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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B3A82 it is the complementary color #C4C57D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B3A82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B3A82 shade: #403A7D, #514C90, #625EA3, #7370B6 and #8482C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B3A82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B3A82 shade: #3B3A82, #2A286F, #19165C, #080449 and #000036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B3A82 shade: #3B3A82, #4E3A82, #623A82, #753A82 and #823A7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B3A82 shade: #3B3A82 and #3A3A82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B3A82 shade matches the following richer shades: #3B3A82, #2C2B91, #1D1BA0 and #0E0CB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B3A82 shade: #3B3A82, #4A4972, #595963, #686854 and #767745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B3A82 shade: #3A6082, #3A4D82, #3A3A82, #4D3A82 and #603A82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B3A82 shade: #212049, #2E2D65, #3B3A82, #48479E and #5B5AB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B3A82 shade: #3B3A82, #823A73 and #57823A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B3A82 shade: #3B3A82, #823A3A and #3A823A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B3A82 shade: #3B3A82, #823A73, #82823A and #3A8248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B3A82 shade: #3B3A82, #823A5E, #82823A and #3A825E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

Complementary color

CMYK 1 / 0 / 37 / 23

HEX #C4C57D

RGB 196 197 125

HSL 60.83, 0.38%, 0.63%

LAB 77.96, -11.22, 36.02

 

CMYK 49 / 54 / 0 / 51

HEX #403A7D

RGB 64 58 125

HSL 245.37, 0.37%, 0.36%

LAB 28.37, 21.56, -37.37

 

CMYK 44 / 47 / 0 / 44

HEX #514C90

RGB 81 76 144

HSL 244.41, 0.31%, 0.43%

LAB 35.85, 20.25, -37.06

 

CMYK 40 / 42 / 0 / 36

HEX #625EA3

RGB 98 94 163

HSL 243.48, 0.27%, 0.5%

LAB 43.13, 19.17, -36.83

 

CMYK 37 / 38 / 0 / 29

HEX #7370B6

RGB 115 112 182

HSL 242.57, 0.32%, 0.58%

LAB 50.23, 18.27, -36.67

 

CMYK 34 / 35 / 0 / 21

HEX #8482C9

RGB 132 130 201

HSL 241.69, 0.4%, 0.65%

LAB 57.16, 17.51, -36.56

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 62 / 64 / 0 / 56

HEX #2A286F

RGB 42 40 111

HSL 241.69, 0.47%, 0.3%

LAB 20.66, 23.95, -41.01

 

CMYK 73 / 76 / 0 / 64

HEX #19165C

RGB 25 22 92

HSL 242.57, 0.61%, 0.22%

LAB 12.94, 26.28, -41.19

 

CMYK 89 / 95 / 0 / 71

HEX #080449

RGB 8 4 73

HSL 243.48, 0.9%, 0.15%

LAB 5.6, 27.89, -40.33

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 40 / 55 / 0 / 49

HEX #4E3A82

RGB 78 58 130

HSL 256.67, 0.38%, 0.37%

LAB 30.05, 26.69, -37.72

 

CMYK 25 / 55 / 0 / 49

HEX #623A82

RGB 98 58 130

HSL 273.33, 0.38%, 0.37%

LAB 32.33, 32.18, -33.95

 

CMYK 10 / 55 / 0 / 49

HEX #753A82

RGB 117 58 130

HSL 289.17, 0.38%, 0.37%

LAB 34.84, 37.66, -29.82

 

CMYK 0 / 55 / 5 / 49

HEX #823A7B

RGB 130 58 123

HSL 305.83, 0.38%, 0.37%

LAB 36.37, 40.16, -22.94

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 55 / 55 / 0 / 49

HEX #3A3A82

RGB 58 58 130

HSL 240, 0.38%, 0.37%

LAB 28.21, 21.83, -40.78

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 70 / 70 / 0 / 43

HEX #2C2B91

RGB 44 43 145

HSL 240.59, 0.54%, 0.37%

LAB 24.66, 34.44, -55.93

 

CMYK 82 / 83 / 0 / 37

HEX #1D1BA0

RGB 29 27 160

HSL 240.9, 0.71%, 0.37%

LAB 22.24, 47.15, -69.17

 

CMYK 92 / 93 / 0 / 31

HEX #0E0CB0

RGB 14 12 176

HSL 240.73, 0.87%, 0.37%

LAB 21.91, 57.06, -79.43

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 35 / 36 / 0 / 55

HEX #4A4972

RGB 74 73 114

HSL 241.46, 0.22%, 0.37%

LAB 32.78, 11.07, -23.42

 

