK 0 / 61 / 74 / 12

HEX #E1573B

RGB 225 87 59

HSL 10.12, 0.73%, 0.56%

LAB 55.22, 52.26, 43.65

 

CMYK 74 / 0 / 62 / 11

HEX #3AE256

RGB 58 226 86

HSL 130, 0.74%, 0.56%

LAB 79.59, -69.28, 55.07

 

CMYK 74 / 27 / 0 / 12

HEX #3BA4E1

RGB 59 164 225

HSL 202.05, 0.73%, 0.56%

LAB 64.09, -9.91, -39.38

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 0 / 47 / 74 / 12

HEX #E1783B

RGB 225 120 59

HSL 22.05, 0.73%, 0.56%

LAB 61.44, 36.33, 50.29

 

CMYK 74 / 0 / 62 / 11

HEX #3AE256

RGB 58 226 86

HSL 130, 0.74%, 0.56%

LAB 79.59, -69.28, 55.07

 

CMYK 74 / 49 / 0 / 12

HEX #3B73E1

RGB 59 115 225

HSL 219.76, 0.73%, 0.56%

LAB 50.25, 19.22, -61.38

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 0 / 24 / 74 / 12

HEX #E1AA3B

RGB 225 170 59

HSL 40.12, 0.73%, 0.56%

LAB 72.94, 9.81, 61.92

 

Description

Color code: HEX #3AE256 | qconv.com Color code: HEX #3AE256 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 226 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 226 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 62 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 62% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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