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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AEB73 it is the complementary color #C5148C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AEB73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AEB73 shade: #3FEB6E, #50FD81, #61FF94, #72FFA7 and #83FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AEB73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AEB73 shade: #3AEB73, #29D960, #18C74D, #07B53A and #00A327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AEB73 shade: #37EB71, #37EB40, #5EEB37, #8FEB37 and #BFEB37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AEB73 shade: #37EB71, #37EBA1, #37EBD2, #37D3EB and #37A3EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AEB73 shade matches the following richer shades: #37EB71 and #25FD6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AEB73 shade: #37EB71, #49D977, #5AC77D, #6CB684 and #7EA48A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AEB73 shade: #5EEB37, #37EB40, #37EB70, #37EBA0 and #37EBD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AEB73 shade: #12BD49, #16E258, #37EB71, #5CEE8B and #82F2A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AEB73 shade: #3AEB73, #378EEB and #EB3746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AEB73 shade: #3AEB73, #7037EB and #EB7037

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AEB73 shade: #3AEB73, #378EEB, #EB37B2 and #EB9437

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AEB73 shade: #3AEB73, #3758EB, #EB37B2 and #EBCA37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 51 / 8

HEX #3AEB73

RGB 58 235 115

HSL 139.32, 0.82%, 0.57%

LAB 82.68, -68.49, 45.61

 

Complementary color

CMYK 0 / 90 / 29 / 23

HEX #C5148C

RGB 197 20 140

HSL 319.32, 0.82%, 0.43%

LAB 44.61, 71.48, -19.72

 

CMYK 73 / 0 / 53 / 8

HEX #3FEB6E

RGB 63 235 110

HSL 136.4, 0.81%, 0.58%

LAB 82.7, -68.51, 48

 

CMYK 68 / 0 / 49 / 1

HEX #50FD81

RGB 80 253 129

HSL 136.99, 0.98%, 0.65%

LAB 88.71, -69.28, 46.55

 

CMYK 62 / 0 / 42 / 0

HEX #61FF94

RGB 97 255 148

HSL 139.37, 1%, 0.69%

LAB 89.95, -64.03, 39.08

 

CMYK 55 / 0 / 35 / 0

HEX #72FFA7

RGB 114 255 167

HSL 142.55, 1%, 0.72%

LAB 90.73, -57.29, 30.78

 

CMYK 49 / 0 / 27 / 0

HEX #83FFBA

RGB 131 255 186

HSL 146.61, 1%, 0.76%

LAB 91.64, -49.87, 22.5

 

CMYK 75 / 0 / 51 / 8

HEX #3AEB73

RGB 58 235 115

HSL 139.32, 0.82%, 0.57%

LAB 82.68, -68.49, 45.61

 

CMYK 81 / 0 / 56 / 15

HEX #29D960

RGB 41 217 96

HSL 138.75, 0.7%, 0.51%

LAB 76.64, -67.27, 47.13

 

CMYK 88 / 0 / 61 / 22

HEX #18C74D

RGB 24 199 77

HSL 138.17, 0.78%, 0.44%

LAB 70.58, -65.54, 48.62

 

CMYK 96 / 0 / 68 / 29

HEX #07B53A

RGB 7 181 58

HSL 137.59, 0.93%, 0.37%

LAB 64.48, -63.14, 49.95

 

CMYK 100 / 0 / 76 / 36

HEX #00A327

RGB 0 163 39

HSL 134.36, 1%, 0.32%

LAB 58.36, -59.87, 50.87

 

CMYK 77 / 0 / 52 / 8

HEX #37EB71

RGB 55 235 113

HSL 139.33, 0.82%, 0.57%

LAB 82.6, -69.17, 46.45

 

CMYK 77 / 0 / 73 / 8

HEX #37EB40

RGB 55 235 64

HSL 123, 0.82%, 0.57%

LAB 82.16, -74.52, 66.3

 

