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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B209D it is the complementary color #C4DF62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B209D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B209D shade: #402098, #5132AB, #6244BE, #7356D1 and #8468E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B209D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B209D shade: #3B209D, #2A0E8A, #190077, #080064 and #000051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B209D shade: #3A209C, #5C209C, #7E209C, #9C2099 and #9C2077

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B209D shade: #3A209C and #20209C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B209D shade matches the following richer shades: #3A209C, #3210AB and #2901BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B209D shade: #3A209C, #432F8D, #4C3E7E, #544D6E and #5D5D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B209D shade: #20499C, #20289C, #38209C, #5A209C and #7B209C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B209D shade: #211258, #2E197A, #3A209C, #4727BE and #5A38D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B209D shade: #3B209D, #9C206A and #389C20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B209D shade: #3B209D, #9C3820 and #209C38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B209D shade: #3B209D, #9C206A, #839C20 and #209C51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B209D shade: #3B209D, #9C2045, #839C20 and #209C77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 80 / 0 / 38

HEX #3B209D

RGB 59 32 157

HSL 252.96, 0.66%, 0.37%

LAB 24.94, 46.29, -62.8

 

Complementary color

CMYK 12 / 0 / 56 / 13

HEX #C4DF62

RGB 196 223 98

HSL 72.96, 0.66%, 0.63%

LAB 84.69, -26.74, 57.19

 

CMYK 58 / 79 / 0 / 40

HEX #402098

RGB 64 32 152

HSL 256, 0.65%, 0.36%

LAB 24.92, 45.43, -59.76

 

CMYK 53 / 71 / 0 / 33

HEX #5132AB

RGB 81 50 171

HSL 255.37, 0.55%, 0.43%

LAB 31.74, 44.25, -60.02

 

CMYK 48 / 64 / 0 / 25

HEX #6244BE

RGB 98 68 190

HSL 254.75, 0.48%, 0.51%

LAB 38.64, 42.85, -59.96

 

CMYK 45 / 59 / 0 / 18

HEX #7356D1

RGB 115 86 209

HSL 254.15, 0.57%, 0.58%

LAB 45.5, 41.46, -59.77

 

CMYK 42 / 54 / 0 / 11

HEX #8468E4

RGB 132 104 228

HSL 253.55, 0.7%, 0.65%

LAB 52.29, 40.17, -59.53

 

CMYK 62 / 80 / 0 / 38

HEX #3B209D

RGB 59 32 157

HSL 252.96, 0.66%, 0.37%

LAB 24.94, 46.29, -62.8

 

CMYK 70 / 90 / 0 / 46

HEX #2A0E8A

RGB 42 14 138

HSL 253.55, 0.82%, 0.3%

LAB 18.55, 46.8, -61.68

 

CMYK 79 / 100 / 0 / 53

HEX #190077

RGB 25 0 119

HSL 252.61, 1%, 0.23%

LAB 12.85, 45.56, -59.11

 

CMYK 92 / 100 / 0 / 61

HEX #080064

RGB 8 0 100

HSL 244.8, 1%, 0.2%

LAB 8.75, 40, -53.52

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 63 / 79 / 0 / 39

HEX #3A209C

RGB 58 32 156

HSL 252.58, 0.66%, 0.37%

LAB 24.74, 45.88, -62.52

 

CMYK 41 / 79 / 0 / 39

HEX #5C209C

RGB 92 32 156

HSL 269.03, 0.66%, 0.37%

LAB 28.67, 50.63, -55.93

 

CMYK 19 / 79 / 0 / 39

HEX #7E209C

RGB 126 32 156

HSL 285.48, 0.66%, 0.37%

LAB 33.71, 56.67, -47.51

 

CMYK 0 / 79 / 2 / 39

HEX #9C2099

RGB 156 32 153

HSL 301.45, 0.66%, 0.37%

LAB 38.55, 62.14, -37.65

 

CMYK 0 / 79 / 24 / 39

HEX #9C2077

RGB 156 32 119

HSL 317.9, 0.66%, 0.37%

LAB 36.8, 57.15, -19.43

 

CMYK 63 / 79 / 0 / 39

HEX #3A209C

RGB 58 32 156

HSL 252.58, 0.66%, 0.37%

LAB 24.74, 45.88, -62.52

 

CMYK 79 / 79 / 0 / 39

HEX #20209C

RGB 32 32 156

HSL 240, 0.66%, 0.37%

LAB 22.79, 43.49, -65.81

 

CMYK 63 / 79 / 0 / 39

HEX #3A209C

RGB 58 32 156

HSL 252.58, 0.66%, 0.37%

LAB 24.74, 45.88, -62.52

 

CMYK 71 / 91 / 0 / 33

HEX #3210AB

RGB 50 16 171

HSL 253.16, 0.83%, 0.37%

LAB 23.63, 55.79, -73.49

 

CMYK 78 / 99 / 0 / 27

HEX #2901BB

RGB 41 1 187

HSL 252.9, 0.99%, 0.37%

LAB 23.94, 63.07, -82.59

 

CMYK 63 / 79 / 0 / 39

HEX #3A209C

RGB 58 32 156

HSL 252.58, 0.66%, 0.37%

LAB 24.74, 45.88, -62.52

 

CMYK 52 / 67 / 0 / 45

HEX #432F8D

RGB 67 47 141

HSL 252.77, 0.5%, 0.37%

LAB 27.16, 34.37, -49.3

 

