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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B3E18 it is the complementary color #C4C1E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B3E18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B3E18 shade: #403E13, #515026, #626239, #73744C and #84865F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B3E18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B3E18 shade: #3B3E18, #2A2C05, #191A00 and #080800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B3E18 shade: #3B3E18, #3E3718, #3E2C18, #3E2218 and #3E1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B3E18 shade: #3B3E18, #313E18, #263E18, #1C3E18 and #183E1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B3E18 shade matches the following richer shades: #3B3E18, #414511, #474C0A and #4D5303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B3E18 shade: #3B3E18, #35371F, #2F3026, #29292D and #232234

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B3E18 shade: #3E2C18, #3E3618, #3B3E18, #313E18 and #273E18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B3E18 shade: #020301, #1F200C, #3B3E18, #575C23 and #73792F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B3E18 shade: #3B3E18, #183E22 and #31183E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B3E18 shade: #3B3E18, #183B3E and #3E183B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B3E18 shade: #3B3E18, #183E22, #1A183E and #3E1834

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B3E18 shade: #3B3E18, #183E2D, #1A183E and #3E1828

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

Complementary color

CMYK 15 / 16 / 0 / 9

HEX #C4C1E7

RGB 196 193 231

HSL 244.74, 0.44%, 0.83%

LAB 79.41, 8.55, -18.47

 

CMYK 0 / 3 / 70 / 75

HEX #403E13

RGB 64 62 19

HSL 57.33, 0.54%, 0.16%

LAB 25.51, -5.67, 25.95

 

CMYK 0 / 1 / 53 / 68

HEX #515026

RGB 81 80 38

HSL 58.6, 0.36%, 0.23%

LAB 33.19, -6.4, 24.7

 

CMYK 0 / 0 / 42 / 62

HEX #626239

RGB 98 98 57

HSL 60, 0.26%, 0.3%

LAB 40.62, -6.88, 23.33

 

CMYK 1 / 0 / 34 / 55

HEX #73744C

RGB 115 116 76

HSL 61.5, 0.21%, 0.38%

LAB 47.83, -7.21, 22.02

 

CMYK 1 / 0 / 29 / 47

HEX #84865F

RGB 132 134 95

HSL 63.08, 0.17%, 0.45%

LAB 54.85, -7.45, 20.81

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 5 / 0 / 89 / 83

HEX #2A2C05

RGB 42 44 5

HSL 63.08, 0.8%, 0.1%

LAB 17.01, -7, 22.33

 

CMYK 4 / 0 / 100 / 90

HEX #191A00

RGB 25 26 0

HSL 62.31, 1%, 0.05%

LAB 8.53, -5.21, 12.67

 

CMYK 0 / 0 / 100 / 97

HEX #080800

RGB 8 8 0

HSL 60, 1%, 0.02%

LAB 2.04, -1.11, 3.03

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 0 / 11 / 61 / 76

HEX #3E3718

RGB 62 55 24

HSL 48.95, 0.44%, 0.17%

LAB 23.08, -1.8, 20.33

 

CMYK 0 / 29 / 61 / 76

HEX #3E2C18

RGB 62 44 24

HSL 31.58, 0.44%, 0.17%

LAB 19.6, 5.46, 16.13

 

CMYK 0 / 45 / 61 / 76

HEX #3E2218

RGB 62 34 24

HSL 15.79, 0.44%, 0.17%

LAB 16.67, 12.18, 12.42

 

CMYK 0 / 61 / 61 / 76

HEX #3E1818

RGB 62 24 24

HSL 0, 0.44%, 0.17%

LAB 14.08, 18.61, 9.02

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 21 / 0 / 61 / 76

HEX #313E18

RGB 49 62 24

HSL 80.53, 0.44%, 0.17%

LAB 24.21, -12.63, 21.36

 

CMYK 39 / 0 / 61 / 76

HEX #263E18

RGB 38 62 24

HSL 97.89, 0.44%, 0.17%

LAB 23.42, -17.58, 20.23

 

CMYK 55 / 0 / 61 / 76

HEX #1C3E18

RGB 28 62 24

HSL 113.68, 0.44%, 0.17%

LAB 22.85, -21.48, 19.42

 

CMYK 61 / 0 / 52 / 76

HEX #183E1E

RGB 24 62 30

HSL 129.47, 0.44%, 0.17%

LAB 22.77, -21.78, 15.65

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 6 / 0 / 75 / 73

HEX #414511

RGB 65 69 17

HSL 64.62, 0.6%, 0.17%

LAB 27.9, -9.57, 29.47

 

CMYK 7 / 0 / 87 / 70

HEX #474C0A

RGB 71 76 10

HSL 64.55, 0.77%, 0.17%

LAB 30.71, -11.08, 35.16

 

