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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AEC61 it is the complementary color #C5139E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AEC61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AEC61 shade: #3FEC5C, #50FE6F, #61FF82, #72FF95 and #83FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AEC61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AEC61 shade: #3AEC61, #29DA4E, #18C83B, #07B628 and #00A415

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AEC61 shade: #3CEB62, #44EB3C, #74EB3C, #A3EB3C and #D3EB3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AEC61 shade: #3CEB62, #3CEB91, #3CEBC1, #3CE6EB and #3CB7EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AEC61 shade matches the following richer shades: #3CEB62 and #2AFD58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AEC61 shade: #3CEB62, #4DDA6C, #5EC976, #70B77F and #81A689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AEC61 shade: #73EB3C, #44EB3C, #3CEB62, #3CEB90 and #3CEBBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AEC61 shade: #13C239, #16E744, #3CEB62, #61EF80 and #87F39E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AEC61 shade: #3AEC61, #3CA2EB and #EB3C5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AEC61 shade: #3AEC61, #623CEB and #EB623C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AEC61 shade: #3AEC61, #3CA2EB, #EB3CC5 and #EB853C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AEC61 shade: #3AEC61, #3C6DEB, #EB3CC5 and #EBB93C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 59 / 7

HEX #3AEC61

RGB 58 236 97

HSL 133.15, 0.82%, 0.58%

LAB 82.78, -71.2, 53.96

 

Complementary color

CMYK 0 / 90 / 20 / 23

HEX #C5139E

RGB 197 19 158

HSL 313.15, 0.82%, 0.42%

LAB 45.37, 73.76, -29.42

 

CMYK 73 / 0 / 61 / 7

HEX #3FEC5C

RGB 63 236 92

HSL 130.06, 0.82%, 0.59%

LAB 82.82, -71.08, 56.18

 

CMYK 69 / 0 / 56 / 0

HEX #50FE6F

RGB 80 254 111

HSL 130.69, 0.99%, 0.65%

LAB 88.8, -72.03, 54.91

 

CMYK 62 / 0 / 49 / 0

HEX #61FF82

RGB 97 255 130

HSL 132.53, 1%, 0.69%

LAB 89.71, -66.75, 47.41

 

CMYK 55 / 0 / 42 / 0

HEX #72FF95

RGB 114 255 149

HSL 134.89, 1%, 0.72%

LAB 90.44, -60.3, 39.32

 

CMYK 49 / 0 / 34 / 0

HEX #83FFA8

RGB 131 255 168

HSL 137.9, 1%, 0.76%

LAB 91.31, -53.12, 31.16

 

CMYK 75 / 0 / 59 / 7

HEX #3AEC61

RGB 58 236 97

HSL 133.15, 0.82%, 0.58%

LAB 82.78, -71.2, 53.96

 

CMYK 81 / 0 / 64 / 15

HEX #29DA4E

RGB 41 218 78

HSL 132.54, 0.71%, 0.51%

LAB 76.78, -69.76, 55.22

 

CMYK 88 / 0 / 71 / 22

HEX #18C83B

RGB 24 200 59

HSL 131.93, 0.79%, 0.44%

LAB 70.75, -67.75, 56.25

 

CMYK 96 / 0 / 78 / 29

HEX #07B628

RGB 7 182 40

HSL 131.31, 0.93%, 0.37%

LAB 64.69, -64.98, 56.78

 

CMYK 100 / 0 / 87 / 36

HEX #00A415

RGB 0 164 21

HSL 127.68, 1%, 0.32%

LAB 58.61, -61.28, 56.36

 

CMYK 74 / 0 / 58 / 8

HEX #3CEB62

RGB 60 235 98

HSL 133.03, 0.81%, 0.58%

LAB 82.52, -70.49, 53.22

 

CMYK 71 / 0 / 74 / 8

HEX #44EB3C

RGB 68 235 60

HSL 117.26, 0.81%, 0.58%

LAB 82.36, -72.89, 67.91

 

