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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B254E it is the complementary color #C4DAB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B254E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B254E shade: #402549, #51375C, #62496F, #735B82 and #846D95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B254E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B254E shade: #3B254E, #2A133B, #190128, #080015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B254E shade: #3C254F, #47254F, #4F254C, #4F2541 and #4F2535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B254E shade: #3C254F, #30254F and #25254F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B254E shade matches the following richer shades: #3C254F, #3C1C59, #3D1262 and #3E096C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B254E shade: #3C254F, #3B2F46, #3A383C, #3A4233 and #394B29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B254E shade: #25254F, #30254F, #3C254F, #47254F and #4F254C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B254E shade: #110B17, #271833, #3C254F, #51326B and #663F87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B254E shade: #3B254E, #4F2530 and #254F2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B254E shade: #3B254E, #4F3C25 and #254F3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B254E shade: #3B254E, #4F2530, #394F25 and #254F44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B254E shade: #3B254E, #4F2625, #394F25 and #254E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 53 / 0 / 69

HEX #3B254E

RGB 59 37 78

HSL 272.2, 0.36%, 0.23%

LAB 19.24, 19.69, -21.4

 

Complementary color

CMYK 10 / 0 / 19 / 15

HEX #C4DAB1

RGB 196 218 177

HSL 92.2, 0.36%, 0.77%

LAB 84.51, -14.64, 17.76

 

CMYK 12 / 49 / 0 / 71

HEX #402549

RGB 64 37 73

HSL 285, 0.33%, 0.22%

LAB 19.61, 20.09, -17.37

 

CMYK 12 / 40 / 0 / 64

HEX #51375C

RGB 81 55 92

HSL 282.16, 0.25%, 0.29%

LAB 27.45, 19.18, -17.63

 

CMYK 12 / 34 / 0 / 56

HEX #62496F

RGB 98 73 111

HSL 279.47, 0.21%, 0.36%

LAB 35.02, 18.37, -17.88

 

CMYK 12 / 30 / 0 / 49

HEX #735B82

RGB 115 91 130

HSL 276.92, 0.18%, 0.43%

LAB 42.37, 17.66, -18.12

 

CMYK 11 / 27 / 0 / 42

HEX #846D95

RGB 132 109 149

HSL 274.5, 0.16%, 0.51%

LAB 49.51, 17.03, -18.39

 

CMYK 24 / 53 / 0 / 69

HEX #3B254E

RGB 59 37 78

HSL 272.2, 0.36%, 0.23%

LAB 19.24, 19.69, -21.4

 

CMYK 29 / 68 / 0 / 77

HEX #2A133B

RGB 42 19 59

HSL 274.5, 0.51%, 0.15%

LAB 11.09, 20.74, -21.29

 

CMYK 38 / 98 / 0 / 84

HEX #190128

RGB 25 1 40

HSL 276.92, 0.95%, 0.08%

LAB 3.45, 17.7, -19.58

 

CMYK 62 / 100 / 0 / 92

HEX #080015

RGB 8 0 21

HSL 262.86, 1%, 0.04%

LAB 0.96, 5.53, -8.62

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 24 / 53 / 0 / 69

HEX #3C254F

RGB 60 37 79

HSL 272.86, 0.36%, 0.23%

LAB 19.43, 20.29, -21.77

 

CMYK 10 / 53 / 0 / 69

HEX #47254F

RGB 71 37 79

HSL 288.57, 0.36%, 0.23%

LAB 20.93, 23.96, -19.29

 

CMYK 0 / 53 / 4 / 69

HEX #4F254C

RGB 79 37 76

HSL 304.29, 0.36%, 0.23%

LAB 21.97, 26.03, -15.56

 

CMYK 0 / 53 / 18 / 69

HEX #4F2541

RGB 79 37 65

HSL 320, 0.36%, 0.23%

LAB 21.46, 23.87, -8.88

 

CMYK 0 / 53 / 33 / 69

HEX #4F2535

RGB 79 37 53

HSL 337.14, 0.36%, 0.23%

LAB 20.99, 21.83, -1.33

 

CMYK 24 / 53 / 0 / 69

HEX #3C254F

RGB 60 37 79

HSL 272.86, 0.36%, 0.23%

LAB 19.43, 20.29, -21.77

 

CMYK 39 / 53 / 0 / 69

HEX #30254F

RGB 48 37 79

HSL 255.71, 0.36%, 0.23%

LAB 17.99, 16.47, -24.13

 

CMYK 53 / 53 / 0 / 69

HEX #25254F

RGB 37 37 79

HSL 240, 0.36%, 0.23%

LAB 16.9, 13.28, -25.94

 

CMYK 24 / 53 / 0 / 69

HEX #3C254F

RGB 60 37 79

HSL 272.86, 0.36%, 0.23%

LAB 19.43, 20.29, -21.77

 

CMYK 33 / 69 / 0 / 65

HEX #3C1C59

RGB 60 28 89

HSL 271.48, 0.52%, 0.23%

LAB 17.97, 28.65, -30.81

 

CMYK 38 / 82 / 0 / 62

HEX #3D1262

RGB 61 18 98

HSL 272.25, 0.69%, 0.23%

LAB 17.02, 36.46, -38.35

 

CMYK 43 / 92 / 0 / 58

HEX #3E096C

RGB 62 9 108

HSL 272.12, 0.85%, 0.23%

LAB 17, 42.46, -44.95

 

CMYK 24 / 53 / 0 / 69

HEX #3C254F

RGB 60 37 79

HSL 272.86, 0.36%, 0.23%

LAB 19.43, 20.29, -21.77

 

