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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B12AE it is the complementary color #C4ED51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B12AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B12AE shade: #4012A9, #5124BC, #6236CF, #7348E2 and #845AF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B12AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B12AE shade: #3B12AE, #2A009B, #190088, #080075 and #000062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B12AE shade: #3B12AF, #6612AF, #9012AF, #AF12A4 and #AF1279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B12AE shade: #3B12AF and #1212AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B12AE shade matches the following richer shades: #3B12AF and #3402BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B12AE shade: #3B12AF, #43229F, #4A3190, #514180 and #595170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B12AE shade: #123EAF, #1215AF, #3912AF, #6312AF and #8D12AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B12AE shade: #220A64, #2E0E8A, #3B12AF, #4816D4 and #5D2BE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B12AE shade: #3B12AE, #AF1268 and #29AF12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B12AE shade: #3B12AE, #AF3912 and #12AF39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B12AE shade: #3B12AE, #AF1268, #88AF12 and #12AF59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B12AE shade: #3B12AE, #AF1239, #88AF12 and #12AF88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 90 / 0 / 32

HEX #3B12AE

RGB 59 18 174

HSL 255.77, 0.81%, 0.38%

LAB 25.01, 56.57, -73

 

Complementary color

CMYK 17 / 0 / 66 / 7

HEX #C4ED51

RGB 196 237 81

HSL 75.77, 0.81%, 0.62%

LAB 88.4, -34.52, 68.27

 

CMYK 62 / 89 / 0 / 34

HEX #4012A9

RGB 64 18 169

HSL 258.28, 0.81%, 0.37%

LAB 24.91, 55.63, -70.13

 

CMYK 57 / 81 / 0 / 26

HEX #5124BC

RGB 81 36 188

HSL 257.76, 0.68%, 0.44%

LAB 30.98, 55.79, -71.4

 

CMYK 53 / 74 / 0 / 19

HEX #6236CF

RGB 98 54 207

HSL 257.25, 0.61%, 0.51%

LAB 37.37, 55.04, -71.93

 

CMYK 49 / 68 / 0 / 11

HEX #7348E2

RGB 115 72 226

HSL 256.75, 0.73%, 0.58%

LAB 43.9, 53.9, -72.08

 

CMYK 46 / 63 / 0 / 4

HEX #845AF5

RGB 132 90 245

HSL 256.26, 0.89%, 0.66%

LAB 50.46, 52.63, -72.02

 

CMYK 66 / 90 / 0 / 32

HEX #3B12AE

RGB 59 18 174

HSL 255.77, 0.81%, 0.38%

LAB 25.01, 56.57, -73

 

CMYK 73 / 100 / 0 / 39

HEX #2A009B

RGB 42 0 155

HSL 256.26, 1%, 0.3%

LAB 19.47, 55.41, -70.7

 

CMYK 82 / 100 / 0 / 47

HEX #190088

RGB 25 0 136

HSL 251.03, 1%, 0.27%

LAB 15.4, 50.03, -65.69

 

CMYK 93 / 100 / 0 / 54

HEX #080075

RGB 8 0 117

HSL 244.1, 1%, 0.23%

LAB 11.52, 44.66, -60.05

 

CMYK 100 / 100 / 0 / 62

HEX #000062

RGB 0 0 98

HSL 240, 1%, 0.19%

LAB 7.97, 39.29, -53.52

 

CMYK 66 / 90 / 0 / 31

HEX #3B12AF

RGB 59 18 175

HSL 255.67, 0.81%, 0.38%

LAB 25.13, 56.84, -73.4

 

CMYK 42 / 90 / 0 / 31

HEX #6612AF

RGB 102 18 175

HSL 272.1, 0.81%, 0.38%

LAB 30.29, 60.94, -64.71

 

CMYK 18 / 90 / 0 / 31

HEX #9012AF

RGB 144 18 175

HSL 288.15, 0.81%, 0.38%

LAB 36.85, 66.87, -53.72

 

CMYK 0 / 90 / 6 / 31

HEX #AF12A4

RGB 175 18 164

HSL 304.2, 0.81%, 0.38%

LAB 41.57, 70.46, -39.27

 

CMYK 0 / 90 / 31 / 31

HEX #AF1279

RGB 175 18 121

HSL 320.64, 0.81%, 0.38%

LAB 39.46, 64.89, -16.29

 

CMYK 66 / 90 / 0 / 31

HEX #3B12AF

RGB 59 18 175

HSL 255.67, 0.81%, 0.38%

LAB 25.13, 56.84, -73.4

 

CMYK 90 / 90 / 0 / 31

HEX #1212AF

RGB 18 18 175

HSL 240, 0.81%, 0.38%

LAB 22.5, 55.01, -77.84

 

CMYK 66 / 90 / 0 / 31

HEX #3B12AF

RGB 59 18 175

HSL 255.67, 0.81%, 0.38%

LAB 25.13, 56.84, -73.4

 

CMYK 73 / 99 / 0 / 25

HEX #3402BF

RGB 52 2 191

HSL 255.87, 0.98%, 0.38%

LAB 25.37, 64.18, -82.56

 

CMYK 66 / 90 / 0 / 31

HEX #3B12AF

RGB 59 18 175

HSL 255.67, 0.81%, 0.38%

LAB 25.13, 56.84, -73.4

 

CMYK 58 / 79 / 0 / 38

HEX #43229F

RGB 67 34 159

HSL 255.84, 0.65%, 0.38%

LAB 26.28, 46.89, -61.8

 