CMYK 40 / 51 / 0 / 51

HEX #4C3E7E

RGB 76 62 126

HSL 253.13, 0.34%, 0.37%

LAB 30.61, 22.41, -34.35

 

CMYK 24 / 30 / 0 / 57

HEX #544D6E

RGB 84 77 110

HSL 252.73, 0.18%, 0.37%

LAB 34.64, 10.68, -17.96

 

CMYK 2 / 2 / 0 / 63

HEX #5D5D5F

RGB 93 93 95

HSL 240, 0.01%, 0.37%

LAB 39.55, 0.43, -1.15

 

CMYK 79 / 53 / 0 / 39

HEX #20499C

RGB 32 73 156

HSL 220.16, 0.66%, 0.37%

LAB 32.86, 17.12, -49.31

 

CMYK 79 / 74 / 0 / 39

HEX #20289C

RGB 32 40 156

HSL 236.13, 0.66%, 0.37%

LAB 24.4, 38.92, -63.15

 

CMYK 64 / 79 / 0 / 39

HEX #38209C

RGB 56 32 156

HSL 251.61, 0.66%, 0.37%

LAB 24.56, 45.65, -62.83

 

CMYK 42 / 79 / 0 / 39

HEX #5A209C

RGB 90 32 156

HSL 268.06, 0.66%, 0.37%

LAB 28.4, 50.31, -56.38

 

CMYK 21 / 79 / 0 / 39

HEX #7B209C

RGB 123 32 156

HSL 284.03, 0.66%, 0.37%

LAB 33.23, 56.1, -48.3

 

CMYK 63 / 80 / 0 / 65

HEX #211258

RGB 33 18 88

HSL 252.86, 0.66%, 0.21%

LAB 12.35, 28.53, -39.43

 

CMYK 62 / 80 / 0 / 52

HEX #2E197A

RGB 46 25 122

HSL 252.99, 0.66%, 0.29%

LAB 18.72, 37.54, -51.24

 

CMYK 63 / 79 / 0 / 39

HEX #3A209C

RGB 58 32 156

HSL 252.58, 0.66%, 0.37%

LAB 24.74, 45.88, -62.52

 

CMYK 63 / 79 / 0 / 25

HEX #4727BE

RGB 71 39 190

HSL 252.72, 0.66%, 0.45%

LAB 30.66, 53.95, -73.13

 

CMYK 58 / 74 / 0 / 16

HEX #5A38D6

RGB 90 56 214

HSL 252.91, 0.66%, 0.53%

LAB 37.58, 54.93, -75.66

 

CMYK 62 / 80 / 0 / 38

HEX #3B209D

RGB 59 32 157

HSL 252.96, 0.66%, 0.37%

LAB 24.94, 46.29, -62.8

 

CMYK 0 / 79 / 32 / 39

HEX #9C206A

RGB 156 32 106

HSL 324.19, 0.66%, 0.37%

LAB 36.26, 55.52, -12.07

 

CMYK 64 / 0 / 79 / 39

HEX #389C20

RGB 56 156 32

HSL 108.39, 0.66%, 0.37%

LAB 56.8, -51.14, 51.99

 

CMYK 62 / 80 / 0 / 38

HEX #3B209D

RGB 59 32 157

HSL 252.96, 0.66%, 0.37%

LAB 24.94, 46.29, -62.8

 

CMYK 0 / 64 / 79 / 39

HEX #9C3820

RGB 156 56 32

HSL 11.61, 0.66%, 0.37%

LAB 37.84, 40.41, 36.1

 

CMYK 79 / 0 / 64 / 39

HEX #209C38

RGB 32 156 56

HSL 131.61, 0.66%, 0.37%

LAB 56.46, -53.39, 42.04

 

CMYK 62 / 80 / 0 / 38

HEX #3B209D

RGB 59 32 157

HSL 252.96, 0.66%, 0.37%

LAB 24.94, 46.29, -62.8

 

CMYK 0 / 79 / 32 / 39

HEX #9C206A

RGB 156 32 106

HSL 324.19, 0.66%, 0.37%

LAB 36.26, 55.52, -12.07

 

CMYK 16 / 0 / 79 / 39

HEX #839C20

RGB 131 156 32

HSL 72.1, 0.66%, 0.37%

LAB 60.52, -25.14, 56.8

 

CMYK 79 / 0 / 48 / 39

HEX #209C51

RGB 32 156 81

HSL 143.71, 0.66%, 0.37%

LAB 56.76, -49.76, 30.06

 

CMYK 62 / 80 / 0 / 38

HEX #3B209D

RGB 59 32 157

HSL 252.96, 0.66%, 0.37%

LAB 24.94, 46.29, -62.8

 

CMYK 0 / 79 / 56 / 39

HEX #9C2045

RGB 156 32 69

HSL 342.1, 0.66%, 0.37%

LAB 35.06, 51.89, 10

 

CMYK 16 / 0 / 79 / 39

HEX #839C20

RGB 131 156 32

HSL 72.1, 0.66%, 0.37%

LAB 60.52, -25.14, 56.8

 

CMYK 79 / 0 / 24 / 39

HEX #209C77

RGB 32 156 119

HSL 162.1, 0.66%, 0.37%

LAB 57.48, -41.71, 10.18

 

Description

Color code: HEX #3B209D | qconv.com Color code: HEX #3B209D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 32 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 32 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 80 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 80% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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