CMYK 7 / 0 / 96 / 67

HEX #4D5303

RGB 77 83 3

HSL 64.5, 0.93%, 0.17%

LAB 33.5, -12.41, 40.1

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 4 / 0 / 44 / 78

HEX #35371F

RGB 53 55 31

HSL 65, 0.28%, 0.17%

LAB 22.26, -5.48, 14.77

 

CMYK 2 / 0 / 21 / 81

HEX #2F3026

RGB 47 48 38

HSL 66, 0.12%, 0.17%

LAB 19.47, -2.62, 6.27

 

CMYK 9 / 9 / 0 / 82

HEX #29292D

RGB 41 41 45

HSL 240, 0.05%, 0.17%

LAB 16.73, 1, -2.61

 

CMYK 33 / 35 / 0 / 80

HEX #232234

RGB 35 34 52

HSL 243.33, 0.21%, 0.17%

LAB 14.11, 5.55, -11.6

 

CMYK 0 / 29 / 61 / 76

HEX #3E2C18

RGB 62 44 24

HSL 31.58, 0.44%, 0.17%

LAB 19.6, 5.46, 16.13

 

CMYK 0 / 13 / 61 / 76

HEX #3E3618

RGB 62 54 24

HSL 47.37, 0.44%, 0.17%

LAB 22.75, -1.16, 19.95

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 21 / 0 / 61 / 76

HEX #313E18

RGB 49 62 24

HSL 80.53, 0.44%, 0.17%

LAB 24.21, -12.63, 21.36

 

CMYK 37 / 0 / 61 / 76

HEX #273E18

RGB 39 62 24

HSL 96.32, 0.44%, 0.17%

LAB 23.48, -17.16, 20.32

 

CMYK 33 / 0 / 67 / 99

HEX #020301

RGB 2 3 1

HSL 90, 0.5%, 0.01%

LAB 0.72, -0.54, 0.66

 

CMYK 3 / 0 / 63 / 87

HEX #1F200C

RGB 31 32 12

HSL 63, 0.45%, 0.09%

LAB 11.63, -4.36, 12.21

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 5 / 0 / 62 / 64

HEX #575C23

RGB 87 92 35

HSL 65.26, 0.45%, 0.25%

LAB 37.48, -10.86, 31.43

 

CMYK 5 / 0 / 61 / 53

HEX #73792F

RGB 115 121 47

HSL 64.86, 0.44%, 0.33%

LAB 48.91, -13.13, 38.84

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 61 / 0 / 45 / 76

HEX #183E22

RGB 24 62 34

HSL 135.79, 0.44%, 0.17%

LAB 22.84, -20.99, 13.23

 

CMYK 21 / 61 / 0 / 76

HEX #31183E

RGB 49 24 62

HSL 279.47, 0.44%, 0.17%

LAB 13.56, 20.56, -19.43

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 61 / 5 / 0 / 76

HEX #183B3E

RGB 24 59 62

HSL 184.74, 0.44%, 0.17%

LAB 22.55, -11.55, -5.71

 

CMYK 0 / 61 / 5 / 76

HEX #3E183B

RGB 62 24 59

HSL 304.74, 0.44%, 0.17%

LAB 15.45, 24.23, -14.19

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 61 / 0 / 45 / 76

HEX #183E22

RGB 24 62 34

HSL 135.79, 0.44%, 0.17%

LAB 22.84, -20.99, 13.23

 

CMYK 58 / 61 / 0 / 76

HEX #1A183E

RGB 26 24 62

HSL 243.16, 0.44%, 0.17%

LAB 10.71, 13.61, -24.15

 

CMYK 0 / 61 / 16 / 76

HEX #3E1834

RGB 62 24 52

HSL 315.79, 0.44%, 0.17%

LAB 15.09, 22.82, -9.78

 

CMYK 5 / 0 / 61 / 76

HEX #3B3E18

RGB 59 62 24

HSL 64.74, 0.44%, 0.17%

LAB 25.08, -7.74, 22.6

 

CMYK 61 / 0 / 27 / 76

HEX #183E2D

RGB 24 62 45

HSL 153.16, 0.44%, 0.17%

LAB 23.1, -18.39, 6.43

 

CMYK 58 / 61 / 0 / 76

HEX #1A183E

RGB 26 24 62

HSL 243.16, 0.44%, 0.17%

LAB 10.71, 13.61, -24.15

 

CMYK 0 / 61 / 35 / 76

HEX #3E1828

RGB 62 24 40

HSL 334.74, 0.44%, 0.17%

LAB 14.57, 20.72, -1.92

 

Description

Color code: HEX #3B3E18 | qconv.com Color code: HEX #3B3E18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 62 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 62 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 61 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 61% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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