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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AF75F it is the complementary color #C508A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AF75F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AF75F shade: #3FF75A, #50FF6D, #61FF80, #72FF93 and #83FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AF75F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AF75F shade: #3AF75F, #29E54C, #18D339, #07C126 and #00AF13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AF75F shade: #3BF65F, #49F63B, #7BF63B, #AEF63B and #E0F63B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AF75F shade: #3BF65F, #3BF692, #3BF6C5, #3BF5F6 and #3BC3F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AF75F shade matches the following richer shades: #3BF65F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AF75F shade: #3BF65F, #4BE669, #5CD573, #6CC57E and #7DB488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AF75F shade: #7CF63B, #4AF63B, #3BF65D, #3BF68F and #3BF6C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AF75F shade: #08D631, #13F53F, #3BF65F, #62F880 and #8AFAA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AF75F shade: #3AF75F, #3BAEF6 and #F63B63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AF75F shade: #3AF75F, #5D3BF6 and #F65D3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AF75F shade: #3AF75F, #3BAEF6, #F63BD4 and #F6833B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AF75F shade: #3AF75F, #3B76F6, #F63BD4 and #F6BB3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 62 / 3

HEX #3AF75F

RGB 58 247 95

HSL 131.75, 0.92%, 0.6%

LAB 86.13, -74.9, 58.65

 

Complementary color

CMYK 0 / 96 / 19 / 23

HEX #C508A0

RGB 197 8 160

HSL 311.75, 0.92%, 0.4%

LAB 45.06, 75.2, -31.1

 

CMYK 74 / 0 / 64 / 3

HEX #3FF75A

RGB 63 247 90

HSL 128.8, 0.92%, 0.61%

LAB 86.16, -74.77, 60.77

 

CMYK 69 / 0 / 57 / 0

HEX #50FF6D

RGB 80 255 109

HSL 129.94, 1%, 0.66%

LAB 89.08, -72.6, 56.13

 

CMYK 62 / 0 / 50 / 0

HEX #61FF80

RGB 97 255 128

HSL 131.77, 1%, 0.69%

LAB 89.68, -67.03, 48.32

 

CMYK 55 / 0 / 42 / 0

HEX #72FF93

RGB 114 255 147

HSL 134.04, 1%, 0.72%

LAB 90.42, -60.61, 40.26

 

CMYK 49 / 0 / 35 / 0

HEX #83FFA6

RGB 131 255 166

HSL 136.94, 1%, 0.76%

LAB 91.28, -53.46, 32.11

 

CMYK 77 / 0 / 62 / 3

HEX #3AF75F

RGB 58 247 95

HSL 131.75, 0.92%, 0.6%

LAB 86.13, -74.9, 58.65

 

CMYK 82 / 0 / 67 / 10

HEX #29E54C

RGB 41 229 76

HSL 131.17, 0.78%, 0.53%

LAB 80.2, -73.31, 59.77

 

CMYK 89 / 0 / 73 / 17

HEX #18D339

RGB 24 211 57

HSL 130.59, 0.8%, 0.46%

LAB 74.24, -71.15, 60.58

 

CMYK 96 / 0 / 80 / 24

HEX #07C126

RGB 7 193 38

HSL 130, 0.93%, 0.39%

LAB 68.26, -68.25, 60.81

 

CMYK 100 / 0 / 89 / 31

HEX #00AF13

RGB 0 175 19

HSL 126.51, 1%, 0.34%

LAB 62.26, -64.46, 59.99

 

CMYK 76 / 0 / 61 / 4

HEX #3BF65F

RGB 59 246 95

HSL 131.55, 0.91%, 0.6%

LAB 85.84, -74.46, 58.32

 

CMYK 70 / 0 / 76 / 4

HEX #49F63B

RGB 73 246 59

HSL 115.51, 0.91%, 0.6%

LAB 85.83, -75.51, 71.65

 

CMYK 50 / 0 / 76 / 4

HEX #7BF63B

RGB 123 246 59

HSL 99.47, 0.91%, 0.6%

LAB 87.21, -64.3, 73.47

 

CMYK 29 / 0 / 76 / 4

HEX #AEF63B

RGB 174 246 59

HSL 83.1, 0.91%, 0.6%

LAB 89.5, -47.9, 76.44

 

CMYK 9 / 0 / 76 / 4

HEX #E0F63B

RGB 224 246 59

HSL 67.06, 0.91%, 0.6%

LAB 92.61, -28.79, 80.45

 

CMYK 76 / 0 / 61 / 4

HEX #3BF65F

RGB 59 246 95

HSL 131.55, 0.91%, 0.6%

LAB 85.84, -74.46, 58.32

 

CMYK 76 / 0 / 41 / 4

HEX #3BF692

RGB 59 246 146

HSL 147.91, 0.91%, 0.6%

LAB 86.46, -67.12, 35.37

 

CMYK 76 / 0 / 20 / 4

HEX #3BF6C5

RGB 59 246 197

HSL 164.28, 0.91%, 0.6%

LAB 87.42, -56.56, 10.66

 

CMYK 76 / 0 / 0 / 4

HEX #3BF5F6

RGB 59 245 246

HSL 180.32, 0.91%, 0.6%

LAB 88.39, -43.44, -13.48

 

CMYK 76 / 21 / 0 / 4

HEX #3BC3F6

RGB 59 195 246

HSL 196.36, 0.91%, 0.6%

LAB 73.94, -19.49, -35.49

 

CMYK 76 / 0 / 61 / 4

HEX #3BF65F

RGB 59 246 95

HSL 131.55, 0.91%, 0.6%

LAB 85.84, -74.46, 58.32

 