CMYK 51 / 0 / 74 / 8

HEX #74EB3C

RGB 116 235 60

HSL 100.8, 0.81%, 0.58%

LAB 83.68, -62.21, 69.65

 

CMYK 31 / 0 / 74 / 8

HEX #A3EB3C

RGB 163 235 60

HSL 84.69, 0.81%, 0.58%

LAB 85.77, -47.16, 72.39

 

CMYK 10 / 0 / 74 / 8

HEX #D3EB3C

RGB 211 235 60

HSL 68.23, 0.81%, 0.58%

LAB 88.73, -28.82, 76.24

 

CMYK 74 / 0 / 58 / 8

HEX #3CEB62

RGB 60 235 98

HSL 133.03, 0.81%, 0.58%

LAB 82.52, -70.49, 53.22

 

CMYK 74 / 0 / 38 / 8

HEX #3CEB91

RGB 60 235 145

HSL 149.14, 0.81%, 0.58%

LAB 83.14, -63.28, 31.48

 

CMYK 74 / 0 / 18 / 8

HEX #3CEBC1

RGB 60 235 193

HSL 165.6, 0.81%, 0.58%

LAB 84.08, -53, 7.98

 

CMYK 74 / 2 / 0 / 8

HEX #3CE6EB

RGB 60 230 235

HSL 181.71, 0.81%, 0.58%

LAB 83.73, -39.73, -14.69

 

CMYK 74 / 22 / 0 / 8

HEX #3CB7EB

RGB 60 183 235

HSL 197.83, 0.81%, 0.58%

LAB 70.05, -16.71, -35.57

 

CMYK 74 / 0 / 58 / 8

HEX #3CEB62

RGB 60 235 98

HSL 133.03, 0.81%, 0.58%

LAB 82.52, -70.49, 53.22

 

CMYK 83 / 0 / 65 / 1

HEX #2AFD58

RGB 42 253 88

HSL 133.08, 0.98%, 0.58%

LAB 87.7, -79.16, 63.19

 

CMYK 74 / 0 / 58 / 8

HEX #3CEB62

RGB 60 235 98

HSL 133.03, 0.81%, 0.58%

LAB 82.52, -70.49, 53.22

 

CMYK 65 / 0 / 50 / 15

HEX #4DDA6C

RGB 77 218 108

HSL 133.19, 0.66%, 0.58%

LAB 77.76, -60.56, 42.97

 

CMYK 53 / 0 / 41 / 21

HEX #5EC976

RGB 94 201 118

HSL 133.46, 0.5%, 0.58%

LAB 73.19, -48.73, 32.31

 

CMYK 39 / 0 / 31 / 28

HEX #70B77F

RGB 112 183 127

HSL 132.68, 0.33%, 0.58%

LAB 68.64, -34.33, 21.64

 

CMYK 22 / 0 / 17 / 35

HEX #81A689

RGB 129 166 137

HSL 132.97, 0.17%, 0.58%

LAB 64.76, -18.59, 10.94

 

CMYK 51 / 0 / 74 / 8

HEX #73EB3C

RGB 115 235 60

HSL 101.14, 0.81%, 0.58%

LAB 83.65, -62.48, 69.6

 

CMYK 71 / 0 / 74 / 8

HEX #44EB3C

RGB 68 235 60

HSL 117.26, 0.81%, 0.58%

LAB 82.36, -72.89, 67.91

 

CMYK 74 / 0 / 58 / 8

HEX #3CEB62

RGB 60 235 98

HSL 133.03, 0.81%, 0.58%

LAB 82.52, -70.49, 53.22

 

CMYK 74 / 0 / 39 / 8

HEX #3CEB90

RGB 60 235 144

HSL 148.8, 0.81%, 0.58%

LAB 83.12, -63.46, 31.97

 

CMYK 74 / 0 / 19 / 8

HEX #3CEBBF

RGB 60 235 191

HSL 164.91, 0.81%, 0.58%

LAB 84.04, -53.48, 8.96

 