CMYK 16 / 33 / 0 / 73

HEX #3B2F46

RGB 59 47 70

HSL 271.3, 0.2%, 0.23%

LAB 21.6, 10.77, -12.3

 

CMYK 3 / 7 / 0 / 76

HEX #3A383C

RGB 58 56 60

HSL 270, 0.03%, 0.23%

LAB 23.85, 1.78, -2.18

 

CMYK 12 / 0 / 23 / 74

HEX #3A4233

RGB 58 66 51

HSL 92, 0.13%, 0.23%

LAB 26.83, -6.6, 8.05

 

CMYK 24 / 0 / 45 / 71

HEX #394B29

RGB 57 75 41

HSL 91.76, 0.29%, 0.23%

LAB 29.57, -14.16, 17.99

 

CMYK 53 / 53 / 0 / 69

HEX #25254F

RGB 37 37 79

HSL 240, 0.36%, 0.23%

LAB 16.9, 13.28, -25.94

 

CMYK 39 / 53 / 0 / 69

HEX #30254F

RGB 48 37 79

HSL 255.71, 0.36%, 0.23%

LAB 17.99, 16.47, -24.13

 

CMYK 24 / 53 / 0 / 69

HEX #3C254F

RGB 60 37 79

HSL 272.86, 0.36%, 0.23%

LAB 19.43, 20.29, -21.77

 

CMYK 10 / 53 / 0 / 69

HEX #47254F

RGB 71 37 79

HSL 288.57, 0.36%, 0.23%

LAB 20.93, 23.96, -19.29

 

CMYK 0 / 53 / 4 / 69

HEX #4F254C

RGB 79 37 76

HSL 304.29, 0.36%, 0.23%

LAB 21.97, 26.03, -15.56

 

CMYK 26 / 52 / 0 / 91

HEX #110B17

RGB 17 11 23

HSL 270, 0.35%, 0.07%

LAB 3.8, 4.34, -5.83

 

CMYK 24 / 53 / 0 / 80

HEX #271833

RGB 39 24 51

HSL 273.33, 0.36%, 0.15%

LAB 11.44, 14.03, -15.01

 

CMYK 24 / 53 / 0 / 69

HEX #3C254F

RGB 60 37 79

HSL 272.86, 0.36%, 0.23%

LAB 19.43, 20.29, -21.77

 

CMYK 24 / 53 / 0 / 58

HEX #51326B

RGB 81 50 107

HSL 272.63, 0.36%, 0.31%

LAB 27, 26.12, -28.04

 

CMYK 24 / 53 / 0 / 47

HEX #663F87

RGB 102 63 135

HSL 272.5, 0.36%, 0.39%

LAB 34.25, 31.63, -33.97

 

CMYK 24 / 53 / 0 / 69

HEX #3B254E

RGB 59 37 78

HSL 272.2, 0.36%, 0.23%

LAB 19.24, 19.69, -21.4

 

CMYK 0 / 53 / 39 / 69

HEX #4F2530

RGB 79 37 48

HSL 344.29, 0.36%, 0.23%

LAB 20.82, 21.08, 1.89

 

CMYK 53 / 0 / 46 / 69

HEX #254F2B

RGB 37 79 43

HSL 128.57, 0.36%, 0.23%

LAB 29.81, -23.62, 16.86

 

CMYK 24 / 53 / 0 / 69

HEX #3B254E

RGB 59 37 78

HSL 272.2, 0.36%, 0.23%

LAB 19.24, 19.69, -21.4

 

CMYK 0 / 24 / 53 / 69

HEX #4F3C25

RGB 79 60 37

HSL 32.86, 0.36%, 0.23%

LAB 26.81, 4.96, 17.37

 

CMYK 53 / 0 / 24 / 69

HEX #254F3C

RGB 37 79 60

HSL 152.86, 0.36%, 0.23%

LAB 30.19, -19.89, 6.78

 

CMYK 24 / 53 / 0 / 69

HEX #3B254E

RGB 59 37 78

HSL 272.2, 0.36%, 0.23%

LAB 19.24, 19.69, -21.4

 

CMYK 0 / 53 / 39 / 69

HEX #4F2530

RGB 79 37 48

HSL 344.29, 0.36%, 0.23%

LAB 20.82, 21.08, 1.89

 

CMYK 28 / 0 / 53 / 69

HEX #394F25

RGB 57 79 37

HSL 91.43, 0.36%, 0.23%

LAB 30.87, -16.98, 21.99

 

CMYK 53 / 0 / 14 / 69

HEX #254F44

RGB 37 79 68

HSL 164.29, 0.36%, 0.23%

LAB 30.41, -17.79, 2

 

CMYK 24 / 53 / 0 / 69

HEX #3B254E

RGB 59 37 78

HSL 272.2, 0.36%, 0.23%

LAB 19.24, 19.69, -21.4

 

CMYK 0 / 52 / 53 / 69

HEX #4F2625

RGB 79 38 37

HSL 1.43, 0.36%, 0.23%

LAB 20.76, 19.05, 9.4

 

CMYK 28 / 0 / 53 / 69

HEX #394F25

RGB 57 79 37

HSL 91.43, 0.36%, 0.23%

LAB 30.87, -16.98, 21.99

 

CMYK 53 / 1 / 0 / 69

HEX #254E4F

RGB 37 78 79

HSL 181.43, 0.36%, 0.23%

LAB 30.42, -14, -5.03

 

Description

Color code: HEX #3B254E | qconv.com Color code: HEX #3B254E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 37 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 37 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 53 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 53% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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