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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B2964 it is the complementary color #C4D69B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B2964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B2964 shade: #40295F, #513B72, #624D85, #735F98 and #8471AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B2964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B2964 shade: #3B2964, #2A1751, #19053E, #08002B and #000018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B2964 shade: #3B2965, #4B2965, #5C2965, #65295E and #65294E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B2964 shade: #3B2965, #2B2965 and #292965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B2964 shade matches the following richer shades: #3B2965, #371D70, #32127C and #2E0688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B2964 shade: #3B2965, #403459, #44404E, #494C42 and #4D5737

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B2964 shade: #293765, #2B2965, #3B2965, #4B2965 and #5B2965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B2964 shade: #19112A, #2A1D48, #3B2965, #4C3582 and #5E419F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B2964 shade: #3B2964, #652947 and #2F6529

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B2964 shade: #3B2964, #653B29 and #29653B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B2964 shade: #3B2964, #652947, #536529 and #296547

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B2964 shade: #3B2964, #652935, #536529 and #296559

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 59 / 0 / 61

HEX #3B2964

RGB 59 41 100

HSL 258.31, 0.42%, 0.28%

LAB 21.71, 23.5, -32.08

 

Complementary color

CMYK 8 / 0 / 28 / 16

HEX #C4D69B

RGB 196 214 155

HSL 78.31, 0.42%, 0.72%

LAB 83.02, -15.96, 27.2

 

CMYK 33 / 57 / 0 / 63

HEX #40295F

RGB 64 41 95

HSL 265.56, 0.4%, 0.27%

LAB 21.95, 23.42, -28.39

 

CMYK 29 / 48 / 0 / 55

HEX #513B72

RGB 81 59 114

HSL 264, 0.32%, 0.34%

LAB 29.64, 22.33, -28.31

 

CMYK 26 / 42 / 0 / 48

HEX #624D85

RGB 98 77 133

HSL 262.5, 0.27%, 0.41%

LAB 37.11, 21.38, -28.25

 

CMYK 24 / 38 / 0 / 40

HEX #735F98

RGB 115 95 152

HSL 261.05, 0.23%, 0.48%

LAB 44.37, 20.55, -28.24

 

CMYK 23 / 34 / 0 / 33

HEX #8471AB

RGB 132 113 171

HSL 259.66, 0.26%, 0.56%

LAB 51.45, 19.83, -28.28

 

CMYK 41 / 59 / 0 / 61

HEX #3B2964

RGB 59 41 100

HSL 258.31, 0.42%, 0.28%

LAB 21.71, 23.5, -32.08

 

CMYK 48 / 72 / 0 / 68

HEX #2A1751

RGB 42 23 81

HSL 259.66, 0.56%, 0.2%

LAB 13.82, 24.89, -32.24

 

CMYK 60 / 92 / 0 / 76

HEX #19053E

RGB 25 5 62

HSL 261.05, 0.85%, 0.13%

LAB 5.99, 25.55, -31.82

 

CMYK 81 / 100 / 0 / 83

HEX #08002B

RGB 8 0 43

HSL 251.16, 1%, 0.08%

LAB 2.04, 13.16, -24.19

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 42 / 59 / 0 / 60

HEX #3B2965

RGB 59 41 101

HSL 258, 0.42%, 0.28%

LAB 21.78, 23.81, -32.62

 

CMYK 26 / 59 / 0 / 60

HEX #4B2965

RGB 75 41 101

HSL 274, 0.42%, 0.28%

LAB 23.74, 28.27, -29.38

 

CMYK 9 / 59 / 0 / 60

HEX #5C2965

RGB 92 41 101

HSL 291, 0.42%, 0.28%

LAB 26.16, 33.27, -25.39

 

CMYK 0 / 59 / 7 / 60

HEX #65295E

RGB 101 41 94

HSL 307, 0.42%, 0.28%

LAB 27.19, 34.6, -19.12

 

CMYK 0 / 59 / 23 / 60

HEX #65294E

RGB 101 41 78

HSL 323, 0.42%, 0.28%

LAB 26.46, 31.79, -9.71

 

CMYK 42 / 59 / 0 / 60

HEX #3B2965

RGB 59 41 101

HSL 258, 0.42%, 0.28%

LAB 21.78, 23.81, -32.62

 

CMYK 57 / 59 / 0 / 60

HEX #2B2965

RGB 43 41 101

HSL 242, 0.42%, 0.28%

LAB 20.2, 19.86, -35.26

 

CMYK 59 / 59 / 0 / 60

HEX #292965

RGB 41 41 101

HSL 240, 0.42%, 0.28%

LAB 20.03, 19.42, -35.54

 

CMYK 42 / 59 / 0 / 60

HEX #3B2965

RGB 59 41 101

HSL 258, 0.42%, 0.28%

LAB 21.78, 23.81, -32.62

 

CMYK 51 / 74 / 0 / 56

HEX #371D70

RGB 55 29 112

HSL 258.8, 0.59%, 0.28%

LAB 19.48, 33.67, -43.53

 

CMYK 60 / 85 / 0 / 51

HEX #32127C

RGB 50 18 124

HSL 258.11, 0.75%, 0.28%

LAB 18.21, 41.97, -53.34

 

CMYK 66 / 96 / 0 / 47

HEX #2E0688

RGB 46 6 136

HSL 258.46, 0.92%, 0.28%

LAB 17.87, 48.99, -61.54

 

CMYK 42 / 59 / 0 / 60

HEX #3B2965

RGB 59 41 101

HSL 258, 0.42%, 0.28%

LAB 21.78, 23.81, -32.62

 