CMYK 10 / 10 / 0 / 61

HEX #595963

RGB 89 89 99

HSL 240, 0.05%, 0.37%

LAB 38.14, 2.22, -5.74

 

CMYK 0 / 0 / 19 / 59

HEX #686854

RGB 104 104 84

HSL 60, 0.11%, 0.37%

LAB 43.48, -3.77, 11.3

 

CMYK 1 / 0 / 42 / 53

HEX #767745

RGB 118 119 69

HSL 61.2, 0.27%, 0.37%

LAB 48.85, -8.49, 27.34

 

CMYK 55 / 26 / 0 / 49

HEX #3A6082

RGB 58 96 130

HSL 208.33, 0.38%, 0.37%

LAB 39.37, -2.97, -23.11

 

CMYK 55 / 41 / 0 / 49

HEX #3A4D82

RGB 58 77 130

HSL 224.17, 0.38%, 0.37%

LAB 33.6, 9.16, -32.16

 

CMYK 55 / 55 / 0 / 49

HEX #3A3A82

RGB 58 58 130

HSL 240, 0.38%, 0.37%

LAB 28.21, 21.83, -40.78

 

CMYK 41 / 55 / 0 / 49

HEX #4D3A82

RGB 77 58 130

HSL 255.83, 0.38%, 0.37%

LAB 29.95, 26.43, -37.9

 

CMYK 26 / 55 / 0 / 49

HEX #603A82

RGB 96 58 130

HSL 271.67, 0.38%, 0.37%

LAB 32.09, 31.61, -34.35

 

CMYK 55 / 56 / 0 / 71

HEX #212049

RGB 33 32 73

HSL 241.46, 0.39%, 0.21%

LAB 14.61, 13.65, -25.53

 

CMYK 54 / 55 / 0 / 60

HEX #2E2D65

RGB 46 45 101

HSL 241.07, 0.38%, 0.29%

LAB 21.57, 17.79, -33.03

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 54 / 55 / 0 / 38

HEX #48479E

RGB 72 71 158

HSL 240.69, 0.38%, 0.45%

LAB 34.71, 25.81, -47.42

 

CMYK 49 / 50 / 0 / 29

HEX #5B5AB4

RGB 91 90 180

HSL 240.67, 0.38%, 0.53%

LAB 42.51, 25.08, -47.88

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 0 / 55 / 12 / 49

HEX #823A73

RGB 130 58 115

HSL 312.5, 0.38%, 0.37%

LAB 36, 38.73, -18.52

 

CMYK 33 / 0 / 55 / 49

HEX #57823A

RGB 87 130 58

HSL 95.83, 0.38%, 0.37%

LAB 49.85, -28.39, 33.93

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 0 / 55 / 55 / 49

HEX #823A3A

RGB 130 58 58

HSL 0, 0.38%, 0.37%

LAB 34.14, 31.04, 15.04

 

CMYK 55 / 0 / 55 / 49

HEX #3A823A

RGB 58 130 58

HSL 120, 0.38%, 0.37%

LAB 48.47, -38.06, 31.95

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 0 / 55 / 12 / 49

HEX #823A73

RGB 130 58 115

HSL 312.5, 0.38%, 0.37%

LAB 36, 38.73, -18.52

 

CMYK 0 / 0 / 55 / 49

HEX #82823A

RGB 130 130 58

HSL 60, 0.38%, 0.37%

LAB 52.97, -10.4, 38.36

 

CMYK 55 / 0 / 45 / 49

HEX #3A8248

RGB 58 130 72

HSL 131.67, 0.38%, 0.37%

LAB 48.68, -35.88, 24.71

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 0 / 55 / 28 / 49

HEX #823A5E

RGB 130 58 94

HSL 330, 0.38%, 0.37%

LAB 35.16, 35.35, -6.53

 

CMYK 0 / 0 / 55 / 49

HEX #82823A

RGB 130 130 58

HSL 60, 0.38%, 0.37%

LAB 52.97, -10.4, 38.36

 

CMYK 55 / 0 / 28 / 49

HEX #3A825E

RGB 58 130 94

HSL 150, 0.38%, 0.37%

LAB 49.1, -31.53, 12.8

 

Description

Color code: HEX #3B3A82 | qconv.com Color code: HEX #3B3A82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 58 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 58 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 55 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 55% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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