CMYK 60 / 0 / 77 / 8

HEX #5EEB37

RGB 94 235 55

HSL 107, 0.82%, 0.57%

LAB 82.95, -68.09, 70.27

 

CMYK 39 / 0 / 77 / 8

HEX #8FEB37

RGB 143 235 55

HSL 90.67, 0.82%, 0.57%

LAB 84.76, -54.29, 72.62

 

CMYK 19 / 0 / 77 / 8

HEX #BFEB37

RGB 191 235 55

HSL 74.67, 0.82%, 0.57%

LAB 87.37, -36.94, 76

 

CMYK 77 / 0 / 52 / 8

HEX #37EB71

RGB 55 235 113

HSL 139.33, 0.82%, 0.57%

LAB 82.6, -69.17, 46.45

 

CMYK 77 / 0 / 31 / 8

HEX #37EBA1

RGB 55 235 161

HSL 155.33, 0.82%, 0.57%

LAB 83.34, -60.76, 23.57

 

CMYK 77 / 0 / 11 / 8

HEX #37EBD2

RGB 55 235 210

HSL 171.67, 0.82%, 0.57%

LAB 84.42, -49.27, -0.48

 

CMYK 77 / 10 / 0 / 8

HEX #37D3EB

RGB 55 211 235

HSL 188, 0.82%, 0.57%

LAB 78.11, -31.37, -23.19

 

CMYK 77 / 31 / 0 / 8

HEX #37A3EB

RGB 55 163 235

HSL 204, 0.82%, 0.57%

LAB 64.16, -6.37, -44.78

 

CMYK 77 / 0 / 52 / 8

HEX #37EB71

RGB 55 235 113

HSL 139.33, 0.82%, 0.57%

LAB 82.6, -69.17, 46.45

 

CMYK 85 / 0 / 58 / 1

HEX #25FD6B

RGB 37 253 107

HSL 139.44, 0.98%, 0.57%

LAB 87.83, -77.44, 55.38

 

CMYK 77 / 0 / 52 / 8

HEX #37EB71

RGB 55 235 113

HSL 139.33, 0.82%, 0.57%

LAB 82.6, -69.17, 46.45

 

CMYK 66 / 0 / 45 / 15

HEX #49D977

RGB 73 217 119

HSL 139.17, 0.65%, 0.57%

LAB 77.5, -59.27, 37.24

 

CMYK 55 / 0 / 37 / 22

HEX #5AC77D

RGB 90 199 125

HSL 139.27, 0.49%, 0.57%

LAB 72.56, -47.69, 27.83

 

CMYK 41 / 0 / 27 / 29

HEX #6CB684

RGB 108 182 132

HSL 139.46, 0.34%, 0.57%

LAB 68.25, -34.14, 18.38

 

CMYK 23 / 0 / 16 / 36

HEX #7EA48A

RGB 126 164 138

HSL 138.95, 0.17%, 0.57%

LAB 64.02, -18.39, 9.3

 

CMYK 60 / 0 / 77 / 8

HEX #5EEB37

RGB 94 235 55

HSL 107, 0.82%, 0.57%

LAB 82.95, -68.09, 70.27

 

CMYK 77 / 0 / 73 / 8

HEX #37EB40

RGB 55 235 64

HSL 123, 0.82%, 0.57%

LAB 82.16, -74.52, 66.3

 

CMYK 77 / 0 / 52 / 8

HEX #37EB70

RGB 55 235 112

HSL 139, 0.82%, 0.57%

LAB 82.59, -69.31, 46.91

 

CMYK 77 / 0 / 32 / 8

HEX #37EBA0

RGB 55 235 160

HSL 155, 0.82%, 0.57%

LAB 83.32, -60.96, 24.06

 

CMYK 77 / 0 / 11 / 8

HEX #37EBD0

RGB 55 235 208

HSL 171, 0.82%, 0.57%

LAB 84.37, -49.79, 0.5

 