CMYK 28 / 42 / 0 / 65

HEX #403459

RGB 64 52 89

HSL 259.46, 0.26%, 0.28%

LAB 24.54, 14.42, -20.36

 

CMYK 13 / 18 / 0 / 69

HEX #44404E

RGB 68 64 78

HSL 257.14, 0.1%, 0.28%

LAB 27.97, 4.95, -7.83

 

CMYK 4 / 0 / 13 / 70

HEX #494C42

RGB 73 76 66

HSL 78, 0.07%, 0.28%

LAB 31.76, -3.34, 5.53

 

CMYK 11 / 0 / 37 / 66

HEX #4D5737

RGB 77 87 55

HSL 78.75, 0.23%, 0.28%

LAB 35.34, -10.15, 17.33

 

CMYK 59 / 46 / 0 / 60

HEX #293765

RGB 41 55 101

HSL 226, 0.42%, 0.28%

LAB 24.14, 9.59, -28.94

 

CMYK 57 / 59 / 0 / 60

HEX #2B2965

RGB 43 41 101

HSL 242, 0.42%, 0.28%

LAB 20.2, 19.86, -35.26

 

CMYK 42 / 59 / 0 / 60

HEX #3B2965

RGB 59 41 101

HSL 258, 0.42%, 0.28%

LAB 21.78, 23.81, -32.62

 

CMYK 26 / 59 / 0 / 60

HEX #4B2965

RGB 75 41 101

HSL 274, 0.42%, 0.28%

LAB 23.74, 28.27, -29.38

 

CMYK 10 / 59 / 0 / 60

HEX #5B2965

RGB 91 41 101

HSL 290, 0.42%, 0.28%

LAB 26.01, 32.97, -25.64

 

CMYK 40 / 60 / 0 / 84

HEX #19112A

RGB 25 17 42

HSL 259.2, 0.42%, 0.12%

LAB 7, 11.13, -15.52

 

CMYK 42 / 60 / 0 / 72

HEX #2A1D48

RGB 42 29 72

HSL 258.14, 0.43%, 0.2%

LAB 14.62, 17.98, -24.77

 

CMYK 42 / 59 / 0 / 60

HEX #3B2965

RGB 59 41 101

HSL 258, 0.42%, 0.28%

LAB 21.78, 23.81, -32.62

 

CMYK 42 / 59 / 0 / 49

HEX #4C3582

RGB 76 53 130

HSL 257.92, 0.42%, 0.36%

LAB 28.63, 29.31, -40.02

 

CMYK 41 / 59 / 0 / 38

HEX #5E419F

RGB 94 65 159

HSL 258.51, 0.42%, 0.44%

LAB 35.33, 34.81, -46.92

 

CMYK 41 / 59 / 0 / 61

HEX #3B2964

RGB 59 41 100

HSL 258.31, 0.42%, 0.28%

LAB 21.71, 23.5, -32.08

 

CMYK 0 / 59 / 30 / 60

HEX #652947

RGB 101 41 71

HSL 330, 0.42%, 0.28%

LAB 26.18, 30.7, -5.46

 

CMYK 53 / 0 / 59 / 60

HEX #2F6529

RGB 47 101 41

HSL 114, 0.42%, 0.28%

LAB 37.97, -31.08, 28.19

 

CMYK 41 / 59 / 0 / 61

HEX #3B2964

RGB 59 41 100

HSL 258.31, 0.42%, 0.28%

LAB 21.71, 23.5, -32.08

 

CMYK 0 / 42 / 59 / 60

HEX #653B29

RGB 101 59 41

HSL 18, 0.42%, 0.28%

LAB 29.55, 16.5, 18.94

 

CMYK 59 / 0 / 42 / 60

HEX #29653B

RGB 41 101 59

HSL 138, 0.42%, 0.28%

LAB 38.01, -29.84, 18.08

 

CMYK 41 / 59 / 0 / 61

HEX #3B2964

RGB 59 41 100

HSL 258.31, 0.42%, 0.28%

LAB 21.71, 23.5, -32.08

 

CMYK 0 / 59 / 30 / 60

HEX #652947

RGB 101 41 71

HSL 330, 0.42%, 0.28%

LAB 26.18, 30.7, -5.46

 

CMYK 18 / 0 / 59 / 60

HEX #536529

RGB 83 101 41

HSL 78, 0.42%, 0.28%

LAB 40.09, -17.12, 31.2

 

CMYK 59 / 0 / 30 / 60

HEX #296547

RGB 41 101 71

HSL 150, 0.42%, 0.28%

LAB 38.26, -27.27, 11.26

 

CMYK 41 / 59 / 0 / 61

HEX #3B2964

RGB 59 41 100

HSL 258.31, 0.42%, 0.28%

LAB 21.71, 23.5, -32.08

 

CMYK 0 / 59 / 48 / 60

HEX #652935

RGB 101 41 53

HSL 348, 0.42%, 0.28%

LAB 25.59, 28.31, 5.79

 

CMYK 18 / 0 / 59 / 60

HEX #536529

RGB 83 101 41

HSL 78, 0.42%, 0.28%

LAB 40.09, -17.12, 31.2

 

CMYK 59 / 0 / 12 / 60

HEX #296559

RGB 41 101 89

HSL 168, 0.42%, 0.28%

LAB 38.73, -22.66, 0.95

 

Description

Color code: HEX #3B2964 | qconv.com Color code: HEX #3B2964 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 41 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 41 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 59 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 59% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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