CMYK 90 / 0 / 71 / 24

HEX #13C239

RGB 19 194 57

HSL 133.03, 0.82%, 0.42%

LAB 68.76, -66.49, 54.92

 

CMYK 90 / 0 / 71 / 9

HEX #16E744

RGB 22 231 68

HSL 133.21, 0.83%, 0.5%

LAB 80.59, -76.11, 63.17

 

CMYK 74 / 0 / 58 / 8

HEX #3CEB62

RGB 60 235 98

HSL 133.03, 0.81%, 0.58%

LAB 82.52, -70.49, 53.22

 

CMYK 59 / 0 / 46 / 6

HEX #61EF80

RGB 97 239 128

HSL 133.1, 0.82%, 0.66%

LAB 84.91, -61.23, 42.36

 

CMYK 44 / 0 / 35 / 5

HEX #87F39E

RGB 135 243 158

HSL 132.78, 0.82%, 0.74%

LAB 87.83, -48.8, 31.55

 

CMYK 75 / 0 / 59 / 7

HEX #3AEC61

RGB 58 236 97

HSL 133.15, 0.82%, 0.58%

LAB 82.78, -71.2, 53.96

 

CMYK 74 / 31 / 0 / 8

HEX #3CA2EB

RGB 60 162 235

HSL 205.03, 0.81%, 0.58%

LAB 64, -5.22, -45.03

 

CMYK 0 / 74 / 61 / 8

HEX #EB3C5C

RGB 235 60 92

HSL 349.03, 0.81%, 0.58%

LAB 53.67, 67.41, 23.4

 

CMYK 75 / 0 / 59 / 7

HEX #3AEC61

RGB 58 236 97

HSL 133.15, 0.82%, 0.58%

LAB 82.78, -71.2, 53.96

 

CMYK 58 / 74 / 0 / 8

HEX #623CEB

RGB 98 60 235

HSL 253.03, 0.81%, 0.58%

LAB 40.94, 59.92, -82.1

 

CMYK 0 / 58 / 74 / 8

HEX #EB623C

RGB 235 98 60

HSL 13.03, 0.81%, 0.58%

LAB 58.72, 50.89, 47.37

 

CMYK 75 / 0 / 59 / 7

HEX #3AEC61

RGB 58 236 97

HSL 133.15, 0.82%, 0.58%

LAB 82.78, -71.2, 53.96

 

CMYK 74 / 31 / 0 / 8

HEX #3CA2EB

RGB 60 162 235

HSL 205.03, 0.81%, 0.58%

LAB 64, -5.22, -45.03

 

CMYK 0 / 74 / 16 / 8

HEX #EB3CC5

RGB 235 60 197

HSL 313.03, 0.81%, 0.58%

LAB 57, 77.77, -33.62

 

CMYK 0 / 43 / 74 / 8

HEX #EB853C

RGB 235 133 60

HSL 25.03, 0.81%, 0.58%

LAB 65.56, 33.64, 54.5

 

CMYK 75 / 0 / 59 / 7

HEX #3AEC61

RGB 58 236 97

HSL 133.15, 0.82%, 0.58%

LAB 82.78, -71.2, 53.96

 

CMYK 74 / 54 / 0 / 8

HEX #3C6DEB

RGB 60 109 235

HSL 223.2, 0.81%, 0.58%

LAB 49.37, 26.74, -68.42

 

CMYK 0 / 74 / 16 / 8

HEX #EB3CC5

RGB 235 60 197

HSL 313.03, 0.81%, 0.58%

LAB 57, 77.77, -33.62

 

CMYK 0 / 21 / 74 / 8

HEX #EBB93C

RGB 235 185 60

HSL 42.86, 0.81%, 0.58%

LAB 77.69, 6.22, 66.5

 

Description

Color code: HEX #3AEC61 | qconv.com Color code: HEX #3AEC61 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 236 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 236 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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