CMYK 90 / 0 / 61 / 26

HEX #12BD49

RGB 18 189 73

HSL 139.3, 0.83%, 0.41%

LAB 67.28, -63.32, 46.62

 

CMYK 90 / 0 / 61 / 11

HEX #16E258

RGB 22 226 88

HSL 139.41, 0.82%, 0.49%

LAB 79.2, -72.6, 53.64

 

CMYK 77 / 0 / 52 / 8

HEX #37EB71

RGB 55 235 113

HSL 139.33, 0.82%, 0.57%

LAB 82.6, -69.17, 46.45

 

CMYK 61 / 0 / 42 / 7

HEX #5CEE8B

RGB 92 238 139

HSL 139.32, 0.81%, 0.65%

LAB 84.63, -60.17, 36.58

 

CMYK 46 / 0 / 31 / 5

HEX #82F2A6

RGB 130 242 166

HSL 139.29, 0.81%, 0.73%

LAB 87.49, -48.33, 27

 

CMYK 75 / 0 / 51 / 8

HEX #3AEB73

RGB 58 235 115

HSL 139.32, 0.82%, 0.57%

LAB 82.68, -68.49, 45.61

 

CMYK 77 / 40 / 0 / 8

HEX #378EEB

RGB 55 142 235

HSL 211, 0.82%, 0.57%

LAB 58.19, 5.82, -54.25

 

CMYK 0 / 77 / 70 / 8

HEX #EB3746

RGB 235 55 70

HSL 355, 0.82%, 0.57%

LAB 52.77, 67.78, 35.22

 

CMYK 75 / 0 / 51 / 8

HEX #3AEB73

RGB 58 235 115

HSL 139.32, 0.82%, 0.57%

LAB 82.68, -68.49, 45.61

 

CMYK 52 / 77 / 0 / 8

HEX #7037EB

RGB 112 55 235

HSL 259, 0.82%, 0.57%

LAB 41.49, 63.96, -81.14

 

CMYK 0 / 52 / 77 / 8

HEX #EB7037

RGB 235 112 55

HSL 19, 0.82%, 0.57%

LAB 61.24, 44.06, 52.43

 

CMYK 75 / 0 / 51 / 8

HEX #3AEB73

RGB 58 235 115

HSL 139.32, 0.82%, 0.57%

LAB 82.68, -68.49, 45.61

 

CMYK 77 / 40 / 0 / 8

HEX #378EEB

RGB 55 142 235

HSL 211, 0.82%, 0.57%

LAB 58.19, 5.82, -54.25

 

CMYK 0 / 77 / 24 / 8

HEX #EB37B2

RGB 235 55 178

HSL 319, 0.82%, 0.57%

LAB 55.69, 76.77, -24.67

 

CMYK 0 / 37 / 77 / 8

HEX #EB9437

RGB 235 148 55

HSL 31, 0.82%, 0.57%

LAB 68.84, 25.58, 59.91

 

CMYK 75 / 0 / 51 / 8

HEX #3AEB73

RGB 58 235 115

HSL 139.32, 0.82%, 0.57%

LAB 82.68, -68.49, 45.61

 

CMYK 77 / 63 / 0 / 8

HEX #3758EB

RGB 55 88 235

HSL 229, 0.82%, 0.57%

LAB 43.93, 39.38, -77.29

 

CMYK 0 / 77 / 24 / 8

HEX #EB37B2

RGB 235 55 178

HSL 319, 0.82%, 0.57%

LAB 55.69, 76.77, -24.67

 

CMYK 0 / 14 / 77 / 8

HEX #EBCA37

RGB 235 202 55

HSL 49, 0.82%, 0.57%

LAB 81.94, -2.79, 72.24

 

Description

Color code: HEX #3AEB73 | qconv.com Color code: HEX #3AEB73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 235 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 235 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 51 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 51% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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