CMYK 76 / 0 / 61 / 4

HEX #3BF65F

RGB 59 246 95

HSL 131.55, 0.91%, 0.6%

LAB 85.84, -74.46, 58.32

 

CMYK 67 / 0 / 54 / 10

HEX #4BE669

RGB 75 230 105

HSL 131.61, 0.76%, 0.6%

LAB 81.35, -65.56, 48.74

 

CMYK 57 / 0 / 46 / 16

HEX #5CD573

RGB 92 213 115

HSL 131.4, 0.59%, 0.6%

LAB 76.74, -54.45, 38.36

 

CMYK 45 / 0 / 36 / 23

HEX #6CC57E

RGB 108 197 126

HSL 132.13, 0.43%, 0.6%

LAB 72.65, -41.98, 27.54

 

CMYK 31 / 0 / 24 / 29

HEX #7DB488

RGB 125 180 136

HSL 132, 0.27%, 0.6%

LAB 68.59, -27.15, 16.82

 

CMYK 50 / 0 / 76 / 4

HEX #7CF63B

RGB 124 246 59

HSL 99.14, 0.91%, 0.6%

LAB 87.25, -64.02, 73.51

 

CMYK 70 / 0 / 76 / 4

HEX #4AF63B

RGB 74 246 59

HSL 115.19, 0.91%, 0.6%

LAB 85.85, -75.34, 71.68

 

CMYK 76 / 0 / 62 / 4

HEX #3BF65D

RGB 59 246 93

HSL 130.91, 0.91%, 0.6%

LAB 85.82, -74.68, 59.14

 

CMYK 76 / 0 / 42 / 4

HEX #3BF68F

RGB 59 246 143

HSL 146.95, 0.91%, 0.6%

LAB 86.42, -67.64, 36.79

 

CMYK 76 / 0 / 22 / 4

HEX #3BF6C1

RGB 59 246 193

HSL 162.99, 0.91%, 0.6%

LAB 87.33, -57.49, 12.61

 

CMYK 96 / 0 / 77 / 16

HEX #08D631

RGB 8 214 49

HSL 131.94, 0.93%, 0.44%

LAB 75.06, -73.4, 64.02

 

CMYK 92 / 0 / 74 / 4

HEX #13F53F

RGB 19 245 63

HSL 131.68, 0.92%, 0.52%

LAB 84.9, -80.59, 69.26

 

CMYK 76 / 0 / 61 / 4

HEX #3BF65F

RGB 59 246 95

HSL 131.55, 0.91%, 0.6%

LAB 85.84, -74.46, 58.32

 

CMYK 60 / 0 / 48 / 3

HEX #62F880

RGB 98 248 128

HSL 132, 0.91%, 0.68%

LAB 87.63, -64.32, 45.77

 

CMYK 45 / 0 / 36 / 2

HEX #8AFAA0

RGB 138 250 160

HSL 131.79, 0.92%, 0.76%

LAB 90, -50.58, 33.46

 

CMYK 77 / 0 / 62 / 3

HEX #3AF75F

RGB 58 247 95

HSL 131.75, 0.92%, 0.6%

LAB 86.13, -74.9, 58.65

 

CMYK 76 / 29 / 0 / 4

HEX #3BAEF6

RGB 59 174 246

HSL 203.1, 0.91%, 0.6%

LAB 67.91, -8.25, -44.89

 

CMYK 0 / 76 / 60 / 4

HEX #F63B63

RGB 246 59 99

HSL 347.17, 0.91%, 0.6%

LAB 55.71, 71.22, 22.31

 

CMYK 77 / 0 / 62 / 3

HEX #3AF75F

RGB 58 247 95

HSL 131.75, 0.92%, 0.6%

LAB 86.13, -74.9, 58.65

 

CMYK 62 / 76 / 0 / 4

HEX #5D3BF6

RGB 93 59 246

HSL 250.91, 0.91%, 0.6%

LAB 41.39, 62.91, -87.58

 

CMYK 0 / 62 / 76 / 4

HEX #F65D3B

RGB 246 93 59

HSL 10.91, 0.91%, 0.6%

LAB 59.65, 56.89, 49.4

 

CMYK 77 / 0 / 62 / 3

HEX #3AF75F

RGB 58 247 95

HSL 131.75, 0.92%, 0.6%

LAB 86.13, -74.9, 58.65

 

CMYK 76 / 29 / 0 / 4

HEX #3BAEF6

RGB 59 174 246

HSL 203.1, 0.91%, 0.6%

LAB 67.91, -8.25, -44.89

 

CMYK 0 / 76 / 14 / 4

HEX #F63BD4

RGB 246 59 212

HSL 310.91, 0.91%, 0.6%

LAB 59.41, 82.46, -38.28

 

CMYK 0 / 47 / 76 / 4

HEX #F6833B

RGB 246 131 59

HSL 23.1, 0.91%, 0.6%

LAB 66.63, 38.99, 56.51

 

CMYK 77 / 0 / 62 / 3

HEX #3AF75F

RGB 58 247 95

HSL 131.75, 0.92%, 0.6%

LAB 86.13, -74.9, 58.65

 

CMYK 76 / 52 / 0 / 4

HEX #3B76F6

RGB 59 118 246

HSL 221.07, 0.91%, 0.6%

LAB 52.44, 24.99, -69.58

 

CMYK 0 / 76 / 14 / 4

HEX #F63BD4

RGB 246 59 212

HSL 310.91, 0.91%, 0.6%

LAB 59.41, 82.46, -38.28

 

CMYK 0 / 24 / 76 / 4

HEX #F6BB3B

RGB 246 187 59

HSL 41.07, 0.91%, 0.6%

LAB 79.3, 9.8, 68.8

 

Description

Color code: HEX #3AF75F | qconv.com Color code: HEX #3AF75F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 247 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 247 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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