CMYK 49 / 66 / 0 / 44

HEX #4A3190

RGB 74 49 144

HSL 255.79, 0.49%, 0.38%

LAB 28.55, 35.49, -48.84

 

CMYK 37 / 49 / 0 / 50

HEX #514180

RGB 81 65 128

HSL 255.24, 0.33%, 0.38%

LAB 32.01, 22.48, -33.34

 

CMYK 21 / 28 / 0 / 56

HEX #595170

RGB 89 81 112

HSL 255.48, 0.16%, 0.38%

LAB 36.33, 10.4, -16.57

 

CMYK 90 / 65 / 0 / 31

HEX #123EAF

RGB 18 62 175

HSL 223.18, 0.81%, 0.38%

LAB 31.04, 30.97, -63.71

 

CMYK 90 / 88 / 0 / 31

HEX #1215AF

RGB 18 21 175

HSL 238.85, 0.81%, 0.38%

LAB 22.86, 53.92, -77.24

 

CMYK 67 / 90 / 0 / 31

HEX #3912AF

RGB 57 18 175

HSL 254.9, 0.81%, 0.38%

LAB 24.94, 56.7, -73.71

 

CMYK 43 / 90 / 0 / 31

HEX #6312AF

RGB 99 18 175

HSL 270.96, 0.81%, 0.38%

LAB 29.86, 60.59, -65.42

 

CMYK 19 / 90 / 0 / 31

HEX #8D12AF

RGB 141 18 175

HSL 287.01, 0.81%, 0.38%

LAB 36.35, 66.4, -54.56

 

CMYK 66 / 90 / 0 / 61

HEX #220A64

RGB 34 10 100

HSL 256, 0.82%, 0.22%

LAB 12.46, 36.52, -47.29

 

CMYK 67 / 90 / 0 / 46

HEX #2E0E8A

RGB 46 14 138

HSL 255.48, 0.82%, 0.3%

LAB 18.93, 47.1, -61.03

 

CMYK 66 / 90 / 0 / 31

HEX #3B12AF

RGB 59 18 175

HSL 255.67, 0.81%, 0.38%

LAB 25.13, 56.84, -73.4

 

CMYK 66 / 90 / 0 / 17

HEX #4816D4

RGB 72 22 212

HSL 255.79, 0.81%, 0.46%

LAB 31.13, 66.13, -85.23

 

CMYK 60 / 81 / 0 / 9

HEX #5D2BE8

RGB 93 43 232

HSL 255.87, 0.8%, 0.54%

LAB 37.63, 65.96, -85.88

 

CMYK 66 / 90 / 0 / 32

HEX #3B12AE

RGB 59 18 174

HSL 255.77, 0.81%, 0.38%

LAB 25.01, 56.57, -73

 

CMYK 0 / 90 / 41 / 31

HEX #AF1268

RGB 175 18 104

HSL 327.13, 0.81%, 0.38%

LAB 38.81, 63.11, -6.59

 

CMYK 77 / 0 / 90 / 31

HEX #29AF12

RGB 41 175 18

HSL 111.21, 0.81%, 0.38%

LAB 62.66, -60.93, 60.67

 

CMYK 66 / 90 / 0 / 32

HEX #3B12AE

RGB 59 18 174

HSL 255.77, 0.81%, 0.38%

LAB 25.01, 56.57, -73

 

CMYK 0 / 67 / 90 / 31

HEX #AF3912

RGB 175 57 18

HSL 14.9, 0.81%, 0.38%

LAB 41.35, 46.44, 47.09

 

CMYK 90 / 0 / 67 / 31

HEX #12AF39

RGB 18 175 57

HSL 134.9, 0.81%, 0.38%

LAB 62.58, -60.81, 48.32

 

CMYK 66 / 90 / 0 / 32

HEX #3B12AE

RGB 59 18 174

HSL 255.77, 0.81%, 0.38%

LAB 25.01, 56.57, -73

 

CMYK 0 / 90 / 41 / 31

HEX #AF1268

RGB 175 18 104

HSL 327.13, 0.81%, 0.38%

LAB 38.81, 63.11, -6.59

 

CMYK 22 / 0 / 90 / 31

HEX #88AF12

RGB 136 175 18

HSL 74.9, 0.81%, 0.38%

LAB 66.47, -32.61, 65.42

 

CMYK 90 / 0 / 49 / 31

HEX #12AF59

RGB 18 175 89

HSL 147.13, 0.81%, 0.38%

LAB 62.94, -56.43, 33.69

 

CMYK 66 / 90 / 0 / 32

HEX #3B12AE

RGB 59 18 174

HSL 255.77, 0.81%, 0.38%

LAB 25.01, 56.57, -73

 

CMYK 0 / 90 / 67 / 31

HEX #AF1239

RGB 175 18 57

HSL 345.1, 0.81%, 0.38%

LAB 37.56, 59.61, 21.74

 

CMYK 22 / 0 / 90 / 31

HEX #88AF12

RGB 136 175 18

HSL 74.9, 0.81%, 0.38%

LAB 66.47, -32.61, 65.42

 

CMYK 90 / 0 / 22 / 31

HEX #12AF88

RGB 18 175 136

HSL 165.1, 0.81%, 0.38%

LAB 63.81, -46.49, 9.63

 

Description

Color code: HEX #3B12AE | qconv.com Color code: HEX #3B12AE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 18 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 18 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 90 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 90% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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